Saturday, April 22, 2017

Mr. Sipp - Knock a Hole In It


2017 – Malaco Records 
By Phillip Smith; Apr 22, 2017


Records like Knock A Hole In It from gospel-musician-turned-bluesman Castro Coleman, aka Mr. Sipp , “The Mississippi Blues Child”, are far and few in-between.  Coleman, winner of the 2014 International Blues Challenge and Gibson Guitarist Award in Memphis, Tennessee pours his soul into his craft, both as a songwriter and performer. This album features a dozen original tunes and one fabulously superb cover of Jimi Hendrix’s “Little Wing” which runs nearly eight and half minutes long and segues right into a sweet guitar instrumental of “Star-Spangled Banner” which brings it to a close.

I absolutely dig the funky raw groove woven into the title-track, “Knock A Hole In It”.  The energy running through this song is stunning and electric.  This one surely goes down as my favorite song of the year.  Terrific vocals and smoking hot guitar from Coleman along with a searing performance from organist Carrol McLaughlin make “Bad Feeling” another stand-out song.  Coleman certainly does not mess around when it comes to dishing out serious blues.  From the slow, smoldering “Strings Attached” to the heel-stomping house-rockin’ “Juke Joint”, his artistry shines through. 


I have a feeling Knock a Hole In It will be at the top of my list for a quite a long time.  It’s definitely a good time.

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Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.






Click on the link below to purchase this terrific album from the PhillyCheeze Amazon store.




Sunday, April 16, 2017

Sean Chambers - Trouble & Whiskey


2017 – American Showplace Music  
By Phillip Smith; Apr 15, 2017


From 1998 to 2003, Sean Chambers toured as lead guitarist and band leader for the legendary bluesman Hubert Sumlin. During that time, Chambers was named by Guitarist Magazine as “One of the Top 50 blues guitarists of the last century”.  His sixth release, Trouble & Whisky is fully-loaded with raw electrified blues.  Backing Chambers is drummer Kris Schnebelen(Trampled Under Foot) , bassist Todd Cook, and Michael Hensley on B3 and piano.

Right out of the gate, the driving rhythm and searing blues in “I Need Your Lovin” sets the tone for the whole album.  Chambers’ slide guitar on “Bottle Keeps Staring at Me” gets so red hot, it scorches.  The infectious hook sets in and does not let go.  With Schnebelen nailing down a thunderous performance on drums, Chambers takes on Rory Gallagher’s “Bullfrog Blues” with unbridled force.  I love the way Chambers’ guitar wails with emotion in his rendition of s B.B. King’s “Be Careful with a Fool”.  It’s plumb terrific. Special guest, John Ginty, one of my favorite keyboardists today, lays down some groovy keys on his B3 in the soulful jamboree of “Travelin’ North”.  It melts like butter with Cook’s funky bassline.  The song soars skyward as Chambers takes control of this wonderful instrumental.

Trouble & Whiskey is about as good as it gets.  It is indeed a powerful album.





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Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.




Click on the link below to purchase this terrific album from the PhillyCheeze Amazon store.


Saturday, April 8, 2017

Samantha Fish - Chills & Fever


2017 – Ruf Records
By Phillip Smith; April 8, 2017



With her new album, Chills & Fever, Samantha Fish ventures into an exciting new direction, shifting her focus towards early Rock and R&B.   Recorded in Detroit, Fish baptizes this fourteen track recording in the splendid sounds of the Sixties and Seventies, enlisting members of the Detroit Cobras( rhythm guitarist Joey Mazzola, bassist Steve Nawara, drummer Kenny Tudrick), electric pianist Bob Mervak, and a superb horn section featuring Mark Levron on trumpet, and Travis Blotsky on saxophone. 

Fish sings “It’s Your Voodoo Working” with a sexy and confident voice.  Her guitar teases are terrific and sound amazing, backed by the vibrant horn accompaniment from Levron and Blotsky.  A new life is breathed into Irma Thomas’s “Hurts All Gone”.  It’s a spectacular song with a fabulous hook.  Her slide guitar on Skip James’ “Crow Jane” is a bodacious swampy treat.  I absolutely love it.  I’m also smitten by the wonderful cover of Lulu & the Luvvers’ “I’ll Come Running Over”.  That is hands-down, one big nostalgic bowlful of fun featuring a classic rhythm and blues sound.


