PhillyCheeze's Rock & Blues Reviews: Delta Blues

2021 – Endless Blues Records

By Phillip Smith; July 10, 2021

With several albums under his belt and over twenty years of playing music, Mississippi bluesman Chris Gill states his latest release Between Midnight and Louise is the record that’s been on his mind a long time. The title gets its name from a highway sign just outside of Yazoo City, Mississippi which points to the two towns of Midnight and Louise. The title definitely sets the tone of this charming album comprised of Gill’s stripped-down Delta Blues. Recorded by just him, his old guitars, two mics and a little amp, he meticulously brings the listener right into his swampy world, and it’s absolutely delightful.

I love the muddy slide-work on his ode to David ‘Honeyboy’ Edwards called “Song For Honeyboy”. It’s certainly a fitting homage to the bluesman who played with the legendary Robert Johnson in the 1930’s and passed away in 2011 at the age of 96. A rolling melody from his guitar coupled with Gill’s smoky vocals put a smile on my face with “Back to Paradise”, a song about trying to break this world out of the insanity which seems to have taken over. For anyone who’s spent the hot summer months in Mississippi, the words of “Fleas and Ticks” will ring true. On this song, his instrument of choice is a vintage 1930’s Supertone, and it sounds terrific. Gill’s mastery of story-telling downright shines on “Long Distance Highway”, an absolutely beautiful song about a musicians’ life on the road. Like watching the last rays of the sun shoot across the sky on a summer’s evening sunset, title track “Between Midnight and Louise” gently brings the album to its end. It’s a stunning instrumental played in open G with a ’31 Duolian.

Chris Gill is an amazing guitarist and songwriter. Blues fans should definitely seek this album out.

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Clarksdale, Mississippi

August 8-10, 2019

By Phillip Smith; August 12 2019

I’ve visited Clarksdale several times over the past few years, but until this past weekend, my visits were solely to stop in at my favorite store, Cathead Delta Blues & Folk Art, to shop for blues-related music, books, and videos. I was blessed to be invited along for an excursion to Mississippi by a wonderful group of blues aficionados ( Kyle, Kevin, Galen, Aaron, Jim, and Terri), this past weekend, and had an amazingly fun experience listening to many of the blues artists I have only written about the past few years. It was great to actually see these artists in person, and in some cases, even meet, shake their hand, and share a few words.

On the trip down from Iowa, we had a stop-over in Memphis, Tennessee where we stayed one block off Beale Street at the renovated Chisca Hotel. This historic landmark once housed WHBQ, the radio station which was the first to play Elvis Presley’s “That’s Alright Mama” and launched the career of the King. We grabbed a hearty bite to eat at the Blues Café and steeped in the music of the Eric Hughes Band at the Rum Boogie Café.

Upon arrival to Clarksdale, we stopped over at the Cathead for some shopping, before checking in to the Shack Up Inn, a unique and eclectic place to say the least. This B&B (Bed and Beer) joint is a makeshift community of restored sharecropper shacks. The lobby and bar are housed in a building which was once a cotton gin, and is chockful of oddities and vintage signage. I would love to have more time to just look around this place. Later that evening had a fine dinner of grits, greens, and barbeque before heading over to Ground Zero Blues Club for the open jam hosted by the David Dunavant Band. Jim, from our group, entertained a full house at the Ground Zero with a couple of songs on his beautiful hand-painted psychedelic-green guitar. That was very cool indeed. We wrapped Thursday evening up at Red’s Juke Joint, to hear Terry “Harmonica” Bean. The place also happened to be packed with blues fans from around the world. Rightly named, the venue is illuminated by strings of red Christmas lights which stretch across the low hanging ceiling.

Early Friday, we all loaded into a couple of cars to explore the delta region in search of gravesites and landmarks. Included in the places we located were the markers for Aleck Miller aka Sonny Boy Williamson II and two of the three known Robert Johnson markers. We navigated to Tutwiler where W.C Handy was inspired to write the song “Yellow Dog Blues”, then headed to Moorhead, MS, where the Southern Railway crossed the Yazoo Delta (“Yellow Dog”). The Crystal Grill in Greenwood served as the perfect lunching destination. The hamburger and sweet potato fries were splendid, and I could not deny myself a delectable slice of their lemon ice-box pie. It was so good; I’m still thinking of it three days later. Before heading back to Clarksdale for the music festivities, we made a final stop outside the gates of Parchman Farm, the Mississippi State Penitentiary where many blues songs got their inspiration and where a fair share of bluesmen spent time. It once served as temporary residence for ‘Bukka’ White, R.L. Burnside, and reportedly Sonny Boy Williamson II.

Kicking things off on the main stage Friday night for the Sunflower River Blues and Gospel Festival were The Delta Blues Museum Band, a group of very talented young music students being schooled in the Blues. It’s a delight to see the torch being handed down to another generation. It was also terrific to see Heather Crosse with Heavy Suga and the SweetTones. Unfortunately, the electricity to the stage was knocked out, and the evening was cut short. I reviewed her album Groovin’ at the Crosse Roads several years ago, and absolutely loved it.

On Saturday, the festival features music on nine separate stages downtown, all of which are indoors, with the exception of the main stage. The main stage sits next to the Delta Blues Museum where we began the day with an enlightening visit. I definitely got my steps in, as I criss-crossed town, making stops at Ground Zero Blues Club, Levon’s Bar & Grill, Hambone Art & Music, Red’s Lounge, and The Blueberry Café to hear Kenny Brown, Pat Thomas, Deak Harp, Little Willie Farmer, Terry ‘Harmonica’ Bean, Super Chikan, and Anthony ‘Big A’ Sherrod. The weather was perfect as we settled in at the main stage for Big George Brock followed up by David Dunavent & EVOL Love.

Closing the evening out at Hopson Plantation Commissary next door to the Shack Up Inn, I was captivated by an ensemble called Black Water Trio, a local Clarksdale group which normally plays as a three piece with two guitars and fiddle, but for this evening, they were a five-piece band complete with drummer and bass. I loved the unique blend of country-fried roots and rock. They were an absolute blast, as was the whole trip.

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*All Photos by Phillip Smith