Showing posts with label music blog. Show all posts
Showing posts with label music blog. Show all posts

Saturday, January 6, 2018

#312 : Ghalia & Mama’s Boys - Let the Demons Out


2017 –Ruf Records
Release Date : January 12, 2018

By Phillip Smith; Jan 6, 2018

Belgian singer/songwriter/guitarist Ghalia Vauthier has teamed up with New Orleans’ bluesmen Johnny Mastro and Mama’s Boys to record one hell of a blues-rock album, Let the Demons OutGhalia’s vocals, strong and sexy, sound fantastic paired with Mastro’s blazing harmonica, Smokehouse Brown’s sizzling guitar, Dean Zucchero’s beefy bass, and Rob Lee’s crashing drums. 

To jumpstart the album, Ghalia takes the listener on a late night/early morning food run in “4AM Fried Chicken”.  A dazzling guitar solo from Smokehouse highlights this hopping treat smothered in a bowlful of boogie.   A hypnotizing rhythm sided with a haunting melody driven by Johnny Mastro draws me tightly in to title track “Let the Demons Out”. Ghalia’s vocals on “Press That Trigger” are wonderfully fearless like that of Pat Benatar and Chrissie HyndeJohnny Mastro’s harp is ablaze on “Have You Seen My Woman”.  Smokehouse absolutely tears it up on this one.  Gentle waves of cymbals and a trance-inducing slide guitar riff set the stage as Ghalia beautifully delivers a masterpiece called “Addiction”.  She sings this ballad about love and co-dependence with splendid heartfelt emotion.

Let the Demons Out is a solid album, and a thoroughly delightful listen from start to finish.  Ghalia & Mama’s Boys sound great together and make quite a powerful partnership.  I hope they continue to work together.
 
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Tuesday, November 28, 2017

#304 : Muddy Manninen - Long Player


2017 – Muddy Manninen
Release Date : July 14, 2017

By Phillip Smith; Nov 28, 2017


Muddy Manninen, a founding member of the Finnish rock band Havana Black, recorded three albums with Gringos Locos from 1987 to 1991, and joined the progressive UK blues-rock band Wishbone Ash in 2004.  With them, he shared lead guitar duties and took on responsibilities as main song writer for twelve years until his recent departure to reemerge as an extraordinary solo act.  Long Player, his first solo album is magnificent album of expertly-crafted guitar-centric rock.

When it comes to instrumentals, Manninen’s are breathtaking.  “Dickies” puts a smile on my face as soon as it hits my ears.  Drummer Dave Hill and bassist Mark Butler form an amazing rhythm section for Manninen’s tantalizing performance.  Waves of crashing cymbals provide the backing of long-hanging notes peppered with a slew of magnificent guitar licks.  I love the bouncing bluesy groove on “Cheese Rolling”.  The accompaniment by saxophonist Patsy Gamble and keyboardist Tom Malm coat the song with a lush sophistication.  Captivating and beautifully played, “Lil’ Rosie” blooms with a hypnotic allure. It’s quite seductive.  “The Jester” fits well into the same wheelhouse as the Allman Brothers, as it embraces the free-wheeling twangy-ness of southern blues-rock. Mark Perry joins on keys and Manninen’s guitar playing is again un-deniably stunning.


The renowned Gregg Sutton lends his strong raspy vocals to the Eighties-style rocker “Danger Zone”, a song he co-wrote with ManninenKev Moore provides guest vocals on the lovely “Swan Song”, a folky melody featuring Tom Leary on fiddle.  Of the dozen songs on Long Player, are all original tunes, with the exception of one, a delightful rendition of Bread’s 1969 hit, “Guitar Man”.  The song surely evokes a sense of reminiscence.

It’s a safe bet; Muddy Manninen’s Long Player is a must-listen for the guitar aficionado.

