Saturday, September 14, 2019

#408 : J.P. Soars - Let Go of the Reins


2019 – Whiskey Bayou Records

By Phillip Smith; Sep. 14, 2019

Produced by Tab Benoit, Let Go of the Reins delightfully highlights everything I like about the music of J.P. Soars : smokin’ guitar licks, hard-scrabble lyrics, and fearless vocals.  Soars, the Arkansas-based artist who won 1st place at the 2009 International Blues Challenge in Memphis and pulled down the Albert King Award for best guitarist, rolls out his fifth solo studio album covered in hard-driving blues.  Soars steers the ship on vocals and guitars, with Chris Peet on bass guitar, Tab Benoit on drums, and Tillis Verdin on the Hammond B3.   

Soars begins the album with a jumpin’ cover of J.B. LeNoir’s “Been Down So Long”.  The fresh new arrangement absolutely cooks.  I love the swampy cover of the 1970 hit song “If You Wanna Get to Heaven”, by the Ozark Mountain Daredevils.  Soars definitely makes this one his own.  I thoroughly enjoy his beautiful performance of Django Reinhardt’s intoxicating instrumental “Minor Blues” too. 

A wonderful deep dark groove, preceded by an ominous entrance, guides title-track “Let Go of the Reins” on its hypnotic path to a psychedelic finish.   Soars cut loose on his spirited tribute to Freddie King called “Freddie King Thing”.  It jams indeed.  “Lonely Fire” with its delicate melody and Spanish influence, is a song I simply adore.  

I highly recommend Let Go of the Reins.  It’s among the best albums I’ve heard this year.    


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For more information about the artist, visit this website : jpsoars.com  




Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.








Click on the link below to purchase this terrific album from the PhillyCheeze Amazon Store.  As an Amazon Associate, I earn from qualifying purchases.







Friday, September 6, 2019

#407 : Lucas Haneman Express - Catch the Westbound




2019 – Lucas Haneman Express

By Phillip Smith; September 6, 2019

After reviewing the Lucas Haneman Express’ 2016 album, Tearing Up the Rails, I knew there was something special about this group.  Their follow-up album, Catch the Westbound definitely reassures me, there is indeed an air of magic about them.  Nominated for a 2018 Maple Blues Award, the band expertly delivers a variety of original roots/rock-based songs built on enchanting melodies and finely crafted lyrics.  Haneman takes the helm on guitar and vocals, with Jeff Asselin on drums, Megan Laurence on vocals, and Martin Newman on bass.   

With Lucas on lead vocals, “Lay it to the Line” wonderfully starts the album with a driving western-flavored jam.  The song seductively draws right in, as I sink into its twangy goodness.  “Cold Cold Front” is ominous, catchy as hell, and hard to shake.  Haneman sings this one with a suave finesse.  The swampy blues of “Ms. McGrim” is right up my alley.  I love the slide guitar and Megan’s accompanying vocals.  My favorite tune on the album, “Devil’s in my Grave” is riveting and rides atop a driving rhythm.  They splendidly bring the record to a close with a sweet, heady, Zeppelin-esque ballad, “To Be Brave”.  When Asselin kicks it in on drums, I get a big smile on my face.  This is such a cool song. 

One more time, Lucas Haneman Express has brought their ‘A’ game to the table and delivered a wonderful recording.   I very much enjoyed listening to this one.

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For more information about the artist, visit this website.. www.lhexpress.ca  


The Phillycheeze review for Lucas Haneman Express – Tearing Up the Rails :
https://phillycheezeblues.blogspot.com/2017/03/lucas-haneman-express-tearing-up-rails.html


Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.






Click on the link below to purchase this terrific album from the PhillyCheeze Amazon Store.  As an Amazon Associate, I earn from qualifying purchases.


Sunday, September 1, 2019

#406 : Charlie Wooton Project - Blue Basso



2019 – Wild Heart Records
By Phillip Smith; Sep. 1, 2019

Covering artists such as Deanna Bogart, and Billy Pierce the past few years have made me aware of Charlie Wooton’s work as a bassist.  Serving as his tribute to the great Jaco Pastorious, Blue Basso incorporates jazz, funk, R&B, and blues into a tasty concoction of music with a splash of New Orleans charm.  Here, his work stands gracefully in the spotlight getting the full attention it deserves.  The album is a surely a wonderful, musical treat.  With Wooton on bass, the band consists of Daniel Groover on guitar, Jermal Watson on drums, Keiko Komaki on keys, and features the lovely Arséne DeLay on vocals.  Adding to the ‘cool’ factor, appearances from Sonny Landreth, Anders Osborne, Doug Wimbish (Living Colour), Eric McFadden and Damon Fowler also grace this record. 

