Insomniac Folklore - Everything Will Burn

2017 –Insomniac Folklore Records

By Phillip Smith; Sep 2, 2017

Insomniac Folklore takes an apocalyptic turn with their latest release, Everything Will Burn.   Frontman/guitarist/organist/percussionist Tyler Hentchell and singer/concertinist/puppetmaster Adrienne Hentschell are joined by bassist Amanda Curry, violinist Lisa Strader, and drummer Ayden Simonatti in this all folksy original ode to the end-of-times.  Mastered by Kramer who has also produced for White Zombie and GWAR, the fabric of the album is of a dark and menacing texture.

Hentchell’s deep bass vocals bring a serious inevitable revelation to the ominous and haunting melody of title track “Everything Will Burn”.  A wave of eeriness washes over as a violin rolls out the red carpet for “Feet in the Earth”.  The harmonics of Tyler and Adrienne’s voices are unsettling, yet fun.  Grabbing my attention on “Come Down Moses”, is the swift change of direction the songs takes as it segues from sweet to punk.  “Dust”, another schizodelic track, takes an unexpected bath in a fury of fuzzy electric guitar and a psychedelic barrage of percussion from pots, pans, and dried-out cow bones.   

Imbedded with a tetrad of short mostly instrumental tracks, Everything Will Burn is quite the bizarre and interesting concept album. 

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Mark Harrison - Turpentine

2016 –  Mark Harrison

By Phillip Smith; Sep. 17, 2016

UK musician Mark Harrison is one hell of a story-teller and songwriter.  He delivers his roots-rich music acoustically using National and twelve string guitars. His latest album, Turpentine, is a delightful listen to say the least.  Playing alongside Harrison on this thirteen track album of all original material is Charles Benfield on double bass, Ed Hopwood on drums, percussion and harmonica, and Paul Tkachenko on mandolin, piano, organ, and accordion.

Make the best with what you have, is the message shared in “Black Dog Moan”. The light and carefree melody captures my full attention.  I can totally relate to the frustration Harrison sings about in “Hardware Store”, as he sings ‘”All those things they sell down in that hardware store.  I don’t know what they do and I don’t know what they’re for”.  The fabulous instrumental, “Dog Rib” is a haunting bluesy treat with a tribal beat.  This is acoustic blue at its best.  Tkachenko straps on the accordion and sprinkles some New Orleans-style Cajun seasoning into “Dirty Business”, a song about greed and thievery.      

I absolutely adore the “The Treaty of Dancing Rabbit Creek”. This amazing song tells the story of the deal made in 1830 between the US government and Chief Greenwood LeFlore of the Choctaw Nation, in what is now known as Mississippi.     

One listen to Turpentine, and it is quite apparent why Harrison received two nominations in the British Blues Awards, for Songwriter and Acoustic.  The album is an instant treasure in my books.

Stolen Hearts - Dirty Southern Soul

2015 – Stolen Hearts

By Phillip Smith; Nov 21, 2015

In 2014, Pam Taylor and Robert Johnson Jr. came together to forge a new musical dynamic duo, joined together in heart and on stage.  Hailing from the Carolinas, the music of Stolen Hearts’ debut album, Dirty Southern Soul is a wholesome blend of blues, jazz and folk rock.  Taylor and Johnson are both soulful vocalists and masterful guitarists.  Adding to the cool factor, Taylor was mentored by non-other than the renowned blues guitarist Debbie Davies.

“Carolina Days (Bootsie’s Song)” is a fresh splash of roots rock.  Johnson takes the lead on vox and tosses in smile-worthy mandolin playing, which adds quite a nice touch to the catchy guitar riffs. Taylor belts out the sax-infused heartbreaker “All I Got Left” in a most impressive way.  Her buttery vocals sound great.  Taylor delivers more exquisite vocals on “My Johnny”.  This one reminds me so much of Rumours-era Fleetwood Mac with its light bouncy melody.  

Stolen Hearts take us on a trippy psychedelic journey in “Werewolves (Make Lousy Boyfriends)”.  Fuzzy guitar riffs and echo effects turn this space jam sung by Johnson into an instant favorite.  This twelve track album ends with a delightful live performance of the Etta James classic, “I’d Rather Go Blind”.

Stolen Hearts certainly embrace their creativeness, both lyrically and musically. Dirty Southern Soul is a tasty musical treat, indeed.

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for more information on Stolen Hearts, visit their website : http://www.stolenhearts.rocks/

Martin Harley and Daniel Kimbro - Live at Southern Ground

2015 – Del Mundo Records

By Phillip Smith; Oct. 24, 2015

 

UK singer/songwriter/guitarist Martin Harley along with Daniel Kimbro, an extremely talented upright bass player from Eastern Tennessee, should work together more often.  The duo recorded the magnificent ten track album, Live at Southern Ground in just a ‘handful of hours’ at Southern Ground Studios in Nashville, Tennessee. With the exception of a couple of covers, the majority of the album features the engrossing lyrics and fetching melodies written by Harley.