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Saturday, November 11, 2017

#302 : Popa Chubby - Two Dogs


2017 – Popa Chubby Productions
Release Date : Nov. 27,  2017

By Phillip Smith; Nov 11, 2017


I’ve been a fan of Ted Horowitz, also known as Popa Chubby, since 2003, when I saw him live in Memphis, TN at the Beale Street Music Festival.  I still remember being so impressed with not only his mastery of the guitar, but with the amount of passion he poured into his performance on that blistering hot day.  It’s only been about a year since his previous album, The Catfish hit the shelves, and he has already set a new bar of excellence with his latest, Two Dogs.   This is my absolute favorite released so far.  Boasting thirteen tracks of hot electric rocking blues, the record features two bonus live tracks, covering Leonard Cohen’s “Hallelujah”, and The Rolling Stones’ “Sympathy for the Devil”. Besides the fabulous Dave Keyes on keys, Sam “Freight Train” Bryant on drums, and Andy Paladino on bass, Popa Chubby also is accompanied by his daughter Tipitina Horowitz on trumpet, along with Andrew Garrison on tenor saxophone.

“It’s Alright” magnificently jump-starts the album with a searing guitar intro and keeps marching on with an infectious melody and charismatic attitude.  I immediately fall for the captivating blues riff Popa Chubby plants in “Rescue Me”.  Then, when he unleashes into the bridge, it sounds so damn good, especially with the full sound of the organ lingering in the background.  As Keyes tears it up, Chubby gets down and totally rips it up in a fantastic Neil Young kind of way, bringing “Dirty Old Blues” to the top of stack of my favorites.  “Shakedown” is another great song.  It’s gritty, bluesy and loaded with gobs of psychedelic guitar goodness.  It’s almost a one man show for the smooth and jazzy instrumental “Clayophus Dupree”, as Popa Chubby plays guitar, bass, and drums, with Keyes applying his signature vibrant texture to the song on organ.

Popa Chubby undoubtedly hit the bullseye as far as this album is concerned.   Two Dogs is hands down one of the best blues-rock albums released this year.      


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Saturday, October 28, 2017

Davide Pannozzo - Unconditional Love


2017 – Davide Pannozzo
Release Date : Oct 19, 2017

By Phillip Smith; Oct 21, 2017


Once settled in New York after relocating from Italy, Davide Pannozzo began working on this masterpiece called Unconditional Love.  His music reveals a distinct freshness and originality in both his writing and performance.  Produced by Steve Jordon (John Mayer Trio, Blues Brothers) and Will Lee (Paul Shaffer and the World’s Most Dangerous Band) this record is a brilliant blend of contemporary blues and jazz with a positive energy.  Pannozzo takes front and center stage on guitars/vocals, with bassist Will Lee, drummers Steve Jordon and Shawn Pelton, and both Ricky Peterson and Oli Rockberger on Hammond organ/keys.

“Six Wires” is an amazing and infectious tune in a Steely Dan kind of way, topped off with a smoking guitar performance from Pannozzo.  With every listen to “Bring Me to the Light”, I am absolutely captivated.  This lovely song has such a beautiful and relaxed melody. The funky bassline and jazz-infused instrumentation on “One and Only” swiftly lures me in to hear Pannozzo’s buttery troubadour vocals.  The blues-soaked “Chasing Illusions” is absolutely fabulous.  It cuts deep, right down to the bone.    

With the guitar prowess of Joe Satriani, Pannozzo glides through an amazing instrumental cover of “Stratus” by Billy Cobham (Mahavishnu Orchestra, Jazz is Dead).  Pannozzo’s take on George Harrison’s “Wah Wah”, from the 1970 album All Things Must Pass, sticks fairly close to the original and sounds terrific.

Unconditional Love ranks up there among my favorite releases this year.

      

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Friday, August 4, 2017

Joanna Connor - Six String Stories


2016 –M.C. Records

By Phillip Smith; Aug 4, 2017


Six String Stories, the eleventh release from Chicago guitar-slinger Joanna Conner is an amazing listen to say the least.  She continues to throw her whole being into each performance, with both her axe and voice.   Joining Conner on the album, is Marion Lance Lewis (drums, bass, percussion, synth, vocals) , Jeff Lewis (keyboards), Omar “Harp” Coleman (harmonica), Charlie Kimble (tenor sax), Gary Solomon (alto/soprano sax), and Charles Pryor (trumpet, flugelhorn).

