Sunday, October 24, 2021

#525 : Reverend Horton Heat w/ James Tutson - Live at Wildwood Smokehouse & Saloon 10-22-21

 


Reverend Horton Heat w/ James Tutson & The Rollback

Live at Wildwood Smokehouse & Saloon 10-22-21

Iowa City, Iowa

 

 

By Phillip Smith; Oct. 24, 2021

 

It was great to get out Friday evening for a much-needed dose of live music at Wildwood Smokehouse & Saloon in Iowa City, Iowa.  First up was James Tutson along with two members of his Rollback band (drummer Dr. Tyler Carrington and keyboardist/bassist Erik Lehmann) showcasing their unique blend of soul and R&B.  Tutson’s powerfully soulful vocals sounded fabulous paired with his guitar.  It’s not too often one hears the opening act encouraged by the audience for an encore, but it certainly happened this evening.  For the main event, Jim Heath aka Reverend Horton Heat, along with bassist Jimbo Wallace and drummer Jonathan Jeter (the Revelators) blessed the crowd with a mix of RHH favorites, deep cuts, and covers which included Motorhead’s “Ace of Spades”, and Elvis’ “Viva Las Vegas”.   Although this was my fourth time to see the good Rev, it’s hard to believe it has been about twenty-two years since I last saw him.  He definitely still delivers one hell of a performance.     

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*  All photos by Phillip Smith


James Tutson & the Rollback











Reverend Horton Heat

















Saturday, October 23, 2021

#524 : Larkin Poe & Nu Deco Ensemble - Paint the Roses

 


2021 – Tricki-Woo Records

By Phillip Smith; Oct. 23, 2021

I’m always excited to hear about new music from Larkin Poe.  I’ve been a fan of this duo since hearing them open for Elvis Costello at the Paramount Theater in Cedar Rapids, Iowa five years ago.  The original songs Rebecca Lovell and Megan Lovell write are beautiful, sometimes intense, and cut deep to the bone.  Lead vocalist/guitarist Rebecca captivates me with her beautiful, yet fearless voice.  The vocal harmony she shares with lap-steel wizard Megan is magical.

Paint the Roses is a seven-track release which Larkin Poe recorded live at the North Beach Bandshell in Miami, Florida on December 12, 2020 with the orchestral backing of Nu Deco Ensemble.  Once I heard their new take on Bessie Jones’ “Sometimes” which also appears on their 2018 Venom & Faith album, I knew I was in for a real treat.  The infusion of clapping hands, strings, and horns took me to church in a big way.  Next up on the track list is “Back Down South” an original off their 2020 album Self Made Man.  Megan’s lap slide is performed with perfect precision as Rebecca rips it up on guitar and delivers the song with her enchanting voice.  It sounds fantastic with the enrichment of the Nu Deco Ensemble as the song takes a dip into the Allman’s “Blue Sky” for a brief intermission.  Before diving into a four-track superfecta of songs, all off Self Made Man, Larkin Poe introduces a new song called “Mad as a Hatter”, which I absolutely adore.  The pulse of this homage to Alice in Wonderland runs with a rapid pace, and dips momentarily into psychedelic territory.  “Every Bird That Flies” is such a beautiful song, and surely earns its wings with the accompaniment from the ensemble.  I love the slow build-up of tension accomplished with the instrumentation, which is then then slowly released to send the song skyward.  Larkin Poe closes out the show in an amazing performance of “She’s a Self Made Man”.  Cloaked in a horn-laden suit, this hard blues-rocker is a perfect fit for a future 007 theme song.  

I knew I would like Paint the Roses, but I was surprised at just how much I liked it.  This is surely a record folks will want to add to their collection.         

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 For more information about the artist, visit this website : www.larkinpoe.com


Sunday, October 17, 2021

#523 : Hector Anchondo - Let Loose Those Chains

2021 – Vizztone

By Phillip Smith; Oct. 17, 2021

Five years ago, in July of 2016, I heard Hector Anchondo for the first time, and instantly became a fan.  His band was playing the North Liberty Blues and BBQ Festival in North Liberty, Iowa.  Less than a month later, I would hear him again at Tommy Bolin Festival in Sioux City, Iowa.  Again, he dazzled me with his unique style of blues.  In 2020, Anchondo entered the International Blues Challenge in Memphis for the third time, and righteously awarded the top prize in the best solo/duo category.  It was very well deserved. 

