#718 > Big Earl's Electric Witness - Get Up Off The Ground (PhillyCheezeBlues.Blogspot.com)

 

2024 – Dick Earl Erickson

By Phillip Smith; Dec. 7, 2024

Original source : phillycheezeblues.blogspot.com

 

I find a genuine affinity to the intoxicating sounds of Get Up Off the Ground, the second release from Utah-based blues-rockers Dick Earl’s Electric Witness. Taking third place at the 2023 International Blues Challenge in Memphis, this family-centric band certainly grabbed my attention with their masterfully crafted songs, smooth vocals, searing harmonica licks, and tight rhythm section. With Dick Earl Ericksen at the helm on guitar, banjo, harmonica, jaw harp, and vocals, he is joined by his son Isaac Ericksen (co-producer/bass guitar), his wife Alice Ericksen (co-producer/backing vocalist), Mari Ericksen (drums/percussion/backing vocals), Zoe Ericksen (backing vocals) Thomas Anderson (guitars/kalimba/charango/backing vocals), and Matt Green (organ/keys).

The album opens with title track “Get Up Off The Ground” which emits a very cool spaghetti-western/down-at-the-crossroads vibe. Topped with deliciously twangy guitar and a fiery harp performance, this is an absolute treat. Following up right behind is an ode to hitting the open road “Black Lines and White Crosses”. This call-back to the trucker songs of the Seventies has an infectious hook and strikes me with an instant familiarity. The Electric Witness serves up a big fluffy platter of funky blues with “Eggs”. I love the jam-band friendly approach they take with this track. It reminds me of one of my all-time favorite bands Phish. A thick groove, a pounding beat and thick bass guitar opens up the Latin-infused “Vinyard” for Dick to deliver a bone-crushing dose of scorching harp. This one is a downright amazing pozole of sound. Dick delicately balances his troubadour vocals and extraordinary harmonica prowess on “On Her Heart”. It’s a wonderful track.

Get Up Off the Ground hits like a classic Steve Miller Band record, as blues, rock, western, and Latin sounds merge together for big sound. Dick Earl’s Electric Witness has sure won me over with this record.

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For more information about Dick Earl’s Electric Witness, visit the website @  https://dickearlselectricwitness.com/

 

Find Dick Earl’s Electric Witness on Bandcamp too.

#717 > Carly Harvey - Kamama (PhillyCheezeBlues.Blogspot.com)

2024 – Do Good Records

By Phillip Smith; Nov. 30, 2024

Original source : phillycheezeblues.blogspot.com

 

Kamama, the debut album from Washington, D.C.-based blues artist Carly Harvey is quite special. I love how her Indigenous roots shine through a carefully-curated mix of soul, blues, and jazz. Each of the eleven tracks are written by Harvey and performed with beauty and grace. Appearing with her on this recording is Jonathan Sloane, and WALKING EAGLE on guitar, Mike Tony Echols, Patrick Thornton, and Sean Hurley on bass, Deren Blessman and Leland Nakamura on drums, Coleman Williams and WALKING EAGLE on percussion, Wes Lanich and Daniel Clarke on keys, Danny Davis, Mario D’ Ambrosio, Kevin Cerovich, Ben Ford on horns, and Dana Nearing and WALKING EAGLE on backing vocals. Special guests appearing on the album include Joe Louis Walker, Doug Woolverton, Sean Hurley, Annika Chambers, Dave Keller, and WALKING EAGLE.    

The album begins with “Native Scat” a short introductory track in which Harvey delivers an amazing performance of Native vocables delivered in a fusion of delta blues and Indigenous percussion. WALKING EAGLE’s slide guitar performance is deliciously swampy. “Mean Old Woman” slides in next on a riveting wave of funky, horn-accompanied blues with Joe Louis Walker on guitar. It’s a terrific song, and Walker makes me smile as he pours his blues-filled magic on top. I absolutely love the Sixties-soul sound on “Misery”. Harvey’s vocals shine with pure delight and remind me very much of singing-legend Etta James. With special accompaniment from Doug Woolverton on trumpet, Harvey marvelously sings her all-original torch song “Please Do That To Me”. The song hits me with absolute bliss.