There is no denying this lady has been baptized in the blues, once one hears the captivating first licks of “It’s a Woman’s Way” bursting through the stereo speakers.  The song, oozing with flair and attitude hooks me like an unsuspecting catfish.  Conner dishes out a big saucy helping of slide guitar on “By Your Side”.  It sounds so sweet.  The cover of Jill Scott’s “Golden” is absolutely lovely, and reminiscent of one my early musical favorites, George Benson


Of the ten spectacular tracks on Six String Stories, there’s one which stands out above and beyond.  That song is “Halsted Street”.  Complex and searing, Conner attacks this   progressive-blues-rock instrumental with an intense ferocity.  I am gobsmacked with each and every listen.  The album comes highly recommended.


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Saturday, July 22, 2017

Ivor S.K.- Montserrat


2017 – Ivor Simpson - Kennedy

By Phillip Smith; July 22, 2017


Ivor S.K. is quickly climbing to the top of my list of favorite songwriters.  One year has lapsed since his critically acclaimed EP, Delta Pines crossed my desk.  I loved that disc.  I adore his latest release, Montserrat as well.  This debut full-length album consists of ten original masterpieces steeped in blues.  Montserrat showcases the genius of Ivor Simpson-Kennedy, with each song written, arranged and performed by the artist himself.
       
I quickly latch on to the marching rhythm of breakup song “Don’t Say Goodbye” while enjoying the slick rockabilly guitar licks.  The hook in “Ain’t No Cross” masterfully induces a double-take, while tackling one of the largest white elephants on the planet.     His tale of double-crossing drug dealers in the Caribbean-flavored “I’ve Been Had” is a sheer delight.  It is funky and contagious.           
    
“It’s Raining”, beautiful and melancholy, sinks in deep.  His performance on acoustic guitar is absolutely lovely.  The jazzy homage to the Big Easy in “Take Me Back to New Orleans” is vibrant and alluring, painting pictures of exploring the local music scene and chilling at the world-famous Beignets.


Listening to Ivor S.K. reminds me of listening to Tom Waits for the first time, being caught up in the wonderfully raspy voice, the musicianship, and the songs.. those killer songs.  This album indeed stands up and stands out.

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Here's a quick link to check out my review of Ivor S.K.'s  Delta Pines EP ->   https://phillycheezeblues.blogspot.com/2016/05/ivor-sk-delta-pines.html

     

Saturday, March 18, 2017

Jake Chisholm - No More Sorrow


2016 – Jake Chisholm
By Phillip Smith; Mar. 18, 2017


Toronto music artist Jake Chisholm does a fantastic job of encapsulating the purity and rawness of Seventies blues-rock with his latest album, No More Sorry.  He brings a fistful of confidence to these ten tracks of originals with a rugged vocal styling and skillful guitar playing.  Chisholm’s power-trio also includes drummer Sly Juhas and bassist Chris Banks

Chisholm masterfully sets a dark and ominous state of impending doom with the psychedelic treat, “You Never Will”.  His guitar chops stand out up front as he elegantly ushers in a relaxed Hendrix vibe on “Just Because You Want To”.  This one is beautifully played.  Guest Jameson Elliot doles out a cool driving bassline as Chisholm shares a trippy hardscrabble look at life on the “Merry-Go-Round”.   I can’t help myself for falling for the infectious hook threaded through the title track, “No More Sorrow”.  It grabs me every time I hear it.  I like this one a lot.


There’s a sense of honesty woven into the crafted and thoughtful lyrics written by Chisholm.  His serious approach to music makes No More Sorrow the splendid record it is.

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Tuesday, November 29, 2016

Sari Schorr - A Force of Nature


2016 –  Manhaton Records
By Phillip Smith; Nov. 29, 2016

A outstanding voice for the Blues and a bucketful of attitude runs through the grooves on A Force of Nature, the groundbreaking album from Sari SchorrSchorr is indeed a force of nature as she belts out each song with conviction and true grit. 

