#685 : Kevin Burt & Big Medicine - Thank You Brother Bill : A Tribute To Bill Withers (PhillyCheezeBlues.Blogspot.com)

 

2023 – Gulf Coast Records

By Phillip Smith; May 18, 2024

Original source : phillycheezeblues.blogspot.com

 

I’ve been listening to Kevin Burt perform his magic behind the microphone for almost thirty-two years now. He is one of the most gifted singers I know. His well of talent runs quite deep and that talent brought him awards in three categories at the 2018 International Blues Challenge in Memphis, Tennessee. He walked away that year with First Place Solo/Duo , First Place Solo/Duo Guitarist, and the Lee Oskar Award for Best Harmonica Player.

His fourth album Thank You Brother Bill (A Tribute to Bill Withers) breathes new life into a dozen Bill Withers songs. It couples Burt with a stellar backing ensemble called Big Medicine comprised of Scot Southerland on bass, Ken Valdez on lead/rhythm guitar/backing vocals, and Eric Douglas on drums.  

From the opening notes of “Who is He (and What is He To You)?” I’m all-in. I love how Burts voice suavely fills the air radiating off the funky groove constructed from Big Medicine. The funk gets stronger on “Kissing My Love”. Topped with a smokin’ splash of harp, this track absolutely cooks as Valdez tosses in his searing guitar licks. The tempo drops and the bluesy soulful goodness of “World Keeps Going Round and Round” hits with an amazing heaviness as the tension tightens like a tourniquet. Then “Just the Two of Us” rolls like a ray of sunshine with Burt opening up the song on harmonica. I can’t help but feel good when I hear this song. It’s such a delight. I absolutely love his cover of “Ain’t No Sunshine”. The emotion Burt packs into his delivery on this track cuts to the bone. It’s additionally fortified by Douglas slapping out a ferocious beat on congas. “Lean on Me” brings back a flood of memories of hanging out with one of my best friends growing up. The song is a gift of time-travel, as I recall those care-free days.  Bringing the album to its close, is the title-track “Thank You Brother Bill”, written by Burt to show his gratitude and “Big Love” for music of Bill Withers. It really makes for the perfect closer for this album.

Thank You Brother Bill is one of the most perfect tribute albums I’ve heard by a single artist. Kevin Burt does an outstanding job of taking on these treasured songs and I highly recommend this recording.

 

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For more information about Kevin Burt, visit his website at https://www.kevinburtmusic.net

 

Follow the link below for more PhillyCheeze reviews featuring Kevin Burt:

https://phillycheezeblues.blogspot.com/search?q=kevin+burt

 

 

#684 : Big Head Todd & the Monsters - Her Way Out (PhillyCheezeBlues.Blogspot.com)

 

2024 – Big Records

Release Date : May 31, 2024

By Phillip Smith; May 18, 2024

Original source : phillycheezeblues.blogspot.com

Her Way Out, the first album from Big Head Todd in seven years, is very much worth the wait. This ten-track record is loaded with extraordinary rockers slathered in rootsy, bluesy grooves. Todd Mohr returns to the studio for this recording with Rob Squires on bass, Brian Nevin on drums, and Jeremy Lawton on keys,lap/pedal steel, and backing vocals.

Big Head Todd leads off with the three singles previously released from this album, fortifying the listening experience for a very strong start. First out the gate is title-track “Her Way Out”. Riding a driving rhythm laced with pedal steel and piano, it sure has a way of reminding me of Tom Petty, and I like it a lot. “Thunderbird” follows up next in a big southern rocking way, but with a riff reminiscent of classic AC/DC. According to Mohr, the film American Graffiti was the inspiration for this song which waxes nostalgic for the glory days of fast cars, Wolfman Jack and James Dean. The third single in this opening trifecta is “Crush” which walks the listener through a shattering break-through with a laid-back groove and Mohr’s guitar-driven finesse. I love the way the pulsing intro to “Don’t Kill Me Tonight” seems to push the listener into a runaway train in which the conductor sings the story of Annie Oakley, Frank Butler, and Buffalo Bill. Decorated with spaghetti-western twang and punk-friendly riffs, the song really snatched my attention. “Rainbow Girl” brings the record to its close with a rocking, pixie-dust coated, working-class, love-ballad riding a poppy beat, cosmic sounds, and topped with a little feedback. It’s a fun track indeed.

Big Head Todd restores album-oriented rock with this record. It effortlessly flows from beginning to end. Her Way Out certainly lands among my favorites of the year so far.      

