2017 – Vizztone Records
By Phillip Smith; April 14, 2018
Dragonfly, the second disc from Long Tall Deb and Colin John is a superb album to sink ones teeth into. This eleven track album explores a variety of worldly genres while anchored in American roots, blues and soul. Deb Landolt aka Long Tall Deb fills each song with her enchanting vocals, building a connection to the listener every time, while Colin John wondrously plays guitar. The main core of musicians on the album consists of drummer Jimmy Castoe, bassist Melvin Powe, and Nate Hofman on organ. Produced by Michael Landolt (Coldplay, O.A.R.) the album also features several noteworthy guests such as Mick Kolassa, Jeff Jensen, Michael Hill, Jo El, James Cunningham, Bill Ruffino, Cliff Starbuck and Chris Stephenson.
There’s a sense of attitude and fearlessness on the head-banging blues-rocker “On the Way Down”. From John’s searing guitar riffs to Deb’s powerful vocals the song rides the wave of Castoe’s thunder and sticks the landing quite nicely. John breaks out the sitar to add a taste of India to the spaghetti western ballad of no regret called “Remember Why (It’s Good He’s Gone)”. The brutal honesty of the lyrics in “Pull The Pin” cuts through like a broken beer bottle. It’s an amazing song of self-reflection and metamorphosis.
With the exception of an intoxicating cover of Townes Van Zandt’s “Lungs” off his 1969 self-titled album, all songs on Dragonfly are original compositions. “Lungs” is a little extra special in that it features a different configuration of musicians than the rest of the album. For this poignant and beautifully played cut, Long Tall Deb and Colin John enlist drummer James Cunningham, guitarist Jeff Jensen, bassist Bill Ruffino, and organist Chris Stephenson.
The word, “Dragonfly” as mentioned in the liner notes, is a symbol of transformation and change, and is the definitive theme to the record itself. The album’s title track, full of adrenalin-pumping surf guitar is cloaked in the shadows of an ominous and forbidding atmosphere. This twangy masterpiece is most interesting and has a strong presence, much akin to the songs Quentin Tarantino hand-picks for his films. It’s a brilliant song indeed.
The flowing continuity of Dragonfly smoothly weaves its eleven songs into one very enjoyable listen.
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