Schorr captivates me from the beginning on “Ain’t Got No Money” with a downright phenomenal vocal performance. Paired exquisitely with decadent swirly guitar and a riveting rhythm backing, this song hits strong.  The energy carries over to “Aunt Hazel”, a bluesy rocking anthem with a southern rock flavor.  Schorr’s cover of Lead Belly's “Black Betty” nicely exits the gates with a sweetly ominous stride before kicking into high gear, tearing the roof off with a crushing vocal deliverance and stellar guitar licks. “Letting Go” a sultry throwback with a Dusty Springfield-in-Memphis vibe, beautifully highlights the sophisticated and softer side of Schorr’s vocal wheelhouse. This lovely and emotionally charged song is absolutely marvelous.  The fabulous Walter Trout makes an appearance on a cover of one of his own songs, “Work No More”.  Hearing his fiery, yet melodic guitar licks shoot out of his guitar is a pure sensation.   


The album is so incredible; it only took one listen to A Force of Nature to turn me into a Sari fan.  






Saturday, July 30, 2016

Matty T. Wall - Blue Skies


2016 – Hipsterdumpster Records
By Phillip Smith; July 30, 2016

Hailing from Perth, Australia, Matty T. Wall proves his band is indeed a musical force to be reckoned with.  With blues and rock at the forefront of his ten track debut album, Blue Skies, Wall interestingly gravitates towards jazz and grunge as well, masterfully concocting his own creative and unique blend of sound.  Backed by drummer Jasper Miller and bassist Stephen Walker, both also from Perth, Wall could not ask for a better rhythm section suited for his music. They really make his songs shine.

Wall revs the listener up with hot Texas style electric-blues in the album opener “Burnin’ Up Burnin’ Down”.  An energetic cover of Keb Mo’s “Am I Wrong” sweetly follows.  Wall delivers the goods on Jimi Hendrix’s “Voodoo Chile”.  This nearly twelve minute long jam is a soulful and psychedelic treat. The guitar solo is simply amazing.  The track “Scorcher” certainly lives up to its name.  Here, Wall goes full-on rockabilly, turning his dial to eleven, doling out fast and furious guitar licks.  Miller’s performance on drums is simply outstanding.  The melodic title track “Blue Skies” is a wonderful listen too.  This beautiful song captures the essence of early Nineties Seattle grunge. 

For the pièces de résistance, Wall breathes new life into “Hellhound on My Trail”, Robert Johnson’s legendary tale about the aftermath of his deal with the devil at the infamous Crossroads.  Wall artistically sets a dreary mood for the song using sound effects of rain and thunder.  Miller pounds the drums as if to mimic the sound of a racing heart in distress.  There is a definite heaviness padded with layers of anxiety built into the music.  It fits perfectly to the lyrics.


What Matty T. Wall has done with Blue Skies is tremendous, not only for blues, but for music in general.  The album is indeed a masterpiece.         


for more info on Matty T. Wall, visit his website at http://mattytwall.com/






Sunday, July 17, 2016

The Paul DesLauriers Band - Relentless


2016 – Big Toe Productions
By Phillip Smith; July 17, 2016


Relentless, the follow-up to the self-titled 2014 album from The Paul DesLauriers Band is a riveting electric blues album to say the least.  Singer/guitarist extraordinaire Paul DesLauriers takes the helm of this ship manned by a magnificent rhythm section, bassist Greg Morency and drummer Sam Harrison.

In “Stewtro Rock (Just Got Back)”, DesLauriers breaks loose with guitar in hand like a furious and caffeinated bat out of hell, soaring all the way until its mind-blowing climax.  The energy stays high in “I’m Your Man”.  Walking the narrow line between blues and rockabilly, DesLauriers doles out Memphis-style riffs while Morency keeps the rhythm going with a boogie-laced bassline. DesLauriers gets nice and swampy with “Still Under My Skin”, while hopelessly pining over lost love.  The jam on the bridge is absolutely amazing.  DesLauriers unleashes a wondrous wall of guitar sound while Harrison dishes out a stellar and thunderous performance on drums.  I also can’t help but gravitate towards the beautiful eight and a half minute power ballad “If I Still Had You”.  As the tension slowly builds, I crank the volume to fully embrace the lovely intense jam which follows.                 