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For more information about Big Head Todd and this album, visit the website : www.bigheadtodd.com

#682 : Alastair Greene - Standing Out Loud (PhillyCheezeBlues.Blogspot.com)

2024 – Ruf Records

Release Date : May 17, 2024

 

By Phillip Smith; May 11, 2024

 Original source : phillycheezeblues.blogspot.com

 

Alastair Greene is one of those artists I am always excited to hear new music from. He really does elevate blues-rock to a whole new level. In the past, Greene has worked with other favorites of mine such as Alan Parsons, and Sugaray Rayford. For his latest and eleventh solo record Standing Out Loud, Greene has enlisted the extraordinary J.D. Simo to co-produce and engineer this off-the-chain listening experience.

The churning, driving rhythm of “Slow Burn” pulls me in tight for a tasty dish of ZZ-Top-inspired Texas blues slathered in a spicy slide sauce. “In Trouble”  is an incredible-sounding blues-rocker. If KISS played blues, this track definitely represents what it would sound like. It’s indeed a favorite. I love hearing that swampy slide guitar as it echoes out from “The Last to Cry”. Greene slows it way down for “Rusty Dagger” for an amazing listen where notes seem to hang in mid-air. His guitar-mastery absolutely shines on this one. A stellar cover of Rory Gallagher’s “Bullfrog Blues” brings this record to its finish. It truly is a smashing performance.

It's refreshing to hear such an unbridled approach to blues as Greene and Simo exhibit in this recording. It’s raw, it’s to the point, and it rocks.

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For more information about Alastair Greene, visit his website at www.alastairgreene.com 

Follow the link below for more PhillyCheeze reviews featuring Alastair Greene:
PhillyCheeze's Rock & Blues Reviews: Search results for alastair greene (phillycheezeblues.blogspot.com)                 

                       

#681 : Misty Blues - Silver Lining (PhillyCheezeBlues.Blogspot.com)

 

2024 – Guitar One Records

By Phillip Smith; May 5, 2024

Original source : phillycheezeblues.blogspot.com

Silver Lining the fifth and most recent album from Misty Blues is filled with eleven amazing all-original blues performances. Celebrating their twenty-fifth year together, this Massachusetts-based blues band is led by vocalist and cigar box guitarist Gina Coleman, with Seth Fleischmann on guitar, Bill Patriquin on bass, Rob Tatten on drums, Aaron Dean on sax, and Diego Mongue on bass/guitar/drums/pedal steel.

Coleman’s angelic voice ushers in the listening experience on “Seduction by Blues” with guest harp player Ed Moran, lulling me in for a big surprise. The whole band breaks into a furious, feral delivery with crashing drums, swirling keys, and squealing horns. It’s downright amazing. Title-track “Silver Lining” slides in next with a cool, smokey fifties jazz vibe. Fleishmann tears off a searing guitar performance. The rhythm is cooking and Dean’s sax is so hot, it’s pert near volcanic. “Shake These Blues” is a vibrant southern soul rocker which brings to mind those songs I love from the Black Crowes. They way the band weaves a Latin influence into a blues-meets-jazz piece “Sofrito My Blues” is very intriguing. There’s a lot going on with this song and I find a new ear-catching morsal with every listen. With an infectious opening riff “Enough Lovin’ For Two” comes to life. It’s a big funky song with sultry vocals, hot guitar licks, and a steamy sax delivery.

Misty Blues takes big-band blues to whole new level with Silver Lining. It’s a terrific album.

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For more information about Misty Blues, visit the website at www.mistybluesband.com

 

Available on Bandcamp

 

#679 : Lightnin' Charlie - Life (PhillyCheezeBlues.Blogspot.com)

 

2024 – Blue Chip Records

By Phillip Smith; April 30, 2024

Original source : phillycheezeblues.blogspot.com

 

There’s a vintage Fifties sound that ties everything together in Lightnin’ Charlie’s latest album Life. Featuring eleven tracks, five of which are originals, Life was recorded at Woz Studios in Hamilton, Ontario and The Hit Pit in Johnson City, Tennessee. With Lightnin’ Charlie on guitar, piano, organ, clavinova, and vocals, the album features seventeen other musicians stepping in for various accompaniment.

