Showing posts with label Eamon Ryland. Show all posts
Showing posts with label Eamon Ryland. Show all posts

Saturday, December 25, 2021

#533 : Sugaray Rayford - In Too Deep

 


2022 – Forty Below Records

By Phillip Smith; Dec.25, 2021


I was super thrilled to see the new Sugaray Rayford disc In Too Deep when it recently arrived.  I was in total awe of his prior album, Somebody Save Me, which earned him a Grammy nomination and two Blues Music Awards.  Sugaray’s brand of hot buttered soul makes me feel alive with each and every listen.  Fabulously written and produced by Eric Corne, founder and president of Forty Below Records, this record is drenched in Seventies Soul and /R&B.  With Sugarray behind the mic, his band consists of Rick Holmstrom and Eamon Ryland splitting up the guitar performances, Sasha Smith and Drake Munkihaid Shining sharing keyboard responsibilities, Taras Prodaniuk on bass, and Matt Tecu on drums.

“Invisible Soldier” leads the album off with a megaton of groove and a reminder to us all about the struggles experienced by wartime veterans.  This song in particular was inspired by Sugaray’s personal battle with insomnia stemming from PTSD.  With every listen, I get swooped up by the hypnotic rhythm woven into “In Too Deep”.  The array of guitar licks thrown in by Ryland adds a sweet extra layer to this song of despair.  The horn-laden jam on “Under the Crescent Moon” is a superb and funky throwback to those Seventies cop drama scores I loved so much.  It’s a very infectious track.  I also adore “Miss Information” where the melody takes a brassy, disco-esque route and the lyrics rap to a beat of their own.  With a vibrant breath, and silky-smooth vocals, Sugaray delivers “Gonna Lift You Up”.  Blues-soaked guitar, gospel-inspired organ, and horns all come together for an enormous good time.  The album closes in a unifying way with “United We Stand”.  There’s a definite Stax influence embedded in this track, and I love every bit of it.

In Too Deep has already secured a place in my favorite albums of the year, although the release date will be in 2022.   This is an album you will surely want to keep an eye out for.  It’s an absolute gem.  

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For more information about the artist, visit this website : https://sugarrayrayford.com  



Saturday, June 30, 2018

#339 : Eric Corne - Happy Songs for the Apocalypse



2018 – Forty Below Records

By Phillip Smith; June 30, 2018


Eric Corne, founder and president of Forty Below Records, has brought fabulous new artists like Sam Morrow and Jaime Wyatt to my attention and recorded established favorites such as John Mayall, Walter Trout, Joe Walsh, Lucinda Williams, Edgar Winter, Joe Bonamassa, John Doe (X) and Glen Campbell.  Happy Songs for the Apocalypse, the latest release from award winning producer/singer/song-writer Eric Corne is rather reflective of the world today, and is an amazing listen.  The dozen original tracks are beautifully written and tightly woven together in the assembly of this album.

I love the way Corne splendidly starts the album off with “Mad World”, his prophetic account of the beginning of the end.  Eamon Ryland lends a dreamy texture to this personal favorite on pedal steel.  Doug Pettibone (Lucinda Williams) provides a delicate Dobro performance on “The Guilded Age” while Corne sings of the wolves of Wall Street. Sasha Smith on dolceola and violinist Freddy Koella (Bob Dylan, KD Lang, Dr. John) inject a bright Celtic sound into Corne’s dispirited observance of current day politics “Short Wave Preachers”.

Corne taps into the spirit of the early Rolling Stones with “Ridin’ with Lady Luck” and “Locomotion”.  “Ridin’ with Lady Luck” features the legendary Walter Trout laying down some fabulous licks on lead guitar and Corne ripping it up on harp.  The excitement builds as Smith lays the piano groundwork on the upbeat “Locomotion”.  Guest David Ralicke (Degue Fever, Beck) orchestrates a rich horn arrangement on this captivating song as Corne revs it up with a side of guitar twang and more harp.

Corne utterly wins me over with Happy Songs for the Apocalypse. It is definitely a delightful and intelligent listen. 


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