#558 > Gary Cain - Next Stop (PhillyCheezeBlues.Blogspot.com)

 

2022 – Gary Cain

By Phillip Smith; June 11, 2022

Original source : phillycheezeblues.blogspot.com

 

Next Stop, the latest release from Canadian blues-rocker Gary Cain, takes off like a rocket, and soars to the heavens.  His guitar prowess is extraordinary and an absolute treat to hear.  Cain, a 2018 semi-finalist at the International Blues Challenge in Memphis, Tennessee, has talents which run much deeper though.  This ten-track album reveals just how much.  Written and recorded in Austin, Texas, Next Stop is all Cain.  He wrote the music and lyrics, plays all the guitar and bass parts, sings, programs drums, and handles percussion.

Rocking an infectious Texas boogie, “Billionaires in Space” blasts the album off by taking a satirical jab at Elon Musk’s and Jeff Bezos’ ego-centric race to boldly go where no man has gone before.  Cain seemingly draws inspiration from Jimi Hendrix on “Confusion”.  His powerhouse performance is so hot, it downright cooks.  Cain furiously throws everything he has into “Kitchen Sink”.  This fabulous instrumental brings to mind a favorite by The Aristocrats called “Kentucky Meat Shower”.  It’s an exhilarating experience to hear Cain’s intense guitar picking riding the bleeding edge of his barreling beat.  Reaching the tipping point of being fed up is a gradual process and that’s the way Cain goes with “Gone” a song with that exact theme.  The mellow and melodic atmosphere stretches outward and inward, taking heavy and funky turns with its cozy groove.  Next Stop wraps up with “A Short, Furious Goodbye” with special guest John Lee on B3 organ.  This cosmic instrumental clocks in at two minutes, seventeen seconds and beautifully lives up to its name.

Next Stop is one album guitar aficionados will definitely want to give a listen to.  It’s fantastic.  

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For more information about Gary Cain, visit this website :  https://www.garycainband.com

#486 : Alastair Greene - The New World Blues

 

2020 – Whiskey Bayou Records

By Phillip Smith; Feb. 13, 2021

I’ve been a fan of Alastair Greene since reviewing his 2017 release Dream Train.  That album came to fruition soon after his lengthy gig of playing with Alan Parsons.  Hearing his latest album, The New World Blues, only made me more of a fan.  Greene is rocker rooted in blues, and a bluesman rooted in rock.  His songs are solid as hell, and his guitar prowess is absolutely stunning.  Tab Benoit, cofounder of Whiskey Bayou Records produced the album, and took on drums, with bass player Corey Duplechin rounding out this paramount power-trio. 

“Living Today” gets this eleven-track record off to a ripping start, with Greene reminding us to let our love shine through this world gone mad.  The song is quite powerful.  Benoit throws down a monster beat as Greene absolutely tears it up on guitar.  Greene pours a jug-full of delta grease into “Bayou Mile” a ballad of reflection. This one puts a smile on my face and makes me think of home.  Things heat up when Greene breaks out a big ol’ case of Texas-style blues on his instrumental “Back at the Poor House”.  This one evokes the fabulous sounds of Stevie Ray Vaughan.  Sitting atop a delicate framework, is this beautiful and melancholy song called “Heroes”.  It totally captivated me, both lyrically and musically.  When I heard the harmonized vocals, I was instantly reminded of one of my favorite bands in the nineties, The Meat Puppets.  The album comes to a walloping finish on title-track “The New World Blues” with Greene doling out heaping helpings of swampy electric slide.  It sounds so damn good. 

“The New World Blues” is definitely among the best albums I’ve heard this year.  It’s surely one blues-rock fans will want to grab.   

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For more information about the artist, visit this website : https://agsongs.com/

 

Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.

#414 : Southbound Snake Charmers - To the Bone

2019 – Southbound Snake Charmers
By Phillip Smith; Oct. 26, 2019

I’m so very much excited to hear To the Bone, the fourth and latest release from Southbound Snake Charmers.  Their 2017 album, Rhythm ‘n’ Rust instantly drew me in to their world of psychedelic blues rock.  That record totally captivated my attention, and was an instant hit for me.  With To the Bone, this trio from Melbourne, Australia continues to push the envelope of blues rock with heavy and thunderous beats, loaded to the brim with gobs of grease, and hard-edge lyrics.  This EP features four brand new all-original tracks, and two remastered favorites.    The band is fronted by vocalist/guitarist Chris Denman, with bassist Nat Sutphin and drummer Brooke Maloney comprising one hell of a rhythm section.  Denman notes their intent on this recording was to recreate a 60’s / 70’s vibe, by recording all the rhythm live in one room at one time, omitting any synthesized or digital instruments.  This certainly gives the music a warmer and more personal sound.          

Reminiscent of the wonderful, hoodoo-injected swampy sounds of John Fogerty, the album hits the ground running with “Through the Smoke”.  The band masterfully creates an ominous stage for this hard-rockin’ anthem to flaunt its magic.  “Playing With Fire” continues to keep my blood pumping at full capacity with its furious beats, and wailing guitar licks.  Deman’s vocals are fearless and powerful.  The intoxicating and inescapable groove on “My Crazy” rapidly latches its claws right in and holds on tight.  At the core, this is pure delta blues lit up with gasoline.  It sounds fantastic.

The two remastered tracks are “Don’t Speak Too Soon” from Rhythm ‘n’ Rust and “Ride On” from Voodoo Chicken Shack, both of which sound amazing.  The whole EP is a terrific listen, and will remain on heavy rotation in my player.  I highly recommend it.  