Beginning with a really nice cover of Danny O’Keefe’s “Good Time Charlie’s Got the Blues”, Charlie sings this smooth and warm with a lonesome cowboy approach. It’s a great song to break the album open with. With “American Eulogy”, Charlie takes a hard look at the state of the country today. I like the slight Johnny Horton vibe to this ballad topped with pedal steel. The guitar runs on “I Ain’t Playin’” really shine. I love the cover of “Everyone’s Talkin”. Originally written by Fred Neil the song was later recorded by Harry Neilson for the 1969 film Midnight Cowboy. Like a suave troubadour, Lightnin’ Charlie performs “Yours (Quiereme Mucho)”. His mastery of guitar and flawless voice take front seat on this one.

Lightnin’ Charlie’s Life is an interesting mix of songs with a really clean sound. It’s more than obvious, there’s a bounty of love and talent poured into this recording.   

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For more information about Lightnin’ Charlie, visit the website at https://lightnincharlie.com/  

 

Available on Bandcamp

 

#677 : Deb Ryder - Live and Havin' Fun (PhillyCheezeBlues.Blogspot.com)

Deb Ryder

Live and Havin’ Fun

2024 – Vizztone Label Group

By Phillip Smith; April 27, 2024

Original source : phillycheezeblues.blogspot.com

 

Live and Havin’ Fun, Deb Ryder’s first live album and sixth overall, embraces the Blues and captivates me with her unbridled vocal performances. Written and produced by Deb Ryder and her husband and bass guitarist Ric W. Ryder, this fourteen-track album was recorded at The Mint in Los Angeles. It features all original material with two brand new songs which have not been previously recorded. Backing Ryder is Johnny Lee Schell, Tony Braunagel, Jim Pugh, Ric W. Ryder, Tex Nakamura, Alan Maggini, Lon Price and Paul Litteral. Special guests include Albert Lee, Joe Sublett, Joey Delgado, Artur Menezes and Big Liou Johnson.

Once the horns hit that driving R&B rhythm full-blast on “Fun Never Hurt No One”, I am totally onboard for the listen. The track certainly harkens back to that Sixties soul sound. Following up with “Enjoy the Ride”, Ryder keeps the timeline moving on to the later Sixties, when psychedelia and music melded together. It’s fabulous the way the harp dances with the keys and guitar licks on that pulsing beat and bassline. Her vocals are smooth as silk on the sultry and timeless “You Might Just Get Lucky”. I dig the funky “Get Ready” with its revolutionary message of love. I very much enjoy when Ryder slows it down for “Guilty as Sin”. The song is topped with a smokin’ platter of harp and is definitely baptized in the blues. The sound of horns adds a nice degree of brightness to “Coming Home”. They surely add to the sense of happiness and positive energy which freely flows off it. Blues and drinking songs have gone hand in hand for many years. Ryder has is all summed up in “Any Bottle on the Shelf”. As a bonus, Albert Lee steps in on guitar along with Johnny Lee,

Listening to Deb Ryder’s Live and Havin’ Fun is like having a mini blues party wherever you are.  It’s recorded live and it sure is fun.

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 For more information about Deb Ryder, visit her website at https://www.debryder.com/ 

#676 : Canned Heat - Finyl Vinyl (PhillyCheezeBlues.Blogspot.com)

 

Canned Heat

Finyl Vinyl

2024 – Ruf Records

By Phillip Smith; April 27, 2024

 

Original source : phillycheezeblues.blogspot.com

For a band whose music spans nearly Sixty years, Canned Heat has sure had a good run. Their latest album Final Vinyl just leaves their fans wanting more. It really is a terrific album. Dale Spalding leads the group on vocals and harmonica, with original member Adolfo ‘Fito’ de la Parra on Drums, Jimmy Vivino (Tonight Show Band) on guitars,keys,vocals, and Richard Reed on bass.

Kicking off this eleven-track album is the very-fitting “One Last Boogie”. Knowing this is their last album, this song is a bitter-sweet beginning of the end. I love all the automobile references in “Going to Heaven (in a Pontiac)”. Spalding rips it up on harp and vocals in this classic-style original. The great Joe Bonamassa steps in as guest guitarist on “So Sad (The World’s in a Tangle)” for a cooking blues track. The rhythm section keeps this one diligently churning. The most unique song is an instrumental called “East/West Boogie”. I adore this adaptation of the theme for the Apple TV show Tehran. The track absolutely shines. Things heat up for “A Hot Ole Time” with Vivino ripping it up on guitar and Spalding wailing on harp. I absolutely love the slide guitar presence to the harp-heavy deep-blues track “When You’re 69”. This is what the blues is all about,

Like a fine wine, Canned Heat’s Finyl Vinyl gets better and better with every listen. It’s surely a record blues fans will want to add to their collection.