Wooton starts off with a groovy instrumental called “Jaceaux”.  Komaki is an absolute monster on keys.  Wimbish, whose work includes session work for Sugarhill Gang, Grandmaster Flash, The Rolling Stones, and Depeche Mode sits in on this track fortifying the song with an extra layer of funk.  “Come On Come Over”, a splendid cover from Jaco’s acclaimed 1976 self-titled album, is delightfully sung by DeLay.  “Dime Note” is fantastic.  I dig the beat Watson throws down on this one as the wonderfully calibrated lead guitar from Groover takes over.  Sonny Landreth breaks out a healthy helping of his signature slide guitar on back-to-back songs, “Tell Me a Story”, and “Front Porch”.  It’s always a pleasure to hear this man play.  The album closes out with a smooth funkified take on the Rolling Stones song, “Miss You”.  This fabulous cut has been a ‘go-to’ song for me this week. 

I appreciate and respect what Wooton is doing with his music.  The jams he builds are juicy and spectacular.  Blue Basso is definitely an album worth checking out.

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For more information about the artist, visit this website :  charliewooton.com  





Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.











Click on the link below to purchase this terrific album from the PhillyCheeze Amazon Store.  As an Amazon Associate, I earn from qualifying purchases.




Sunday, August 25, 2019

#405 : Seth James - Good Life



2019 – Cherry Bomb Records

By Phillip Smith; Aug. 25, 2019


Good Life, the latest from Texas singer/songwriter Seth James captivated me from the beginning.  Sitting in that same wheelhouse of music which encompasses the songs of John Hiatt and Delbert McClinton, this album is a bowlful of soulful Americana.  James, on guitar and lead vocals is joined by Bob Britt on rhythm and slide guitar, Lynn Williams on drums, Kevin McKendree on keys, Steve Macket on bass, Jim Hoke on saxophone, Roy Agee on trombone, and Vinnie Ciesielski on trumpet.  The cover art from Paul Thorn is a blast too.  I can’t help but smile when it catches my eye.  

Title track, “Good Life”, is a wonderfully soulful tune with a spirited and catchy hook to jam out to.  I love the Memphis Stax-style delivery the band packs into “Little Angel”.  James’ impassioned words in this love-letter are moving and heartfelt.  For anyone who’s spent any amount of time away from their home and loved ones, “I’m Coming Home” beautifully expresses the joy-filled anticipation of returning to roost in one’s own abode.  I love “Medicine Man”.  It’s fun and funky rhythm is topped with a wily guitar riff, and slathered barrelhouse-friendly keys.  The stand-out song on this disc, however is “Third Generation”.  In this terrific selection, James takes an intelligent look at how the wealth created through hard work in one generation, is carelessly dismantled and thrown away by the third.

Good Life is a splendid mix of roots, blues, soul, and country, culminating into one fantastic album.  I highly recommend it.     

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For more information about the artist, visit this website.. www.sethjames.com  


Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.





Click on the link below to purchase this terrific album from the PhillyCheeze Amazon Store.  As an Amazon Associate, I earn from qualifying purchases.





Saturday, August 17, 2019

#404 : Rick Vito - Soulshaker



2019 - Vizztone
By Phillip Smith; Aug 17, 2019

Soulshaker, the tenth and latest disc from Rick Vito is terrifically enchanting.  Vito, who was a member of Fleetwood Mac from 1987 – 1991, has also played with a truck-load of my favorite artists, such as John Mayall, Bob Seger, John Prine, Bonnie Raitt, Delbert McClinton, and Todd Rundgren.  With Charles “Mojo” Johnson manning the drums, Vito handles most everything else: guitars, vocals, bass, and keys.     

