Tuesday, August 13, 2019

#403 : Sunflower River Blues & Gospel Festival 2019


Clarksdale, Mississippi

August 8-10, 2019



By Phillip Smith; August 12 2019



I’ve visited Clarksdale several times over the past few years, but until this past weekend, my visits were solely to stop in at my favorite store, Cathead Delta Blues & Folk Art, to shop for blues-related music, books, and videos.  I was blessed to be invited along for an excursion to Mississippi by a wonderful group of blues aficionados ( Kyle, Kevin, Galen, Aaron, Jim, and Terri), this past weekend, and had an amazingly fun experience listening to many of the blues artists I have only written about the past few years.   It was great to actually see these artists in person, and in some cases, even meet, shake their hand, and share a few words.

On the trip down from Iowa, we had a stop-over in Memphis, Tennessee where we stayed one block off Beale Street at the renovated Chisca Hotel.  This historic landmark once housed WHBQ, the radio station which was the first to play Elvis Presley’s “That’s Alright Mama” and launched the career of the King.  We grabbed a hearty bite to eat at the Blues Café and steeped in the music of the Eric Hughes Band at the Rum Boogie Café.

Upon arrival to Clarksdale, we stopped over at the Cathead for some shopping, before checking in to the Shack Up Inn, a unique and eclectic place to say the least.  This B&B (Bed and Beer) joint is a makeshift community of restored sharecropper shacks.  The lobby and bar are housed in a building which was once a cotton gin, and is chockful of oddities and vintage signage. I would love to have more time to just look around this place.   Later that evening had a fine dinner of grits, greens, and barbeque before heading over to Ground Zero Blues Club for the open jam hosted by the David Dunavant Band.  Jim, from our group, entertained a full house at the Ground Zero with a couple of songs on his beautiful hand-painted psychedelic-green guitar. That was very cool indeed.  We wrapped Thursday evening up at Red’s Juke Joint, to hear Terry “Harmonica” Bean.  The place also happened to be packed with blues fans from around the world.  Rightly named, the venue is illuminated by strings of red Christmas lights which stretch across the low hanging ceiling. 

Early Friday, we all loaded into a couple of cars to explore the delta region in search of gravesites and landmarks.  Included in the places we located were the markers for Aleck Miller aka Sonny Boy Williamson II and two of the three known Robert Johnson markers.  We navigated to Tutwiler where W.C Handy was inspired to write the song “Yellow Dog Blues”, then headed to Moorhead, MS, where the Southern Railway crossed the Yazoo Delta (“Yellow Dog”).  The Crystal Grill in Greenwood served as the perfect lunching destination.  The hamburger and sweet potato fries were splendid, and I could not deny myself a delectable slice of their lemon ice-box pie.  It was so good; I’m still thinking of it three days later.  Before heading back to Clarksdale for the music festivities, we made a final stop outside the gates of Parchman Farm, the Mississippi State Penitentiary where many blues songs got their inspiration and where a fair share of bluesmen spent time.  It once served as temporary residence for ‘Bukka’ White, R.L. Burnside, and reportedly Sonny Boy Williamson II.  
Kicking things off on the main stage Friday night for the Sunflower River Blues and Gospel Festival were The Delta Blues Museum Band, a group of very talented young music students being schooled in the Blues.  It’s a delight to see the torch being handed down to another generation.  It was also terrific to see Heather Crosse with Heavy Suga and the SweetTones.  Unfortunately, the electricity to the stage was knocked out, and the evening was cut short.  I reviewed her album Groovin’ at the Crosse Roads several years ago, and absolutely loved it.  

On Saturday, the festival features music on nine separate stages downtown, all of which are indoors, with the exception of the main stage.  The main stage sits next to the Delta Blues Museum where we began the day with an enlightening visit.  I definitely got my steps in, as I criss-crossed town, making stops at Ground Zero Blues Club, Levon’s Bar & Grill, Hambone Art & Music, Red’s Lounge, and The Blueberry Café to hear Kenny Brown, Pat Thomas, Deak Harp, Little Willie Farmer, Terry ‘Harmonica’ Bean, Super Chikan, and Anthony ‘Big A’ Sherrod.  The weather was perfect as we settled in at the main stage for Big George Brock followed up by David Dunavent & EVOL Love.   

