#585 > Skip James - The Complete 1931 Sessions (PhillyCheezeBlues.Blogspot.com)

 

2022 – ORG Music

By Phillip Smith; Nov. 18, 2022

Original source : phillycheezeblues.blogspot.com

 

This year Record Store Day Black Friday has something exciting for Blues fans and vinyl connoisseurs.  ORG Music is re-releasing Skip James – The Complete 1931 Sessions on transparent orange vinyl.  This is a great introductory record for the music of Skip James.   Born in 1902 near Bentonia, Mississippi, he learned to play guitar in his youth and later picked up the organ in his teens.  In 1931 he recorded 18 songs, and due to the Great Depression, records sales were poor.  James gave up playing the blues and became a choir director at his father’s church.  It took thirty years for him to be re-discovered.  Between 1964 and 1969 he recorded a few more albums before dying in October of 1969.  This album is a collection of the songs he recorded in 1931.

The haunting melody of “Devil Got My Woman” starts the record off with in a solemn mood.  James’ finger-picking performance is brilliant, and his voice charged with emotion.  His prowess at the piano is delightfully exhibited on “How Long Buck”.  James’ songs connect so greatly at the human-level.  A great example of that is “I’m So Glad”, a genuine timeless song.  When he sings “Hard Time Killin’ Floor Blues”, I feel a great amount of empathy for the pains and struggles that had to have been experienced before this song could have been written.  A track I found to be extra interesting is “22-20 Blues”.  This track is a piano-centric song which was the inspiration for Robert Johnson’s “32-20 Blues”.  “Jesus is a Mighty Good Leader” is another timeless classic.  James’ high vocals fit perfectly for this spiritual.  For hardcore blues, it doesn’t get much better than ”Yola My Blues Away”.  The delicate, yet intricate guitar picking is downright amazing. 

Despite a bit of surface noise which carried forward from 1931, the album is an absolute gem.  Skip James’ The Complete 1931 Sessions is a must-have.

 

Skip James - The Complete 1931 Session 

Tracklist:

A1 Devil Got My Woman

A2 If You Haven't Any Hay Get On Down The Road

A3 Hard Luck Child

A4 Drunken Spree

A5 Little Cow And Calf Is Gonna Die Blues

A6 Be Ready When He Comes

A7 How Long """"Buck""""

A8 I'm So Glad

A9 Cherry Ball Blues

B1 Hard Time Killin' Floor Blues

B2 22-20 Blues

B3 4 O'Clock Blues

B4 Jesus Is A MIghty Good Leader

B5 Yola My Blues Away

B6 What Am I To Do Blues

B7 Special Rider Blues

B8 Illinois Blues

B9 Cypress Grove Blues

#584 > Annika Chambers & Paul DesLauriers - Good Trouble (PhillyCheezeBlues.Blogspot.com)

 

2022 – Vizztone Records

By Phillip Smith; Nov. 12, 2022

Original source : phillycheezeblues.blogspot.com

 

Annika Chambers and Paul DesLauriers have both been on my radar a while.  I covered Chambers’ 2019 album Kiss My Sass, and DesLauriers’ 2016 release Relentless, as well as his 2019 release Bounce.  I embraced all three of those recordings.  The spirited couple met at the 2018 International Blues Challenge in Memphis and started working together in 2019.  Within the same year, they fell in love and got married. Good Trouble is their first full album together, and it’s absolutely fabulous.  Annika’s voice sounds divine as she takes on lead vocals.  Paul’s talent shines bright and runs immensely deep as he performs on an array of instruments.  He plays guitar, dobro, cigar box guitar, bass, and mandolin.  Additional musicians on the album include JP Soars on guitar, Chris Peet on drums and percussion, Gary Davenport on bass guitar, Alec McElcheran on bass guitar, Bernard “Bingo” Deslauriers on drums, Barry Seelen on Hammond B-3 organ, and Kim Richardson on background vocals.

