#662 : Philip Sayce - The Wolves Are Coming (PhillyCheezeBlues.Blogspot.com)

 

2024 – Forty Below Records

By Phillip Smith; Feb. 17, 2024

Release Date : Feb. 23, 2024

 

Original source : phillycheezeblues.blogspot.com

There’s a bright and fierce energy surrounding the music of LA-based blues-rocker Philip Sayce.  The tours-of-duty he ventured with alongside legends like Jeff Healy and Melissa Etheridge certainly pushed him to obtain his 10,000+ hours of experience, elevating him to his current level of greatness.  Loaded with explosive guitar performances, and drizzled with his soulful vocals, Sayce’s ninth and latest album The Wolves are Coming is an extraordinary listen.     

Sayce smashes the gates open with a Hendrix-inspired “Oh! That Bitches Brew”, leaving me gob smacked as I take in his unleashed arsenal of atomic guitar licks.  An infectious rhythm draws me into the funky, smoking anthem of “Babylon is Burning”.  I can’t help but feel his heart-felt emotions poured all over slow ballad “It’s Over Now”.  It is such a beautiful song.  His covers of John Lee Hooker’s “This is Hip” and Albert Collins' “The Moon is Full” both bring smiles to my face too.  I dig the high-octane track “Black Moon”.  Its pulsing rhythm and fuzzy guitar host a furious punch and hits like the go-to songs I loved from The White Stripes.  Sayce’s vocal and guitar performance are absolutely amazing on “Backstabber”.  With the force of a derecho, he tears the freaking roof off.

I highly recommend picking up Philip Sayce’s “The Wolves Are Coming”.  It’s superb from beginning to end. 

---

 For more information about the artist, visit this website : https://www.philipsayce.com/

#587 > Angela Strehli - Ace of Blues (PhillyCheezeBlues.Blogspot.com)

2022 – Antone’s Records

By Phillip Smith; Dec. 3, 2022

Original source : phillycheezeblues.blogspot.com

 

Angela Strehli who helped found Antone’s, the legendary blues venue in Austin, Texas, recently released Ace of Blues, her first album in seventeen years.  Her voice is deep and buttery on this twelve-track recording as she pays tribute to those musicians who were an inspiration to her, such as O.V. Wright, Elmore James, Chuck Berry, Muddy Waters, Howlin’ Wolf, Jimmy Reed, Little Milton and Otis Clay.  This CD also contains an interesting insert-booklet which contains photographs of those who graced the stage at Antone’s and notes about Stehli’s interactions with those artists.    

When Strehli’s cover of O.V. Wright’s “Ace of Spades” hits my ears, it puts an enormous smile on my face.  It’s downright fantastic.  Muddy Waters’ “I Love the Life I Live” is perfectly seasoned with Mark Kazanoff on harmonica. “Mighty” Mike Schermer’s guitar performance on Otis Rush’s “Gambler’s Blues” is absolutely delectable.  The tones he pulls out of his instrument are brilliant.  I dig the horn accompaniment on this one too.  Howlin’ Wolf is one of my all-time favorites, and Strehli’s recording of “Howlin’ For My Darling” is a wonderful tribute.  Mike Emerson brilliantly brings it on keys as Strehli nails the wolf howls.  As soon as the opening notes of Otis Clay’s “Trying to Live My Life Without You” finds their way out of the speakers, I switch into ‘dance mode’.  Chockful of soul, this one is a definite favorite.  Bringing the album to a close is a song Strehli wrote about her friend the legendary Stevie Ray Vaughan.   She befriended Stevie and his brother Jimmy in the earlier years of Antone’s, and her song “SRV“ is a lovely and heartfelt tribute.

Ace of Blues is as solid as a blues album can get.  I hope Angela Strehli doesn’t wait another seventeen years before recording another.                