More often than not, as the last song on the album finishes, instead of replacing the disc with another, I’ll just let it ride for another spin.  That must be why this album is so suitably named, Relentless

   




Saturday, June 4, 2016

Peter Kelly - Don’t Let Me Be Alone


2015 – Peter Kelly Music
By Phillip Smith; June 4, 2016



Rich poppy melodies and dark poignant lyrics are the focus of Peter Kelly’s album Don’t Let Me Be Alone.  The ten original songs from this New York singer/songwriter are smart and all beautifully performed by Kelly himself.  “Live The Dream” sweetly ushers the listener in with lush vocals and swirling rhythms. Following is the quirky anthem for codependents ”Don’t Let Me Be Alone”, in which Kelly keeps things flowing with contagious hooks. Irony is king in “Suicidal”. This upbeat ditty about cloaking suicidal thoughts with fake smiles is infectious and clever. It is one of my favorites.   Kelly blends rap and pop, topped off with melodic vocals, for “Tailwind (It’s a Beautiful Day)”, a song I love to start the day with.


Don’t Let Me Be Alone is a terrific listen from beginning to end, and comes highly recommended.    




Saturday, May 21, 2016

Charlie Faye & The Fayettes


2016 –  
By Phillip Smith; May 21, 2016


It’s about time someone took the bull by the horns to brush the dust off the classic girl group sound so embraced and adored in the Sixties.  Bringing that luscious sound to life again is Austin singer/songwriter Charlie Faye, who masterfully captures that carefree sound with eleven brand new original tracks.  Her backup singers, the Fayettes, BettySoo and Akina Adderley both have established and well-respected solo careers outside this charming trio.

Charlie Faye and the Fayettes start their debut album off with “Green Light”, a soulful and poppy feel-good treat about blossoming relationships. “Sweet Little Messages” walks the path between Motown and Memphis, dishing out beautiful harmonies peppered with Steve Cropper-like guitar licks.  There’s also a huge Stax sound on “Eastside” a lively dance-inducing track which draws attention to neighborhood gentrification.  This groovy track is definitely my favorite.

I love the combined sound of spaghetti-western surf guitar topped with the trippy psychedelic synth present on “Loving Names”.  It’s so hard to believe this is all brand new music.  When Faye sings “Coming Round the Bend” with her swirling and sugary sweet vocals, it sounds so good.  The song makes me feel nostalgic for the Phil Spector-produced Ronettes.    


It’s refreshing to hear a brand new take on a sound that’s been out of the spotlight for nearly forty years.  I would definitely like to see music of this style make a comeback.  It has been put away for far too long.  








Saturday, May 14, 2016

Lizanne Knott - Excellent Day


2016 – Proper Music  
By Phillip Smith; May 14, 2016


From the first listen of Lizanne Knott’s fourth and latest album, Excellent Day, I’ve been a little obsessed.  Knott’s lovely vocals beautifully accent her poignant and darkly-tinted lyrics with grace and precision.  Her music cleverly navigates the listener through a labyrinth built on rock and roll, folk and blues.     

Ross Bellenoit’s haunting guitar licks and Erik Johnson’s determined driving beat create the alluring yet unsettling and ominous mood which is the constant throughout “I Come For the Kill”.  This song of unbridled passion sets the tone for the rest of the album.  “Lay My Burdon Down” is one hundred percent blues through and through.  I love the presence of Steve Martin on banjo and Tom Hampton on lap steel guitar.  That, combined with a little call and response vocals, exquisitely solidifies this as a favorite.  