Chills & Fever reveals a most interesting new side to Samantha Fish.  Already a huge fan of her work in the blues, this album only makes me love her music more.

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Click on the link below to purchase this terrific album from the PhillyCheeze Amazon store.



Southbound Snake Charmers - Rhythm ‘N’ Rust


2017 – Southbound Snake Charmers  
By Phillip Smith; April 8, 2017



There was instant lovability for Southbound Snake Charmers the moment I first popped their latest disc, Rhythm ‘N’ Rust into the player.  The album is chock-full of swampy southern blues-rock driven by wonderful thunder filled rhythm.  Hailing from Melbourne, Australia, this magnificent trio is composed of vocalist/guitarist Chris Denman, bassist Nat Sutphin, and drummer Brooke Maloney

Maloney’s pulsing drumming lures me right into the wonderfully greasy blues of “Don’t Speak Too Soon”.  Filled with amazing guitar licks, fearless vocals, and intoxicating bass, there’s a Sixties’ Cream vibe running through this amazing psychedelic jewel.  This one relentlessly surges through my soul.  Highlighted by its caffeinated crashing beats and invigorating rhythm, attitude runs rampant through the hoodoo- infused “Snake Oil”. Denman seemingly takes a cue from RL Burnside on another favorite, “Hearts of Corruption”, singing the blues while dishing out whopping doses of deliciously swampy slide guitar.  There’s a beautiful and unsettling intensity which slowly rises to the top in “The Longest Night”, a thrilling ballad spattered with amazing guitar and sung with the freewheeling charisma of Jim Morrison. 


The brilliantly ferocious hard-rocking blues of Rhythm ‘N’ Rust satisfies my craving for exemplary music in spades.  On a ten point scale, this record scores an eleven. 




Saturday, April 1, 2017

Tommy Talton - Somewhere South of Eden


2017 – Tommy Talton 
By Phillip Smith; April 1, 2017



It’s been almost three years since Tommy Talton’s previous release Until After Then hit the airwaves.  That one was quick to grab my attention with its lyrical and stylistic twists.   His latest, Somewhere South of Eden, continues to feed my fascination with prolific lyrics and lush melodies.  Backed by bassist Chris Donohue (Emmy Lou Harris, Lucinda Williams, Alison Krauss) and drummer Bryan Owings (Tony Joe White, Buddy Miller, Emmy Lou Harris), Talton is also joined by several spectacular guest musicians such as  Chuck Leavell (Rolling Stones, Eric Clapton, Allman Brothers), Spooner Oldham, Ike Stubblefield, John Ginty, Steve Conn (Sonny Landreth, Bonnie Raitt), Kenny Head (John Barry, Georgia Satellites),  Jeff Mosier (Col. Bruce Hampton) on banjo, and saxophonists Randall Bramblett and Tom Ryan.

“Somewhere South of Eden”, a beautiful melancholy number flowing with soothing twangy slide, takes a hard look at mortality.  This song shows without a doubt Talton belongs at the top of the list when it comes to the songwriting greats.  I absolutely adore the buttery hypnotic hook in “Poblano”, a wonderful Latin-inspired instrumental with worldly beats from David Keith on congas and piano accompaniment from Chuck Leavell.  It’s always a pleasure to hear the funky keyboard wizardry of John Ginty.  His contribution to southern jam-friendly rocker “Waiting on the Saints” sounds fantastic amid Talton’s bodacious guitar licks.  “Don’t Go Away Sore”, featuring a terrific banjo performance from Jeff Mosier is a big bowlful of bluegrass fun.  It puts a grin on my face which stretches from ear to ear.

The esteemed Tommy Talton has definitely crafted one hell of an album with Somewhere South of Eden.  I highly recommend it.