A charged blast of southern soul rips the album wide open on “You’ve Got to Believe”.  Paul throws down a fiery guitar performance and a delightful accompaniment on mandolin.  Annika’s vocals are fearless and commandeering as she belts this amazing song out.  They create a riveting and soulful recreation of George Harrison’s “Isn’t it a Pity” from his All Things Must Pass album.  It’s quite different from the original, but it’s quite amazing.  They also do a spectacular job covering the Joe South 1970 hit “Walk a Mile in My Shoes” which peaked at #12 on the Billboard Hot 100 chart.  The warm bluesy tones of Paul’s guitar gently walk the listener into “Need Your Love So Bad”, the duet he sings with Annika.  This is indeed the blues.  My biggest surprise was hearing their take on Mountain’s legendary blues-rock anthem “Mississippi Queen”.  They absolutely shine as they keep this cover tightly close to the original.  I would have loved to witness this recording in the studio.  Good Trouble wraps up with a nearly ten-minute sacred-soul jam of “I Need More Power”.  This music for the spirit effortlessly takes me into a hypnotic trance and I love every bit of it.

Good Trouble is a brilliant album loaded with musical perfection.  I highly encourage everyone to give it a listen. 

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#583 > Ivor S.K. - Mississippi Bound (PhillyCheezeBlues.Blogspot.com)

 

2022 – Ivor Simpson-Kennedy

By Phillip Smith; Nov. 5, 2022

Original source : phillycheezeblues.blogspot.com

 

Hailing from Sydney Australia, and now living in New Orleans, Ivor Simpson-Kennedy takes story-telling to the highest level with his music.  There’s a unique spin he has on blues and roots which is very refreshing and quite captivating.  The attention he pays to details in his songwriting, pairs perfectly with his laidback style.  Mississippi Bound, his latest release, was created during his downtime due to the pandemic.  It features fifteen stellar tracks, all written, arranged and performed by Ivor. 

The listener is taken on a journey which begins with the ska-infused, Caribbean-flavored track “Mississippi Bound”.  Ivor’s smokey vocals define that of an experienced, weathered traveler.   A delightful melody coupled with frank, from-the-gut lyrics lend a Randy Newman-esque vibe to “Talkin’ Shit Again”.  Easily lured into Ivor’s infectious guitar riff on “Wheelin’”, I thoroughly enjoy his swampy slide play and beat poet style.  There’s a sort of Robert Hunter/Jerry Garcia aura to “Taste Your Lips”.  It’s an absolutely gorgeous song.  Cloaked in a thick slathering of slide, evil suits itself up on the concluding track “Dead Pig”.  The music alone transports me to a cypress-filled swamp in the middle of Mississippi.

Ivor S.K. fills Mississippi Bound with substance and originality as he builds a musical landscape where outlaws and poets intermingle.  It’s downright fascinating.

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For more information about Ivor S.K., visit this website :

http://www.ivorsk.com

 

Check out past PhillyCheeze reviews for Ivor S.K.

Montserrat

https://phillycheezeblues.blogspot.com/2017/07/ivor-sk-montserrat.html

 

Delta Pines

https://phillycheezeblues.blogspot.com/2016/05/ivor-sk-delta-pines.html

#570 > Skye Pollard - Masquerade (PhillyCheezeBlues.Blogspot.com)

 

2022 – Skye Pollard

Release Date : 9/10/22

By Phillip Smith; Aug. 20, 2022

 

Original source : phillycheezeblues.blogspot.com

Hailing from the Ozark mountains in Eureka Springs, Arkansas is Skye Pollard, an artist who I just recently became aware of.  His latest release, Masquerade is such a fine-crafted work, I took to it immediately.  With song-writing chops that equally match his musicianship, his masterful lyrics beautifully flow along a country-roots-rock stream.  With Pollard on lead vocals and rhythm guitar, his band consists of bassist David Gesualdo, drummer Derek Russell,and Dylan Hawf on fiddle and acoustic lead.

In “Life’s Highway”, Pollard reflects on the ups and downs of living as he sings “Wouldn’t have rainbows if ya didn’t have the rain.”.  This first song from the four-track EP captivates me with Pollard’s unique voice and his band’s tight-knit mountain-folk performance.  “Barely Getting’ By” is my absolute favorite track from this release.  Though not a blues song, this song is pure blues at its soul.  When I hear lyrics that say “Don’t ask me how I’m feelin, cause I don’t wanna have to lie.”, I hear words from someone who wears their heart on their sleeve.  Pollard keeps the music robust and the words insightful as he wraps up this EP with title-track “Masquerade”, an anthem for the freak nation.  It’s a brilliant song, both instrumentally and lyrically.

Skye Pollard delivers a bright and unique blend of folk, country, and rock with Masquerade.  I’m absolutely looking forward to his next release.  