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For more information about the artist, visit their website: www.southboundsnakecharmers.com   .

Link to the PhillyCheeze Review for Southbound Snake Charmers - Rhythm 'n' Rust
https://phillycheezeblues.blogspot.com/2017/04/southbound-snake-charmers-rhythm-n-rust.html

#412 : Odds Lane - Lost & Found

2019 – Gulf Coast Records

By Phillip Smith; Oct. 12, 2019

Odds Lane, the St. Louis blue-rocking duo on Mike Zito’s new label, Gulf Coast Records, has surely caught my attention with their new album Lost & Found.  Formed nearly sixteen years ago by multi-instrumentalist Doug Byrkit and drummer/percussionist Brian Zielie, this song-writing duo has been friends since 8^th grade.  Lost & Found is inspired by their work with Zito on his Blue Room album, which is now celebrating its 20^th anniversary with a remastered release on Ruf Records.

The driving pulse of “Blood on the Van” sinks its claws in fast, and holds steady while greeting the listener with a great big dose of rockin’ blues.  I love the gritty rhythm and the enormous punk beat which frames “Don’t Give it Away”.  “Moth to a Flame” reaches into the territory of Southern Rock, and is quite reminiscent of the Muscle Shoals sound.  The slide guitar on this sounds great, and the song has a playful-energetic groove.  Another favorite, “White Castle Blues”, is a searing tribute to those wonderful, little, square burgers I have been known to trek out of my way score a sackful.  Afterall, “The crave is a powerful thing”, and so is this album.             

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For more information about the artist, visit their website:  oddslane.com  

Southbound Snake Charmers - Rhythm ‘N’ Rust

2017 – Southbound Snake Charmers  

By Phillip Smith; April 8, 2017

There was instant lovability for Southbound Snake Charmers the moment I first popped their latest disc, Rhythm ‘N’ Rust into the player.  The album is chock-full of swampy southern blues-rock driven by wonderful thunder filled rhythm.  Hailing from Melbourne, Australia, this magnificent trio is composed of vocalist/guitarist Chris Denman, bassist Nat Sutphin, and drummer Brooke Maloney. 

Maloney’s pulsing drumming lures me right into the wonderfully greasy blues of “Don’t Speak Too Soon”.  Filled with amazing guitar licks, fearless vocals, and intoxicating bass, there’s a Sixties’ Cream vibe running through this amazing psychedelic jewel.  This one relentlessly surges through my soul.  Highlighted by its caffeinated crashing beats and invigorating rhythm, attitude runs rampant through the hoodoo- infused “Snake Oil”. Denman seemingly takes a cue from RL Burnside on another favorite, “Hearts of Corruption”, singing the blues while dishing out whopping doses of deliciously swampy slide guitar.  There’s a beautiful and unsettling intensity which slowly rises to the top in “The Longest Night”, a thrilling ballad spattered with amazing guitar and sung with the freewheeling charisma of Jim Morrison. 

The brilliantly ferocious hard-rocking blues of Rhythm ‘N’ Rust satisfies my craving for exemplary music in spades.  On a ten point scale, this record scores an eleven. 

Jake Chisholm - No More Sorrow

2016 – Jake Chisholm

By Phillip Smith; Mar. 18, 2017

Toronto music artist Jake Chisholm does a fantastic job of encapsulating the purity and rawness of Seventies blues-rock with his latest album, No More Sorry.  He brings a fistful of confidence to these ten tracks of originals with a rugged vocal styling and skillful guitar playing.  Chisholm’s power-trio also includes drummer Sly Juhas and bassist Chris Banks. 

Chisholm masterfully sets a dark and ominous state of impending doom with the psychedelic treat, “You Never Will”.  His guitar chops stand out up front as he elegantly ushers in a relaxed Hendrix vibe on “Just Because You Want To”.  This one is beautifully played.  Guest Jameson Elliot doles out a cool driving bassline as Chisholm shares a trippy hardscrabble look at life on the “Merry-Go-Round”.   I can’t help myself for falling for the infectious hook threaded through the title track, “No More Sorrow”.  It grabs me every time I hear it.  I like this one a lot.

There’s a sense of honesty woven into the crafted and thoughtful lyrics written by Chisholm.  His serious approach to music makes No More Sorrow the splendid record it is.

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Slackjaw - It’s Always Something

2015 –Slackjaw

By Phillip Smith; Aug. 1, 2015

It’s Always Something, the second album from New Jersey blues rockers Slackjaw, rapidly grabbed my attention with its tight musicianship and devil-may-care lyrics.  This trio consists of singer/guitarist John Thompson, drummer/harmonicist Randy Marinelli, and bassist/backing vocalist Carl Capodice.   

Album opener “Carried By Six” is smothered in Texas blues and sounds great.  Not only is Thompson one hell of a guitar slinger, but Capodice and Marinelli hold the fort down quite nicely to boot.  When it comes to relationships, if it’s not one thing, it’s another.  That’s the message in the rocking title track, “It’s Always Something”.  Thompson seriously tears it up, and throws down the gauntlet when it comes to blasting out intense guitar licks. A funky bluesy rhythm with a Spin Doctors flair gives the light-hearted love song, “New Addiction” a feel-good groovy sound.  This one surely puts me in my happy place. Tempo shifts, and more outstanding hard-driving riffs, make the melodic “Whiskey Lane” one of my favorites.    

Slackjaw closes out with the carousing song, “Bottle of Whiskey”.  This partying track is the perfect closer, and gets stuck inside my head quite often now.  All in all, It’s Always Something is a rambunctiously good listen.

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