Let Loose Those Chains is the brilliant all-original, self-produced new album from Hector Anchondo.  With Anchondo on guitar and vocals, drummer Khayman Winfield, and bassist Joe Corley comprise the rest of this well-oiled three-piece band.            

Title-track “Let Loose Those Chains” opens the album in a very poignant way, capturing my full attention.  Anchondo’s writing and performance of this message of breaking free is absolutely striking.  The tension is broken with the fabulously swinging track loaded with delicious twang called “I’m Going to Missouri”.  It’s such a fun song.  Anchondo breaks out the resonator and slide for his song of infatuation “Sweet Tooth”.  I love this sound that feels like it’s straight out of the Mississippi Delta.  Time seems to stand still as he slows things down for “Sometimes Being Alone Feels Right”, a beautiful ballad of self-reflection.  Praise and gratitude are bestowed on single mothers everywhere, receiving a heart-felt acknowledgment in “Momma’s a Hard Man”.  Anchondo makes this solo effort feel very personal. 

Let Loose Those Chains is one of those records that shine brightly from every facet and elevates Anchondo to a whole new level.  I highly recommend it.  

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Link to the PhillyCheeze review of Hector Anchondo’s 2017 Roll the Dice album : https://phillycheezeblues.blogspot.com/2017/03/hector-anchondo-band-roll-dice.html

 

 For more information about the artist, visit this website : https://www.hectoranchondo.com

 


Sunday, October 10, 2021

#522 : Joanna Connor, Avey Grouws Band and James Tutson - Live at the Olympic

The Olympic Southside Theater
Cedar Rapids, Iowa
 All Photos by Phillip Smith; Oct. 09, 2021

The Olympic Southside Theater in Cedar Rapids, Iowa was definitely the place to be the evening of Friday, October 8, 2021.   This music venue, previously known as Spotlights, Big Dogs, and 3rd Street Live since I've lived in town, has hosted countless musical acts over the years.  In 1992, I set foot in this place for my first time and saw Kevin Burt with his band The Blues Instigators.   Over the years, I was fortunate to catch acts like John Mayall, Warren Zevon, Buddy Guy Little Feat, Black Oak Arkansas, George Clinton, and Days of the New.       After several years of non-occupation, this sacred space for music has been restored and revitalized to give it a new life as a place for people to congregate and enjoy live music.

The evening started off with a captivating solo performance from Iowa City artist James Tutson (James Tutson and the Rollback) who appeared on NBC's The Voice, earlier this year.  I really hope to hear more from him in the future.

Avey Grouws Band took the stage next, engaging the audience to the max.  Their setlist included favorites such as "Two Days Off (and a Little Bit of Liquor)", "Come and Get This Love", and "Dirty Little Secret" off their 2020 album The Devil May Care and tracks from their brand new album Tell Tale Heart such as  "Love Raining Down", and the intoxicating instrumental "Mariana".   I loved every bit of it.   

Immediately following was Chicago's Queen of Blues Rock guitar Joanna Connor. Watching and hearing her play is an absolute treat.  Her fearless approach to her music, ranks her among the top of the list.  

The jam session at the end was extraordinary, as  guitarist Billy Satterfield joined Joanna, Chris Avey, Jeni Grouws, and James Tutson for the grand finale.  After going so long without seeing a show of this caliber in Cedar Rapids, this was exactly what I needed.     
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·         All photos by Phillip Smith

James Tutson

Avey Grouws Band











Joanna Connor









All-Star Jam










* all photos by Phillip Smith

Saturday, October 9, 2021

#521 : Altered Five Blues Band - Holler If You Hear Me


2021 – Blind Pig Records

By Phillip Smith; Oct. 9, 2021


Those sensational blues-masters of Milwaukee Altered Five Blues Band has added another piping hot release to their catalog with Holler if You Hear Me.  Clocking in as their sixth album, the energy of the band runs high, and is magnificently captured within this Tom Hambridge-produced recording.  The powerful and soulful voice of front-man Jeff Taylor sounds so good backed by this tight-as-hell band consisting of guitarist Jeff Schroedl, bassist Mark Solveson, keyboardist Raymond Tevich, and drummer Alan Arber.  Special guest Jason Ricci is the icing on the cake, with his harmonica accompaniment on five of the thirteen tracks.  This is absolutely a winning combination. 