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Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.





Click on the link below to purchase this terrific album from the PhillyCheeze Amazon store.



Saturday, March 25, 2017

Elmo Karjalainen - Age of Heroes


2017 – KC Sound
By Phillip Smith; Mar. 25, 2017



Age of Heroes, the fourth full length solo album from Finnish guitarist extraordinaire Elmo Karjalainen continues to push the envelope of rock when it comes to electric guitar instrumentals.  For influences, Karjalainen mentions the guitar-greats, like Steve Vai, Yngwie Malmsteen, Pat Metheny and Jeff Beck.   

Karjalainen presents speed metal at its best in “A Meeting of the Gods (And This Guy)”. Guest guitarists Janne Nieminen and Emil Pohjlainen, 2016 winners of the Guitar Gods Competition, kick in some extraordinary solos for this shred-fest.  Called “King of the Keys” by Guitar World Magazine, keyboardist Derek Sherinian(Planet X, Black Country Communion) give a magnificent performance in “The Colour of Greed”, amid thunderous crashing drums and melodic adrenalin-infused guitar.  The hypnotically driving rhythm of “A Fertile Discussion” clutches on to me with a tight grip. 

A feeling of tranquility washes over me when I hear the ambient “Chikken Noodul”. It’s quite a soothing listen, as is “Breathe”.  There’s something galactic about “Blue Eyes”. The song seems to shoot me into the cosmos with each listen.


Karjalainen wears his passion for music on his sleeve, playing every piece with immaculate precision. This album is a must for guitar enthusiasts.



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Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.





Click on the link below to purchase this terrific album from the PhillyCheeze Amazon store.


Hector Anchondo Band - Roll the Dice


2017 – Hector Anchondo  
By Phillip Smith; Mar. 25, 2017



Hailing from Omaha, Nebraska, and finalist in the 2016 International Blues Challenge in Memphis, Tennessee, the Hector Anchondo Band is one tight-as-hell band.  Alongside lead guitarist/lead singer Anchondo is drummer Khayman Winfield, bassist Josh Lund, and Justin Shelton on harmonica.  Anchondo’s spectacular guitar playing and suave vocal stylings stand out front in his newest release, Roll the Dice.  Immersed in blues and Americana, this ten song album is a wonderful delight.

The lovely Kansas City songstress Amanda Fish joins Anchondo to dish out some riveting vocals in the energetic “Dig You Baby”.  Anchondo rips it up on guitar while Eric Stark and Kenny Glover dole out a clutch horn accompaniment.  This, fused to an outstanding harmonica performance from Shelton, sets the pace for the rest of the album.  “Masquerade”, a wonderful cocktail of blues and rockabilly is the perfect vehicle for Anchondo’s debonair voice. It’s a great tune for sure.  Anchondo brilliantly pulls the listener into his sad and lonesome world in “Sometimes Being Alone Feels Right”, a ballad he sings with heart-felt emotion.  He masterfully does it again in “Here’s To Me Giving Up”, performed in an absolute troubadour fashion.  Following an exquisite guitar intro, Winfield and Lund create a worldly magnificent space for Anchondo’s guitar prowess to explore in the flawless cover of “Black Magic Woman”.  It’s absolutely beautiful.


I had the pleasure of catching two stellar Hector Anchondo Band performances last summer.  The first show was at the North Liberty Blues and BBQ Festival in North Liberty, Iowa, and the second, was at the fabulous Tommy Bolin Music Festival in Sioux City, Iowa.  I’ve been a fan since.


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View my previous blog entries about the Hector Anchondo Band...

Hector Anchondo Band - North Liberty Blues and BBQ Festival - 2016
Photos © 2016 by Phillip Smith  ... 


