Showing posts with label Ruthie Foster. Show all posts
Showing posts with label Ruthie Foster. Show all posts

Saturday, July 29, 2023

#625: Scottie Miller - Carnival Cocoon (PhillyCheezeBlues.Blogspot.com)

 


2022 – Scottie Miller

By Phillip Smith; July 29, 2023

Original source : phillycheezeblues.blogspot.com


Carnival Cocoon, the latest release from Minnesota poet/pianist Scottie Miller, has me gob-smacked with amazement and delight.  This companion set features an eighty-three-page book of poetry coupled with a twenty-three track album featuring those poems eloquently set to music with a classic beat-inspired delivery.  Miller, a three-time inductee of the Minnesota Blues Hall of Fame has toured with Bo Diddley and currently tours with Ruthie Foster.  With Miller on vocals and piano, he is joined by JT Bates on drums, Jeff Bailey on electric and double bass, Cierra Alise Hill on violin 1, Bex Gaunt on violin 2, Jesse Kellerman on viola, Greg Byers on cello, and double bass.  As a bonus, there is a special appearance by Ruthie Foster.

The album opens with a flowing beat as Miller recites “Ah, New York”, a fast-passed from-the-street lyrical treat from which the title Carnival Cocoon is birthed.  I can smell the smells and hear the sounds of traffic, automotive and pedestrian both.  With “Whiskey, Coffee”, my thoughts effortlessly drift toward Tom Waits.  This track swims among my favorites.  As ear-worms go, this is the most welcome.  Hearing Miller reminisce about his days at “Berklee” certainly bring back college-days memories of my own.  “Adrenalina” lives up to its name, breaking through with staggering words and a surging riff.  The Bukowski-esque “Bleecker Street” paints a bleak vision of homeless folks and hopeless alcoholics lining the street in Greenwich Village.  An air of somberness hovers over “A Better Way to Cope” while it rings out like a long-lost Bob Dylan song.  Ruthie Foster joins along for “Stay” an anthem against injustice.  Miller vocalizes this one with a cadence reminiscent of Eminem, and tops it with a chill beat and smooth R&B hook.  “Beggar, Banker, Fisherman Pay” is nested in a Celtic tradition and beautifully performed.  The recording comes to its end suited up in full gonzo attire with “24 Hours in Mexico”.  Miller condenses a day’s worth of debauchery in Puerto Vallarta into eight minutes of freewheeling fun. 

Carnival Cocoon is an unexpected masterpiece.  It is unlike anything I have ever read or heard.  I will certainly be revisiting this one for a very long time.                       

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 For more information about Scottie Miller or to purchase Carnival Cocoon, visit his website at:  https://www.scottiemiller.com/

 


Saturday, January 11, 2020

#427 : Annika Chambers - Kiss My Sass



2019 – Vizztone  
By Phillip Smith; Jan. 11, 2020

Kiss My Sass, the third studio album from Houston blues artist Annika Chambers, is a dynamo of hot soulful blues.  Chambers, who was deservedly awarded the 2019 Blues Music Award for Soul Blues Female Artist of the Year, has been nominated again for 2020.  She certainly woos me over with her astonishing beautiful voice.      

Immediately, I’m lured into the record with “Let That Sass Out”, a tune written by R.B. Stone.  Powerful vocals from Chambers is topped with a buttery rhythm from drummer Greg Brown Jr., and bassist Larry Fulcher.  Searing guitar licks from The Mighty Orq seals the deal.  Ruthie Foster makes a guest appearance on “What’s Your Thing”, with The Mighty Orq on pedal steel.  This one is an absolutely fabulous cocktail of deep blues and heavy soul.  I downright love her cover of the Etta James’ classic “In the Basement”.  This party song puts such a big smile on my face with every listen.  Chambers enlists her husband, the great Paul DesLauriers with acoustic guitar in hand, to join in a spirited duet on “I Feel the Same”.  They sound wonderful together.  DesLauriers douses his guitar with gobs of delightful slide while the subtle booming thunder from percussionist Sam Harrison injects an unmistakable heaviness to the song.   

Kiss My Sass truly is an album I’ve enjoyed from beginning to end.  It’s a terrific listen.      
   
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