Showing posts with label Alt country. Show all posts
Showing posts with label Alt country. Show all posts

Saturday, August 9, 2014

Sam Morrow - Ephemeral


2014 – Forty Below Records

By Phillip Smith; Aug. 9, 2014


Ephemeral, the debut album from singer/songwriter Sam Morrow is anything but ephemeral.  Before I had finished listening to the first of ten songs, “War”, I knew this album was something special.  Singing country-flavored roots songs with a sharp edge of truth, Morrow’s voice reminds me a bit of Eddie Vedder’s.  Morrow delves deep into his own experiences, revisiting the often unpleasant obstacles life blindly tosses around like little grenades.              

Setting the tone for the rest of the album, “War”, invites the listener into Morrow’s melancholy world with despairing lyrics about a husband and father who looks to the bottle for happiness.  Morrow shows great range as a vocalist and writer in the heart wrenchingly beautiful song, “Old Soul”, about the hurt of lost love, and the self-destructive thoughts which go along with it.  “Run” seems to pick up where “Old Soul” leaves off, leaving thoughts of self-destruction behind and replacing them with feelings of anger and declarations of love.  I’m really drawn to its haunting melody, fortified with a cool drum cadence and symphonic strings.  In a Tom Waits fashion, Morrow reexamines the broken relationship with booze, after two years of sobriety, in “December”, a song of reconstruction, remembering and longing.  This softly played guitar and violin tune tugs on my heart strings.

Ephemeral is such a beautifully constructed album of brutal honesty, I can’t get enough of it.  Morrow shines as a writer and performer, and I highly recommend this album.

Saturday, June 7, 2014

Luke Tuchscherer - You Get So Alone at Times That it Just Makes Sense



2014 - Luke Tuchscherer & The Little Red Recording Company

By Phillip Smith; June 7, 2014


Alt-rock drummer Luke Tuchscherer of the Whybirds, has ventured out with a little help from his friends, to record a dozen wonderfully written and beautifully performed treasures on his debut album, You Get So Alone at Times That it Just Makes Sense.  Its title so aptly named after a book of poetry by Charles Bukowski, the album consists of extraordinary songs about ordinary people with ordinary thoughts and problems, performed in an alt-country, rootsy story-teller fashion. 

Tom Peters keeps a steady bass drum beat running in the background, while Chris Corney tackles dobro and banjo, accompanying Tuchscherer who plays acoustic guitar on opening track “(Lord Knows) I’m a Bad Man” about infidelity and maneuvering around the guilt-filled baggage tagging along. I love the thick swampy sound the dobro and banjo bring to the song.  This one is definitely one of my favorites. 

Tuchscherer shows off his song-writing chops on “One of Us” as fellow Whybird, Dave Banks joins in with both mandolin and banjo.  Tom Petty’s “Mary Jane’s Last Dance”, comes to mind when I hear this poppy bluegrass tune that tells the despairing tale of an innocent youth from a broken home and the twists and turns which will lead him to a gangster’s life of crime. 

I love the ironic way Tuchscherer can set lyrics seemingly delivered by a henpecked, sad sack drunk directed at his nagging fishwife, to such a pretty melody.  This song of self-awareness, pent up feelings and unconditional love, “I Don’t Need You to Tell Me” features Edwin Ireland on cello and ZoĆ« Robertson on both violin and viola.  

Tuchscherer walks a fine line between alt country and coffee-house rock.  I hear a lot of influence from The Traveling Wilburys, as Tuchscherer sports the songwriting skills of Bob Dylan and Tom Petty, and possesses a voice that is somewhat of a cross between Roy Orbinson and Jeff Lynne. With credentials like that, you can’t go wrong.