Closing the evening out at Hopson Plantation Commissary next door to the Shack Up Inn, I was captivated by an ensemble called Black Water Trio, a local Clarksdale group which normally plays as a three piece with two guitars and fiddle, but for this evening, they were a five-piece band complete with drummer and bass. I loved the unique blend of country-fried roots and rock.  They were an absolute blast, as was the whole trip.   
---


   
*All Photos by Phillip Smith

Kevin, Galen, Aaron, Kyle, and me on Beale Street

Eric Hughes Band at Rum Boogie Cafe

Hotel Chisca

Kyle and I arriving at Ground Zero

Ground Zero Blues Club

Blues Alley

Signage 

In front of the Shack Up Inn

Play Pretty at the Shack Up Inn

David Dunavant at Ground Zero Blues Club

Terry 'Harmonica' Bean at Red's Lounge

Red's Lounge

At the Shack Up Inn

Shack Up Inn


Shack Up Inn

W.C. Handy marker at Tutwiler. Mississippi 

Tutwiler, Mississippi 

Sonny Boy Williamson II grave

Site of Emmett Till's Freedom Trail marker near Money, MS

Robert Johnson Blues at Little Zion Baptist Church, Greenwood, MS

Probably the true final resting place for Robert Johnson

Crystal Grill café in Greenwood, MS

Furry Lewis marker in Greenwood, MS
 
Robert Johnson marker purchased by Sony/Columbia Records near Morgan City, MS

Where the Souther;n Cross The Dog Blues Trail Marker in Moorhead, MS

Where the Southern Crosses the Yellow Dog Mississippi Historical marker in Moorhead, MS

Parchman Farms Blues marker

The Main Stage @ The Delta Blues Museum

Lady Trucker

Heather Crosse

The Shack Up Inn

The Shack Up Inn bar and stage

Groovy 'Super Chikan' guitars for sale at Shack Up Inn

My shack at The Shack Up Inn

Paramount Theater in Clarksdale, MS

Pat Thomas at Ground Zero Blues Club

Pat Thomas at Ground Zero Blues Club

Levon's Bar & Grill

Deak Harp at Levon's

Deak Harp

Clarksdale, MS

Little Willie Farmer at Red's

Red's Lounge

Deak's Place

Terry 'Harmonica' Bean at Levon's

Super Chikan at Bluesberry Cafe

Super Chikan at Bluesberry Cafe

Anthony 'Big A' Sherrod at Bluesberry Cafe
 
Big George Brock on the Main Stage

David Dunavent & EVOL Love on the Main Stage

Blackwater Trio at Hopson Plantation Commissary 







Websites of places mentioned:



Chisca Hotel – thechisca.com

Rum Boogie Café – rumboogie.com

Cathead Delta Blues and & Folk Art – cathead.biz

Shack Up Inn – shackupinn.com

Ground Zero Blues Club – groundzerobluesclub.com

Red’s Juke Joint – This is a juke joint son, there ain’t no website!

Delta Blues Museum – deltabluesmuseum.org

Levon’s Bar & Grill – levons.net

Hambone Art & Music – stanstreet.com

Hopson Plantation Commissary – hopsonplantation.com



Websites of artists mentioned:



Eric Hughes – erichughesband.com

Deak Harp – deakharp.com

Black Water Trio - blackwatertrio.com




Sunday, August 4, 2019

#402 : Prairie Dog Blues Festival - 2019



Prairie Du Chien, Wisconsin
July 26-27, 2019

By Phillip Smith; August 3, 2019

I had an absolutely amazing time during the two days I spent at the Prairie Dog Blues Festival this year.  Besides the spectacular music, there was an amazing comradery between the blues fans.  Upon first arrival on Friday evening, I staked out some prime territory within the beer tent to see one my favorite acts Ghost Town Blues Band.  They tore it up on four separate sets that evening, playing all the songs I wanted to hear.  Their covers of “Come Together”, “Whipping Post”, and “Statesboro Blues” were superb as always.  It was great to catch up with those guys again.  Between the GTBB sets, I made sure to shimmy over to the main stage to see more outstanding performances from Tas Cru, Reverend Payton’s Big Damn Band, Toronzo Cannon, and Nikki Hill. 

