PhillyCheezeBlues.Blogspot.com #554 > Diunna Greenleaf - I Ain't Playin'

 

2022 – Little Village

By Phillip Smith; May 14, 2022

Original source : phillycheezeblues.blogspot.com

 

I Ain’t Playin’, the latest release from Texas blues artist Diunna Greenleaf is a must-hear.  This three-time Blues Music Award winner, dishes out thirteen wonderful tracks, incorporating blues, soul, funk, and southern gospel.  Her amazing vocals are backed by a stellar lineup of musicians which include producer Kid Andersen on guitar, Jerry Jemmott on bass, Jim Pugh on keys, and Derrick “D’mar’ Martin on drums.

The album busts loose on a strong Stax-influenced start with “Never Trust a Man”.  A funky bassline, groovy beat, and stellar horn section provide the perfect pocket for Greenleaf’s fiery voice.  Steeped in seventies soul, “Running Like the Red Cross” gets down as Pugh deals out a generous dose of swirling keys to accompany the song’s lush melody.  “If it Wasn’t for the Blues” is delightfully funky in an Isaac Hayes kind of way.  With guest Igor Prado on lead guitar, this is the song I can listen to many times over and enjoy it each and every time.  All it takes is five seconds for Jemmott’s infectious bassline riff on “Answer to the Hard Working Woman” to reel me in for an invigorating musical explosion.  I love how Martin’s precision beat, Greenleaf’s vocals, and those fabulous horns get increasingly thicker until the final note.  The blues sounds so good when Diunna sings “Damned if I Do”, and with accompaniment by Andersen, she sounds even sweeter. 

Ain’t Playin’ is such a dynamic album.  Everything about it works and it sounds amazing.  

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For more information about Diunna Greenleaf, visit this website :  https://diunna.com/

 

#520 : Memphissippi Sounds - Welcome to the Land

 

2021 – Little Village Foundation

By Phillip Smith; Oct. 3, 2021

 

Memphissippi Sounds, a duo comprised of Damion Pearson (vocals, harmonica, guitar) and Cam Kimbrough (vocals, drums, guitar), brings to the table, a unique spin on the North Mississippi Hill Country Blues.  In his youth, Pearson quickly latched onto the sounds of his father’s record collection which consisted of the likes of Parliament/Funkadelic and the Ohio Players.  He picked up the blues from listening to Memphis’s WDIA radio where B.B. King and Rufus Thomas both got their start in radio.  Kimbrough, the grandson of blues great Junior Kimbrough grew up surrounded by blues, but also had a taste for bands such as Metallica, System of a Down, Nirvana, and Incubus.  When Pearson and Kimbrough joined forces to play music together, they zeroed in on the hill-country blues which they quickly discovered fit them like a glove.  Welcome to the Land, the duo’s first album was recorded at the legendary Sun Studios in Memphis and produced by Aki Kumar, with Jim Pugh serving as executive producer.       

This fascinating nine-track album of all-originals begins with “Who’s Gonna Ride”, a social commentary which absolutely tears the roof off as it touches on subjects such as George Floyd, BLM, and the pandemic.  Fortified with a rolling swampy funk, Pearson lays down a smoking performance on harp.  A furious beat and infectious rhythm combine forces in “I’m Mad”, and it sounds great.  Pearson’s hypnotic guitar riff rides along a mesmerizing performance from Kimbrough to soulfully invoke the essence of the band War, in the “Crossroads”.  I love how their vocals play off each other in this one.  Sometimes one just can’t wait for an afternoon delight, and “Saturday Morning” is when things go down in the bedroom.  This hill-country groove is perfectly executed.  Immediately following, the relaxed propulsion of “High & Low” gently immerses me inside its muddy, tranquil musicscape, and it feels wonderful.  The album closes with “Look Out for the Wolf”, a song which seems to call back to the early days of Muddy Waters and Howlin’ Wolf.  It’s a spectacular blues song to say the least.  

Memphissippi Sounds’ Welcome to the Land is a record blues fans will damn sure want to hear.   It’s fantastic!        