Things get sultry and spicy as Knotts sweetly sings the Bourbon Street-flavored tune “Not This Time”.  Trumpeter Stan Slotter steals a little bit of the spotlight on this track, which captures a fabulous performance by the band, made up of guitarist Kevin Hanson, upright bassist Ken Pendergast, pianist John Conohan , banjo player Glenn Barratt, Hampton on dobro and mandolin, and Johnson on drums.  The cover of the Gershwin penned “It Ain’t Necessarily So” from the folk opera Porgy and Bess, is a sheer delight.  Knott tackles “The Boss”, Bruce Springsteen as well, steering “Stolen Car” in more of a western and folky direction, making sure to keep the solemn texture of the original.     

Title track “Excellent Day” is a charming jam-friendly tribute to Knott’s longtime friend, guitarist Jef Lee Johnson, who passed away in 2013.  Pendergast’s funky bassline and Bellenoit’s tasty guitar licks are front and center of this boogie-laced number penned by Johnson.    


Sign me up for the fan club, as this is truly a fantastic album.  




Wednesday, April 13, 2016

Trysette - Feel So Pretty


2015 – Little Hartley Music
By Phillip Smith; Apr 13, 2016


Feel So Pretty, the fifth studio album by Australian singer/songwriter/pianist Trysette is quite a lovely album indeed.  It is melodically rich and beautifully performed.  A seasoned and most talented group of musicians was enlisted for this studio recording in Los Angeles.  Guitarist Randy Ray Mitchell (Donna Summer, Warren Zevon, Billy Bob Thornton), organist Bob Malone (John Fogerty), and drummer Mike Baird (Eddie Money, Rick Springfield, Joe Cocker, Journey) gel together so good as the backing band, as they mix elements of pop and country and rock creating a laid-back and feel-good sound.

Trysette sings about an unhealthy infatuation in “Under My Skin”, a song that is smooth as glass with catchy hooks.  This song appears again at the end of the album in a more intimate and stripped down presentation, with Trysette at the piano, Marty Rifkin on pedal steel and backing vocalist Karen Nash.   I really like title track “Feel So Pretty”. It has this really cool Julianna Hatfield vibe and is such a delight to hear. Of the dozen tracks on Feel So Pretty, all are original with the exception of one song; Snow Patrol’s 2006 hit single “Chasing Cars”. The string accompaniment from Sophie Delerue and Candy Girard are the perfect touch to this mesmerizing cover which showcases Trysette’s beautiful vocals.


Feel So Pretty is music for the soul on a rainy day.  Heartfelt from beginning to end, this enchanting album is a true gem.  



for more info on Trysette, visit her website @ http://www.trysette.com/




Saturday, February 13, 2016

Mr. Rick - Sings About God + Booze


2015 – SOCAN
By Phillip Smith; Feb 13, 2016


Mr. Rick (aka Rick Zolkower) cleverly walks the line between sin and salvation in his latest release, Mr. Rick Sings About God + Booze.  This album presents a wonderful and nostalgic slice of Americana in thirteen delightful tracks.  Following in the footsteps of many of the earlier Grand Ole Opry performers, Mr. Rick can dole out a traditional gospel song as convincingly as he can sing out a hell-bent on self-destruction ditty.  His style of playing guitar is a pleasure to hear as well.

Each song can pretty much be categorized as either a ‘God’ song, or a ‘Booze’ song, and it’s so much fun to listen to them as they intertwine.  The transition from “It’s the Bottle Talking”, an ode to over-indulgence, effortlessly segues into a swinging cover of Blind Willie Johnson’s 1930 gospel song, “You’ll Need Somebody on Your Bond” about making ones way into heaven.  I can’t help but sing along to “I’ll Fly Away”, supposedly the most recorded gospel song of all time and Sister Rosetta Tharp’s bluesy classic “Two Little Fishes”. 

For an upbeat take on Eric Von Shmidt’s “Champagne Don’t Hurt Me”, Mr. Rick is joined by Drew Jurecka on fiddle, making this one such a big pleasure to hear.  Another favorite, Jerrey Irby’s “Drivin’ Nails in My Coffin”, has an uncanny knack for diggin’ right into my brain, only to become hopelessly stuck in my head. For the record, this is one I don’t mind bouncing around my skull.  