Tommy Bolin Music Festival - Aug 6, 2016






Saturday, March 18, 2017

Jake Chisholm - No More Sorrow


2016 – Jake Chisholm
By Phillip Smith; Mar. 18, 2017


Toronto music artist Jake Chisholm does a fantastic job of encapsulating the purity and rawness of Seventies blues-rock with his latest album, No More Sorry.  He brings a fistful of confidence to these ten tracks of originals with a rugged vocal styling and skillful guitar playing.  Chisholm’s power-trio also includes drummer Sly Juhas and bassist Chris Banks

Chisholm masterfully sets a dark and ominous state of impending doom with the psychedelic treat, “You Never Will”.  His guitar chops stand out up front as he elegantly ushers in a relaxed Hendrix vibe on “Just Because You Want To”.  This one is beautifully played.  Guest Jameson Elliot doles out a cool driving bassline as Chisholm shares a trippy hardscrabble look at life on the “Merry-Go-Round”.   I can’t help myself for falling for the infectious hook threaded through the title track, “No More Sorrow”.  It grabs me every time I hear it.  I like this one a lot.


There’s a sense of honesty woven into the crafted and thoughtful lyrics written by Chisholm.  His serious approach to music makes No More Sorrow the splendid record it is.

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Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.  



Click on the link below to purchase this terrific album from the PhillyCheeze Amazon store.  

Saturday, March 11, 2017

Dave Keller - Right Back Atcha


2016 – Tastee-Tone Records  
By Phillip Smith; Mar. 11, 2017


Immersed in the goodness of Memphis soul, Vermont recording artist Dave Keller’s latest album Right Back Atcha, is a sheer delight to hear.   Keller’s splendidly soulful voice sounds terrific, as does his band which consists of Ira Friedman on Hammond B3 and piano, bassist Gary Lotspeich, and drummer Brett Hoffman.  The inclusion of Mo’ Sax Horns sweetly fills the bill needed to recreate that Memphis sound which Keller definitely channels.  They sound great and bring a wealth of energy to the album. 

I am instantly captivated upon my first listen to the fabulous cover of the 1974 Willie Clayton single, “It’s Time You Made Up Your Mind”.  Dap and funky, this song begs me to get up on my feet and dance.  Memphian Darryl Carter, who co-wrote that song, also teams up with Keller in writing the beautiful “Deeper Than the Eye Can See”, a love ballad with a lingering Otis Redding vibe.  I love the infectious groove of “Slow Train”.   This soulful ballad is highlighted by a fantastic sax solo from Joe Moore ( Slim Harpo, Wilson Picket ). 

Funky guitar riffs and playful blasts of horns swim among the lush sounds of Friedman’s B3 in “Urgent (I’ll Give It All)”.  Keller sings this with sophisticated conviction, making for a one cool as hell track.  Keller’s vocal performance in “What’s it Gonna Take?” is electric and amazing.  Drenched in sweat and dripping with raw soul, this song burrows deep down right to my core.


Right Back Atcha is a terrific album which I could listen to all day long.   








Saturday, March 4, 2017

Lucas Haneman Express - Tearing Up the Rails


2016 – Lucas Haneman Express  
By Phillip Smith; Mar. 04, 2017


Tearing up the Rails, the sophomore release from Ottawa, Ontario-based Lucas Haneman Express is a savory fourteen track platter of blues-rock with a slightly southern flavor.  Heading up the band is singer/songwriter/guitarist Lucas Haneman, who received the CBC Galaxie Rising Star Award at the 2005 Ottawa International Jazz Festival.  Accompanying Haneman to round out the quartet is vocalist Megan Laurence, drummer Jeff Asselin, and bassist Martin Newman

Steve Marriner from MonkeyJunk, lends his harmonica prowess to “The Verdict”.  This track oozes with swampy bluesy goodness as Marriner and Haneman go toe to toe. Marriner also appears, harp in hand on Brian Adam’s “Run to You”, another terrific track. It sounds so different recorded as a blues song.  There’s no rest for the wicked, when the band breaks into Steppenwolf’s psychedelic hit “Magic Carpet Ride”.  Leaving a smoking trail of rubber on the track, they take this one on going full throttle.   Haneman’s searing hot guitar makes for a standout performance.  I love the relaxed Steely Dan vibe Haneman brings to “Waiting at Your Door” with his smooth jazz approach. “Storybook Love” is plumb mighty too, boasting soulful vocals from Haneman, who guides the song from a slow southern sway into a ferocious intensity. 