Tas Cru and Mary Ann Casale teamed up to dazzle me with delight on “Heal My Soul”.  Casale cowrote this one with Tas for his acclaimed Memphis Song album.  It was cool to hear “Dirty Swerve” from Reverend Peyton.  That one definitely put the fans in dance mode.  Toronzo Cannon brought some of the best blues Chicago has to offer, and Nikki Hill commanded full attention for her powerful for her set of rockin’ soul.  She even busted out a little AC/DC with a nod to Bon Scott on “If You Want Blood / I’m a Rocker”.  

On the second day of the festival, I headed directly to the main stage to hear Craig Erickson and the Roadhouse Rockers.  The man is a powerhouse when it comes to playing guitar, and it is always a pleasure to see his band play.  ZZ Top tribute band Eliminator from Chicago lit up the crowd with nearly ninety minutes of dazzling showmanship and spot-on covers.  They were so fun to watch and hear.  I was so glad to have finally caught Eliza Neals in concert.  She has been on my radar ever since reviewing her 10,000 Feet Below album.  This is another act which I highly recommend.  Neals definitely puts the ‘rock’ in blues-rock, with her amazing vocals.  Popping over to the beer tent to hear The Kris Lager Band was a lot of fun as well.  The tent was filled to capacity, as they played their unique style of funky blues.  The evening was capped off with a searing performance from Anthony Gomes.  The first time I saw Gomes, he was opening for the king of blues himself, B.B. King.  This my third time seeing him, and he keeps upping his game every time.

Prairie Dog Blues Festival, which is held annually on the historic St. Feriole Island in Prairie Du Chien, Wisconsin, is very organized and cuts no corners when it comes to booking talent.  I will definitely make a point of returning.  

---


* All Photos by Phillip Smith



Ghost Town Blues Band







Tas Cru






Rev Peyton's Big Damn Band




Toronzo Cannon





Nikki Hill






Craig Erickson and the Roadhouse Rockers






Eliminator




Eliza Neals





Kris Lager Band







Anthony Gomes






Saturday, July 20, 2019

#401 : Eliza Neals - Sweet or Mean


2019 – E-H Records LLC

By Phillip Smith; July 20, 2019

It has been over two years since I fell head-over-heels for Eliza Neals’ 10,000 Feet Below album.  But, after hearing her latest EP Sweet or Mean, I find the wait has been worth it.  This time around, Neals teamed up with New York bluesman Ted Horowitz aka Popa Chubby.   Horowitz not only plays guitar on this release, but also takes on the role of producer/arranger.  Comprising the remainder of the band is Dave Keyes on B3/piano/Wurlitzer, Chris Gambaro-Vega on bass, and John Medeiros Jr. on drums.  

This six-track release opens and closes with two smokin’ variations of “Pawn Shop Blues”, a ripping original tune, written by Neals.  Her fearless delivery stands tall as Popa Chubby lays down a searing slab of blues on electric guitar.  Saxophonist Ian Hendrickson and trumpeter Michael Leonhart appear on one version, while “Pawn Shop Blues (roadhouse)” features barrelhouse piano from Keyes.  Vega and Medeiros create a captivating groove on “Blackish Gray”, which swiftly pulls me into its orbit.  Songs like this encourage me to put Neals at the top of my list of favorites.  There is certainly a positive chemistry between her and Ted when it comes to playing the blues.  Eliza sings her autobiographical power-anthem “Bitten by the Blues” with a soulful, rock-star delivery.  The hook is very infectious and sounds great with Popa Chubby’s tantalizing guitar licks.  I love the delta-flavored acoustic “Knock Knock Knocking” too.  It’s raw and fabulous.

Sweet or Mean is a terrific six-track EP.  It’s definitely worth checking out, if you dig the blues.      