---

 

PhillyCheezeBlues.Blogspot.com #550 > Eliza Neals - Badder to the Bone

 

2022 – E-H Records

By Phillip Smith; April 9, 2022 

Original source : phillycheezeblues.blogspot.com

 

Eliza Neals is an artist who consistently delivers album after album of solidly-written, exquisitely performed blues-rock.  Badder to the Bone marks my fourth album from Neals which I have made a point to review, and the title is very much on the mark.  She is a total badass in the music world, and this album is indeed badder to the bone.  With Neals on lead vocals, piano, and B3, the other musicians on this record are Lance Lopez ( SuperSonic Blues Machine, Lucky Peterson) and Billy ‘JC’ Davis (Hank Ballard & the Midnighters, Jimi Hendrix) on guitar, Peter Keys (Lynyrd Skynyrd) on B3+200A, Jason Kott ( Robert Randolph) and Paul Randolph ( Alice Cooper, Mudpuppy) on bass, Tim Grogan, Skeeto Valdez, Brian Clune, and Jeffrey “Shakey” Fowlkes ( Too Slim) on drums, Michael Puwal ( Kenny Wayne Shepherd) on guitar+bass, and Kimberli Wright on backing vocals.        

Fowlkes’ high-octane beat and Puwal’s swampy slide guitar heats things up quite nicely as Neals takes charge vocally on a call for unity in “United We Stand”.  She then follows up with an intoxicating dose of slow buttery blues featuring a searing guitar solo from Lopez on “Queen of the Nile”.  It’s an extraordinary listen.  “Lockdown Love” is a great song too.  With Fowlkes and Puwal onboard, this red-hot track shares the frustrations of dealing with stress while living inside a covid-constructed bubble.  Cloaked in a Sixties-mod fashion, “I Got a Gun”, featuring Billy Davis on guitar, is catchy as hell.  When Quentin Tarantino finally gets around to filming Kill Bill 3, this song would be a perfect fit for the soundtrack.  The gospel-soul-inspired “Heathen” is a beautiful piece with a Muscle Shoals vibe about taking out the trash.  I love how Neals’ piano performance is coupled with Galvin behind the B3.   I absolutely adore her cover of Blind Faith’s “Can’t Find My Way Home”.  Neals takes this 1969 classic and breathes into it a new glorious life with Lopez at the guitar helm absolutely tearing it up.  When he plays, notes majestically hang in the air. 

I can’t help but be a huge fan of Eliza Neals.  Her approach to the Blues is a fresh and unique one.  I thoroughly enjoyed “Badder to the Bone” from start to finish.  It’s chockful of badassery for sure.        

---

 

Other PhillyCheeze reviews featuring Eliza Neals:

 

https://phillycheezeblues.blogspot.com/2017/04/eliza-neals-10000-feet-below.html

https://phillycheezeblues.blogspot.com/2019/07/401-eliza-neals-sweet-or-mean.html

https://phillycheezeblues.blogspot.com/2020/05/444-eliza-neals-black-crow-moan.html

 

 

 

 

For more information about Eliza Neals, visit this website :  elizaneals.com

 

Available on BandCamp

PhillyCheezeBlues.Blogspot.com #549 > Hurricane Ruth - Live at 3rd and Lindsley

 

2022 – Hurricane Ruth Records

By Phillip Smith; April 2, 2022

Original source : phillycheezeblues.blogspot.com

Live at 3^rd and Lindsley, the sixth and most recent album from Ruth LaMaster aka Hurricane Ruth lands a ferocious punch with a fistful of raw, hearty blues.  This fourteen-track gem was recorded at 3^rd and Lindsley in Nashville, Tennessee and produced by two-time Grammy winner Tom Hambridge.  It features Scott Holt and Nick Nguyen on guitar, Calvin Johnson on bass, Lewis Stephens on keys, with Hambridge also behind the drums.  Jimmy Hall makes a guest appearance on a couple of songs as well.

With a wall of rhythm, and searing guitar behind her, Hurricane Ruth leads the album off in a fierce way with “Roll Little Sister” which originally appeared on her 2012 release Power of the Blues ... Feels Like a Hurricane.  “Dirty Blues”, which was one of my favorites off her 2020 album Good Life, is hot and slathered with lots of swampy slide.  I love the cover of Peppermint Harris’ “As the Years Go Passing By” with Jimmy Hall’s fantabulous harp performance and accompanying vocals.   I can almost feel the magic which was happening onstage when this was recorded.  Hall shares his talent for one more song, “Make Love to Me”, originally on Hurricane Ruth’s Born on the River album.  This, paired with the prior song, makes for a nice scorching two-fer of red, hot blues.  LaMaster ends the show with a song she wrote for her mama, “Dance Dance Norma Jean”.  Holt injects a ZZ-Top-sized lightning bolt of electricity into this John Lee Hooker-inspired boogie for a jaw-dropping experience.  It absolutely cooks.           