Tearing up the Rails is a well-crafted album of poignant lyrics, rich melodies and tight performances.  It’s a great album to sink ones teeth into.  It has definitely sunk its teeth into me.    








Saturday, February 25, 2017

Tom Craig and Soul Patch - Get Ready For Me


2017 – Tom Craig and Soul Patch  
By Phillip Smith; Feb 18, 2017


It’s obvious to see why Tom Craig and Soul Patch were chosen to represent the Central Delaware Blues Society for the 2017 International Blues Challenge in Memphis, Tennessee this past January.  Oozing with soul, this fabulous R&B ensemble’s tantalizing debut album, Get Ready For Me, is solid proof.  Soul Patch, fronted by singer/guitarist Tom Craig has one bodaciously tight rhythm section consisting of drummer Johnny O’Connell and bassist “Rando” Randy Branning, smooth keyboard stylings of Eric Johnson on Hammond and a terrific horn section with Vince Gleason on tenor sax, and Skyler Hagner on baritone.

Tom Craig and Soul Patch deliver horn-infused soul, reminiscent of the formative music coming out of Stax Records in the Sixties with “Louita” and “How Did I Break the Rules”.  I love the bluesy undertones of title track “Get Ready for Me”.  Craig’s vocals are suave and commanding like Neil Diamond.  His guitar licks sounds great, as they pepper Johnson’s lush keys and the smoothly blended sax riffs.  Heartbreak hit, “She Did it to Me, She’ll Do it to You”, is a big tantalizing bowlful of slow bluesy soul.  A captivating hook with a peppy groove steers “Captain Funk” right into my list of favorites.  Craig serves up a delicious taste of Chicago blues in “Please Forgive Me Baby” with a brilliant vocal performance.


Listening to Get Ready For Me puts me in a good mood, and brings a smile to my face with every listen.








Saturday, February 18, 2017

Sean Taylor - Flood & Burn


2017 – Sean Taylor Songs  
By Phillip Smith; Feb 18, 2017



Flood and Burn, the eighth full-length release from UK singer/songwriter Sean Taylor is an engaging, melodic jewel.  The album consists of eleven original pieces covering a variety of genres, along with a compelling bluesy cover of “Heartbreak Hotel” featuring Taylor on harp and Andre Moran on slide guitar.     

The velvety and lulling “Codeine Dreams” welcomes the listener in with soft swirly vocals amid colorful splashes of saxophone courtesy of Joe Morales. Taylor’s poetic mastery cleverly reveals itself on “A Good Place to Die” and the jazzy “Cruelty of Man”.  
With Roscoe Beck (Leonard Cohen) on double bass and Mike Hardwick on pedal steel, “Troubadour” beautifully recounts the uncertainly of life as a traveling musician.  A wave of melancholy washes over me when I hear “Life Goes On”.  Whether going through good times or bad, one can only go forward.  The lord giveth and the lord taketh away when Taylor charmingly conjures up an ominous hill-country vibe on the downtempo title track “Flood and Burn”.  Mark Hallman guests on banjo and Andre Moran on slide guitar, elegantly setting the song’s dark mood.  


Subtle references to Charles Bukowski, Townes Van Zandt, and Skip James are delightfully plucked like Easter eggs from “Bad Case of the Blues”.  A lush mix of slide guitar from Moran and violin from Hana Piranha taxis this daunting melody to exactly where it needs to be.  “Better Man”, a song of blessing and sacrifice, guided by the wonderful talent of Piranha on violin and Danny Thompson on double bass, eloquently brings Flood & Burn to a graceful end.