Vito sets a mysterious retro atmosphere in “I’ve Got a Secret”.  Beautifully played and sung with a crooner’s finesse, it pulls me right in.  Laced with a fistful of boogie and slide guitar, “I Do Believe” is a nice jam indeed.  This spirited tune hosts drummer Rick Reed, bassist Charles Harrison, and organist Mark Horwitz.  Vito breaks out some delicious Texas blues on “World On Fire”.  His guitar performance shines bright on this absolutely fabulous song.  “Ball and Chain” is another favorite.  I love the tribal beat Johnson lays down.  It meshes quite nicely with the ominous sounds Vito concocts with his slide.  Wrapping up the album, is a lovely heartfelt instrumental of Sam Cooke’s “Change is Gonna Come”.  Words are not needed.  Vito’s guitar speaks for itself on this one.

Vito’s style is unique and sits atop a conglomeration of blues, roots, and pop.  Regardless of which style each song gravitates to, it’s a joy to hear him play.  Soulshaker is definitely a winner in my book.           

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For more information about the artist, visit this website : www.rickvito.com  

Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.






Click on the link below to purchase this terrific album from the PhillyCheeze Amazon Store.  As an Amazon Associate, I earn from qualifying purchases.


Tuesday, August 13, 2019

#403 : Sunflower River Blues & Gospel Festival 2019



Clarksdale, Mississippi

August 8-10, 2019



By Phillip Smith; August 12 2019



I’ve visited Clarksdale several times over the past few years, but until this past weekend, my visits were solely to stop in at my favorite store, Cathead Delta Blues & Folk Art, to shop for blues-related music, books, and videos.  I was blessed to be invited along for an excursion to Mississippi by a wonderful group of blues aficionados ( Kyle, Kevin, Galen, Aaron, Jim, and Terri), this past weekend, and had an amazingly fun experience listening to many of the blues artists I have only written about the past few years.   It was great to actually see these artists in person, and in some cases, even meet, shake their hand, and share a few words.

On the trip down from Iowa, we had a stop-over in Memphis, Tennessee where we stayed one block off Beale Street at the renovated Chisca Hotel.  This historic landmark once housed WHBQ, the radio station which was the first to play Elvis Presley’s “That’s Alright Mama” and launched the career of the King.  We grabbed a hearty bite to eat at the Blues Café and steeped in the music of the Eric Hughes Band at the Rum Boogie Café.

Upon arrival to Clarksdale, we stopped over at the Cathead for some shopping, before checking in to the Shack Up Inn, a unique and eclectic place to say the least.  This B&B (Bed and Beer) joint is a makeshift community of restored sharecropper shacks.  The lobby and bar are housed in a building which was once a cotton gin, and is chockful of oddities and vintage signage. I would love to have more time to just look around this place.   Later that evening had a fine dinner of grits, greens, and barbeque before heading over to Ground Zero Blues Club for the open jam hosted by the David Dunavant Band.  Jim, from our group, entertained a full house at the Ground Zero with a couple of songs on his beautiful hand-painted psychedelic-green guitar. That was very cool indeed.  We wrapped Thursday evening up at Red’s Juke Joint, to hear Terry “Harmonica” Bean.  The place also happened to be packed with blues fans from around the world.  Rightly named, the venue is illuminated by strings of red Christmas lights which stretch across the low hanging ceiling. 

Early Friday, we all loaded into a couple of cars to explore the delta region in search of gravesites and landmarks.  Included in the places we located were the markers for Aleck Miller aka Sonny Boy Williamson II and two of the three known Robert Johnson markers.  We navigated to Tutwiler where W.C Handy was inspired to write the song “Yellow Dog Blues”, then headed to Moorhead, MS, where the Southern Railway crossed the Yazoo Delta (“Yellow Dog”).  The Crystal Grill in Greenwood served as the perfect lunching destination.  The hamburger and sweet potato fries were splendid, and I could not deny myself a delectable slice of their lemon ice-box pie.  It was so good; I’m still thinking of it three days later.  Before heading back to Clarksdale for the music festivities, we made a final stop outside the gates of Parchman Farm, the Mississippi State Penitentiary where many blues songs got their inspiration and where a fair share of bluesmen spent time.  It once served as temporary residence for ‘Bukka’ White, R.L. Burnside, and reportedly Sonny Boy Williamson II.  
Kicking things off on the main stage Friday night for the Sunflower River Blues and Gospel Festival were The Delta Blues Museum Band, a group of very talented young music students being schooled in the Blues.  It’s a delight to see the torch being handed down to another generation.  It was also terrific to see Heather Crosse with Heavy Suga and the SweetTones.  Unfortunately, the electricity to the stage was knocked out, and the evening was cut short.  I reviewed her album Groovin’ at the Crosse Roads several years ago, and absolutely loved it.  