After looking up “Kamama”, the name of the title-track, I found the word to have dual meanings. One, a Cherokee name for girls which means “butterfly” which can represent hope, joy, and transformation. This gives a deeper meaning to the album art, which features a butterfly on both the front and back cover. The other meaning is of Kenyan origin, and is a plant known as Portulaca oleracea. It is used for food and medicine. With WALKING EAGLE on hand drum, and backing vocals, this short-in-length song is a lovely, glory-filled tribute to a girl named Kamama.

Alongside Harvey for the stirring and poignant track “Human Too”, is Dave Keller and Annika Chambers. Both guests share lead vocals, and Keller also takes on lead guitar. Kamama comes to a close with “Native Scat Reprise. With Harvey on vocals and hand drum, she is backed by WALKING EAGLE on flute. This short song dives deep into my core.

Carly Harvey’s Kamama earns my highest recommendation. It’s beautiful from beginning to end.

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For more information about Carly Harvey, visit her website @  https://www.carlyharvey.com/

 

  Available on Bandcamp

#716 > Antonio Vergara - The Fury (PhillyCheezeBlues.Blogspot.com)

 

2024 – AVA Records

By Phillip Smith; Nov. 21, 2024

Original source : phillycheezeblues.blogspot.com

 

The Fury by Antonio Vergara is one of the 2025 Grammy-nominated releases for Best Contemporary Blues Album. From the first song of this thirteen-track original masterpiece, I surrender my utmost attention in return for a one-of-a-kind mystical blues journey.  Engineer/producer/multi-instrumentalist/vocalist Vergara boasts a career which has stretched over three decades, and the innovation and passion poured into this album definitely shows.

A tribal beat ushers the record in with “My Lucky Mojo” as Vergara’s melodic vocals float skyward. As soon as I hear him unleash his guitar, I knew this album was going to be absolutely amazing. “Delta Shine” encapsulates me with its riveting intro. The song is filled with unexpected treats within the groove. Vergara, with resonator guitar in hand, takes the listener for a walk through a Mississippi delta swamp on “Hoodoo”. An awe-inspired harmonica accompaniment is the icing on the cake. The horn-infused deep-blues groove which carries “Guitar Tree” pops like a secret hoedown in the dark delta woods. World-class Afro-fusion artist Tito Da Fire lends his voice to the spaghetti-western-friendly ballad “The Rebel’s Right”. I love how the song unravels into a furious guitar-heavy flurry of spoken word. Vergara cleverly brings The Fury to its final destination with “Outro”, a nearly fifteen-minute meditative experience filled with Native American chants, voodoo-inspired sound-bites, and the mysterious sounds of nighttime in the boondocks.

The Fury takes the Blues, bursts through to the other side and sticks the landing. It is a remarkable listen. I highly recommend it to all music fans.

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#715 > Guy Davis - The Legend of Sugarbelly (PhillyCheezeBlues.Blogspot.com)

 

2024 – M.C. Records

By Phillip Smith; Nov. 16, 2024

Original source : phillycheezeblues.blogspot.com

 

The Legend of Sugarbelly from Guy Davis is an absolutely remarkable recording. The way he captures the pure essence of blues, folk, and Americana instrumentally and in verse simply amazes me. Davis, a two-time Grammy nominee for Best Traditional Blues Album pushes the boundaries of his talent as a writer, and singer, and multi-instrumentalist as he performs with six and twelve-string guitars, five and six-string banjos, harmonica, and percussion. Backed by Professor Louie on Hammond organ, Chris James on mandolin and six-string banjo, and Mark Murphy on double bass, and cello, Davis truly shines as he stitches together a baker’s dozen of fascinating songs, ten of which are original.

With banjo in hand, Davis leads the record off with “Sugarbelly”, a murder-ballad dedicated to his uncle William Conan Davis. This compelling song is based on a true story his uncle had told him about a woman who met a grim demise. With every listen to “Early in the Morning”, a wave of solemness washes over me. The acoustic guitar and heavy chords of Hammond instill a spiritual sense of a Southern Baptist hymn. As Davis sings “this time tomorrow, I may be gone”, I’m swiftly connected to memories of funerals. Breaking out the harp for “Long Gone Riley Brown”, Davis tears into a riveting, story-telling blues track about a moonshiner’s run-ins with the law and his post-death experience from dying of old age. Vice is nice as Davis keeps the moonshine whiskey theme going as he follows with the infectious banjo ditty “Come Gitchu Some”. I love his timeless cover of the Blind Lemon Jefferson classic “Black Snake Moan”. Sticking to the Ledbelly arrangement, he brings a certain freshness to this pre-war blues standard.