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For more information about the artist, visit this website : https://www.memphissippisounds.com/

 

#503 : Tia Carroll - You Gotta Have It

 

2021 – Little Village

By Phillip Smith; June 12, 2021

I greatly respect the work of Little Village Foundation, and their dedication to helping talented artists who may have no other means to get their music recorded and distributed.  One of the latest releases for this non-profit organization is for Bay Area (Richmond, CA) singer-songwriter Tia Carroll.  Her voice is a soulful and powerful one, and it sounds fabulous with the backing of Greaseland Studio musicians the great Kid Andersen on guitar, Jim Pugh on piano/organ, and Steve Ehrmann on bass.  Blessed with over thirty years of experience, Carroll has performed professionally with artists such as Jimmy McCracklin and Sugar Pie DeSanto.  Although Carroll has prior recordings with bands in Italy and Brazil, You Gotta Have It is her first album recorded stateside.  Produced by Andersen and Pugh, this grand album consists of eleven spectacular tracks, three of which are Carroll’s own original songs.

I absolutely love her opening track “Ain’t Nobody Worryin’”, featuring Charlie Hunter on guitar/bass.  Backed with a funky beat, and topped with Carroll’s brilliantly executed lyrical cadence, she breathes new life to this gritty streetwise song originally from Anthony Hamilton’s 2005 album by the same name.  Her vocals shine brightly and exhibit amazing range on “Even When I’m Not Alone”.  This song oozes with slow soul, and is beautifully graced with Pugh’s organ accompaniment.  There’s something about a nice big blast of horns on a song that sweetly punches a song up and “Don’t Put Your Hands on Me” sets a wonderful example.  Written by Rick Estrin for the late, great Koko Taylor, this track is a grand one to say the least.  Another of Carroll’s originals “Leaving Again” effortlessly woos me over with its mid-Seventies Isaac Hayes vibe.  You Gotta Have It comes to a poignant close with a warm and groovy cover of The Staple Singers’ 1967 release “Why Am I Treated So Bad”.  Carroll sings this perfectly in every way with backing vocals from The Sons of the Soul Revivers (James ,Walter, & Dwayne Morgan).  The whole band comes together so very nicely for this one too.

I certainly hope we get to hear more of Tia Carroll.  You Gotta Have It is a powerful album lush with musical talent.  It’s an absolutely striking recording.   

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#471 : Sonny Green - Found! One Soul Singer

2020 – Little Village Foundation

By Phillip Smith; Nov. 14, 2020

Sonny Green, a 77-year old soul singer based in the Los Angeles area, has been performing for over forty years.  He recorded eight 45’s in the Sixties and Seventies, however his latest recording Found! One Soul Singer is his first full length album, and it’s fantastic.  Recorded and produced by Kid Andersen, at his famed Greaseland Studios, the record features Andersen on guitar, Jim Pugh on B3, Chris Burns on piano, Endre Tarczy on bass, Ronnie Smith and D’mar on drums, Mariachi Mestizo on violin, and a stellar horn section comprised of Sax Gordon, Terry Hanck, Aaron Lington, Jeff Lewis, and Mike Rinta,  

As soon as the horns kick in, and Sonny’s smokey vocals roll out on “I’m So Tired”, I am all-in.  It’s certainly a rare treat to find music that stands out like this these days.  “If Walls Could Talk” is full of life and enriched with a funky rhythm and big band sound.  Andersen sweetens the song with his stylish guitar licks.  Sonny’s performance of Willie Nelson’s “Are You Sure” is dripping with pure emotion.  Settled in the blues and seasoned with funk, “Cupid Must Be Stupid” is fun and delightful.  Tarczy’s baseline is absolutely groovy, and I love Rinta’s trombone accompaniment.  I also dig the Seventies funky disco-vibe on “Back For a Taste of Your Love”.  Sonny’s vocal prowess shines as he peppers the song with high-pitched growls.  For bonus points, Alabama Mike makes a guest vocal appearance on “Trouble” to join Sonny in a slow, soul-blues duet.  Written by Alabama Mike, this is the first time the song had been recorded.  The blues absolutely pours out of Andersen’s guitar, and it sounds great.   

Found! One Soul Singer is a fabulous recording.  I’m so glad Little Village Foundation helped bring this album to fruition. 

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Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.