Hurricane Ruth’s Live at 3^rd and Lindsley is as solid as they come for live blues albums.  It’s the real deal, that’s for sure.       

---

For more information about Hurricane Ruth or to purchase music, visit the website :  https://www.hurricaneruth.com

PhillyCheezeBlues.Blogspot.com #541 > Bob Corritore & Friends - Down Home Blues Revue

 

2022 – Vizztone/SWMAF

By Phillip Smith; Feb. 5, 2022

Original source : phillycheezeblues.blogspot.com

I’ve really been enjoying the ‘From the Vaults’ albums spearheaded by blues harmonica marvel Bob Corritore.  The latest in the series, Down Home Blues Revue, features thirteen tracks of real-deal blues recorded between 1995 and 2012 in Phoenix, Arizona.  The amazing roster of southern blues artists on this album had all played Corritore’s blues club The Rhythm Room, and recorded tracks with him while in town.  The artists featured on this wonderful album are Robert ‘Bilbo’ Walker, Tomcat Courtney, T-Model Ford, Henry Townsend, Smokey Wilson, Honeyboy Edwards, Pecan Porter, Al Garrett, Dave Riley, and Big Jack Johnson. 

I was so happy to see Robert ‘Bilbo’ Walker’s name on the credits.  It was through Jeff Konkel and Roger Stolle’s docu-series MoonShine & Mojo Hands, and their film M for Mississippi where I first heard Walker, and quickly became a fan.   Walker appears three times on this album with songs “Rooster Blues”, “Still a Fool”, and “Baby Baby Baby”.  Another name that brought a big smile to my face was Fat Possum recording artist T-Model Ford.  His renditions of Arthur Crudup’s “Mean Old Frisco and Howlin’ Wolf’s “I Asked For Water” are captivating.     

Tomcat Courtney, who sadly passed away just a year ago at the age of 91, gives an extraordinary performance with “Clara Mae” a hard-edged, straight-up blues song on the evils of crystal meth.  Honeyboy Edwards performs Robert Lockwood’s “Take a Little Walk With Me”, with Willie “Big Eyes” Smith on drums, and I soak every bit of it up.  Corritore rips it up on harmonica as Pecan Porter takes on Canned Heat’s “Lets Work Together”.  The groove on Dave Riley’s “Home in Chicago” runs deep, and sounds great.  With a swaggering approach, Big Jack Johnson electrifies “Bluebird Blues” originally by Sonny Boy Williamson I.  He and Corritore sound terrific together.

Fans of Mississippi delta blues will definitely want to pick up this album.  It’s an absolute gem.

---

 For more information about the artist, visit this website : https://bobcorritore.com

  

#526 : Corey Harris - The Insurrection Blues

 

2021 – M.C. Records

By Phillip Smith; Oct. 31, 2021

Recorded in Atri, Italy in the early months of COVID shutdowns, Insurrection Blues the twentieth release from Corey Harris, marks his first record for M.C. Records.  Harris keeps this recording a solo-effort which features just him and his acoustic guitar, making for a beautiful and intimate listening experience.  This fifteen-track album is a really nice mix of deep blues covers, traditional songs, and original pieces.

From the first song “Twelve Gates to the City”, Harris has my full attention.  I love the tone of his guitar as he performs this spiritual traditional.  His cover of Charlie Patton’s “Some of These Days” is a pure delight.  Harris suavely slips into troubadour mode, breathing new life to “When Did You Leave Heaven”, the song which launched Tony Martin’s career as a recording artist in 1936.  His velvety vocals on this track are backed by guest Lino Mugio on mandolin.  Harris performs the instrumental “Toubaka” with an elegant grace.  I really like “Mama Africa” too.  This original has flavors which remind me of Led Zeppelin.  The trance-friendly groove of Skip James’ “Special Rider” is fabulously intoxicating.  With a Robbie Kriegler-like guitar approach, Harris instills a Doors vibe into title-track “Insurrection Blues”.  Harris’ affinity for the classics shines brightly as he pays tribute to Blind Blake on a couple of tracks: “You Gonna Quit Me Baby” and “That Will Never Happen No More”.  

We need an album like Insurrection Blues every once in a while, to remind us of where the blues began.  I can certainly see this one grabbing an award for best traditional blues.                              

