#717 > Carly Harvey - Kamama (PhillyCheezeBlues.Blogspot.com)

2024 – Do Good Records

By Phillip Smith; Nov. 30, 2024

Original source : phillycheezeblues.blogspot.com

 

Kamama, the debut album from Washington, D.C.-based blues artist Carly Harvey is quite special. I love how her Indigenous roots shine through a carefully-curated mix of soul, blues, and jazz. Each of the eleven tracks are written by Harvey and performed with beauty and grace. Appearing with her on this recording is Jonathan Sloane, and WALKING EAGLE on guitar, Mike Tony Echols, Patrick Thornton, and Sean Hurley on bass, Deren Blessman and Leland Nakamura on drums, Coleman Williams and WALKING EAGLE on percussion, Wes Lanich and Daniel Clarke on keys, Danny Davis, Mario D’ Ambrosio, Kevin Cerovich, Ben Ford on horns, and Dana Nearing and WALKING EAGLE on backing vocals. Special guests appearing on the album include Joe Louis Walker, Doug Woolverton, Sean Hurley, Annika Chambers, Dave Keller, and WALKING EAGLE.    

The album begins with “Native Scat” a short introductory track in which Harvey delivers an amazing performance of Native vocables delivered in a fusion of delta blues and Indigenous percussion. WALKING EAGLE’s slide guitar performance is deliciously swampy. “Mean Old Woman” slides in next on a riveting wave of funky, horn-accompanied blues with Joe Louis Walker on guitar. It’s a terrific song, and Walker makes me smile as he pours his blues-filled magic on top. I absolutely love the Sixties-soul sound on “Misery”. Harvey’s vocals shine with pure delight and remind me very much of singing-legend Etta James. With special accompaniment from Doug Woolverton on trumpet, Harvey marvelously sings her all-original torch song “Please Do That To Me”. The song hits me with absolute bliss.

After looking up “Kamama”, the name of the title-track, I found the word to have dual meanings. One, a Cherokee name for girls which means “butterfly” which can represent hope, joy, and transformation. This gives a deeper meaning to the album art, which features a butterfly on both the front and back cover. The other meaning is of Kenyan origin, and is a plant known as Portulaca oleracea. It is used for food and medicine. With WALKING EAGLE on hand drum, and backing vocals, this short-in-length song is a lovely, glory-filled tribute to a girl named Kamama.

Alongside Harvey for the stirring and poignant track “Human Too”, is Dave Keller and Annika Chambers. Both guests share lead vocals, and Keller also takes on lead guitar. Kamama comes to a close with “Native Scat Reprise. With Harvey on vocals and hand drum, she is backed by WALKING EAGLE on flute. This short song dives deep into my core.

Carly Harvey’s Kamama earns my highest recommendation. It’s beautiful from beginning to end.

---

 

For more information about Carly Harvey, visit her website @  https://www.carlyharvey.com/

 

  Available on Bandcamp

#584 > Annika Chambers & Paul DesLauriers - Good Trouble (PhillyCheezeBlues.Blogspot.com)

 

2022 – Vizztone Records

By Phillip Smith; Nov. 12, 2022

Original source : phillycheezeblues.blogspot.com

 

Annika Chambers and Paul DesLauriers have both been on my radar a while.  I covered Chambers’ 2019 album Kiss My Sass, and DesLauriers’ 2016 release Relentless, as well as his 2019 release Bounce.  I embraced all three of those recordings.  The spirited couple met at the 2018 International Blues Challenge in Memphis and started working together in 2019.  Within the same year, they fell in love and got married. Good Trouble is their first full album together, and it’s absolutely fabulous.  Annika’s voice sounds divine as she takes on lead vocals.  Paul’s talent shines bright and runs immensely deep as he performs on an array of instruments.  He plays guitar, dobro, cigar box guitar, bass, and mandolin.  Additional musicians on the album include JP Soars on guitar, Chris Peet on drums and percussion, Gary Davenport on bass guitar, Alec McElcheran on bass guitar, Bernard “Bingo” Deslauriers on drums, Barry Seelen on Hammond B-3 organ, and Kim Richardson on background vocals.