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For more information about Skye Pollard, visit this website : https://www.skyepollard.com/

  

#566 > Color Green - Color Green (PhillyCheezeBlues.Blogspot.com)

 

2022 – Org Music

By Phillip Smith; July 26, 2022

Original source : phillycheezeblues.blogspot.com

 

I love it when music like this new self-titled album from Color Green comes my way.  Their music is cut from the same fabric as many of my favorite bands, such as Grateful Dead, Allman Brothers, Phish, and Flaming Lips.  Formed in Queens, but now based in Los Angeles, Color Green is comprised of co-founders Noah Kohll and Corey Madden.  Together this duo creates a dreamy eight-track cocktail of roots-based rock.

“Warbling Sky” tranquilly floats through the gate first. riding atop a layer of pedal steel from Tim Ramsey and a Dead-inspired bridge which explodes with energy.  It’s magnificent. Upbeat and slightly twangy, “Ill Fitting Suit” is another fun one.  With a hook that says “you pay your dues, I’ll pay mine”, this song would easily compel a field of hippies to dance.  With Madelyn Strutz on banjo, “Bell of Silence” is one that soothes the soul with its beautiful, lush melody and hypnotizing harmonies.  Another bonified favorite track “Blizzed Out” swings to a Seventies southern rock groove.  This honey-hole of a track is bodaciously slathered in slide guitar and peppered with unexpected cosmic attacks.  It’s absolutely brilliant.

I highly recommend this album.  Color Green is a terrific listen from start to finish.     

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Also available on Color Green’s Bandcamp page.

#565 > Cliff Stevens - Better Days (PhillyCheezeBlues.Blogspot.com)

 

2022 – Cliff Stevens

By Phillip Smith; July 23, 2022

Original source : phillycheezeblues.blogspot.com

 

Montreal-based blues-rocker Cliff Stevens has recently released his fifth studio album Better Days.  Loaded with eleven brand-new originals, this record is a genuine dose of heart-tugging blues, reminiscent of the album-oriented music popular in the Seventies.  The music ranges from old-school delta blues to that inspired by the likes of Eric Clapton and Stevie Ray Vaughan.  It surely makes for a hearty listen.  With Stevens on guitar and vocals, Sam Harrison appears on drums, Serge Dionne on bass, Eric Suave on organ/piano, Pat Loiselle on harmonica, and Kim Feeney on vocals.

Stevens rips the wrapping paper off this package in a spectacular way with Texas smoked blues guitar and a sizzling rack of rhythm as title-track “Better Days” lunges forward.    It’s plumb terrific.  Between Stevens’ vocals and Suave’s funktified piano, there’s a huge Dr. John vibe going on in “No Room Left” as Stevens continues to tear it up on guitar.  Amid a driving beat, lush organ, and barrelhouse piano, more hot licks ensue on “Time For Me to Go”.  Then, it’s low and slow for some deep blues on “I’ve Been Thinking About You”.  Steven’s string-bending performance is sweet and crisp.  It sounds so damn good.  When he pairs slide guitar with precision picking, the best of two worlds collide, bringing the album to its end with a delectable instrumental called ‘Slim Picking”. 

Between the fabulous songwriting and the flawless execution of the songs, Better Days from Cliff Stevens stands out as a one of my favorites of the Summer.       

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Also available on Bandcamp

#564 > Starlite Campbell Band - Live (PhillyCheezeBlues.Blogspot.com)

 

2022 – Supertone

Release Date; July 22, 2022

 

By Phillip Smith; July 16, 2022

Original source: phillycheezeblues.blogspot.com

 

I’ve been hooked on Starlite Campbell Band since reviewing their first album, Blueberry Pie five years ago.  That was such an amazing album.  For their third release, wife and husband Suzy Starlite, and Simon Campbell took their songs on the road across the UK and wove together this delightful eight-track album of live performances with drummer Steve Gibson (Buzzcocks, Jack Bruce) and three organists Jonny Henderson (Matt Schofield, Kirk Fletcher), Christian Madden (the Liam Gallagher Band), and Josh Phillips (Procol Harum).

With a strong opener called “Brother” off Campbell’s 2011 solo album Thirtysix, the music kicks off with a funky beat backed by swirling keys and a driving rhythm.  Their hot guitar licks and buttery bass sound fabulous.  From that same solo album, they break out two more smokin’ blues-rockers: “Preacher of Love” and “Misgivings”.  They both sound magnificent. 