Sunday, February 12, 2017

Sena Ehrhardt live at Campbell Steele Gallery - Feb. 11, 2017


Marion, Iowa
By Phillip Smith; Feb. 12, 2017


Saturday, February 11,  The Sena Ehrhardt Band gave a superb performance at the Campbell Steele Gallery in Marion, Iowa.  This Minneapolis-based blues band is fronted by singer/songwriter Ehrhardt, her husband, guitarist Cole Allen, drummer Wayne Allen, and bassist Crosby Williams.  Prior to Ehrhardt taking the stage to sing the wonderful “Things You Should’t Need to Know” off the 2014 Live My Life album, Cole Allen warmed the audience up with a serious dose of instrumental electric blues. His talent on the guitar runs deep.  


Ehrhardt’s strong and powerful vocals sounded so good on the slow and swampy “Last Chance”, from her first record. Cole’s ripping guitar performance, an added bonus, is such a treat.  The band blessed the crowd with the house-rocking Chicago blues fave “Little By Little”, which ended in an audience participation sing-a-long. I was happy to hear them play a personal favorite, “Buried Alive”. It is an outstanding number.  For the fabulous finale, Ehrhardt closed out with “Rock Me Baby”, dedicating the song to B.B. King, Johnny Winter, and Smoking Joe Kubek.  It was a terrific show for sure.












Saturday, February 11, 2017

Thornetta Davis - Honest Woman


2016 – Sweet Mama Music
By Phillip Smith; Feb 11, 2017


Honest Woman, the latest album from Detroit’s Queen of the Blues Thornetta Davis, glimmers with fiery soul.  This red-hot delight features a dozen original songs brought to glorious life under Davis’ commanding vocal presence. Davis’ backing musicians performing on the brunt of the album is guitarist Brett Lucas, drummer Todd Glass (The Muggs), Phillip J. Hale on keys, and James Simonson on bass.

Kim Wilson of The Fabulous Thunderbirds steps in as guest vocalist/harp player on the lively duet, “I Gotta Sang the Blues”. The contrasting voices pair together quite nicely, and Wilson’s harmonica performance is smokin’ as usual.  Davis enlists The Larry McCray Band to back her up on the groovy gospel-soaked “Set Me Free”.  This is one superb jam filled with stellar vocals and hot funky guitar licks.  It makes me want to shout, Amen!

I love how the brass mingles with the walking bassline and soulful keys on the fabulous “I’d Rather Be Alone”.  Davis sings this ode to a boomerang ex-lover, strong and proud.  Lucas delivers a searing guitar performance propelled by Glass’ driving beat on the magnificent “I Believe (Everything Gonna Be Alright)”.    


Thornetta Davis instills a fabric of enchanting soulful blues into each and every song on Honest Woman.  Reflected in her powerful vocals is heart-felt emotion, which, along with the superb musicianship she commands, is the key to an album full of outstanding performances.




Saturday, February 4, 2017

Too Slim and the Taildraggers - Blood Moon


2016 – Underworld Records  
By Phillip Smith; Feb 4, 2017


With nearly thirty years under his belt performing and cutting records, Nashville-based Tim “Too Slim” Langford’s genius for dark rocking blues songs is undeniably strong as ever.  Backing Langford is his rhythm section, the Taildraggers, drummer Jeff “Shakey” Fowlkes and bassist Robert Kearns.

Blood Moon explodes out of the gate with “Evil Mind”, a guitar-heavy southern-rocker topped off with a hefty dose of adrenalin.  Langford’s contagious guitar riffs and smoky vocals keep me captivated for the mysterious and witchy “Gypsy”.  This terrifically dark love song is one of my favorites. He then sets a beautiful and cosmic mood in “My Body”, a song about death and the hereafter.

If one didn’t already know, it would very easy to think “Get Your Goin’ Out On” was a Rolling Stones deep cut with its blazing honky-tonk vibe.  For title track, “Blood Moon” Langford goes all out with hearty helping of searing blues guitar. It sounds great. 

Too Slim and the Taildraggers’ Blood Moon is an engaging album of raw unbridled southern blues-rock with a unique sound I’ve become quite fond of.  It’s one of those recordings I can listen to over and over again.







