Showing posts with label Kevin Houston. Show all posts
Showing posts with label Kevin Houston. Show all posts

Saturday, September 28, 2019

#410 : Ghost Town Blues Band - Shine




2019 – Ghost Town Blues Band
By Phillip Smith; Sep. 28, 2019

I’ve been anxiously awaiting this new album from Ghost Town Blues Band since first hearing about it this past Spring.  It was indeed worth the wait.  Shine, the band’s fourth studio album, and fifth overall is downright spectacular.  Soulfully packed in roots and blues, each of the dozen original songs stand out in their own way.  With singer/guitarist Matt Isbell as front-man, this Memphis-based band consists of guitarist Taylor Orr, saxophonist/producer Kevin Houston, trombonist Suavo Jones, bassist Matt Karner, drummer Andrew McNeill, with Cedric Taylor on B3 and piano.  

The feel-good energy of “Running Out of Time” delightfully ushers the album in.  I love the Allman Brothers vibe and the sweet sound of slide guitar.  “Soda Pop” is a downright blast.   Isbell fearlessly rips it up on cigar-box with some hard-driving blues.  The song is definitely one of my favorites.

Although “Shine” and “Givin’ it All Away” were both on GTBB’s live album, Backstage Pass, I embrace the new studio recordings.  Guest vocalists Paul DesLauriers and Annika Chambers both make an appearance on title-track “Shine”.  This beautiful feel-good song always puts a smile on my face. “Givin’ it All Away” is one bodacious jam.    The jazz-soaked rhythm from McNeill and Karner set the stage for a captivating performance from Suavo amid the swirling sounds of guitar and B3.  I enjoy it immensely.               

The funky groove of “Dirty” sinks its psychedelic claws in deep as Orr tosses out screaming cool-as-hell guitar licks.  I dig the rap break injected into the song by Suavo too.  It truly gives the song an extra dimension.  With a chockful of emotion, Orr gives a heart-felt delivery on “Carry Me Home”.  It’s such a great song.  Illana Katz Katz makes a guest appearance on “Hey There Lucinda” with violin in hand.  This absolutely lovely song delicately brings the album to a close.         

Shine is one of the best records I’ve heard this year.  I give it my highest of recommendations.

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For more information about the artist, visit this website.. www.ghosttownbluesband.com  



Saturday, June 9, 2018

#336 : Ghost Town Blues Band - Backstage Pass



2018 – Ghost Town Blues Band

By Phillip Smith; June 9, 2018


Ghost Town Blues Band’s Backstage Pass is one of the best live albums I’ve heard all year.  With every listen, I fall head over heels for its long soulful jams heavily steeped in American blues and roots.  From the beloved city of Memphis, Tennessee, Ghost Town Blues Band is composed of lead vocalist/guitarist Matt Isbell, guitarist Taylor Orr, Suavo Jones on trombone, Kevin Houston on sax, Tim Stanek on the Hammond B3, piano and keys, bassist Matt Karner, and drummer Preston McEwen.  Produced by McEwen, Backstage Pass consists of nine splendid tracks recorded live at Lafayette’s Music Room in Memphis on July 29, 2017.

The album breaks out with a smashing cover of The Beatles’ “Come Together”.  This sounds fabulous with slide guitar and horns.  I love the way they weave bits of “Norwegian Wood” and Led Zeppelin’s “Whole Lotta Love” into the fabric of the tune.   I will be sadly disappointed if this song does not make it on the next Fried Glass Onion compilation series (a tribute to the music of The Beatles, performed by Memphis bands).  They take on the Allman Brothers’ signature song “Whippin’ Post” with true justice and a truck load of responsibility, bestowing the listener with a beautiful and amazing sixteen minute jam.  Isbell’s guitar performance is stellar.  Their cover of George Porter Jr’s (The Meters) “I Get High” is a bouncy and funky treat loaded with contagious horn riffs and more head-turning guitar.  McEwen is a bodacious drummer, and keeps everything in check. 

“Shine”, drenched in that good ol’ Memphis soul greets the listener like an old friend whose face has not been seen in a long time.  The Stax sound is definitely represented here with the swirling organ and those cool little blasts of horns led by Isbell’s wonderful and gravelly vocals.  From their Dust to Dust album, GTBB revisits “One More Whiskey” a blues-soaked ode to drinking which Isbell tops with a tasty side of harmonica.  This is a fun tune indeed. 
   
I had the privilege of catching the band in Memphis earlier this spring at the Beale Street Music Festival.  With cigar box guitar in hand, stretching as high as Isbell could raise it, Jones proceeded to extend his trombone to its outer limits, to use the far-most edge as a guitar slide until that cigar box just plumb gave out.  After several attempts at reviving that guitar with no luck, Isbell put his own creation out of misery with a mighty rock-and-roll Pete Townsend style bashing.  They outshined every act I saw that day, and quite frankly, most of the other acts I saw that whole weekend.  They were truly amazing, as is this album.  It’s ridiculously good.

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Ghost Town Blues Band live in Memphis, Tennessee at
Memphis in May Beale Street Music Festival 2018
Photo by Phillip Smith