Who knew music about God and booze would be such a fantastic pairing?  Like sweet and salty, it just works, and it works splendidly.  Give this album a listen, and let Mr. Rick take you out on Saturday night and bring you to church the next day.   

Sunday, January 17, 2016

Karen Lovely - Ten Miles of Bad Road


2015 – Kokako
By Phillip Smith; Jan 16, 2016


Ten Miles of Bad Road , the fourth album from Portlander Karen Lovely, boasts thirteen magnificently performed original songsHer extraordinary vocals are beautiful and lush as she delivers the blues in her own unique style.  For this recording, Lovely is backed by a five-star list of LA studio musicians, of which include guitarists Johnny Lee Schell and Alan Mirikitani, pianist/organist Jim Pugh, bassist James “Hutch” Hutchinson, and drummer Tony Braunagel.

I absolutely love “Company Graveyard” with its ominous bassline and anti-establishment lyrics.  Lovely’s commanding vocals ring out with power and clarity, which make me immediately think of the Pretender’s Chrissie Hynde.  “Better Place” is another big favorite.  Schell plays this one nice and swampy.  “I Want to Love You” is such a beautiful love song.  Lovely’s angelic vocals softly flow as Pugh eloquently backs her up on piano.  I really like the rootsy vibe to Lovely’s performance on “Low Road”.  Mirikitani, guitar in hand, serves up a bit of Texas-style blues on this song while Pugh stirs a little funk into the mix with his B3.     


One listen to Ten Miles of Bad Road, is all it takes to conclude that Karen Lovely is way ahead of the curve when it comes to vocal artistry and songwriting.  This album is definitely one that should be heard.       


     

Saturday, January 16, 2016

Chris O’Leary - Gonna Die Tryin’


2015 – American Showplace Music
By Phillip Smith; Jan 16, 2016

Gonna Die Tryin’, the fourth album from singer/song-writer/blues harpist extraordinaire, Chris O’Leary digs its claws in deep and pulls the listener right in.  O’Leary delivers eleven tracks of original smokin’ hot blues with the help of his band, guitarist Chris Vitarello, tenor saxophonist Andy Stahl, baritone saxophonist Chris Difrancesco, bassist Matt Raymond, and drummer Jay Devlin.

One of the things I admire about O’Leary is the fact that he seems to puts as much thought into his lyrics as he does his music.  When his music takes that slight turn to the dark side, and he just lets loose on that voice of his, I’m immediately reminded of music fave, Tom Waits.  I love Vitarello’s tangy blues riffs and Bruce Katz’s barrelhouse piano on the lead track, “Can’t Help Yourself”.  O’Leary’s badass gravelly vocals and stellar harp playing lead the way on title track “Gonna Die Tryin’”, a killer track with a hell of a lot of soul.  Vitarello’s suave and tasty guitar licks are greeted by Katz’s groovy keyboard finesse on this one.  I dig the horns and funky rhythm on “Hook Line and Sinker”.  This tune seemingly pays homage to that sweet Memphis soul music which came out of Stax Records in the Sixties. The track is very nice indeed.     


I’m pretty much knocked out by this album.  It’s surely one of my favorite releases this year.   





Saturday, December 26, 2015

Mike Zito & the Wheel - Keep Coming Back


2015 – Ruf Records
By Phillip Smith; Dec 26, 2015

 

Mike Zito is quickly becoming one of my favorite songwriters.  His lyrics have a way of connecting with the working class, and the music to which they are delivered is a splendid dose of rock, blues, and Americana. The Wheel consists of a stellar group of musicians: bassist Scot Sutherland, pianist Lewis Stephens, saxophonist Jimmy Carpenter, and drummer Rob LeeKeep Coming Back contains ten magnificently written and performed originals along with a ripping cover of Bob Seger’s “Out of Denver” and a funky take on CCR’s “Bootleg”.   

