Showing posts with label Chris Peet. Show all posts
Showing posts with label Chris Peet. Show all posts

Saturday, August 17, 2024

#698 : J.P. Soars - Brick By Brick (PhillyCheezeBlues.Blogspot.com)



2024 – Little Village
Release Date : Jun 30, 2024
 
By Phillip Smith;
 
Original source : phillycheezeblues.blogspot.com

 

J.P.  Soars has been sweeping me off my feet for over ten years. His magnificent slide work keeps pushing the envelope with every new album he releases. It was the 2013 release of a record called Easy Livin’ by blues super-group Southern Hospitality which first drew my attention to this fellow Arkansan. Formed with Damon Fowler and Victor Wainwright, that band is still active and is currently touring.

Soars’ latest album, Brick by Brick is an astonishing record, jam-packed with phenomenal music. With Soars on vocals, guitars, dobro, banjo, bass, lap steel, two string cigar box guitar, merlin stick dulcimer, and jaw harp, he is joined by Chris Peet on drums and bass, Raul D Hernandez on percussion, Jeremy Staska on percussion, Bob Taylor on Hammond B3, Paul DesLauriers and Annika Chambers on backing vocals, Anne Harris on fiddle, and Rockin’ Jack Jacobs on harp, and Terry Hanck on tenor saxophone.

From the beginning, I’m swallowed up by the lush blues-rock groove on title-track “Brick By Brick”. It grabs on tightly and keeps its clutches sunk in until the end. I absolutely love it. A funky guitar riff, swirling B3, and a slathering of soul gives “Keep Good Company” the Muscle Shoals treatment for a southern-rock, feel-good time. “In the Moment” is absolutely gorgeous. Soars’ delicate performance makes this a beautiful instrumental. I always appreciate hearing J.P. break out that back-woods swampy slide, and when he does on “The Good Lord Will Provide” it sounds so damn good. The racing pulse on “Things Ain’t Working Out” makes for an exciting listen while Soars rips it up on this bodacious jamboree.

J.P. Soars’ Brick by Brick receives my highest of recommendations. I encourage everyone to give this a listen.

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For more information about J.P. Soars, visit the website at https://jpsoars.com

 

For more PhillyCheeze reviews featuring JP Soars, visit https://phillycheezeblues.blogspot.com/search?q=J.P.+Soars

 

 

  

Saturday, November 12, 2022

#584 > Annika Chambers & Paul DesLauriers - Good Trouble (PhillyCheezeBlues.Blogspot.com)

 


2022 – Vizztone Records

By Phillip Smith; Nov. 12, 2022

Original source : phillycheezeblues.blogspot.com

 

Annika Chambers and Paul DesLauriers have both been on my radar a while.  I covered Chambers’ 2019 album Kiss My Sass, and DesLauriers’ 2016 release Relentless, as well as his 2019 release Bounce.  I embraced all three of those recordings.  The spirited couple met at the 2018 International Blues Challenge in Memphis and started working together in 2019.  Within the same year, they fell in love and got married. Good Trouble is their first full album together, and it’s absolutely fabulous.  Annika’s voice sounds divine as she takes on lead vocals.  Paul’s talent shines bright and runs immensely deep as he performs on an array of instruments.  He plays guitar, dobro, cigar box guitar, bass, and mandolin.  Additional musicians on the album include JP Soars on guitar, Chris Peet on drums and percussion, Gary Davenport on bass guitar, Alec McElcheran on bass guitar, Bernard “Bingo” Deslauriers on drums, Barry Seelen on Hammond B-3 organ, and Kim Richardson on background vocals.

A charged blast of southern soul rips the album wide open on “You’ve Got to Believe”.  Paul throws down a fiery guitar performance and a delightful accompaniment on mandolin.  Annika’s vocals are fearless and commandeering as she belts this amazing song out.  They create a riveting and soulful recreation of George Harrison’s “Isn’t it a Pity” from his All Things Must Pass album.  It’s quite different from the original, but it’s quite amazing.  They also do a spectacular job covering the Joe South 1970 hit “Walk a Mile in My Shoes” which peaked at #12 on the Billboard Hot 100 chart.  The warm bluesy tones of Paul’s guitar gently walk the listener into “Need Your Love So Bad”, the duet he sings with Annika.  This is indeed the blues.  My biggest surprise was hearing their take on Mountain’s legendary blues-rock anthem “Mississippi Queen”.  They absolutely shine as they keep this cover tightly close to the original.  I would have loved to witness this recording in the studio.  Good Trouble wraps up with a nearly ten-minute sacred-soul jam of “I Need More Power”.  This music for the spirit effortlessly takes me into a hypnotic trance and I love every bit of it.

Good Trouble is a brilliant album loaded with musical perfection.  I highly encourage everyone to give it a listen. 

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Saturday, September 14, 2019

#408 : J.P. Soars - Let Go of the Reins


2019 – Whiskey Bayou Records

By Phillip Smith; Sep. 14, 2019

Produced by Tab Benoit, Let Go of the Reins delightfully highlights everything I like about the music of J.P. Soars : smokin’ guitar licks, hard-scrabble lyrics, and fearless vocals.  Soars, the Arkansas-based artist who won 1st place at the 2009 International Blues Challenge in Memphis and pulled down the Albert King Award for best guitarist, rolls out his fifth solo studio album covered in hard-driving blues.  Soars steers the ship on vocals and guitars, with Chris Peet on bass guitar, Tab Benoit on drums, and Tillis Verdin on the Hammond B3.   

Soars begins the album with a jumpin’ cover of J.B. LeNoir’s “Been Down So Long”.  The fresh new arrangement absolutely cooks.  I love the swampy cover of the 1970 hit song “If You Wanna Get to Heaven”, by the Ozark Mountain Daredevils.  Soars definitely makes this one his own.  I thoroughly enjoy his beautiful performance of Django Reinhardt’s intoxicating instrumental “Minor Blues” too. 

A wonderful deep dark groove, preceded by an ominous entrance, guides title-track “Let Go of the Reins” on its hypnotic path to a psychedelic finish.   Soars cut loose on his spirited tribute to Freddie King called “Freddie King Thing”.  It jams indeed.  “Lonely Fire” with its delicate melody and Spanish influence, is a song I simply adore.  

I highly recommend Let Go of the Reins.  It’s among the best albums I’ve heard this year.    


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For more information about the artist, visit this website : jpsoars.com