It’s always a pleasure to listen to Guy Davis. His traditional sense of playing the blues certainly plays an important role in keeping it alive.

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 Visit Guy Davis online at guydavis.com

  

Check out additional PhillyCheeze reviews of Guy Davis with this link:

https://phillycheezeblues.blogspot.com/search?q=Guy+Davis

  

 

#714 > Piper & the Hard Times - Revelation (PhillyCheezeBlues.Blogspot.com)

 

Piper & the Hard Times

Revelation

2024 – Hard Times Records

By Phillip Smith; Nov. 9, 2024
Original source : phillycheezeblues.blogspot.com
 

Revelation by Piper & the Hard Times is one of the most riveting blues albums gracing my to-review stack of CDs in the past several months. I love the band’s energy, vibrant sound, and groove-filled songs. It’s no wonder they pulled down first place at the International Blues Challenge in Memphis earlier this year. Fronted by vocalist Al ‘Piper’ Green, the band is also comprised of Steve ‘The Conductor’ Eagon on guitar, Dave ‘Sexy Boy Himself’ Colella on drums/percussion, Amy ‘The Professor’ Frederick on piano/Hammond organ, and Parker ‘PH Funkstick’ Hawkins on bass. Guests include Shaun Murphy, Lisa Oliver-Gray, Melissa Gardner, Chris ‘Freight Train’ Floyd, Eddie Meyer, and Dick Aven.

From the opening song “Trouble Man”, I was totally onboard. This up-tempo, organ-infused jam quickly grabbed my attention with Green’s husky baritone voice and Eagon’s ripping guitar licks. “Hard Times” is a wonderful hard-driving blues-rocker. Piper’s vocals shine and the band absolutely cooks.  To hear the fabulous Shaun Murphy (Meatloaf, Bob Seger, Little Feat) step up to the microphone on this song puts a smile on my face. Hosting an infectious hook, and a funky groove, title-track “Revelation” truly wins me over. With Freight Train on harp, “Crave You” becomes a surefire barn-burner. Piper breaks out in full Howlin’ Wolf-mode on this one. I love hearing Murphy lend her amazing voice to “Walk With Me”.  It’s a wonderful experience to listen to her bounce lines back and forth with Piper.

No doubt, Piper & the Hard Times’ Revelation is a must for the blues fan. The record is definitely ranked among my favorites of 2024.

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 For more information about Piper & the Hard Times, visit their website:  https://www.piperandthehardtimes.com/

#713 > Ben Levin Presents A Holiday Blues Revue (PhillyCheezeBlues.Blogspot.com)

2024 – Vizztone Label Group
 
By Phillip Smith; Nov. 2, 2024
 
Original source : phillycheezeblues.blogspot.com
 

Christmastime is coming up soon, and for those in search for new holiday music, I’m going to have to recommend “Ben Levin Presents a Holiday Blues Revue”. This album plays like a timeless classic. Levin, a Blues Music Award nominee for Best Piano Player of the Year in 2023 and 2024, and nominated for Best Emerging Artist Album in 2020, brings in big-name guests Lil’ Jimmy Reed, Candice Ivory, Lil’ Ed, and Sonny Hill for this record. Also appearing on the album is his father Aron Levin on guitar, Takuto Asano on guitar, Joe Polen on saxophone, Eli Gonzales on saxophone, Walter Cash Jr. on bass, Jim Anderson on bass Chris Douglas on bass, Cole Baker on drums, Art Gore on drums, Ricky Nye on drums, and Oscar Bernal on drums. This Revue consists of a marvelous mix of ten seasonal tracks, eight of which are original songs.

“Candy Cane”, featuring Lil’ Ed on guitar and vocals, leads the record off with deluxe serving of Chicago blues. Listening to Ed and Levin join forces is indeed a riveting treat. I adore how Levin suavely delivers the 1961 Charles Brown song “It’s Christmas Time”. There’s a certain retro-feel to this memorable song which taps into my soul. Candice Ivory appears with Levin for the duet “Christmas Mood”. With the addition of Asano on guitar, they walk the line between blues and jazz. The jump blues of “Forgot Mrs. Claus” pulls me in tight for another wonderful track featuring Asano on guitar. I love Levin’s cover of Vince Guaraldi’s instrumental “Skating”. This one sure takes me back to the care-free days of my youth. Animated images of the Peanuts gang skating on a pond gush from my memories with every listen. It’s so very fitting to represent the Blues on Christmas with a “Lump of Coal” from Santa. Soaked in a barrel of deep blues, this song features Lil’ Jimmy Reed on guitar and vocals for an outstanding performance.

