#423 : PhillyCheeze's 20 Favorites of 2019

 (in alphabetical order)

Vince Agwada - Light of Day

https://phillycheezeblues.blogspot.com/2019/06/396-vince-agwada-light-of-day.html

BB King Blues Band - The Soul of the King

https://phillycheezeblues.blogspot.com/2019/03/384-bb-king-blues-band-soul-of-king.html

Anthony Gomes - Peace, Love & Loud Guitars

https://phillycheezeblues.blogspot.com/2019/01/371-anthony-gomes-peace-love-loud.html

Willie Farmer - The Man From the Hill

https://phillycheezeblues.blogspot.com/2019/02/376-willie-farmer-man-from-hill.html

Robert Connely Farr - Dirty South Blues

https://phillycheezeblues.blogspot.com/2019/05/391-robert-connely-farr-rebeltone-boys.html

Ghost Town Blues Band - Shine

https://phillycheezeblues.blogspot.com/2019/09/410-ghost-town-blues-band-shine.html

Christone Kingfish Ingram - Kingfish

https://phillycheezeblues.blogspot.com/2019/05/393-christone-kingfish-ingram-kingfish.html

BillyLee Janey - Blues Power

https://phillycheezeblues.blogspot.com/2019/10/411-billylee-janey-blues-power.html

John Mayall - Nobody Told Me

https://phillycheezeblues.blogspot.com/2019/02/373-john-mayall-nobody-told-me.html

Biscuit Miller - Chicken Grease

https://phillycheezeblues.blogspot.com/2019/10/413-biscuit-miller-and-mix-chicken.html

Eliza Neals - Sweet or Mean

https://phillycheezeblues.blogspot.com/2019/07/401-eliza-neals-sweet-or-mean.html

Sean Pinchin - Bad Things

https://phillycheezeblues.blogspot.com/2019/05/390-sean-pinchin-bad-things.html

Johnny Rawls - I Miss Otis Clay

https://phillycheezeblues.blogspot.com/2019/11/416-johnny-rawls-i-miss-otis-clay.html

Southbound Snake Charmers - To the Bone

https://phillycheezeblues.blogspot.com/2019/10/414-southbound-snake-charmers-to-bone.html

Sugaray Rayford - Somebody Save Me

https://phillycheezeblues.blogspot.com/2018/12/367-sugaray-rayford-somebody-save-me.html

J.P. Soars - Let Go of the Reins

https://phillycheezeblues.blogspot.com/2019/09/408-jp-soars-let-go-of-reins.html

Kenny "Beedy Eyes" Smith and the House Bumpers - Drop the Hammer

https://phillycheezeblues.blogspot.com/2019/04/385-kenny-beedy-eyes-smith-house.html

Alexis P. Suter Band - Be Love 

https://phillycheezeblues.blogspot.com/2019/04/387-alexis-p-suter-band-be-love.html

Sean Taylor - The Path Into the Blue

https://phillycheezeblues.blogspot.com/2019/06/394-sean-taylor-path-into-blue.html

Matty T Wall - Transpacific Blues Vol 1

https://phillycheezeblues.blogspot.com/2019/12/422-matty-t-wall-transpacific-blues-vol.html

#414 : Southbound Snake Charmers - To the Bone

2019 – Southbound Snake Charmers
By Phillip Smith; Oct. 26, 2019

I’m so very much excited to hear To the Bone, the fourth and latest release from Southbound Snake Charmers.  Their 2017 album, Rhythm ‘n’ Rust instantly drew me in to their world of psychedelic blues rock.  That record totally captivated my attention, and was an instant hit for me.  With To the Bone, this trio from Melbourne, Australia continues to push the envelope of blues rock with heavy and thunderous beats, loaded to the brim with gobs of grease, and hard-edge lyrics.  This EP features four brand new all-original tracks, and two remastered favorites.    The band is fronted by vocalist/guitarist Chris Denman, with bassist Nat Sutphin and drummer Brooke Maloney comprising one hell of a rhythm section.  Denman notes their intent on this recording was to recreate a 60’s / 70’s vibe, by recording all the rhythm live in one room at one time, omitting any synthesized or digital instruments.  This certainly gives the music a warmer and more personal sound.          

Reminiscent of the wonderful, hoodoo-injected swampy sounds of John Fogerty, the album hits the ground running with “Through the Smoke”.  The band masterfully creates an ominous stage for this hard-rockin’ anthem to flaunt its magic.  “Playing With Fire” continues to keep my blood pumping at full capacity with its furious beats, and wailing guitar licks.  Deman’s vocals are fearless and powerful.  The intoxicating and inescapable groove on “My Crazy” rapidly latches its claws right in and holds on tight.  At the core, this is pure delta blues lit up with gasoline.  It sounds fantastic.

The two remastered tracks are “Don’t Speak Too Soon” from Rhythm ‘n’ Rust and “Ride On” from Voodoo Chicken Shack, both of which sound amazing.  The whole EP is a terrific listen, and will remain on heavy rotation in my player.  I highly recommend it.  

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For more information about the artist, visit their website: www.southboundsnakecharmers.com   .

Link to the PhillyCheeze Review for Southbound Snake Charmers - Rhythm 'n' Rust
https://phillycheezeblues.blogspot.com/2017/04/southbound-snake-charmers-rhythm-n-rust.html

Southbound Snake Charmers - Rhythm ‘N’ Rust

2017 – Southbound Snake Charmers  

By Phillip Smith; April 8, 2017

There was instant lovability for Southbound Snake Charmers the moment I first popped their latest disc, Rhythm ‘N’ Rust into the player.  The album is chock-full of swampy southern blues-rock driven by wonderful thunder filled rhythm.  Hailing from Melbourne, Australia, this magnificent trio is composed of vocalist/guitarist Chris Denman, bassist Nat Sutphin, and drummer Brooke Maloney. 

Maloney’s pulsing drumming lures me right into the wonderfully greasy blues of “Don’t Speak Too Soon”.  Filled with amazing guitar licks, fearless vocals, and intoxicating bass, there’s a Sixties’ Cream vibe running through this amazing psychedelic jewel.  This one relentlessly surges through my soul.  Highlighted by its caffeinated crashing beats and invigorating rhythm, attitude runs rampant through the hoodoo- infused “Snake Oil”. Denman seemingly takes a cue from RL Burnside on another favorite, “Hearts of Corruption”, singing the blues while dishing out whopping doses of deliciously swampy slide guitar.  There’s a beautiful and unsettling intensity which slowly rises to the top in “The Longest Night”, a thrilling ballad spattered with amazing guitar and sung with the freewheeling charisma of Jim Morrison. 

The brilliantly ferocious hard-rocking blues of Rhythm ‘N’ Rust satisfies my craving for exemplary music in spades.  On a ten point scale, this record scores an eleven.