Showing posts with label Ken Valdez. Show all posts
Showing posts with label Ken Valdez. Show all posts

Saturday, May 18, 2024

#685 : Kevin Burt & Big Medicine - Thank You Brother Bill : A Tribute To Bill Withers (PhillyCheezeBlues.Blogspot.com)

 


2023 – Gulf Coast Records

By Phillip Smith; May 18, 2024

Original source : phillycheezeblues.blogspot.com

 

I’ve been listening to Kevin Burt perform his magic behind the microphone for almost thirty-two years now. He is one of the most gifted singers I know. His well of talent runs quite deep and that talent brought him awards in three categories at the 2018 International Blues Challenge in Memphis, Tennessee. He walked away that year with First Place Solo/Duo , First Place Solo/Duo Guitarist, and the Lee Oskar Award for Best Harmonica Player.

His fourth album Thank You Brother Bill (A Tribute to Bill Withers) breathes new life into a dozen Bill Withers songs. It couples Burt with a stellar backing ensemble called Big Medicine comprised of Scot Southerland on bass, Ken Valdez on lead/rhythm guitar/backing vocals, and Eric Douglas on drums.  

From the opening notes of “Who is He (and What is He To You)?” I’m all-in. I love how Burt's voice suavely fills the air radiating off the funky groove constructed from Big Medicine. The funk gets stronger on “Kissing My Love”. Topped with a smokin’ splash of harp, this track absolutely cooks as Valdez tosses in his searing guitar licks. The tempo drops and the bluesy soulful goodness of “World Keeps Going Round and Round” hits with an amazing heaviness as the tension tightens like a tourniquet. Then “Just the Two of Us” rolls in like a ray of sunshine with Burt opening up the song on harmonica. I can’t help but feel good when I hear this song. It’s such a delight. I absolutely love his cover of “Ain’t No Sunshine”. The emotion Burt packs into his delivery on this track cuts to the bone. It’s additionally fortified by Douglas slapping out a ferocious beat on congas. “Lean on Me” brings back a flood of memories of hanging out with one of my best friends growing up. The song is a gift of time-travel, as I recall those care-free days.  Bringing the album to its close, is the title-track “Thank You Brother Bill”, written by Burt to show his gratitude and “Big Love” for music of Bill Withers. It really makes for the perfect closer for this album.

Thank You Brother Bill is one of the most perfect tribute albums I’ve heard by a single artist. Kevin Burt does an outstanding job of taking on these treasured songs and I highly recommend this recording.

 

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For more information about Kevin Burt, visit his website at https://www.kevinburtmusic.net

 

Follow the link below for more PhillyCheeze reviews featuring Kevin Burt:

https://phillycheezeblues.blogspot.com/search?q=kevin+burt

 

 

Sunday, December 23, 2018

#353 : Amanda Fish - Free



2018 – Vizztone

By Phillip Smith; Sep. 22, 2018

Free, the latest album from Amanda Fish has a sense of earnest purity in both the writing and presentation.  The music, delivered with the swagger of an outlaw poet, is a heart-stopping head-turner.  Amanda not only holds court as vocalist on this terrific blues-rock record, but she also plays bass (all tracks), acoustic guitar, electric and 12-string guitar, mandolin and piano.  This artist is extremely talented to say the least.  Drummer Glen James backs her on all the tracks.   Also appearing on this disc, are guitarists Dave Hayes, Ken Valdez, Coyote Bill and Lois Nadal, Chris Hazelton on keys, and vocalist Sara Morgan.  Special guests include Alastair Greene, “Steady Rollin’” Bob Margolin, Tyler Morris, and Richard Rosenblatt    


One of the most amazing songs I’ve heard this year is the blues ballad “Anymore”.  Fish’s vocals are heartfelt and soulful.  Hayes’ contagious guitar riff, and Hazelton’s funky keys sign, seal and deliver this wonderful track.  I love the swampy southern twang of “The Ballad of Lonesome Cowboy Bill”.  Like an old Marshall Tucker record, this one sets up shop with a tale to tell and a fistful of fiery guitar licks.  Fish’s powerhouse vocals are nicely framed by Margolin and Morris.  Alastair Greene kicks the door in and takes no prisoners with a dynamite guitar performance on “Going Down”.  This is one bad-ass house-rockin’ song.  The infectious driving rhythm on “Not Again” charges along like a freight train on a mission.  Rosenblatt sweetly accompanies on harp, and Hays on guitar.  “You Could Be” is beautifully played.  It’s got such a robust sound rooted in the wonderful instrumentation of Fish on guitar and piano, Hazelton on organ, and Coyote Bill on guitar.   

Amanda Fish grabs my full attention with Free.  It is one hell of a spectacular listen.  That’s for sure.

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