 

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#675 : Cryin' Out Loud - Play Loud & Smoke Often (PhillyCheezeBlues.Blogspot.com)

 

2024 – Cryin’ Out Loud

By Phillip Smith; April 21, 2024

 

Original source : phillycheezeblues.blogspot.com

 

Play Loud & Smoke Often, the brand-new release from the Maine bluesters Cryin’ Out Loud is a smokin’ ten-track album of blues. It certainly grabbed my attention quickly and by surprise. The band, fronted by Brandon Stallard on lead vocals and guitar, is also comprised of Ben Chute on guitar and slide, Jim Fratini on bass, Erik Lawrence on saxophone, Mark “Bluesboy” Kanter on harmonica, Brooks Milgate on keys, Jeff Glidden on drums, and Amy Telllier on backing vocals.  With Grammy award winning guitarist/songwriter/producer Paul Nelson* at the helm as producer and additional guitarist, the record has a great sound.  

Cryin Out Loud ignites the fuse and lifts off with a burst of high-energy blues on “I Smoke Cigars and I Play the Blues”. Once I hear this song, I know I’m in good hands for a enjoyable listen. The electricity in the air remains strong as the life of a bluesman continues on in song with “I’m Gonna Drink My Way to Memphis”. Stallard’s whiskey-soaked vocals are perfectly suited for this ripping track where the band absolutely nails the performance. I love the Allman-esque jam on “Instead”. Nelson’s guitar performance is simply amazing.  “Tell Her” is sweetly steeped in a soul rock and masterfully takes an approach to the song which seemingly blends the sounds of Bob Seger with the Allman Brothers. As Stallard’s vocals kick in on “Moonshine Lover”, immediately following Lawrence’s big brassy blasts on sax, I’m taken back to the sounds of Bruce Springsteen with the E Street Band featuring Clarence Clemons. The big-band sound on this track surely makes for damn good time.

Crying Out Loud’s Play Loud & Smoke Often is loaded with stellar musicianship and brightly shines with glowing charisma. The album just gets better and better with every listen.

 

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* Paul Nelson passed away March 10, 2024 from a heart attack

 

For more information about Cryin’ Out Loud, visit their website at https://www.cryinoutloudmusic.com/

#673 : Bernie Worrell - Wave From the WOOniverse (PhillyCheezeBlues.Blogspot.com)

 

2024 – Org Music

By Phillip Smith; April 12, 2024

Original source : phillycheezeblues.blogspot.com

 

Funkadelic’s Uncle Jam Wants You was released while I was in my senior year of high school. I absolutely loved that album. It led me to record stores in search of more music by this wonderous band. Bernie Worrell (April 19, 1944 – June 14, 2016) was an integral part of the P-Funk family, and over the years his name appeared on many albums I purchased. Wave From the WOOniverse, a posthumous release produced by former Bernie Worrel Orchestra bandleader Evan Taylor is a double album set to be released on Record Store Day April 20. From unfinished works extending over twenty years old, the thirteen tracks on this album are brought to life by artists Worrell had worked with or had been friends with. 

After being lulled into the record with the piano-laced spacy “Intro (Reflections on a Bird)”, Jerry Harrison (Talking Heads) guides the listener into the beyond with a motherlode of funk on “Distant Star”. To hear the Bootsy Collins’ voice break out in “What Have They Done to My Funk” absolutely puts a smile on my face. And for the win, the song also includes Michael Moon Reuben, Bootsy’s son Ouiwey Collins , and Buckethead who absolutely tears it up on guitar. Leo Nocentelli, Fred Wesley and Stanton Moore create a wonder funky jam with “Heapin’ Bowl of Gumbo”. It’s absolutely fantastic. With an intro that sounds like a long-missing instrumental of 2001 A Space Odyssey, “Re-Enter Black Light” eventually takes a high-tech turn into a pulsating space-age rave. Sean Ono Lennon appears on bass guitar for this hypnotic groove. I was overjoyed to hear Fred Schneider on “The Big WOO”. If the B-52’s ever joined with Funkadelic, this is what it would sound like. I’d love to hear an entire album featuring this musical two-fer which also included Marco Benevento on keys and Steve Scales on percussion. My heart skipped a few beats when I first heard “Contusion” performed by Funkadelic with none other than Eddie Hazel on guitar. This previously recorded and unissued Funkadelic song is a mind-bender. Wave From the WOOniverse comes to an funky heart-warming end with its title track. For the closer, Miho Hatori lends her rapping mastery with Sarah La Puerta on lead vocals and Steve Scales on percussion.