Sunday, January 29, 2017

Collective Soul live at Riverside Casino and Golf Resort Jan. 28, 2017


Riverside, Iowa
By Phillip Smith; Jan 29, 2017


Saturday, January 28, Collective Soul (front man Ed Roland, his brother, rhythm guitarist Dean Roland, bassist Will Turpin, lead guitarist Jesse Triplett, and drummer Johnny Rabb) hit the ground running with an outstanding performance of “Heavy”, bringing a surge of energy and excitement to a sold out show at Riverside Casino and Golf Resort.  This was my sixth time to experience them since 1995, and it was so good to see and hear them again.  Ed was in rare form and Triplett was tearing it up on guitar

After tackling “Contagious” with a big bowlful of grit, Ed switched over to acoustic guitar to play the “AYTA (Are You The Answer?)” from their 2015 album, “See What You Started by Continuing”.  It sounded terrific.  With Ed still on acoustic, he segued in to “Shine” with a mini intro of “Amazing Grace” before the band burst fully into “Shine”.  Camera phones all over the venue rose into the air to capture this one played to perfection.  Ed poured everything he had into the song, jumping high in the air in ways I could never accomplish.  The crowd totally in his hands, the song ended with heavy thrashing and audience accompaniment.   

Before beginning “Draw the Blood”, a song so new, it had only been played live once before, Dean unfortunately fell ill and sadly was unable to continue on for the evening.  After checking with him to make sure he was alright, Ed and the band continued on through two other newer songs, “Pieces” and the melodically spacey “Rule #1”.  As the oh-so familiar riff of “Precious Declaration” tears through the speakers, the house rises, only to remain standing through the rest of the show.  “December” opens to a wave of whistles and applause and climaxes with Ed doing a Chuck Berry “duck walk” across the stage. They played through an amazing “World I know” and rock anthem “Gel”, putting a big smile on my face.  Still feeding on the frenzy started by “Gel”, Rabb blessed us with a fantastic drum intro on “Where the River Flows”.  This is Rock and Roll at its finest.

Just before closing the night with their last song, “Run”, Ed commented, “It’s been 23 years now.  Not bad for the one hit wonder of 1994.” As the song came to its end, Ed was the last to leave the stage, still strumming his acoustic guitar and marching off, like the troubadour, into the dark, disappearing off to back stage.    



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Photos by Phillip Smith


Ed Roland

Dean Roland

Will Turpin

Ed Roland

Jesse Triplett

Ed Roland

Will Turpin

Ed Roland

Dean Roland

Johnny Rabb

Jesse Triplett

Johnny Rabb / Will Turpin

Jesse Triplett

Ed Roland





Saturday, January 28, 2017

Alejandra O’Leary - All I Know


2016 – Alejandra O’Leary  

By Phillip Smith; Jan 28, 2017


Alejandra O’leary’s latest album, All I Know carries on the raw indie-pop tradition O’Leary is known for.  Performed and produced by O’Leary, bassist Thom Canova and drummer Mark Simonsen, this eleven track break-up album keeps the music interesting with swirly melodies and heady lyrics. 

The topic of frail and failing relationships is the forefront of the opener “Doubtless”, an emo love song whose tension slowly builds until peaking in a furious psychedelic frenzy.  O’Leary’s clever and hardnosed lyrics are nicely set to an edgy and haunting melody in “I Only Came Here For Your Body”.  I love the way “Trace/Color/Light” beautifully dances in a cosmic cloud of psychedelia too.  It’s very nice indeed. 

Alejandra O’Leary is a true poet and artist whose music continues to move forward. She definitely proves that in All I Know.



Dave Fields - Unleashed


2017 – FMI Records
By Phillip Smith; Jan. 28, 2017


Another stellar album from New York bluesman Dave Fields has hit the airwaves.  Unleashed is a perfect blend of seven live cuts and seven studio cuts, each one bringing out the best of Fields’ outstanding guitar performances.