---

 

 For more information about the artist, visit this website : https://www.coreyharris.net/

 

#514 : Avey Grouws Band - Tell Tale Heart

 

2021 – Navy House Records

By Phillip Smith; Aug. 28, 2021

 

Iowa-based blues-rockers Avey Grouws Band has yet another delectable album to sink one’s teeth into.  Tell Tale Heart is their latest record, and follows up quite nicely to their acclaimed 2020 release The Devil May Care which broke into the top 10 on the Billboard Blues Album Chart.  

 While the record was being composed during the pandemic, they also broke new ground by hosting 102 semi-weekly live mini-concert streams via their “Quarantini Party” and “Bloody Marys and Blues” events.  Their dedication to provide entertainment to their fanbase is quite apparent.  This is a band I’ve had the pleasure of seeing twice this summer already.  In June, I saw them open for Walter Trout at the Adler Theater in Davenport, Iowa.  Then in July, I caught them at the Prairie Dog Blues Festival in Prairie Du Chien, Wisconsin.  In both instances, I immediately noticed their magical connection to their audience.  Avey Grouws Band is comprised of Chris Avey ( lead guitar/vocals), Jeni Grouws (lead vocals/rhythm guitar), Randy Leasman (bass guitar), Bryan West (drums), and Nick Vasquez (keyboards).

The driving rhythm, and killer riff of “Love Raining Down” jets the album skyward in a glorious blaze of blues-rock.  Avey’s fearless approach to laying it all out with his guitar demands the listener’s full attention.  Grouws’ powerful, velvety vocals captivate me as political polarization runs rampant and lines are drawn in the sand in “Bad Bad Year”.  Fueled by heavy doses of Billy Gibbons-inspired guitar and a badass beat, this makes for another great cut.  Title-track “Tell Tale Heart” takes a beautiful yet melancholy turn as Grouws delivers a vocal performance full of heart and soul.  The heaviness and inner-turmoil woven into the lyrics are amplified by a wall of sound from the band.  It sounds great.  Immediately following is a wonderful Pink-Floyd-esque instrumental called “Mariana”.  Avey pulls out all the stops as he just lets his guitar speak.  West, Leasman, and Vasquez create the perfect space for this intoxicating piece of music to take place.  I heard this one performed live when AGB opened for Walter Trout, and it was an amazing experience to say the least.  “Daylight” is refreshing and delightful.  Its playful melody and softly-sung lyrics warms the soul.  I love the funky pulse running behind “Heart’s Playing Tricks”.  As the swirling sound of keys from Vasquez fill the air, Avey tosses a groovy and infectious riff on top.  This is most definitely another favorite.

Loaded with ten all-original songs, Tell Tale Heart is an absolute gem of an album from start to finish.  This is a record I highly recommend.          

--- 

For more information about the artist, visit this website : https://www.aveygrouwsband.com/

 

Available on Bandcamp : https://aveygrouwsband.bandcamp.com/

#505 : Guy Davis - Be Ready When I Call You

 

2021 – M.C. Records

By Phillip Smith; June 26, 2021

 

Guy Davis, nominated for the Grammy’s Best Traditional Blues Album in 2017 with Sonny & Brownie’s Last Train, has just released another possible Grammy contender with Be Ready When I Call You.  With this new album from the Ambassador of the Blues, Davis brilliantly dissects our American culture with a potent and hearty serving of blues.  His talents run deep as he performs his music on acoustic guitar, banjo, harmonica, and tambourine with Professor Louie on keys, Gary Burke on drums, John Platania on electric and acoustic guitars, and Mark Murphy on stand-up bass and cello.  Also appearing on the album is Christopher James on acoustic guitar, 6-string banjo, and mandolin, Jeff Haynes on percussion, and background singers David Bernz, Timothy Hill, and Casey Erdman.  

Davis begins the listening experience with a boisterous journey aboard the sixteen coach long “Badonkadonk Train”.  The record takes a heavy, eye-opening turn with “God’s Gonna Make Things Over”, as Guy relays the grim and matter-of-fact account of the 1921 Tulsa Race Massacre.  With a hook that’s infectious as hell, title-track “Be Ready When I Call You” tells the story of Robert Johnson’s legendary meeting with the devil at the crossroads.  Banjo in hand, Davis advises the listener to don’t drink the water in “Flint River Blues”, a captivating song about the disasterous 2014 water crisis in Flint, Michigan in which the water was so full of lead and toxins, people were getting deathly ill.  Davis taps into his inner Howlin’ Wolf to fearlessly deliver the blues classic “Spoonful”, the only cover song on the album.  It sounds fantastic.  I love the closer “Welcome to My World”.  The psychedelic guitar licks he sprinkles into the song catch my attention as he taps into the current state of the world with thought-provoking lyrics which flow out of his mouth in a carefully constructed cadence.