Stephens and Carpenter dole out tasty barrelhouse piano and rocking sax on title track “Keep Coming Back” as Zito kicks out the jams on guitar.  This one is one big ball of bluesy fun. 
I love easing into the day, listening to “Early in the Morning” on my way to work.  Zito’s raspy vocals remind me a lot of Rod Stewart's.

A true master at telling stories through this music, Zito delivers the goods with “Girl From Liberty”, which takes a closer look at the grim underbelly of dysfunctional family life.  This song sits atop my list of favorites.  Zito then digs deep inside his soul to share the destruction and aftermath resulting from his battles with addiction, in the heart wrenching “I Was Drunk”.  There’s an anxious energy surrounding “Cross the Border”, a chaotic tale of reckless abandon.  It surely leaves me hanging on the edge of my seat as the story unfolds.    

Whether he’s performing his own songs, or one of the covers, Zito keeps it real and keeps it interesting.  That’s what I love about his music.    

     

Saturday, December 12, 2015

Josh Smith - Over Your Head


2015 – Joshfrost Music BMI
By Phillip Smith; Dec 12, 2015

 

Josh Smith’s 2012 release, Don’t Give Up On Me was terrific.  His latest album, Over Your Head is even better.  The lineup of his band remains the same, with Smith dishing out copious amounts of electrified blues on guitar, alongside bassist Calvin Turner and drummer Lemar Carter.

“How Long”, a killer track about slowly being pushed over the edge, gets the show going very nicely.  Carter tears it up on drums, while Smith delivers thick bluesy hooks and a phenomenal session of shred.  There’s even more exquisite guitar on the bad-ass and catchy “Smoke and Mirrors”. The song begs to be played loud.  Another track best played loudly is “First Hand Look (at Down and Out)”.  Guitarist Chicco Gussoni lays down some delicious licks that are pure candy for my ears. 

Smith doesn’t skimp when it comes to special guests.  Joe Bonamassa sits in on the killer title track, “Over Your Head” for an outstanding performance.  Smith’s gravelly and soulful vocals sound so good on this one.  Kirk Fletcher from the Mannish Boys gets his groove on in the funky instrumental with an old school Bar-Kays vibe, “… And What”.  This one is just plain fun.  “You’ll Find Love”, features the legendary Charlie Musselwhite on harp. This is blues at its best. 


Smith inserts power and perfection into each and every song, making Over Your Head such a delightful listen from beginning to end.  Needless to say, this album is definitely going down as one of my favorites of the year.   





Saturday, December 5, 2015

Jennifer Westwood and the Handsome Devils - Greetings From This Town


2015 – Jennifer Westwood and the Handsome Devils
By Phillip Smith; Dec 5, 2015

 

I have nothing but good things to say about Detroit band, Jennifer Westwood and the Handsome Devils.  Their debut album Greetings From This Town is an intoxicating Memphis-meets-Nashville blend of rock, blues, and country.  Lead vocalist Jennifer Westwood is joined by guitarist Dylan Dunbar, bassist Jeremy Mackinder, pianist/organist Jarrod Champion, and drummer Matt Stahl.

Westwood’s sultry yet powerful vocals instantly draw me in on “Bad Luck Charm” a rockin’ track sweetened by Dunbar with luscious guitar licks.  I’m quite drawn to “Living on the Fringe”, a relatable country song about just getting through the day.  Westwood has such a pretty voice; it reminds me a lot of Linda Ronstadt, especially on this track.  “Nobody’s Business” is one cool as hell post-break-up song.  Champion lays down some ominous chords on the organ while Dunbar serves up a funky dose of cowboy surf guitar.  

Westwood and the Handsome Devils put their own spin on R.L. Burnside’s “Skinny Woman” with “Redneck Man”.  Westwood and Dunbar nail this duet to the tree as they belt the song out with conviction and true grit.  Dunbar dishes out a magnificent guitar performance on this one too.   Other stand-out covers include Eddie Rabbit’s “Driving My Life Away” and the Stones bluesy classic from their Exile on Main Street album “Ventilator Blues”.

There’s something magical about Greetings From This Town.  It is an absolutely wonderful listen and music for the rustic soul.

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