---



For more information about the artist, visit the website.. www.elizaneals.com   

PhillyCheeze Rock & Blues Review for Eliza Neals - 10,000 Feet Below https://phillycheezeblues.blogspot.com/2017/04/eliza-neals-10000-feet-below.html

Friday, July 12, 2019

#400 : Ruf Records - 25 Years Anniversary




2019 - Ruf Records  
by Phillip Smith; July 12, 2019

To commemorate the 400th PhillyCheeze’s Rock & Blues Review, I want to shine some light on the special 25 Years Anniversary disc from Ruf Records.  This is one hell of a collection.  This edition contains both a 14 track CD, and a 12 video, 62-minute DVD .  The CD features a ton of music from Ruf’s most recent releases, while the DVD delightfully spans their entire era, going back to the Luther Allison days.  

After seeing Ruf’s Blues Caravan last year in 2018, I was happy to see the disc containing songs by Ally Venerable, Mike Zito, and Bernard Allison who all shared the stage at the 2nd annual Czech Village Blues festival, here in Cedar Rapids, Iowa last August.  Ally rips it up on guitar and belts out the title track to her latest album, “Texas Honey”.  Zito’s song is also the title track for his latest, “First Class Life”.  I love the slide guitar on this one.  The swampy, funky goodness of Bernard’s “Backdoor Man” is so enjoyable.  Vanja Sky, who played on the European legs of the caravan, gives us the smokin’ blues in “Hard Working Woman”.   

Ruf also includes the sultry “Chills and Fever” from the wonderful Samantha Fish, and  Ina Forsman’s exquisitely danceable ’ “Get Mine”.  For the classic blues-head, there is “Low Down“ from The B.B. King Blues Band, and hardcore soul music fans will surely dig “Deep in my Soul” from Big Daddy Wilson.  Also nice to hear, is my favorite Savoy Brown song from the past few years, “Why Did You Hoodoo Me”.  It definitely cuts to the bone.    

The DVD begins with a spectacular performance of Denmark’s Thorbjørn Risager & The Black Tornado fabulously performing “If You Wanna Leave”.  It’s so cool to see Mike Zito, Devon Allman and Cyril Neville jam together on “Moonlight Over the Mississippi”.  Oli Brown’s driving blues-rock anthem “Here I Am” is captivating.  From the 2019 Blues Caravan, there’s a terrific video of Katarina Pejak, Ina Forsman and Ally Venable covering the classic Stevie Ray Vaughan song “If the House is Rocking”, and they sound great.  For a wonderful song to close with, Luther Allison soulfully sings “Living in The House of Blues”.

Ruf Records 25 Years Anniversary should be in the collection of every blues fan.  It is a powerhouse of a retrospective.      



Associated PhillyCheeze Reviews include:





Thursday, July 4, 2019

#399 : Tony Holiday - Porch Sessions




2019 – Vizztone
By Phillip Smith; July 4, 2019

It’s the Fourth of July, and today I’ll be spinning Porch Sessions from Memphis blues-man Tony Holiday.  I love the concept for this record.  In the spirit of classic blues field recordings, Holiday visited and jammed with a ton of big names in the business, right on their front porch.  With Holiday on harmonica, he is joined by guitarist Landon Stone, and bassist Kid Anderson on all tracks.  Guests include Charlie Musselwhite, James Harman, John Nemeth, John Primer, Bob Corritore, Aki Kumar, Rockin’ Johnny Burgin, Kid Ramos, Mitch Kashmar, Jake Friel, Ronnie Shellist, and more.

The raw stand-out blues guitar of two-time Grammy nominated John Primer joined with both Holiday and Bob Corritore on harp, makes for an amazing listen on “They Call Me John Primer”.   It’s always a treat to hear Musselwhite.  He lets loose on “That’s Alright” as Kumar takes on the vocals to this six-and-a-half-minute blues jam.  And for an extra blast of cool, Burgin appears on guitar.  I dig the cover of Little Sonny’s “Woman Named Trouble” with Nemeth on harp and vocals, Matthew Wilson on guitar and Danny Banks on drums.  It has such a funky groove.  Harman and Ramos sound so great together as they break out a briefcase full of blues on “Goin’ to Court”.  “Hip To It” is a delightful harp blues instrumental.  It’s a rare treat to hear three harp players at once as Holiday, Shellist, and Kashmar interestingly play off each other’s performance.  

