#698 : J.P. Soars - Brick By Brick (PhillyCheezeBlues.Blogspot.com)

2024 – Little Village
Release Date : Jun 30, 2024
 
By Phillip Smith;
 
Original source : phillycheezeblues.blogspot.com

 

J.P.  Soars has been sweeping me off my feet for over ten years. His magnificent slide work keeps pushing the envelope with every new album he releases. It was the 2013 release of a record called Easy Livin’ by blues super-group Southern Hospitality which first drew my attention to this fellow Arkansan. Formed with Damon Fowler and Victor Wainwright, that band is still active and is currently touring.

Soars’ latest album, Brick by Brick is an astonishing record, jam-packed with phenomenal music. With Soars on vocals, guitars, dobro, banjo, bass, lap steel, two string cigar box guitar, merlin stick dulcimer, and jaw harp, he is joined by Chris Peet on drums and bass, Raul D Hernandez on percussion, Jeremy Staska on percussion, Bob Taylor on Hammond B3, Paul DesLauriers and Annika Chambers on backing vocals, Anne Harris on fiddle, and Rockin’ Jack Jacobs on harp, and Terry Hanck on tenor saxophone.

From the beginning, I’m swallowed up by the lush blues-rock groove on title-track “Brick By Brick”. It grabs on tightly and keeps its clutches sunk in until the end. I absolutely love it. A funky guitar riff, swirling B3, and a slathering of soul gives “Keep Good Company” the Muscle Shoals treatment for a southern-rock, feel-good time. “In the Moment” is absolutely gorgeous. Soars’ delicate performance makes this a beautiful instrumental. I always appreciate hearing J.P. break out that back-woods swampy slide, and when he does on “The Good Lord Will Provide” it sounds so damn good. The racing pulse on “Things Ain’t Working Out” makes for an exciting listen while Soars rips it up on this bodacious jamboree.

J.P. Soars’ Brick by Brick receives my highest of recommendations. I encourage everyone to give this a listen.

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For more information about J.P. Soars, visit the website at https://jpsoars.com

 

For more PhillyCheeze reviews featuring JP Soars, visit https://phillycheezeblues.blogspot.com/search?q=J.P.+Soars

 

 

  

#584 > Annika Chambers & Paul DesLauriers - Good Trouble (PhillyCheezeBlues.Blogspot.com)

 

2022 – Vizztone Records

By Phillip Smith; Nov. 12, 2022

Original source : phillycheezeblues.blogspot.com

 

Annika Chambers and Paul DesLauriers have both been on my radar a while.  I covered Chambers’ 2019 album Kiss My Sass, and DesLauriers’ 2016 release Relentless, as well as his 2019 release Bounce.  I embraced all three of those recordings.  The spirited couple met at the 2018 International Blues Challenge in Memphis and started working together in 2019.  Within the same year, they fell in love and got married. Good Trouble is their first full album together, and it’s absolutely fabulous.  Annika’s voice sounds divine as she takes on lead vocals.  Paul’s talent shines bright and runs immensely deep as he performs on an array of instruments.  He plays guitar, dobro, cigar box guitar, bass, and mandolin.  Additional musicians on the album include JP Soars on guitar, Chris Peet on drums and percussion, Gary Davenport on bass guitar, Alec McElcheran on bass guitar, Bernard “Bingo” Deslauriers on drums, Barry Seelen on Hammond B-3 organ, and Kim Richardson on background vocals.

A charged blast of southern soul rips the album wide open on “You’ve Got to Believe”.  Paul throws down a fiery guitar performance and a delightful accompaniment on mandolin.  Annika’s vocals are fearless and commandeering as she belts this amazing song out.  They create a riveting and soulful recreation of George Harrison’s “Isn’t it a Pity” from his All Things Must Pass album.  It’s quite different from the original, but it’s quite amazing.  They also do a spectacular job covering the Joe South 1970 hit “Walk a Mile in My Shoes” which peaked at #12 on the Billboard Hot 100 chart.  The warm bluesy tones of Paul’s guitar gently walk the listener into “Need Your Love So Bad”, the duet he sings with Annika.  This is indeed the blues.  My biggest surprise was hearing their take on Mountain’s legendary blues-rock anthem “Mississippi Queen”.  They absolutely shine as they keep this cover tightly close to the original.  I would have loved to witness this recording in the studio.  Good Trouble wraps up with a nearly ten-minute sacred-soul jam of “I Need More Power”.  This music for the spirit effortlessly takes me into a hypnotic trance and I love every bit of it.