Unleashed takes off with a groovy live instrumental called “Anticipating You”.  A terrific performance from Vladimir Barskey on keys, a cool funky bassline from Erik Boyd, and percussion from Doug Hinrichs sets a Stax-like stage for Fields to jam his heart out too. Using that Stax sound as s springboard perfectly segues into the next tune, a cover of Memphis-great Don Nix’s, “Going Down”.  Tackled with a fiery intensity, Fields doles out a big fat dose of superb guitar playing.  For Jimi Hendrix fans, Fields also gives a killer performance on “Hey Joe”, and “The Star Spangled Banner/Hey Joe (reprise)”. 

In two-parter “Jagged Line Pt 1” and “Jagged Line Pt 2”, Fields offers a glimpse inside his own life and struggles.  Beautifully composed, this pair of songs walks the tightrope between blues and rock, lyrically leaning more toward blues and musically taking the rock and roll route.  I get completely drawn in to Fields’ lyrics on “My Mama’s Got the Blues”.  This song drips with hard times and authenticity.  Also grabbing my full attention is the lovely and carefree “New York City Nights”, a jazzy selection paying homage to the Big Apple.     


Fields scores big on this album. Unleashed is destined to be a sure-fire hit release.  


Saturday, January 21, 2017

Tas Cru - Simmered & Stewed


2016 – Vizztone Records
By Phillip Smith; Jan. 21, 2017



As New York blues artist Tas Cru explains, he is returning to his ‘acoustic-ish’ blues roots on his latest album, Simmered  & Stewed.  He breathes a delightful new life into a handful of his older recorded material with the use of his acoustic, resonator and cigar box guitars. 

Cru gets a spirited and running start on the outstanding “Dat Maybe”, revving up his resonator through the driving beat supplied by Andy Hearn, a juicy wall of harmonica from Dick Earl Ericksen and a soulful organ accompaniment from Guy Nirelli.  It’s impossible to escape the gravitational pull of the trance groove Tas embeds in “Feel I’m Falling”.  Distant backing vocals and Ron Keck’s spacy ominous percussion add to the haunting vibe in this brilliantly psychedelic cry for help.  David Liddy’s rollicking barrelhouse piano playing shines bright through the saucy and manic blues of “Biscuit”.  Shout outs to the legendary Delta Blues great Robert Lockwood Jr. and the voice of KFFA’s King Biscuit Flour Hour ‘Sunshine’ Sonny Payne also bring a smile to my face.


Simmered & Stewed is chock full of all original tunes, with the exception of one song.  As the only cover on the album, the 1967 Jackie Wilson hit song “Higher and Higher” deliciously and slowly builds to a fast boil in the uplifting form of a southern gospel ten revival session. This is a nice treat indeed.  Thus the album comes to its finish, and I say, Amen brother!    



Saturday, January 14, 2017

Starlite Campbell Band - Blueberry Pie


2016 – Supertone Records
By Phillip Smith; Jan. 14, 2017



Blueberry Pie, an album of outstanding original blues from married musical duo Starlite Campbell Band captured my full attention upon first listen.  Singer/songwriter/bassist Suzy Starlite and her husband singer/songwriter/guitarist Simon Campbell also own Supertone Records, an independent label based in London, with a world-class analog recording studio located in Valencia Spain.  This eleven track album also features Steve Gibson on drums, Jimmy Henderson on Hammond Organ and Wurlitzer Electric Piano, along with special guest Danny Boy Sánchez on harmonica.

A propelling rhythm highlighted by an intoxicating bassline make way for Campbell’s delicious blues guitar licks to ignite on “Walkin’ Out the Door”.  The band gets down and dirty on the exhilerating “You’re So Good For Me”.  Henderson attacks the Hammond with full force as Campbell throws down a riveting and electric performance.  It’s as if there was a musical “battle royale” between the two in the studio. This one is a downright splendid recording.

The Starlite Campbell Band also has a folky and rootsy side.  Acoustic title track “Blueberry Pie” warmly comforts the soul with eloquent harmonies and a taste of slide.  They beautifully deliver the poppy and melancholy “I Need a Light” in a mesmerizing fashion, rolling it in on a red carpet of bass and cymbals. 

Blueberry Pie is a big bowlful of luscious rock and blues with thoughtful lyrics, played with precision.  It’s that damn good.