Ben Levin Presents A Holiday Blues Revue is a beautifully-crafted seasonal album which I could listen to anytime of the year.

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For other PhillyCheeze reviews with Ben Levin follow this link:    https://amzn.to/4hxEtuphttps://phillycheezeblues.blogspot.com/search?q=Ben+Levin

This album available on Amazon : https://amzn.to/4hxEtup

#710 > Jovin Webb - Drifter (PhillyCheezeBlues.Blogspot.com)

 

2024 – Blind Pig Records
By Phillip Smith; Oct. 19, 2024

Original source : phillycheezeblues.blogspot.com

 

It is exciting to see a new musician take the blues scene by storm. Gonzalas, Louisiana native Jovin Webb, who captured the hearts of television audiences on Season 18 of American Idol in 2020, now has a spectacular new album called Drifter and is signed to Blind Pig Records. Produced by the four-time Grammy winning Tom Hambridge, the album is destined to be a grand-slam. With Webb on vocals and harmonica, he is joined by Hambridge on drums, background vocals, and percussion, Kenny Greenberg on guitar, Mike Rojas on piano and keys, and Rob Cureton on bass guitar.

Webb delivers a striking and soulful performance on “Save Me”, a powerful original he wrote with Hambridge and Richard Fleming. The way Greenberg injects a dreamy texture to this heartwarming track on guitar pulls everything together. The opening bassline on “I’m a Drifter” instantly pulls me in to this propelling anthem with a marching magnetic pulse. I can’t help but smile when the electric piano boogie of “Wig on Wrong” kicks in. This one is surely a standout. I love the way Webb pours his whole being into “Mine Someday” and belts the song out of the ballpark. His voice is a beautifully strong one. Webb pours the icing on the cake as he brings the album to its close with a stellar cover of “Born Under a Bad Sign”. Featuring Max Abrams on saxophone and Julio Diaz on trumpet, this is an absolutely amazing track.   

Jovan Webb’s Drifter won me over upon my first listen. This instant classic garners my highest of recommendations.      

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#709 > Scott Weis Band - Live in Europe (PhillyCheezeBlues.Blogspot.com)

 

2024 – Scott Weis

By Phillip Smith; Oct. 12, 2024

Original source : phillycheezeblues.blogspot.com

 

Live in Europe, the eighth release from Scott Weis Band packs the raw essence of his live shows into a bootleg-type recording made with four microphones and a two-track board from performances across four different cities in Germany. This Pennsylvania-based blues-rock band has been on my radar for just over four years now, and have very much enjoyed each of the studio albums I have reviewed. This is an interesting disc.  It reminds me in ways of John Mayall’s Live in 1967 discs featuring Peter Green, John McVie, and Mick Fleetwood in a kind of way. With Weis standing front and center on guitar and lead vocals, he is joined by Robert Kopec on bass guitar, and Roger Voss on drums.

This fourteen-track release begins with hard-driving title-track off his most recent studio album called “Raise Your Hands”. Weis’ guitar performance is searing. Their smoking cover of ZZ Topp’s “Jesus Just Left Chicago” sounds best at high volume. I love their cover of Chris Stapleton’s ‘Tennessee Whiskey”. That is such a beautiful song, and Weis sings it with a soulful delivery. “Pride and Soul” off the Simmer Me Down album surfs a heavy-rockin’ Texas-style blues riff and is topped with an amazing guitar solo. The way he plays that swampy slide on “Motherless” takes me right to the Mississippi Delta. They attack “Right Where It Belongs” with flash and fury and it sounds great. They bring this record to an end with “Have You Ever Loved a Woman” which runs just a little over ten minutes. Lyrically it is different from the Freddie King version but the essence remains as Weis makes this his own with amazing licks and runs.  

Live in Europe captures the energy of Scott Weis Band’s live shows and brings it directly to the listener.        