Hearing the musical collaborations recorded on this album, is like staring blues right in the eye.  With the Porch Sessions, Holiday reiterates exactly what the Blues is all about. 

 ---


For more information about the artist, visit this website.. https://tonyholidaymusic.com/  


Saturday, June 29, 2019

#398 : Big Jack Reynolds - That's a Good Way to Get to Heaven




2019 – Third Street Cigar Records
By Phillip Smith; June 29, 2019

Third Street Cigar Records has recently released a terrific twenty-track CD compiling the best of Ohio bluesman Marshall “Big Jack” Reynolds.  This deluxe package also includes a feature-length documentary on DVD containing eighty minutes of rare footage, and interviews which has gone unseen since the late Eighties.  Although this was my first exposure to Big Jack Reynolds, I found the documentary to be very engrossing.   

Reynolds’ earlier recordings were made during the Sixties in Detroit on the Fortune and MAH labels.  After moving on to Toledo around 1970, Reynolds set up his home-base and continued performing for another twenty years, recording his last songs in 1990, three years before he passed away.  According to Third Street president John Henry, “Big Jack wasn’t nationally famous, but he was our guy and now we get to bring him to the world…  Every local player wanted to perform with Jack.  He was a ‘real-deal’ bluesman from somewhere down south, though it was never clear where”.  With Reynolds on vocals and harmonica, the majority of the cuts on this fascinating compilation feature Larry Gold on guitar, Johnny “Hifi” Newmark on bass, Slim Tim Gahagan on drums, and Chad Smith on piano.

The album opens with a sweet previously unreleased cover of Jimmy Reed’s “Honest I Do”.  Reynolds also lays down a very nice cover of Slim Harpo’s “Scratch My Back” as well.  I love Gold’s ripping guitar performance on “You Better Leave That Woman Alone”.  Coupled with a cracker-jack rhythm section and Reynold’s slightly raspy vocals, this original sounds great.  “Mean Old People” is about as real as it gets.  Here we get to hear Big Jack alone with his guitar.  It is unadulterated raw blues at its purist.   

The infectious and inescapable surf beat on his 1962 single “Made It Up in Your Mind” is a wonderful backdrop for Big Jack and his harp.  It’s dripping with cool.  My favorite, an original called “Hot Potato” has a stellar groove.  Big Jack breaks out his guitar on this jamming instrumental which concludes with him exclaiming “That’s a good way to get to heaven!”.  This gravitative track is such a great listen. 

This is one great retrospective collection which I will enjoy for a long time.   

---
   
For more information about the artist, visit this website.. www.thirdstreetcigarrecords.com

Sunday, June 23, 2019

#397 : Cheyenne James - Burn It Up




2018 – Cheyenne James

By Phillip Smith; June 21, 2019

Burn It Up, the debut album from Texas blues singer Cheyenne James is one powerful and soulful ride.  James, an accomplished stage actress, dancer, and fire-eater pours her whole self into each of the ten outstanding performances.  Her band consists of guitarists Dave Carter and Mark May, bassist Rock Romano, harmonicist Steve Krase, keyboardist Randy Wall, drummer Jim Brady, saxophonist Eric Demmer, and Lamar Boulet on trumpet and flugelhorn.

I love her remarkable cover of Little Milton’s “Grits Ain’t Groceries”.  Cheyenne’s stellar vocal delivery has a nice Stax-like backing with the horns and keys.  With a taste of old-school Nashville, James fearlessly belts out “Gypsy Mama” while Krase tears it up on harmonica.  When she sings Van Morrison’s “Steal My Heart Away”, I just have to stop everything and listen.  It’s such a beautiful song, and so beautifully executed.  Sung with an abundance of heart and emotion is the sublime original “What Does It Mean”.  Cheyenne’s performance on this gem is reminiscent of the late, great Amy Winehouse, and Boulet’s trumpet performance is mesmerizing.  The album comes to a smile-inducing close with a smooth rendering of Willie Dixon’s “You Know You Love Me Baby”.

Burn It Up is a definite ‘keeper’.  I immensely enjoyed listening to this album, and very much look forward to hearing more from Cheyenne James.           

---
     
For more information about the artist, or to purchase her CD, visit her website.. https://www.cheyennejames.com