Good Trouble is a brilliant album loaded with musical perfection.  I highly encourage everyone to give it a listen. 

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Victor Wainwright and the WildRoots - Boom Town

2015 –Blind Pig Records

By Phillip Smith; July 4, 2015

Boom Town, the latest release from Victor Wainwright and the Wildroots, is chockfull of boogie-laced blues and tasty jams.  Wainwright, who rightfully claimed the Pinetop Perkins Piano Player of the Year for 2013 and 2014, leads this fantastic eight person band called, the Wildroots through thirteen spirited New Orleans flavored selections. Hearing him rip into the piano while laying down a truck load of boogie woogie on “Two Lane Blacktop Revisited” will leave no doubt why he pulled down that award twice already.  

It’s amazing to hear the different directions to which Wainwright can take his voice.  From a comforting tone, in the spiritually moving “When the Day is Done”, to being bad-ass and sinister, in “Reapers on the Prowl”, where he goes all “Wolfman Jack” in his conversation with the Grim Reaper.  Guitarist JP Soars, fellow Southern Hospitality collaborator with Wainwright is a guest performer on “The Devils Bite”, a Cab Calloway influenced tune.  This dark and rootsy track brings to mind Nick Cave’s Murder Ballads album.

The slow and easy “WildRoot Farm” makes for a cool little duet featuring Patricia Ann Dees.  This one will have you on the front porch sipping iced tea on a hot summer day, taking in the aromas of a freshly prepared southern style dinner. Stephen Kampa rolls out a sweet harmonica accompaniment which totally sets that laid-back mood.     

BoomTown culminates into an amazing instrumental jam at the end with “WildRoot Rumble”.  This is my favorite track on the album, and I play it loud.  Stephen Dees and Nick Black bring it on with rambling guitars, Kampa kills it on harmonica, Billy Dean keeps the furious beat going on drums, and Wainwright pounds the hell out of the piano. This is what it’s all about!     

For more information about Victor Wainwright visit his website at http://victorwainwright.com/

http://phillycheezeblues.blogspot.com/

Southern Hospitality - Easy Livin’

By Phillip Smith

Grab some iced tea and meet me on the front porch, ‘cause we’re gonna relax and listen to Southern Hospitality’s new CD, Easy Livin’.  With its origins stemming from an impromptu jam session following a blues festival in Florida back in 2011, Southern Hospitality is comprised of guitarist JP Soars, lap steel guitar master, Damon Fowler, and keyboardist Victor Wainwright.  Easy Livin’ is undeniably a Southern blues concoction, which is comforting and somewhat intoxicating.  The guys all contribute their song writing skills to the making of the album. Both, the opener, “Southern Livin’”, and the closer, ”’Sky is What I Breathe” is credited to all three.  “Southern Livin’” is such a cool song, and like Southern living goes, it takes its time and is in no hurry to get anywhere.    And I absolutely love “Sky is What I Breathe”.  It’s such a beautiful song about remembering our connection with nature and our responsibility to keep it sacred. 

If one is going to dedicate an album to southern hospitality, you have to have at least one song about drinking. “Kind Lies & Whiskey” is that song.  Written by Fowler, this country boogie draws a bright spotlight of attention to his keyboard skills.  While we have the menu out, you have to order up the ‘Fried Neck Bones and Home Fries”.  The guitar on this Latin instrumental written by Willie BoBo is so very reminiscent of Carlos Santana.   Can I order an album of instrumentals from Soars and Fowler for desert?

The album as a whole is quite good and at times outstanding.

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