Guy Davis’ Be Ready When I Call You is quite an exceptional album of traditional blues and Americana.  It’s very powerful.             

---

 

For more information about the artist, visit this website : www.guydavis.com

#503 : Tia Carroll - You Gotta Have It

 

2021 – Little Village

By Phillip Smith; June 12, 2021

I greatly respect the work of Little Village Foundation, and their dedication to helping talented artists who may have no other means to get their music recorded and distributed.  One of the latest releases for this non-profit organization is for Bay Area (Richmond, CA) singer-songwriter Tia Carroll.  Her voice is a soulful and powerful one, and it sounds fabulous with the backing of Greaseland Studio musicians the great Kid Andersen on guitar, Jim Pugh on piano/organ, and Steve Ehrmann on bass.  Blessed with over thirty years of experience, Carroll has performed professionally with artists such as Jimmy McCracklin and Sugar Pie DeSanto.  Although Carroll has prior recordings with bands in Italy and Brazil, You Gotta Have It is her first album recorded stateside.  Produced by Andersen and Pugh, this grand album consists of eleven spectacular tracks, three of which are Carroll’s own original songs.

I absolutely love her opening track “Ain’t Nobody Worryin’”, featuring Charlie Hunter on guitar/bass.  Backed with a funky beat, and topped with Carroll’s brilliantly executed lyrical cadence, she breathes new life to this gritty streetwise song originally from Anthony Hamilton’s 2005 album by the same name.  Her vocals shine brightly and exhibit amazing range on “Even When I’m Not Alone”.  This song oozes with slow soul, and is beautifully graced with Pugh’s organ accompaniment.  There’s something about a nice big blast of horns on a song that sweetly punches a song up and “Don’t Put Your Hands on Me” sets a wonderful example.  Written by Rick Estrin for the late, great Koko Taylor, this track is a grand one to say the least.  Another of Carroll’s originals “Leaving Again” effortlessly woos me over with its mid-Seventies Isaac Hayes vibe.  You Gotta Have It comes to a poignant close with a warm and groovy cover of The Staple Singers’ 1967 release “Why Am I Treated So Bad”.  Carroll sings this perfectly in every way with backing vocals from The Sons of the Soul Revivers (James ,Walter, & Dwayne Morgan).  The whole band comes together so very nicely for this one too.

I certainly hope we get to hear more of Tia Carroll.  You Gotta Have It is a powerful album lush with musical talent.  It’s an absolutely striking recording.   

---

 

#497 : The Reverend Shawn Amos - The Cause of it All

 

2021 – Put Together Music

Release Date : May 21, 2021

By Phillip Smith; April 24, 2021

The Cause of it All, the fourth studio album from The Reverend Shawn Amos, is the eighth release overall for Amos.  Taking advantage of time in quarantine, Amos teamed up with guitarist Chris “Doctor” Roberts, of Amos’ full band, The Brotherhood to record an album of classic blues songs in a raw, stripped-down fashion.  Amos’ magnetic vocals and wailing harp are the perfect match for the deliciously swampy guitar playing from Roberts.  As a duo, the chemistry between the two makes for a superb album of blues.

The album starts off with an intoxicating cover of “Spoonful”, the Willie Dixon classic made famous by Howlin’ Wolf.  It’s delivered with a matter-of-factness that sends chills down my spine.  With The Reverend belting out fearless vocals and harmonica notes that seemingly hover above the song in mid-air, The Doctor hammers out flesh-ripping guitar licks.  It’s absolutely wonderful.  They fabulously follow up with a killer blues-rocker off The Red Devils 1992 debut album King King called “Goin’ to the Church”.  It’s a fitting tribute to frontman Lester Butler who wrote the song and sadly passed away from a drug overdose in 1998 at the age of thirty-eight.  Impassioned with heavy emotion, The Reverend delivers another cut-to-the-bone gem in Howlin’ Wolf’s “Color and Kind”.  Intimate and charming, their acoustic performances of “Baby Please Don’t Go” and “Hoochie Coochie Man” put a gleaming smile on my face.