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Visit Scott Weis Band online at https://scottweisband.com

 

Check out additional PhillyCheeze reviews of Scott Weis Band with this link:

https://phillycheezeblues.blogspot.com/search?q=Scott+Weis

 

 

#708 > Chad Rupp and The Sugar Roots - Gate C23 (PhillyCheezeBlues.Blogspot.com)

 

2024 – Lightning In A Bottle Records

By Phillip Smith; Oct. 12, 2024

Original source : phillycheezeblues.blogspot.com

 

Since reviewing Chad Rupp and the Sugar Roots’ previous album last year, I’ve been totally onboard with their soulful approach to music. The latest recording from this Portland, Oregon ensemble is titled Gate 23 and hits like a fresh breath of air. I’m quite fond of the all-original guitar-centric, horn-infused blues they create.

Rupp and Sugar Roots quickly grab the attention of my ears with the suave and rockin’ blues of “Fresh Suits”. His guitar solo hits like a blast of Joe Walsh, and I soak it all up. As if simmered in a pot of funky New Orleans gumbo, “She Got That Business” surely puts a smile on my face. The masterful, slow dripping piano-laced blues on title-track “Gate C23” wonderfully captures the experience of being stuck in the Dallas/Fort Worth airport. No trip to Beale Street in Memphis should be without a visit to Blues City Café for an evening of southern delicacies and top-notch entertainment. Rupp’s homage to this eatery and juke joint cleverly name-drops a plethora of musicians and menu items often found there with “Blues City Cafe”.  Growing up as one of those boys who had to shop for clothes in the ‘husky’ section of J.C. Penney, “Fat Kid Boogie” makes for a fun track loaded all the sweet treats which I often crave. The album comes to a funky jam-packed end with “Blind, Crippled & Crazy”.  I dig the way the song opens up to allow each member of the band to shine on this track.

Chad Rupp and the Sugar Roots have certainly scored again. Gate C23 is a terrific album, and further fuels my urge to see them in a live show. I’m definitely keeping an eye on this band.

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Check out additional PhillyCheeze reviews of Chad Rupp with this link:

https://phillycheezeblues.blogspot.com/search?q=Chad+Rupp

 

 

#707 > BillyLee Janey Band - King of the Roll (PhillyCheezeBlues.Blogspot.com)

 

2024 – Fervor Records

By Phillip Smith; Sep. 28, 2024

Original source : phillycheezeblues.blogspot.com

 

King of the Roll, the latest album from BillyLee Janey Band is seventeen tracks of all-original hard-driving blues-rock, and I absolutely dig it. I’ve been a fan of BillyLee’s work for quite a long time, and he never ceases to amaze me. With Janey on all guitars and vocals, he is joined with Tommy T-Bone Giblin (Lonnie Brooks) on B3 and clavinet, Dan ‘DJ’ Johnson on bass, Bryce Janey on bass guitar, Eric Douglas on drums, and Troy Harper guest drummer on “Lucky Star”.

Setting a strong impression, the album leads off with title-track “King of the Roll” a song loaded with a funky rhythm and searing guitar licks. Douglas’ commanding approach on drums fuels this smoking track. The rolling sound of Giblin’s B3 sets a groovy background for Janey as he lays down the law on “Killin’ Flow”. In a fabulously smoldering performance, Janey and band conjure memories of the ferocious derecho which tore through Iowa in August of 2020 in “Iowa Hurricane”. That was a day I will never forget, and the song captures the event in a most honest way. I love the propulsive “Hellbound Nite Ryder”. The song guides the listener down a mesmerizing journey of Janey’s guitar mastery. “Rain Fallin’” is an amazing track with a jazz-soaked rhythm which brilliantly takes me back to 2008 when a hundred-year flood wreaked havoc across Cedar Rapids, Iowa. Hearing Janey cut loose on the nearly seven-minute long instrumental “Star Spangled Blues/Mountain Fire” is a genuine treat.

BillyLee Janey Band truly shines with King of the Roll.  I highly recommend giving this album a listen.

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For more information about BillyLee Janey, visit https://fervor-records.com/artist/billylee-janey/

 

Check out previous PhillyCheeze reviews and photos of BillyLee Janey with this link:

https://phillycheezeblues.blogspot.com/search?q=Billylee+Janey

 

 

#706 > KAT Blue & the True Believers - Start Believin' (PhillyCheezeBlues.Blogspot.com)

 

2024 – KAT Blue

By Phillip Smith; Sep. 28, 2024

Original source : phillycheezeblues.blogspot.com

KAT Blue & the True Believers, an up-and-coming blues-rock band out of Iowa has a new six-track EP called Start Believin’, and it is definitely worth checking out. KAT Blue fronts this tight-knit band on vocals, with Bob Sulzer on lead guitar, Bill Kiesel on bass, Paul Abodeely on keys, Doug Allemang on drums, and Bob Gleason on harp.