A charged blast of southern soul rips the album wide open on “You’ve Got to Believe”.  Paul throws down a fiery guitar performance and a delightful accompaniment on mandolin.  Annika’s vocals are fearless and commandeering as she belts this amazing song out.  They create a riveting and soulful recreation of George Harrison’s “Isn’t it a Pity” from his All Things Must Pass album.  It’s quite different from the original, but it’s quite amazing.  They also do a spectacular job covering the Joe South 1970 hit “Walk a Mile in My Shoes” which peaked at #12 on the Billboard Hot 100 chart.  The warm bluesy tones of Paul’s guitar gently walk the listener into “Need Your Love So Bad”, the duet he sings with Annika.  This is indeed the blues.  My biggest surprise was hearing their take on Mountain’s legendary blues-rock anthem “Mississippi Queen”.  They absolutely shine as they keep this cover tightly close to the original.  I would have loved to witness this recording in the studio.  Good Trouble wraps up with a nearly ten-minute sacred-soul jam of “I Need More Power”.  This music for the spirit effortlessly takes me into a hypnotic trance and I love every bit of it.

Good Trouble is a brilliant album loaded with musical perfection.  I highly encourage everyone to give it a listen. 

---

#427 : Annika Chambers - Kiss My Sass

2019 – Vizztone  

By Phillip Smith; Jan. 11, 2020

Kiss My Sass, the third studio album from Houston blues artist Annika Chambers, is a dynamo of hot soulful blues.  Chambers, who was deservedly awarded the 2019 Blues Music Award for Soul Blues Female Artist of the Year, has been nominated again for 2020.  She certainly woos me over with her astonishing beautiful voice.      

Immediately, I’m lured into the record with “Let That Sass Out”, a tune written by R.B. Stone.  Powerful vocals from Chambers is topped with a buttery rhythm from drummer Greg Brown Jr., and bassist Larry Fulcher.  Searing guitar licks from The Mighty Orq seals the deal.  Ruthie Foster makes a guest appearance on “What’s Your Thing”, with The Mighty Orq on pedal steel.  This one is an absolutely fabulous cocktail of deep blues and heavy soul.  I downright love her cover of the Etta James’ classic “In the Basement”.  This party song puts such a big smile on my face with every listen.  Chambers enlists her husband, the great Paul DesLauriers with acoustic guitar in hand, to join in a spirited duet on “I Feel the Same”.  They sound wonderful together.  DesLauriers douses his guitar with gobs of delightful slide while the subtle booming thunder from percussionist Sam Harrison injects an unmistakable heaviness to the song.   

Kiss My Sass truly is an album I’ve enjoyed from beginning to end.  It’s a terrific listen.      

   

---

#410 : Ghost Town Blues Band - Shine

2019 – Ghost Town Blues Band
By Phillip Smith; Sep. 28, 2019

I’ve been anxiously awaiting this new album from Ghost Town Blues Band since first hearing about it this past Spring.  It was indeed worth the wait.  Shine, the band’s fourth studio album, and fifth overall is downright spectacular.  Soulfully packed in roots and blues, each of the dozen original songs stand out in their own way.  With singer/guitarist Matt Isbell as front-man, this Memphis-based band consists of guitarist Taylor Orr, saxophonist/producer Kevin Houston, trombonist Suavo Jones, bassist Matt Karner, drummer Andrew McNeill, with Cedric Taylor on B3 and piano.  

The feel-good energy of “Running Out of Time” delightfully ushers the album in.  I love the Allman Brothers vibe and the sweet sound of slide guitar.  “Soda Pop” is a downright blast.   Isbell fearlessly rips it up on cigar-box with some hard-driving blues.  The song is definitely one of my favorites.

Although “Shine” and “Givin’ it All Away” were both on GTBB’s live album, Backstage Pass, I embrace the new studio recordings.  Guest vocalists Paul DesLauriers and Annika Chambers both make an appearance on title-track “Shine”.  This beautiful feel-good song always puts a smile on my face. “Givin’ it All Away” is one bodacious jam.    The jazz-soaked rhythm from McNeill and Karner set the stage for a captivating performance from Suavo amid the swirling sounds of guitar and B3.  I enjoy it immensely.               

The funky groove of “Dirty” sinks its psychedelic claws in deep as Orr tosses out screaming cool-as-hell guitar licks.  I dig the rap break injected into the song by Suavo too.  It truly gives the song an extra dimension.  With a chockful of emotion, Orr gives a heart-felt delivery on “Carry Me Home”.  It’s such a great song.  Illana Katz Katz makes a guest appearance on “Hey There Lucinda” with violin in hand.  This absolutely lovely song delicately brings the album to a close.         

Shine is one of the best records I’ve heard this year.  I give it my highest of recommendations.

---

For more information about the artist, visit this website.. www.ghosttownbluesband.com