Wave From the WOOniverse is everything I hoped it would be and a whole lot more. I’ll treasure this album for a long, long time.  

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#672 : Linwood Taylor - Two Sides (PhillyCheezeBlues.Blogspot.com)

 

2024 – Zavuya Music LLC

 By Phillip Smith; April 7, 2024

 Original source : phillycheezeblues.blogspot.com

  

There’s a huge retro-blues appeal to the new album from Washington DC area bluesman Linwood Taylor. Taylor, whose musical influences include Muddy Waters, Albert Collins, and Luther Allison recorded Two Sides live in a couple of sessions in 2021 at two different venues. One location featured five songs from the electric set, and the other featured five songs from the acoustic set. With Taylor mastering guitars and vocals, his band is comprised of Steve Wolf on bass, Joe Wells on drums, and Sol Roots on guitars and backing vocals.

The electric side begins with some party-infused Chicago blues as they roll out a smokin’ cover of Bonnie Lee’s “I’m Good”. With a rocking soulful riff, “Safe to Say” quickly draws me in. The energy reminds me of the Black Crowes in a way. The riveting swamp blues of Slim Harpo’s “Shake Your Hip” is a treat to hear. It is fearless and raw, just like the blues should be.  

The slide on dobro puts a smile on my face as the acoustic side starts with a timeless delta blues style original “Love My Baby”. This side heats up even more as Taylor takes on the classic “Rollin’ and Tumblin’” and makes it his own. For acoustic blues, a Robert Johnson track is a must, and Taylor does an excellent job of performing “Dust My Broom”.

Fans of real-deal blues will definitely want to check Two Sides from Linwood Taylor out. It’s as solid as it gets.   

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Visit Linwood Taylor's Bandcamp page to purchase the recording.

 

#671 : John Primer and Bob Corritore - Crawlin' Kingsnake (PhillyCheezeBlues.Blogspot.com)

 

2024 – Vizztone Label Group
By Phillip Smith; April 5, 2024

Release Date : .Mar. 29, 2024

Original source : phillycheezeblues.blogspot.com

There are not many artists around who instill Chicago blues authenticity into their music as Blues Hall-of-Famer John Primer and Bob Corritore do. Paired together for the fourth time since 2013, this dynamic duo returned to the studios and cut yet another fabulous album. Crawlin’ Kingsnake is the name, and it contains a dozen ripping tracks. With Corritore on harp and Primer on guitar and vocals, they are joined by bassist Bob Stroger, Jimi “Primetime” Smith on second guitar, Anthony Geraci on piano and Wes Starr on drums.

After the smoke clears from the opening James Cotton song “Take a Message”, their title-track cover of John Lee Hooker’s “Crawlin’ Kingsnake” digs its claws in deep. Primer’s experienced vocals and precision guitar are fantastically supported by Geraci and the rhythm section. Then they roll right into Willie Dixon’s “Down in the Bottom” with Corritore keeping the song barreling down the tracks on harp. It sounds fantastic. They bring the fire to “Hiding Place”, a Primer original from his 1991 album Poor Man’s Blues. The song absolutely cooks. When they hit B.B. King’s “Chains and Things”, they play it sweet and slow. This one really brings me into my blues zone. When the big entrance of guitar and keys on Muddy Waters’ “Rosalee Blues” kick in, and I hear Primer start belting out the lyrics, I’m gob smacked for a simmering delightful listen. I absolutely love their performance of Magic Slim’s “Gravel Road”. It’s a signed, sealed, and delivered favorite.

It's hard to beat the lineup of artists on Crawlin’ Kingsnake. This album is about as real-deal blues as an album can get. I highly recommend it,

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For more information about these artists, visit their websites at : https://johnprimerblues.com/ and https://bobcorritore.com/

 

For other PhillyCheeze review regarding John Primer and Bob Corritore, follow these links:

https://phillycheezeblues.blogspot.com/search?q=John+Primer

https://phillycheezeblues.blogspot.com/search?q=Bob+Corritore

#670 : Bex Marshall - Fortuna (PhillyCheezeBlues.Blogspot.com)

 

2024 – Dixiefrog Records

By Phillip Smith; Mar. 30, 2024

Release Date : Mar. 1, 2024

 