The EP kicks off with a hot take on Susan Tedeschi’s “Rock Me Right”. Sulzer’s guitar performance and Abodeely’s barrelhouse keys punch this up quite nicely.   I dig their rocking cover of 35^th & Taylor’s “Hard Times”.  KAT’s vocals hit with a Pat Benetar vibe. Warren Haynes’ “Soulshine” is a wonderful song, and the band does a great job making this heartfelt tune their own. Gleason’s harp performance absolutely shines.

Start Believin’ is about as solid as a debut EP can get. I have a feeling we’ll be hearing a lot more from KAT Blue & the True Believers.  

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#704 : J.D. Simo & Luther Dickinson - Do the Rump (PhillyCheezeBlues.Blogspot.com)

 

2024 – Forty Below Records

Release Date : Sep. 20, 2024

By Phillip Smith; Sep. 21, 2024

Original source : phillycheezeblues.blogspot.com

 

I was very excited when I first heard Luther Dickinson and J.D. Simo were going to collaborate on an album together. I have been an avid follower of Luther’s for quite a while, and became a fan of J.D.’s after catching a live performance of him opening up for Tab Benoit last year. The two forces first played together while touring with Phil Lesh and Friends. They discovered they both had a lot of the same influences and musical alignments. Although their approaches to playing guitar is vastly different, they found their styles complemented each other very much so. Simo and Dickinson joined forces, bringing drummer Adam Abrashoff onboard to complete the band and recorded Do the Rump at Simo’s home studio in Nashville.  The album has a strong hill-country blues presence. It collides the familiar with the unfamiliar and slow-simmers the results in a swampy goodness.

They pour a beautifully haunting groove into JJ Cale’s “Right Down There” from his 1972 album Really. With Abrashoff’s notorious beat laying the tracks, a lush dose of greasy slide guitar and heavy fuzz-laden guitar breathes a new glorious life into the song. “Lonesome Road” is downright amazing. It conjures images in my head of Hendrix and SRV playing together in a smoky, whiskey-soaked juke joint in the middle of Mississippi. I dig the John Lee Hooker cover of “Serve Me Right to Suffer”. Served in a bowlful of hypnotic North Mississippi hill country blues, it truly becomes an entirely different song. I find it fascinating to hear the results of mashing Junior Kimbrough’s “Do the Rump” and Fred McDowell’s “Louise” together and backed with a Fela Kuti-inspired afro-beat. “Do the Rump Louise”, a nearly eight-minute-long performance is quickly absorbed into my inner being. I love every bit of it. The album ends with an extraordinary extended ten-minute jam taking on R.L. Burnside’s “Peaches” for another healthy dose of music for the soul.

Do the Rump is everything I hoped this album would be and more. I truly hope to hear more musical collaborations between Simo and Dickinson.

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For more information about J.D. Simo, visit his website at simo.fm

 

For more information about Luther Dickinson, visit his website at lutherdickinson.com

 

For more information about Forty Below Records, visit their website at fortybelowrecords.com

 

#703 : Ping Rose - Conjure Man (PhillyCheezeBlues.Blogspot.com)

 

2024 – New Sun Music

By Phillip Smith; Sep. 14, 2024

 

Original source : phillycheezeblues.blogspot.com

 

Conjure Man, the second release from Memphis-based singer/guitarist Ping Rose is definitely suited to be his break-out album. There’s a certain freshness to his style which I enjoy immensely as he seemingly draws influence from favorite artists like Jimi Hendrix, Albert King, Robert Plant, and Stevie Wonder.

I love way he approaches the slide guitar on the opening song “Cloverhill Stomp”. This rootsy country-blues instrumental is an absolutely fabulous listen. This rolls right in a real-deal blues track “Don’t Drink Me Dry”. Fearless vocals and his amazing guitar mastery make this track a hands-down favorite. Title-track “Conjure Man” beautifully shines a light on his soulful side. His soft guitar approach pairs sweetly with the Stevie Wonder-esque tone in his vocals. When “Salty” hits, I feel the Led Zeppelin presence within every note. Ping immaculately captures that Plant-style rasp in his voice with that slow-dripping blues we loved to hear Page dish out. It’s simply amazing. The smooth sounds of the George-Benson-friendly “Careful What You Wish For” pops nicely with the splash of funk.