“Cardboard King” is such a beautiful song about loss and disappointment.  Harley’s buttery vocals are the icing on this cake filled with an amazing blend of resonator with slide and bow-played bass.  I love the playful and fun approach Martin takes as he picks “Honey Bee” banjo-style.  This one makes me smile, as does the swinging “Love in the Afternoon”.

I can feel the emotion emanating from Harley as he goes to church and plays the hell out of Tom Waits’ “Chocolate Jesus”.  They also nail Blind Willie Johnson’s “Nobody’s Fault But Mine” to the wall.  Harley has the perfect voice for wailing out the blues.  That voice paired with his unique guitar stylings make for a delightful listen.

Live at Southern Ground certainly lands in my personal list of favorite records this year. 

Cécile Doo-Kingué - Anybody Listening, Pt 1 : Monologues

2015 – CDK Musik

By Phillip Smith; Mar 21, 2015

Soulful vocals paired with infectious rhythms and thought-provoking lyrics, are the heart of Cécile Doo-Kingué’s latest album, Anybody Listening Pt. 1: Monologues, the first installment in a trilogy of albums. Anybody Listening features nine blues-soaked, cleverly written songs performed on acoustic guitar in a solo setting. 

Doo-Kingué makes a huge powerfully submissive splash with album opener, “Make Me”. I love her sultry vocals on this fusion of funk and blues.  She keeps the mood light in “Little Bit” as well, in this ditty about what it takes to get in the happy place. I can’t help but smile when I hear this one.

As a voice for a new generation of activists, Doo-Kingué picks up where the Seventies left off, when it comes to writing songs promoting civil rights.  “Bloodstained Vodka” is her response to the arrest of feminist punk rockers, Pussy Riot for charges of hooliganism, and Putin’s anti-gay stance.  Stand-out track, “Six Letters” takes a seriously heavy look at racism and the atrocities which go hand in hand with it.  Doo-Kingué plays this one in a traditional blues style, complete with slide.        

Title track, “Anybody Listening” a mellow ode to loneliness closes the album with a sad and slow yet funky rhythm. Although Anybody Listening Pt. 1: Monologues seems to goes by fast, it has a lot of replay-ability.  This poignant album leaves me wanting to hear more, and excited to hear the next two albums in the series.       

For more info on Cécile Doo-Kingué, visit her website http://www.cdkmusik.com/

http://phillycheezeblues.blogspot.com/

Evan - New Folk

2015 – Evan

By Phillip Smith; Feb 7, 2015

The soothing sounds of New Folk by Evan are quite a refreshing change of pace when it comes to folk music.  Evan’s unique vocal styling and catchy acoustic rhythms provide the perfect vehicle for his cleverly written songs.  Songwriter/Guitarist/Vocalist Evan Meulemans is joined by drummer/percussionist Mike Underwood, and bassist Graham Prellwitz in the making of this earthy eight track album.

Title track, “New Folk”, a delightful tune about self-awareness and purpose, reels me in for the long haul.  This wonderful song has been swimming in my head since I first heard it.  I also am really drawn to the poppy track, “Morning Dew”, about letting down ones hair and running free.  It’s such a fun listen, it puts a big smile on my face each time I hear it.    

Ushering in a feeling of tranquilly is “Water Song”, a short and sweet little song about getting back to nature, and allowing fate to run its course.  Evan slows things down a bit on “Wishing Well”. Softly sung, and lightly played, this song poetically expresses a longing for a lost love.  I like the way this song unexpectedly picks up with a boost in tempo midway.       

New Folk is a positively charged, feel-good folk album which leaves me wanting to hear more.       

http://phillycheezeblues.blogspot.com/

Sam Morrow - Ephemeral

2014 – Forty Below Records

By Phillip Smith; Aug. 9, 2014

Ephemeral, the debut album from singer/songwriter Sam Morrow is anything but ephemeral.  Before I had finished listening to the first of ten songs, “War”, I knew this album was something special.  Singing country-flavored roots songs with a sharp edge of truth, Morrow’s voice reminds me a bit of Eddie Vedder’s.  Morrow delves deep into his own experiences, revisiting the often unpleasant obstacles life blindly tosses around like little grenades.              

Setting the tone for the rest of the album, “War”, invites the listener into Morrow’s melancholy world with despairing lyrics about a husband and father who looks to the bottle for happiness.  Morrow shows great range as a vocalist and writer in the heart wrenchingly beautiful song, “Old Soul”, about the hurt of lost love, and the self-destructive thoughts which go along with it.  “Run” seems to pick up where “Old Soul” leaves off, leaving thoughts of self-destruction behind and replacing them with feelings of anger and declarations of love.  I’m really drawn to its haunting melody, fortified with a cool drum cadence and symphonic strings.  In a Tom Waits fashion, Morrow reexamines the broken relationship with booze, after two years of sobriety, in “December”, a song of reconstruction, remembering and longing.  This softly played guitar and violin tune tugs on my heart strings.

Ephemeral is such a beautifully constructed album of brutal honesty, I can’t get enough of it.  Morrow shines as a writer and performer, and I highly recommend this album.