“Said So” from their 2021 Language of Curiosity album, ushers the listener through time and space with brush-strokes of The Kinks, Allman Brothers, and The Who, culminating into a mind-blowing psychedelic treat.  With Josh Phillips behind the keys, they close the record with a beautiful cover of Procol Harum’s “Whiter Shade of Pale”.  Campbell’s vocals are flawless.

Infectious hooks, meaty jams, and innovative song-writing stand front and center, making Starlite Campbell Band’s Live album an exhilarating listen.  It keeps my full attention from beginning to end.             

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PhillyCheeze reviews Starlite Campbell Band

https://phillycheezeblues.blogspot.com/2017/01/starlite-campbell-band-blueberry-pie.html

 

For more information about Starlite Campbell Band, visit https://starlite-campbell.com

For more information about Suzy Starlite, visit https://suzystarlite.com

For more information about Simon Campbell, visit https://simoncampbell.com

#562 > Dylan Triplett - Who is He? (PhillyCheezeBlues.Blogspot.com)

 

2022 – Vizztone Label Group

By Phillip Smith; July 9, 2022

Original source : phillycheezeblues.blogspot.com

 

Who is He?, the debut album from 21 year old St. Louis vocalist Dylan Triplett, is a phenomenal recording.  With a voice that has a range of four and a half octaves, Triplett began his professional singing career at the age of fifteen singing with his father, jazz saxophonist Art Pollard.  Produced by Larry Fulcher who is also on bass guitar, this ten-track album features Triplett on lead vocals with Dr. Wayne Goins (head of Jazz Studies at Kansas State University) on guitar, Montez Coleman on drums, Ryan Marquez and Mike Finnegan on keys, and Joe Sublett and Kyle Turner on saxophones.  Also appearing on the album are special guests Christone “Kingfish” Ingram, Johnny Lee Schell, Sean McDonald, and Tru Born on guitars.

“Barnyard Blues” cracks the lid of this album open with Kingfish manhandling the guitar solos and Finnegan tearing it up on organ. Triplett tackles this original like a seasoned pro with a fearless approach.  He then fabulously takes on Bill Wither’s “Who is He (And What is He to You?).  His voice, soulful and buttery, sounds so damn good.  “Junkyard Dog” cowritten by Triplett and Fulcher is a horn-infused delight about love for better or worse.  Schell and Tru Born rip it up on guitars as Coleman lays down a serious groovy beat.  I love the heart-felt slow blues of “I’ll Be Waiting”.  Written by Triplett, this heart-wrencher features Schell on the guitar solos.  Triplett confidently takes on Marvin Gaye’s “That’s What Love Is” for a stellar performance with an old school Motown vibe.   Then he follows up with a smoking take on Lonnie Brooks’ “Feels Good Doin’ Bad” with Kingfish back on guitar.  It’s a surefire favorite. The album comes to a close with an exquisite jazz selection covering of Miles Davis’ “All Blues” complete with horns.  Triplett’s delivery is suave and guided with precision as he slides in to George Benson mode.

Who is He? won me over on the first listen, and continues to garner more of my attention with each and every listen.  I can’t wait to hear what Triplett has in store for this next album.

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#558 > Gary Cain - Next Stop (PhillyCheezeBlues.Blogspot.com)

 

2022 – Gary Cain

By Phillip Smith; June 11, 2022

Original source : phillycheezeblues.blogspot.com

 

Next Stop, the latest release from Canadian blues-rocker Gary Cain, takes off like a rocket, and soars to the heavens.  His guitar prowess is extraordinary and an absolute treat to hear.  Cain, a 2018 semi-finalist at the International Blues Challenge in Memphis, Tennessee, has talents which run much deeper though.  This ten-track album reveals just how much.  Written and recorded in Austin, Texas, Next Stop is all Cain.  He wrote the music and lyrics, plays all the guitar and bass parts, sings, programs drums, and handles percussion.

Rocking an infectious Texas boogie, “Billionaires in Space” blasts the album off by taking a satirical jab at Elon Musk’s and Jeff Bezos’ ego-centric race to boldly go where no man has gone before.  Cain seemingly draws inspiration from Jimi Hendrix on “Confusion”.  His powerhouse performance is so hot, it downright cooks.  Cain furiously throws everything he has into “Kitchen Sink”.  This fabulous instrumental brings to mind a favorite by The Aristocrats called “Kentucky Meat Shower”.  It’s an exhilarating experience to hear Cain’s intense guitar picking riding the bleeding edge of his barreling beat.  Reaching the tipping point of being fed up is a gradual process and that’s the way Cain goes with “Gone” a song with that exact theme.  The mellow and melodic atmosphere stretches outward and inward, taking heavy and funky turns with its cozy groove.  Next Stop wraps up with “A Short, Furious Goodbye” with special guest John Lee on B3 organ.  This cosmic instrumental clocks in at two minutes, seventeen seconds and beautifully lives up to its name.

