#747- > Carolyn Wonderland - Truth Is (PhillyCheezeBlues.Blogspot.com)

 

2025 – Alligator Records
Release Date : May, 16, 2025
 
By Phillip Smith; May, 24, 2025

 

Original source : phillycheezeblues.blogspot.com

 

Carolyn Wonderland never ceases to amaze me with her fiery guitar-slinging skills and charming Southern voice.  Slathered in Texas blues and the authenticity one would find in a backroad juke-joint or honky-tonk, her latest album Truth Is is nothing short of a masterpiece.  Wonderland is backed on this album by Naj Conklin on electric and upright bass and Giovanni “Nooch” Carnuccio on drums and percussion. She is also joined by Shelly King on vocals and acoustic guitar, Dave Alvin on electric guitar, Red Young on B3 organ/piano, Bukka Allen on piano/organ, Kevin Lance on percussion, Ruthie Foster on vocals, Marcia Ball on vocals/piano, Cindy Cashdollar on lap steel guitar, Henri Herbert on piano, and Stuart Sullivan on percussion.

 Wonderland rolls out the red carpet with a riveting taste of swampy slide guitar as she sings of the hard facts of life on “Sooner or Later”.  I’m quickly drawn to the swinging title-track “Truth Is”. With a hard-driving beat from Nooch, Carolyn’s fearless vocals add a lovely touch. I love the blues-soaked “Whistlin’ Past the Graveyard” featuring Cashdollar on lap steel and find myself singing along to this one with every listen. I just wish I had the whistling skills to righteously continue on. The cover of “Orange Juice Blues (Blues for Breakfast)”, originally on the Basement Tapes album from The Band, consists of an intoxicating jamboree featuring King, Alvin, Young, Ball, and Cashdollar with Wonderland, King, and Ball all on vocals. I enjoy the hell out of this one. Enveloped in a Caribbean-inspired melody and Jimmy Buffett-esque vibe, “Deepest Ocean Blue” hits me in very contrasting ways as I decipher its deeper meaning. The album comes to an end with “Blues for Gene”, a touching and beautifully-performed tribute to renowned pianist/keyboardist Gene Taylor (The Blasters, T-Bone Walker, Fabulous Thunderbirds, Canned Heat) who sadly lost his life to hypothermia February 20, 2021 during the Texas Power Crisis. Written by Wonderland and Alvin (who was a lifelong friend to Taylor), the song features Alvin on guitar and includes an extraordinary performance by Herbert on piano.

 Carolyn Wonderland’s Truth Is is an absolutely brilliant album. It’s one I can really sink my teeth into.

 

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Photo by Mary Bruton

Photo by Mary Bruton

Available on Bandcamp

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For more information about Carolyn Wonderland, visit website https://carolynwonderland.com/

 

For other PhillyCheeze reviews of Carolyn Wonderland, visit this link https://phillycheezeblues.blogspot.com/search?q=carolyn+wonderland

 

 

 

 

#625: Scottie Miller - Carnival Cocoon (PhillyCheezeBlues.Blogspot.com)

 

2022 – Scottie Miller

By Phillip Smith; July 29, 2023

Original source : phillycheezeblues.blogspot.com

Carnival Cocoon, the latest release from Minnesota poet/pianist Scottie Miller, has me gob-smacked with amazement and delight.  This companion set features an eighty-three-page book of poetry coupled with a twenty-three track album featuring those poems eloquently set to music with a classic beat-inspired delivery.  Miller, a three-time inductee of the Minnesota Blues Hall of Fame has toured with Bo Diddley and currently tours with Ruthie Foster.  With Miller on vocals and piano, he is joined by JT Bates on drums, Jeff Bailey on electric and double bass, Cierra Alise Hill on violin 1, Bex Gaunt on violin 2, Jesse Kellerman on viola, Greg Byers on cello, and double bass.  As a bonus, there is a special appearance by Ruthie Foster.

The album opens with a flowing beat as Miller recites “Ah, New York”, a fast-passed from-the-street lyrical treat from which the title Carnival Cocoon is birthed.  I can smell the smells and hear the sounds of traffic, automotive and pedestrian both.  With “Whiskey, Coffee”, my thoughts effortlessly drift toward Tom Waits.  This track swims among my favorites.  As ear-worms go, this is the most welcome.  Hearing Miller reminisce about his days at “Berklee” certainly bring back college-days memories of my own.  “Adrenalina” lives up to its name, breaking through with staggering words and a surging riff.  The Bukowski-esque “Bleecker Street” paints a bleak vision of homeless folks and hopeless alcoholics lining the street in Greenwich Village.  An air of somberness hovers over “A Better Way to Cope” while it rings out like a long-lost Bob Dylan song.  Ruthie Foster joins along for “Stay” an anthem against injustice.  Miller vocalizes this one with a cadence reminiscent of Eminem, and tops it with a chill beat and smooth R&B hook.  “Beggar, Banker, Fisherman Pay” is nested in a Celtic tradition and beautifully performed.  The recording comes to its end suited up in full gonzo attire with “24 Hours in Mexico”.  Miller condenses a day’s worth of debauchery in Puerto Vallarta into eight minutes of freewheeling fun. 

Carnival Cocoon is an unexpected masterpiece.  It is unlike anything I have ever read or heard.  I will certainly be revisiting this one for a very long time.                       

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 For more information about Scottie Miller or to purchase Carnival Cocoon, visit his website at:  https://www.scottiemiller.com/

 

#427 : Annika Chambers - Kiss My Sass

2019 – Vizztone  

By Phillip Smith; Jan. 11, 2020

Kiss My Sass, the third studio album from Houston blues artist Annika Chambers, is a dynamo of hot soulful blues.  Chambers, who was deservedly awarded the 2019 Blues Music Award for Soul Blues Female Artist of the Year, has been nominated again for 2020.  She certainly woos me over with her astonishing beautiful voice.      

Immediately, I’m lured into the record with “Let That Sass Out”, a tune written by R.B. Stone.  Powerful vocals from Chambers is topped with a buttery rhythm from drummer Greg Brown Jr., and bassist Larry Fulcher.  Searing guitar licks from The Mighty Orq seals the deal.  Ruthie Foster makes a guest appearance on “What’s Your Thing”, with The Mighty Orq on pedal steel.  This one is an absolutely fabulous cocktail of deep blues and heavy soul.  I downright love her cover of the Etta James’ classic “In the Basement”.  This party song puts such a big smile on my face with every listen.  Chambers enlists her husband, the great Paul DesLauriers with acoustic guitar in hand, to join in a spirited duet on “I Feel the Same”.  They sound wonderful together.  DesLauriers douses his guitar with gobs of delightful slide while the subtle booming thunder from percussionist Sam Harrison injects an unmistakable heaviness to the song.   

Kiss My Sass truly is an album I’ve enjoyed from beginning to end.  It’s a terrific listen.      

   

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