On Saturday, the festival features music on nine separate stages downtown, all of which are indoors, with the exception of the main stage.  The main stage sits next to the Delta Blues Museum where we began the day with an enlightening visit.  I definitely got my steps in, as I criss-crossed town, making stops at Ground Zero Blues Club, Levon’s Bar & Grill, Hambone Art & Music, Red’s Lounge, and The Blueberry Café to hear Kenny Brown, Pat Thomas, Deak Harp, Little Willie Farmer, Terry ‘Harmonica’ Bean, Super Chikan, and Anthony ‘Big A’ Sherrod.  The weather was perfect as we settled in at the main stage for Big George Brock followed up by David Dunavent & EVOL Love.   

Closing the evening out at Hopson Plantation Commissary next door to the Shack Up Inn, I was captivated by an ensemble called Black Water Trio, a local Clarksdale group which normally plays as a three piece with two guitars and fiddle, but for this evening, they were a five-piece band complete with drummer and bass. I loved the unique blend of country-fried roots and rock.  They were an absolute blast, as was the whole trip.   
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*All Photos by Phillip Smith

Kevin, Galen, Aaron, Kyle, and me on Beale Street

Eric Hughes Band at Rum Boogie Cafe

Hotel Chisca

Kyle and I arriving at Ground Zero

Ground Zero Blues Club

Blues Alley

Signage 

In front of the Shack Up Inn

Play Pretty at the Shack Up Inn

David Dunavant at Ground Zero Blues Club

Terry 'Harmonica' Bean at Red's Lounge

Red's Lounge

At the Shack Up Inn

Shack Up Inn


Shack Up Inn

W.C. Handy marker at Tutwiler. Mississippi 

Tutwiler, Mississippi 

Sonny Boy Williamson II grave

Site of Emmett Till's Freedom Trail marker near Money, MS

Robert Johnson Blues at Little Zion Baptist Church, Greenwood, MS

Probably the true final resting place for Robert Johnson

Crystal Grill café in Greenwood, MS

Furry Lewis marker in Greenwood, MS
 
Robert Johnson marker purchased by Sony/Columbia Records near Morgan City, MS

Where the Souther;n Cross The Dog Blues Trail Marker in Moorhead, MS

Where the Southern Crosses the Yellow Dog Mississippi Historical marker in Moorhead, MS

Parchman Farms Blues marker

The Main Stage @ The Delta Blues Museum

Lady Trucker

Heather Crosse

The Shack Up Inn

The Shack Up Inn bar and stage

Groovy 'Super Chikan' guitars for sale at Shack Up Inn

My shack at The Shack Up Inn

Paramount Theater in Clarksdale, MS

Pat Thomas at Ground Zero Blues Club

Pat Thomas at Ground Zero Blues Club

Levon's Bar & Grill

Deak Harp at Levon's

Deak Harp

Clarksdale, MS

Little Willie Farmer at Red's

Red's Lounge

Deak's Place

Terry 'Harmonica' Bean at Levon's

Super Chikan at Bluesberry Cafe

Super Chikan at Bluesberry Cafe

Anthony 'Big A' Sherrod at Bluesberry Cafe
 
Big George Brock on the Main Stage

David Dunavent & EVOL Love on the Main Stage

Blackwater Trio at Hopson Plantation Commissary 







Websites of places mentioned:



Chisca Hotel – thechisca.com

Rum Boogie Café – rumboogie.com

Cathead Delta Blues and & Folk Art – cathead.biz

Shack Up Inn – shackupinn.com

Ground Zero Blues Club – groundzerobluesclub.com

Red’s Juke Joint – This is a juke joint son, there ain’t no website!

Delta Blues Museum – deltabluesmuseum.org

Levon’s Bar & Grill – levons.net

Hambone Art & Music – stanstreet.com

Hopson Plantation Commissary – hopsonplantation.com



Websites of artists mentioned:



Eric Hughes – erichughesband.com

Deak Harp – deakharp.com

Black Water Trio - blackwatertrio.com