This is one of the best blues albums I’ve heard this year.  The Cause of it All has everything it needs to be a contender for Best Traditional Blues Album.                          

---

  

 

 

For more information about the artist, visit this website : www.shawnamos.com

 

 

Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.

#496 : The Jujubes - Where Are We Now

 

2021 – Faversham Records

By Phillip Smith; April 17, 2021

 

I’m absolutely enamored over Where Are We Now, the debut album from The Jujubes.  It’s delightfully soaked in that wonderful delta blues and served with an unbridled authority.  With a stripped-down and raw approach to their music, it’s truly amazing what this South East London trio brings to the table.  Comprised of singer Nikki Brooks, guitarist Sandy Michie, and harp player/guitarist Pete Sim, the band covers eight classic blues songs and delivers three originals. 

A formidable dose of slide guitar and harmonica ushers this blues album in with a wonderful cover of Mississippi Fred McDowell’s “You’re Gonna Be Sorry”.  Nikki’s vocals are a sultry and fearless combination made to sing the blues.  Her delivery on Elmore James’ “Hurts Me Too” is beautiful.  It sounds perfect alongside Pete’s radiant harmonica performance and Sandy’s sweet swampy guitar.  They win more of my affection on the Son House classic “John the Revelator”.  It’s wonderfully eerie with its haunting guitar licks and Nick Marangoni’s heartbeat-like pulse on drums.  More ominous gospel blues ensues with Willie Johnson’s “Dark Was the Night”.  This almost-instrumental ingeniously creates a dark and uneasy atmosphere with brilliant slide guitar and sounds of creaking floors.

Their original songs are great too.  Title-track “Where Are We Now” is marvelously melancholy.  Nikki sings this one with pure emotion as she questions the status of a shaky relationship.  I love how “Change is Coming” takes an upbeat path.  The song’s partying juke-house rhythm occasionally swerves into the North Mississippi lane and magnificently ends in a furious explosion of sound.  Another favorite, “The Funeral Song” is a delicate and fragile torch song which steals my heart.  It’s fabulous.      

Where Are We Now steals my heart with every listen.  I’m already looking forward to the Jujubes next release.

---

 

 For more information about the artist, visit their Facebook page : https://www.facebook.com/thejujubes

 

 

Take a listen to the album on Apple Music.

 

#493 : 8 Ball Aitken - Ice Cream Man

 

2021 – Red Rocker Records

By Phillip Smith; April 3, 2021

 

I can’t help but be a fan of Nashville-based Aussie recording artist 8 Ball Aitken.  His unique style of blues-rock is a funky and infectious blend.  Ice Cream Man, his twelfth and latest album, was recorded in Nashville and features Buddy Guy’s Grammy Award winning producer Tom Hambridge on drums, Buddy Leach (George Thorogood and the Destroyers) on saxophone, Taya Chani on backing vocals, Dillion James Aitken (8 Ball’s brothers) on organ/keys, with 8 Ball taking on all guitars, bass, harmonica, and lead vocals.

Southern soul meets delta blues when 8 Ball leads the album off with title-track “Ice Cream Man”.  Loaded with fun, saucy double entendres, this one always puts a smile on my face.  Fueled with a Jimi Hendrix-inspired riff and a ‘Summer of Love’ vibe, 8 Ball builds an enlightening case for “Peace Love and Understanding”, by dropping notable quotes from purveyors of peace such as Mahatma Gandhi, Mother Teresa, Nelson Mandela, Martin Luther King Jr., and John Lennon.  “Boomerang”, a psychedelic rocker with a thunderous beat and an inescapable groove chronicles the tale of an on-again off-again relationship.  This is one cool-as-hell track which begs to be heard at a loud volume.  I love the ominous road 8 Ball wanders onto with “Hard Times and Struggle”.  He’s definitely reaching into Tom Waits and Nick Cave territory here, and it sounds great.  The fierce guitar/harmonica performance he gives on “Solitaire” is absolutely wonderful and cuts deep to the bone.

Ice Cream Man is a splendid listen from start to finish.  I highly recommend it.