Original source : phillycheezeblues.blogspot.com

Twelve years have passed since UK British Blues Award winner Bex Marshall released her previous record The House of Mercy. Her latest album Fortuna features nine all-original songs and one cover. Marshall’s guitar mastery combined with her wonderful raspy vocals and brilliant song-writing make for a captivating listen. The record is an absolute delight. With Marshall on lead vocals and lead guitar, her band on this album is comprised of drummer Richie Stevens (Tina Turner, Simply Red, George Clinton), keyboardist Toby Baker (B.B. King, Eric Clapton, Alexander O’Neal, Sinead O Connor), B.J Cole on dobro (Elton John, Coldplay, Sting, Shania Twain, Robbie Williams), Robert Eugene Daniels and Aurora Mannola on bass, with Queen Shola Adegoroye and Danny Bryan (Taj Mahal) on percussion.    

Riding atop a spirited funky groove, Marshall pulls me tightly in to the record with her cool-as-hell Tina Turner/Pink Floyd-ish cocktail “Preaching to the Choir”. A driving rhythm slathered with a delectable serving of swampy slide guitar and fearless vocals create a moment of pure listening perfection in “I Can’t Look You in the Eye”. Dining alone often draws a lot of wrong assumptions and unnecessary pity as Bex explains in her infectious tribute to the subject in “Table For One”. I love the jam-band appeal of the instrumental title-track “Fortuna”. Stevens keeps the song cooking on high-heat, as Marshall tears it up on guitar. In many ways, this track brings to mind a favorite band of mine Phish. Blues gushes out of every pore as she belts out “Lay Down and Die”. I love the closing track “When It’s Gone”. It brings the album to a freewheeling finish invoking the sounds of The Grateful Dead and Fleetwood Mac, creating a floaty atmosphere in a beautiful, lofty space.

Bex Marshall’s Fortuna is a top favorite of blues releases I have heard so far this year.  I highly recommend this record.

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For more information about the artist, visit this website : https://www.bexmarshall.com/

#669 : Altered Five Blues Band - Testifyin' (PhillyCheezeBlues.Blogspot.com)

 

2024 – Blind Pig Records

By Phillip Smith; Mar. 23, 2024

Release Date : Mar. 22, 2024

Original source : phillycheezeblues.blogspot.com

I was very excited to hear there was a new release on the way from Milwaukee’s hardest working bluesmen Altered Five Blues Band. This seventh and latest release Testifyin' absolutely cooks. With five all-original tracks of smokin’ blues, this EP is hitting the scene with quite an impact. With Jeff Taylor on lead vocals, Jeff Schroedl on guitar, Mark Solveson on bass, Steve Huebler on keys, and Alan Arber on drums, A5BB plays the blues with feeling and conviction. The EP was produced, mixed and mastered by Grammy award-winner Tom Hambridge. To sweeten the pot, the super-talented, multi-award-winning Jason Ricci also appears with harp in hand on three of the five tracks.

 Testifyin’ kicks off with “Don’t Tell Me I Can’t” delivered with a funky rhythm topped with a smokin’ guitar performance from Schroedl and a sweet horn accompaniment from Max Abrams on saxophone and Julio Diaz on trumpet. They roll into “Whiskey Got Me Married” a smoldering blues track that sounds great sung by Taylor’s husky voice. Ricci totally wails on the harmonica and sounds amazing. “Brand New Bone” is an outstanding track which seems to begin in the Delta and wrap up in Chicago. With Ricci in the mix, this track is a genuine winner. They slow it down to a gentle sway to sing about hard times in “I’ve Got Scars to Prove It”. Schroedl plays every note with an emotional approach. Testifyin’ wraps up in a lively positive light with “You Can’t Win (If it Ain’t Within)”. It is upbeat, uplifting, and a sheer delight to hear.

 Every song is a keeper on Altered Five Blues Band’s Testifyin’. It’s a record that I keep on heavy-rotation for a long while. 

