Saturday, June 13, 2015

Mike Zito - Greyhound : From the Archives #18


2011 – Eclecto Groove Records
By Phillip Smith; Aug. 20, 2011 * 


Mike Zito’s newest release, Greyhound, spinning in the CD player, along with a large cup of hot coffee and the morning newspaper, makes for a near perfect Saturday morning.  Greyhound is quite the impressive collection of songs.  Zito is a master at telling a story within a song.   With a similar writing technique to John Hiatt, he seamlessly uses a blend of an assorted Americana musical styles to ward off monotony. 

Growing up in St. Louis, Missouri, Zito boasts a plethora of musical influences.  You can definitely tell from just listening to his songs.  As the opening track on the album, “Roll On”  plays, it fulfills its obligation to pull the listener immediately in, and promises more good music to come.  It’s not hard to imagine Bob Dylan performing this song.  From the intro of “Judgment Day“, through the end, the song is laced with Jimi Hendrix-like licks.  The guitar solo is phenomenal, reminding us Zito is as much a guitarist as he is a singer/song-writer.   As “Judgment Day” seems to be a Hendrix tribute, “Show me the Way” has that classic early ZZ Top sound.   It’s a bit funky, but gritty, but with a Seventies blues rock vibe. 

It‘s something special when an artist can make you feel emotion through their music.  Feeling his pain, one can almost imagine tears welling up in Zito‘s eyes as he begs his woman not to leave him in “Please, Please, Please”, a wonderful slow tempo track dripping with heart-felt emotion.     

Favorite cuts also include,  “Until the Day I Die” a ditty about commitment, has a contagious rhythm that’s quite enjoyable.. My feet can’t help but tap the floor when it starts playing.   There’s also “Motel Blues”,  an acoustic ballad expressing the drudgery of motel life, wearing shoes to bed, and seedy neighbors.  Not quite the toe-tapper, but an interestingly good song anyway.

Some albums are a hodgepodge of music making no sense as to the order and arrangement of songs.  Greyhound is well constructed, and has a great flow from one song to the next.  It really is an impressive album.   I can’t wait until next Saturday.



* Originally published for Blues Revue Magazine on www.bluesrevue.com 

Saturday, June 6, 2015

Bodeans - I Can’t Stop


2015 – Free & Alive Records
By Phillip Smith; June 6, 2015

They say you can’t keep a good man down.  The same goes for Kurt NeumannNeumann’s most recent album under the Bodeans moniker is a pure delight. Neumann is the only one left from the original lineup, but he keeps chugging along as a prolific writer and musician.  I Can’t Stop contains a dozen original tracks which just gets better with each listen.

Neumann leads the album off “Slave”.  Thick swampy blues-soaked slide guitar licks which ride atop a cool tribal beat makes this one sound so good.  “Oh Mama”, “Roll With the Punches”, and “Yesterday” capture that slightly poppy rocking Bodeans sound oh so elegantly.  Songs like these are what made me a Bodeans fan in the first place. Emotions run deep in the beautiful and melancholy break-up song “Beg or Borrow”. Accompaniment from the Junkyard Horns is an added bonus.  “Something We Found” rolls out like a pop-infused folk rock Mumford and Sons tune.  This catchy-as-hell song is quick to put a grin on my face.

I Can’t Stop is rapidly becoming not only one of my favorite Bodeans albums, but one of my favorite albums this year.   



Saturday, May 30, 2015

John Mayall’s Bluesbreakers - Live in 1967


2015 – Forty Below Records
By Phillip Smith; May 30, 2015

For a short three-month stint in 1967, John Mayall’s Bluesbreakers consisted of future Fleetwood Mac members, Peter Green, John McVie, and Mick Fleetwood.  Because a devoted fan from Holland was ballsy enough to sneak a one track reel-to-reel recorder into five different clubs in London to record a handful of shows, we are blessed to hear the magic which took place when these four musicians took the stage.  Keeping in mind, this was recorded in mono, from a hidden tape recorder; the results are consistent with most bootleg recordings from that era.  Live in 1967 gives us thirteen sweet blues-smothered tracks to chew on. 

The Bluesbreakers break out a little briefcase of blues featuring Freddie King songs : “Have You Ever Loved a Woman”, “The Stumble”, “Someday After Awhile”, and “San Ho Zay”.  Peter Green kills it on guitar covering these.  It’s just downright cool to hear him rip into “The Stumble”.  This is blues guitar at its finest.  The opening riff on “San Ho Zay” is so lush; I wish it could have been recorded off a board.

I love their performance of T Bone Walker’s “Stormy Monday”.  This one puts me in my bluesy space immediately. Mayall on vocals and organ guides this one from start to finish with a delicious guitar performance from Green.  This is what music is all about, right here.    

John Mayall and Fleetwood Mac fans are sure to enjoy this historical bluesy treat.




Also check out my review of John Mayall's  2014 album, A Special Life  => http://phillycheezeblues.blogspot.com/2014/07/john-mayall-special-life.html