 

#365 : Kevin Burt - Heartland & Soul

2018 – Little Village Foundation

By Phillip Smith; Dec. 8, 2018

I still remember the first time I heard Kevin Burt perform. It was shortly after I moved to Iowa in 1992.  It was a remarkable performance with Kevin fronting his band The Instigators.  His voice was unique and unforgettable.  Kevin has been a key presence in the music community here for a long time.  It makes me happy to see him become a part of a much larger scene since bringing home first place awards in three different categories during the 2018 International Blues Challenge in Memphis, Tennessee : Best Solo/Duo Performer, Best Guitarist, Best Harmonica Player.  Recorded at the famed Greaseland Studios in San Jose, California, and produced by Kid Andersen and Jim Pugh, this debut album Heartland & Soul is more than fabulous.  With Kevin on vocals, acoustic guitar, and harmonica, Jerry Jemmott (Gregg Allman) appears on bass, Derrick ‘D’Mar’ Martin ( Little Richard) on drums, Jon Otis (Johnny Otis’ son) on percussion, Kid Andersen (Rick Estrin & the Nightcats) on guitar and melodica, Jim Pugh (Robert Cray) on keys, and Lisa Leuschner Andersen on backing vocals.

It doesn’t take long to be overcome by the soulful groove of “Day Day”, the first selection on this twelve track masterpiece.  It certainly brings me to my happy space.  An inspirational message of gratitude is beautifully spun with heartfelt emotion in “Thank You”.  It’s a wonderful song indeed.  With a nice and swampy taste of slide guitar topped with harmonica, Kevin breaks into “Smack Dab in the Middle”.  This bodacious track is steeped in delta-style blues and infused with a funky bassline and brilliant, jamming keys.  Ensuring the only cover song on the album “Eleanor Rigby” is an absolute head-turner, Kevin adds a personal touch to give the song a greater sense of poignancy.  It’s such an amazing listen. 

Heartland & Soul certainly ranks right up there with the best blues albums released this year.  It definitely merits my highest level of recommendation.

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For more information about Kevin Burt, visit his website: www.bfburt.com .

#340 : Whitney Shay - A Woman Rules the World

2018 – Little Village Foundation

Release Date: August 1, 2018

By Phillip Smith; July 7, 2018

Recorded at the acclaimed Greaseland Studios in San Jose, California and produced by Christopher “Kid” Andersen, A Woman Rules the World, Whitney Shay’s latest album is her first in six years.  This landmark recording surrounds the riveting vocalist with an outstanding group of musicians whose appearance includes Kid Andersen (guitar, bass, sitar, and Wurlitzer) , Jim Pugh (organ, piano) “Sax” Gordon Beadle (saxophones), Kedor Roy (upright and electric bass), and Alex Pettersen (drums).    

The album begins with the sweet sound of horns, and a huge splash of Detroit soul in “Ain’t No Weak Woman”.  Shay’s smooth and sultry vocals sound great on this funky original. This rolls quite nicely into a jaw-dropping performance of Dinah Washington’s “Blues Down Home”.  It’s absolutely fabulous.  “Love’s Creeping Up on You”, another original from Shay is rooted in the Memphis sound.   Andersen seems to channel B.B. King on guitar, while the rest of the crew takes a cruise down McLemore Avenue, for more of a Stax Records vibe.  Pettersen gives a brilliant execution on drums to boot.

Shay soulfully sings title track “A Woman Rules the World” an exquisite selection by the legendary blues master Denise LaSalle, who sadly passed away earlier this year.  Then there’s the rousing rendition of Little Denise’s “Check Me Out”.  Slathered in old school funk, this smash hit written by the great Jimmy McCracklin oozes with groovy goodness.

Paying homage to one of the greatest Rock and Roll legends ever, Shay and company let loose an amazing cover of Little Richard’s “Freedom Blues” off his 1970 album Rill Thing.  They then rip it up on “Get Down With It” from his 1966 album The Wild and Frantic Little Richard to bring this wonderful album to its conclusion.

A Woman Rules the World is full of everything a music lover wants in an album: great songs, a spectacular voice, and an amazingly tight band.  I love every bit of it.   

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For more information about Whitney Shay, visit her website :  https://www.whitneyshay.com/home