---

For more information about the artist, visit this website : https://www.8ballaitken.com/

 

Available on Bandcamp 

 

#489 : The Rush Cleveland Trio - Vintage Folk Rock and Blue Ribbon Blues

2021 – Wild Midwest Records

By Phillip Smith; Mar. 6, 2021

 

There’s something fascinating about the songs of Rush Cleveland.  His lyrical prowess goes toe-to-toe with the best of the best.  His music flows like aged whisky right from the cask.  This Iowa treasure ranks right up there with other favorite artists of mine like Watermelon Slim and Lucinda Williams.  

The Rush Cleveland Trio is comprised of Rush Cleveland on vocals and guitar, Gordon Sankey on bass and vocals, and Will Quegg on drums, with guest vocalist Sophia Landis appearing on four tracks.  Their latest release Vintage Folk Rock and Blue Ribbon Blues is a stellar nineteen track album of hardscrabble folk rock songs and from-the-gut blues all written by Cleveland.

Cleveland opens the album in a rocking Neil Young fashion with “Waterloo Land” where a trip to jail always seems to be waiting just around the corner.  “River Flows”, another great rocker, reels me in with a killer riff, and a captivating beat.  Decorated with memories of being carefree and hanging out at the river, this is one of my favorite tracks.  It’s really touching to hear Rush’s personal reflections on “Jose’s Blues” a memorandum of his friend.  Pat Garret, Geronimo, and Billy the Kid vividly come to life in Cleveland’s western outlaw ballad “Rush Meets Billy the Kid”.   

“He Always Comes Home”, featuring Landis on vocals, initiates the second half of the album.  I love the Chrissie Hynde/Pretenders vibe which radiates from her voice on this song.  Paradigms associated with contemporary love songs are abruptly demolished in “Crack House Row”, while blues paradigms are solidly reinforced with “Liquor, Lines, and Loose Women”.  Chicago, where blues meets electricity, is the backdrop of “Blues Electricity.  Here we get a brief history lesson of the genre and a terrific dose of raw guitar blues.  The album comes to a close with a wonderful instrumental called “Blues in D”.  It’s a track that puts me quickly at ease with every listen.

Vintage Folk Rock and Blue Ribbon Blues is bold stew of folk, blues, country and rock and is a standout slice of Americana.  I highly recommend it.                      

---

   

For more information about the artist, visit their Facebook page : https://www.facebook.com/TheRushClevelandTrio

  

Take a listen to the album on Apple Music. 

#488 : Head Honchos - Blues Alliance

2020 – Grooveyard Records

By Phillip Smith; Feb. 26, 2021

Head Honchos, a heavy-duty blues-rock band from Indiana, grabbed my full attention from the git-go with their second album Blues Alliance.  This power-quartet, centered on dual guitars manned by lead vocalist Rocco Calipari Sr. and his son Rocco Calipari Jr. is definitely a band that deserves a hell of a lot of attention.  Comprising the rest of the band is bassist Mike Boyle and drummer Will Wyatt.  Eleven tracks in length, the album features nine outstanding originals and two stellar covers.

I love the dirty, greasy groove on “Mr. Bad”.  It sounds so damn good paired up with the ripping guitars from the Caliparis.  Raw and blood-thirsty vocals from Rocco Sr. take full command.  “She Got That Thing” is nearly six minutes of funky rockin’ bliss.  I have to give bonus points for solos from Wyatt on drums, and Boyle on bass.  Another song that digs right in is “Can’t Be Satisfied” with its fearless driving rhythm, pounding drums, and infectious riff.  Scooped up by the Chuck Berry influence on “Rock n’ Roll”, I grab on tight for the ride and enjoy this no-holds-barred rocker.

Their cover of “Evil”, written by Willie Dixon and originally recorded by Howlin’ Wolf is magnificent.  This performance is so reminiscent of classic Zeppelin.  A breakneck pulse, searing guitars, and fearless vocals make this the stand-out track.  The record closes with another fantastic cover.  Serendipitously, very shortly before I decided to review this album, I became enthralled with Big Ass Truck’s version of the Al Green song, “I’m A Ram”.  Then I discovered that song was covered by Head Honchos too.  Al Green made it soulful.  Big Ass Truck made it funky. Govt Mule made it somewhat reggae.  Now Head Honcho gives it a swampy makeover, with lots of slide and some juicy harp from Wyatt.

Blues Alliance is a record I very highly recommend.  It’s going down as one of my favorites of the year. 

---

  

  

For more information about the artist, visit this website : https://www.theheadhonchosband.com/home

 

 

Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.