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For more information about the artist, visit this website : https://www.alteredfive.com/

 

For other PhillyCheeze reviews regarding Altered Five Blues Band, follow this link:

https://phillycheezeblues.blogspot.com/2021/10/521-altered-five-blues-band-holler-if.html

#664 : Brothers Brown - Nowhere Left to Go (PhillyCheezeBlues.Blogspot.com)

 

2024 – Woodward Avenue Records

Release Date Jan 12, 2024

By Phillip Smith; Mar. 2, 2024

Original source : phillycheezeblues.blogspot.com

It’s been eight years since Brothers Brown released their debut album Dusty Road. Their follow-up record Nowhere Left to Go recently landed and is very much worth the wait. Founded by Grammy-nominated keyboardist/synth-master Brother Paul Brown of the Waterboys, and two-time Grammy-winning singer-songwriter/guitarist Paul Brown (George Benson, Al Jarreau, Norman Brown) the band also includes bassist/rhythm guitarist/vocalist David Santos (Billy Joel, John Fogerty, Elton John) and drummer/percussionist/guitarist Peter Young (Loretta Lynn, The Burrito Brothers). Together, they approach music much like Grateful Dead and Little Feat pushing genre-specific boundaries of rock, blues funk, and country.

I’m captivated from the beginning as the record rolls in on a super-melancholy wave of regret and loneliness with “Wrong Side of Town”. The way the guitar notes seem to float in mid-air with a Mark Knopfler-ish way sounds amazing as they naturally join forces with the keys. “Junior’s Back” puts me in a happy space with every listen. Once the bridge hits, I am thrown into the Phish-zone, and relish every bit of its expansive and wonderful jam. The Brothers Brown zero in on the Sixties Chicago blues sound with “My Baby”. It hits the bullseye dead center. “Chitlin’ Pickin’” is a grateful instrumental which fills the sky with sunshine and smiles. A driving rhythm slathered with grease and a cookin’ pulse pulls me into the delectable blues-rock anthem “Black and Blue”.      

The great Bobby Rush joins the Brothers Brown on title-track “Nowhere Left to Go” making for a soulful, funky treat.  Rush’s history of working with Brother Paul Brown stretches back for over twenty years, culminating in four albums, three Blues Music Awards, a Grammy nomination, and multiple concert tours.

Nowhere Left to Go receives a high recommendation from me. It’s a terrific album that just gets better with every listen.                                     

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For more information about the artist, visit this website : https://wbaentertainment.com/brothers-brown/

 

Read the PhillyCheeze review for Brothers Brown’s Dusty Road album 

https://phillycheezeblues.blogspot.com/2016/03/brothers-brown-dusty-road.html

#657 : Danielle Nicole - The Love You Bleed (PhillyCheezeBlues.Blogspot.com)

 

2024 – Forty Below Records

By Phillip Smith; Jan. 27, 2024

Release Date : Jan. 26, 2024

Original source : phillycheezeblues.blogspot.com

 

Nearly six years have passed since Danielle Nicole released her Grammy Nominated Cry No More album.  Produced by Tony Braunagel, The Love You Bleed is Danielle’s third studio album as a solo artist.  It most certainly makes for a brilliant return and is an absolutely amazing listen from start to finish.  The songs she writes are heart-felt and filled with true grit.  They are then sung with a fearless grace.  With Danielle on vocals and bass guitar, she is joined by her husband Brandon Miller on guitars and mandolin, and Go-Go Ray on drums.  Braunagel appears on percussion, with Stevie Blacke on strings.

My heart melts from the opening words sung on “Right By Your Side”.  Danielle’s angelic vocals take top billing on this dreamy Sixties Soul-inspired song.  Arriving on an ominous hill-country blues riff, “Head Down Low” begins as a slow-cooker which Miller and Go-Go bring to a rapid, intense boil.  Danielle generously pours an added fierceness on top vocally.  Her performance of Trisha Yearwood’s “A Lover is Forever” is so stunning and her voice is so beautiful, I cannot help but think of Amy Winehouse.  “Say You’ll Stay” intrigues me as it navigates from a retro Fifties pocket of soul into an ethereal Beatles-esque realm.  It’s a very emotional song sung with a gorgeous delivery.  “Fools Gold” sinks its claws in deep with an infectious rhythm, and beat-poet lyrics.  Damon Parker adds a grand touch on synth, as Miller shines on slide guitar.  There is no escape from the soul-wrenching “Who He Thinks You Are”.  This tsunami of melancholia is a flawless gem on track for song of the year.  The record ends with a breath of hope on “Young Love on the Hill”.  Played on mandolin, the song is a sweet splash of Americana.                       

The Love You Bleed is Danielle Nicole’s best album to date and receives my highest of recommendations.  It only gets better with each listen. 