Conjure Man is such a wonderful album, I’m certain the world will be hearing a lot more from Ping Rose in the near future.

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For more information about Ping Rose, visit his website at https://www.pingroseplays.com/

 

Find Ping Rose on Spotify too!

 

#702 : Brad Fielder - Demons + Rationals (PhillyCheezeBlues.Blogspot.com)

 

2024 – Shive Records

Release Date : June 4, 2024

By Phillip Smith; Sep, 7, 2024

Original source : phillycheezeblues.blogspot.com

 

A nostalgic wave washes over me with every listen to Demons + Rationals, the latest release from Oklahoma song-writer/performer Brad Fielder. He is a master at tapping into the that pre-war music vein and breathing new life into that style with new, original songs. His music blend blues, ragtime, folk, and country, and is performed acoustically, often using a resonator guitar. According to Fielder, the music on this record draws its influence at the ‘intersection between Saturday night and Sunday morning” catering to both hooligans and bible-thumpers. With Fielder on guitars, vocals, and harmonica, he is backed by Charley Reeves on sousaphone and bass fiddle, Brandon Brunious on six string banjo and electric guitar, Megan Harris Brunious (Hank III, Peaches) on vocals, accordion, percussion, and trumpet, Jesse Armerding on drums and percussion, and Juel Niimi on trombone.

Fielder quickly draws my attention with “Little Lake Turnaround”. His masterful lyrics have a fascinating Charles Bukowski appeal and a Jimbo Mathus sense of presentation. Following up next is “Outreach Bibles” in which Fielder tells the story of a depression-era bible salesman. I couldn’t help but think about the 1973 film Paper Moon. Megan Harris Brunious steps in for a wonderful duet on “Daddy’s Water” a song which reminds us that our hidden secrets are often revealed once we encounter death. She also heads-up lead vocals on the beautiful folk-spiritual “Catch That Spirit and Fly”. Fielder places the trifecta of consumption at the front of the line in “Eatin Drinkin Smokin”. This song has a way of rattling around in my head long after hearing it, and I don’t mind a bit.

Demons + Rationals is an amazing listen from start to finish. I highly recommend giving this album from Brad Fielder a listen.

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For more information about Brad Fielder, visit his website at https://www.bradfielder.net/

 

Available on Bandcamp

#701 > Bowlful of Blues Festival - 2024 (PhillyCheezeBlues.Blogspot.com)

 

Bowlful of Blues Festival – Sep 1, 2024
Fred Maytag Bowl
Newton, Iowa

By Phillip Smith; Sep. 2, 2024

Original source : phillycheezeblues.blogspot.com

Soaking up the blues in Newton, Iowa at the Bowlful of Blues Festival on Labor Day Weekend is one of my favorite things to do. Presented by The South Skunk Blues Society, this event is like a summer family reunion for Iowa blues fans. A crisp blue sky and temperatures hovering in the seventies made for perfect weather at Maytag Park this year.

The music kicked off this year with Newton’s own The Sears Band fronted by Jim Sears on guitar and vocals. Their high-energy set the pace for the rest of the day. Next up was Des Moines-based bluesman and 2005 Iowa Blues Hall of Fame inductee Steve E. George. I don’t know how I’ve missed this entertainer over the years, but I am very happy to have caught him in this stellar performance. Between sets, Clayton Ryan provided a mix of original songs and covers. This balladeer has a hell of a knack for writing songs. Brandon Santini took the stage and delivered a searing ninety-minute set of harmonica-fueled blues. I’ve been wanting to see him play live for a long time. Headlining the fest was Iowa’s Avey Grouws Band. I’m used to seeing the band as a quartet. This show was special in that they added Leo Albertoni on keys, Heath Alan on saxophone, and Jeni Grouws’ daughter Lillian Grouws on backing vocals. They rocked the park for two hours, with their final two songs being joined by Santini. I loved every bit of it.

Special thanks go out to The South Skunk Blues Society and all the volunteers who makes this wonderful event happen every year. 

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·       All Photos by Phillip Smith

The Sears Band

Steve E. George

Clayton Ryan

Brandon Santini

Avey Grouws Band

* All photos by Phillip Smith