I am in love with the album from the moment “Holler If You Hear Me” breaks out of the gate.  The rhythm barrels through like a locomotive as we get a solid dose of Tevich’s hot ivory stylings topped with searing blasts of Ricci’s harmonica.  The party pushes forward as Taylor lets loose on his anthem of after-hours debauchery in “Guilty of a Good Time”.   Schroedl’s guitar solo absolutely sizzles as the rhythm fiercely latches on.  Harp-a-blazing, Ricci gives a flawless performance as he goes toe-to-toe with Arber’s furious beat on “If You Go Away (She Might Come Back)”.  A dash of swamp water is sprinkled atop “I Got All I Need”.  This delightful bowl of slow-simmered blues heats up to a boil, licked by the red-hot flames rolling off Schroedl’s guitar.  It’s absolutely wonderful.  The record comes to its close with “Big Shout Out”, a sort of blues version of Billy Joel’s “We Didn’t Start the Fire”.  This upbeat roll-call honors the blues artists of the past who’ve paved the way for those who play the blues today, and is a splendid song to end the album with.      

Holler If You Hear Me is as solid as an album can get.  It’s one hundred percent straight-up blues, delivered on a silver platter.    

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For more information about the artist, visit this website : https://www.alteredfive.com

 

 

Altered Five Blues Band "If You Go Away (She Might Come Back)" [OFFICIAL MUSIC VIDEO]


 


Sunday, October 3, 2021

#520 : Memphissippi Sounds - Welcome to the Land

 


2021 – Little Village Foundation

By Phillip Smith; Oct. 3, 2021

 

Memphissippi Sounds, a duo comprised of Damion Pearson (vocals, harmonica, guitar) and Cam Kimbrough (vocals, drums, guitar), brings to the table, a unique spin on the North Mississippi Hill Country Blues.  In his youth, Pearson quickly latched onto the sounds of his father’s record collection which consisted of the likes of Parliament/Funkadelic and the Ohio Players.  He picked up the blues from listening to Memphis’s WDIA radio where B.B. King and Rufus Thomas both got their start in radio.  Kimbrough, the grandson of blues great Junior Kimbrough grew up surrounded by blues, but also had a taste for bands such as Metallica, System of a Down, Nirvana, and Incubus.  When Pearson and Kimbrough joined forces to play music together, they zeroed in on the hill-country blues which they quickly discovered fit them like a glove.  Welcome to the Land, the duo’s first album was recorded at the legendary Sun Studios in Memphis and produced by Aki Kumar, with Jim Pugh serving as executive producer.       

This fascinating nine-track album of all-originals begins with “Who’s Gonna Ride”, a social commentary which absolutely tears the roof off as it touches on subjects such as George Floyd, BLM, and the pandemic.  Fortified with a rolling swampy funk, Pearson lays down a smoking performance on harp.  A furious beat and infectious rhythm combine forces in “I’m Mad”, and it sounds great.  Pearson’s hypnotic guitar riff rides along a mesmerizing performance from Kimbrough to soulfully invoke the essence of the band War, in the “Crossroads”.  I love how their vocals play off each other in this one.  Sometimes one just can’t wait for an afternoon delight, and “Saturday Morning” is when things go down in the bedroom.  This hill-country groove is perfectly executed.  Immediately following, the relaxed propulsion of “High & Low” gently immerses me inside its muddy, tranquil musicscape, and it feels wonderful.  The album closes with “Look Out for the Wolf”, a song which seems to call back to the early days of Muddy Waters and Howlin’ Wolf.  It’s a spectacular blues song to say the least.  

Memphissippi SoundsWelcome to the Land is a record blues fans will damn sure want to hear.   It’s fantastic!        

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For more information about the artist, visit this website : https://www.memphissippisounds.com/