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For more information about the artist, visit this website : https://daniellenicolemusic.com

 

Follow the link below for other PhillyCheeze reviews featuring Danielle Nicole 

https://phillycheezeblues.blogspot.com/search?q=Danielle+Nicole

#656 : GeminiiDragon - 3 (PhillyCheezeBlues.Blogspot.com)

2024 – Lighting in a Bottle Records

By Phillip Smith; Jan. 20, 2024

Release Date : Feb 1, 2024

Original source : phillycheezeblues.blogspot.com

 

Louisiana-based GeminiiDragon has been on a roll for the past couple of years.  She released her first two albums in 2022, both of which grabbed my attention in a most positive way.  Her third and latest album, appropriately titled 3, continues to keep me tuned-in and turned-on with eleven all-original power-blues-rock tracks.  Jessica Harper aka GeminiiDragon and guitarist Christian Simeon share writing credits on every song.  The rhythm section behind GeminiiDragon and Simeon is comprised of bassist Douglas Varnado Jr., drummer Eric Sasser and Malaysia Lewis on vibraphone.  The record also features special appearances by Chad Rupp on harmonica and TJ Wong on guitar.

An infectious opening riff on “I Wanna Know” effortlessly pulls me right in to a powerful guitar-laced anthem where the chords seem to hang in mid-air.  In an amazing way, it creates a magical wave of sound for GeminiiDragon’s vocals to surf atop.  I love how Simeon turns the energy up to eleven on the front-end of “Clowns” as he delivers a Collective Soul-friendly axe-groove.  GeminiiDragon dives into Tina Turner mode with her voice as it melds with the Simeon’s sonic tones on “Wasted Time”.  “Cherokee” draws me in with its pop-punk center and southern-rock- flavored musical snippets.  The Seventies rock foundation Simeon pours for “A Fool For You” makes for a solid as hell track.  The song momentarily takes a dip into a pocket of psychedelia and fills me with delight.  “Last Train to Thibodaux” is a track I listen to repeatedly.  Its ethereal melody brings the blues into the world of emo.  It sounds new and sounds great.

GeminiiDragon’s 3 is an album that has tremendous appeal and hits all the right notes.  I like this one a lot. 

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For more information about this artist, visit https://geminiidragon.bandcamp.com/music

This album available to purchase on Bandcamp.

Check out other PhillyCheeze review for GeminiiDragon : https://phillycheezeblues.blogspot.com/search?q=Geminiidragon

#654 : Patti Parks - Come Sing With Me (featuring Johnny Rawls) (PhillyCheezeBlues.Blogspot.com)

 

2024 – Vizztone Label Group

By Phillip Smith; Jan 6., 2024

Release Date : Jan. 5, 2024

Original source : phillycheezeblues.blogspot.com

 

When Patti Parks sings, her voice pulls me right in to the song.  I love to hear her sing.  Her latest album Come Sing With Me is a wonderful album of soul blues.  Muti-Blues Music Award recipient Johnny Rawls produces, arranges horns, and appears on several songs contributing his smooth vocal and guitar stylings.   With Rawls at the helm, the album surely has a vintage southern charm.  The recording also features guests Anthony Geraci on piano, and Richard Rosenblatt on harmonica.

Drummer Hugh Arther and bassist Tony Cammilleri lay down a buttery groove for Parks and Rawls’ duet “I’m in Love With You Baby”.  Topped off with a nice blast of horns, and a Steve Cropper-ish guitar performance from Aaron Flynt, the song shines bright and is perfectly fitted for an opening track.  From the opening sounds of the swirling organ played by Aaron Blackmon, I’m grooving to “Sing Around the World”.  It is a feel-good anthem I can’t help but smile to.  Flynt, along with Guy Nirelli on organ, create a sort of Stevie Ray Vaughan meets Ray Manzarek vibe for “I’m Sorry”.  Parks sings this Texas blues masterpiece with an unbridled fearlessness and she sounds terrific.  The sultry double-entendres Parks unleashes on “Hamburger Man” add spice to an already hot bowl of slow simmering blues.  I love the way the heavy bassline and Rosenblatt’s harp accompaniment fit tightly in with Flynt’s smokin’ guitar.  Parks’ voice sounds amazing on “Why”.  Her classic soul-singer approach injects a sense of timelessness into the song.  When Parks and Rawls join forces as a duet on Rawls’ “How Much Longer”, the stars are perfectly aligned.  I love the bursts of sax that pepper their smooth-as-silk performance.

Patti Parks’ Come Sing With Me featuring Johnny Rawls is a terrific album to break the new year in with.  I highly recommend giving it a listen.                  

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For more information about the artist, visit this website : https://www.thepattiparksband.com/