Showing posts with label Mikey Junior. Show all posts
Showing posts with label Mikey Junior. Show all posts

Saturday, July 6, 2024

#691 : Tom Craig - Get to Work (PhillyCheezeBlues.Blogspot.com)

 


2024 – 8th Train Records
 
Release Date : July 20, 2024
 
By Phillip Smith; July 6, 2024
 

Original source : phillycheezeblues.blogspot.com

 

I’ve been drawn to the music of Tom Craig since reviewing his first album Get Ready For Me. His follow up album Good Man Gone Bad continued to grab my attention with its deep focus on blues. Craig’s third and most recent record Get to Work feels like the third installment of his first trilogy. Craig brings his troubadour-like smooth vocals, masterfully written songs, and big soulful instrumentation to the studio for a grand listening experience. Produced by Mikey Junior, Get to Work features Craig on vocals and guitar, Greg Gumpel on lead guitar, Matt Daniels on rhythm guitar, Steven Kirsty on saxophone, Bill Heid on piano/organ, Matt Raymon on electric/upright bass, Michael Bram on drums, Dave Gross on percussion/fiddle, and Mikey Junior on featured vocals/harmonica. Bringing the whole package together, another favorite singer, guest Kat Riggins appears on three tracks.    

In a burst of horns and funky rhythm, Craig rolls out a carpet of Sixties soul with his break-up song “As Sure as I Can Raise My Hand”. His buttery vocals question the things that happen when he’s gone in “Making Coffee”. Backed with a Latin beat, surf guitar, and hot sax, this track lands as an absolute favorite. Title-track “Get to Work” hits me with a wave of nostalgia as it swiftly strikes me as a follow-up to that deeply-adored Blind Faith song “Can’t Find My Way Home”. It’s a beautiful song. “Geneva Avenue” brings Craig and Riggins together for a gorgeous and melancholy duet. It’s aways a treat to hear her sing. She has a very lovely voice. Gumpel’s performance is awe-inspiring as every note he plays on guitar seems to sob as it’s played. Mikey Junior steps in on vocals for a funky blues/hip-hop infusion track called “I Showed My Hand Too Soon”. Its infectious groove pulls me in for a fun ride indeed. The high-octane soul of “Deal Breaker” is a riveting dose of sound therapy as the song barrels through like a locomotive driven by Casey Jones. If Elvis were still alive and playing Vegas, he’d have to cover this one. It’s absolutely fantastic. “Mother to the World” brings the record to a close with a John Lennon-esque touch as Craig sings of peace and love.

Tom Craig is a one-of-a-kind all-original artist who continues to impress me with each and every release. Get to Work is as solid as an album can get. I highly recommend this one.       

 

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For more information about Tom Craig, visit the website at https://tomcraigband.com  

 

Catch up on previous PhillyCheeze reviews featuring Tom Craig through this link https://phillycheezeblues.blogspot.com/search?q=tom+craig

 

Catch up on previous PhillyCheeze reviews featuring Kat Riggins through this link

https://phillycheezeblues.blogspot.com/search?q=kat+riggins

 

Saturday, September 11, 2021

#517 : Tom Craig - Good Man Gone Bad



2021 – 8th Train Records

By Phillip Smith; Sep. 11, 2021

 

In the making of Good Man Gone Bad, Tom Craig states his goal for the album was to make it 100% blues.  He definitely succeeded.  This collection of thirteen all-original songs was recorded at Buckeye Recording in Philadelphia, Pennsylvania, and produced by harp-master Mikey Junior.  It has a natural flow from beginning to end, giving the listener an enhanced album-oriented experience.  With Craig on guitar and vocals, his band is comprised of Dave Gross on bass guitar, Vin Mott on drums, Eric Johnson on Hammond organ and Mikey Junior on harmonica.   

The record opens with Craig’s blue-collar, working-class love song called “Working Too Hard”.  This infectious track is loaded with hot guitar licks and Junior’s blistering harp playing.  It’s a terrific song.  It rolls quite nicely right into “What a Man’s Gotta Do”, which wins me over with its cool beatnik rhythm and twangy guitar tone.  Craig’s vocals are velvety smooth as he sings “It’s All My Fault”.  This slow, bluesy ballad is perfectly crafted from beginning to end.  It’s a genuine blast to rock out to “Sheepdog”.  I enjoy the Z.Z. Top Texas-blues vibe.  Craig lays the facts on the line in “When You Love a Blues Man” as he masterfully serves up another delicious platter of smoldering blues.  The funky groove woven through “Headhunter” is absolutely fabulous.  It lures me in like a moth to a flame.  A tantalizing concoction of funk, soul, and blues is crafted into the framework of “I Like Soul in My Blues”.  Sung with a polished voice and topped with horns, it’s positively a delightful listen.

I’ve been a fan of Tom Craig’s since reviewing his 2017 album Get Ready For Me.  His talent runs deep, as does my appreciation for his music.  Good Man Gone Bad is a gem of an album.  Blues fans will surely want to hear this one.     

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For more information about the artist, visit this website : tomcraigband.com