Next Stop is one album guitar aficionados will definitely want to give a listen to.  It’s fantastic.  

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For more information about Gary Cain, visit this website :  https://www.garycainband.com

#557 > Gina Sicilia - Unchange (PhillyCheezeBlues.Blogspot.com)

 

2022 – Vizztone

By Phillip Smith; June 4, 2-22

 

Original source : phillycheezeblues.blogspot.com

 

Since reviewing Gina Sicilia’s 2016 album Sunset Avenue, I’ve made a point to check out her music as it is released.  Her latest record Unchange is rather spectacular.  Produced, recorded, and mixed by Colin Linden at Pinhead Recorders in Nashville, Tennessee, Unchange features Linden on guitars and vocals, Johnny Dymond on bass, and Bryan Owings on drums to back Sicilia’s beautiful voice.

The opening track “Healing Time” is a wonderous splash of slow, soulful blues with Kevin McKendree on piano.  Sicilia draws me immediately in with her sensational vocal artistry and she sounds fabulous.  She continues to amaze me as title-track “Unchange” follows up in a cloak of poignancy and a beautiful performance from Linden on guitar.  I love it when she breaks into the classic blues traditional “Make Me a Pallet on Your Floor”.  Guest backing vocalists Ann and Regina McCrary add a really nice touch to this extraordinary song.  Sicilia and Linden turn on the heat when they get to the cover of Reverend Gary Davis’ “Death Don’t Have No Mercy”.  Its twangy goodness is seared to perfection.  Sicilia takes crooning to the next level on “Don’t be Afraid to be Wrong”.  With Bohemian nuances sewn into its fabric, this delightful song is indeed a favorite.

The divine voice of Gina Sicilia hits all the right notes for a classic taste of pure Americana.  Unchange is an absolutely stunning album.

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For more information about Gina Sicilia, visit this website :  https://www.ginasicilia.com

#556 > The Groove Krewe featuring Nick Daniels III - Run to Daylight (PhillyCheezeBlues.Blogspot.com)

 

2022 – Sound Business Services

By Phillip Smith; May 28, 2022

Original source : phillycheezeblues.blogspot.com

 

Spearheaded by songwriter/musician/producers Rex Pearce and Dale Murray from Southern Louisiana, The Groove Krewe is a group of handpicked studio musicians selected to back featured artist Nick Daniels III (Neville Brothers, Dumpstaphunk).  This this funky New Orleans-style party record called Run to Daylight features Daniels on bass guitar and lead vocals, with the core of The Groove Krewe consisting of drummer Eddie Bayers, bassist David Hyde, guitarists Rex Pearce and Nelson Blanchard, and horn players Jason Parfait, Ian Smith, Pete Verbois, Chris Belleau, Lacy Blackledge, and Bob Henderson.  This ten-track album is packed with all original songs crediting at least one of the two producers Pearce and Murray with writing credits on every song.  

The Groove Krewe kicks things off in a delightfully funky way with title-track “Run to Daylight”.  The large band sounds lively and festive.  “That’s New Orleans” keeps the good times going in ‘Who-Dat’ fashion with shoutouts to Bourbon Street, Preservation Hall, and beignets.  There’s no doubt this is going to be a go-to album to spin this summer as the Krewe breaks into a chic Seventies-style disco groove on “Have a Party”.  It’s absolutely fabulous.  I love the album closer “Raising Cane on the Bayou”.  It hits the ground running in a surge of high-energy blues splashed with a bit of grease and topped with horns.  The Stax-meets-Muscle Shoals vibe on this one positively glistens. 

Run to Daylight is a feel-good album with puts me in a happy mood.  This is just what I needed to hear. 

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#555 > Ryan Lee Crosby - Winter Hill Blues (PhillyCheezeBlues.Blogspot.com)

 

2022 – Ryan Lee Crosby

By Phillip Smith; May 21, 2022

Original source : phillycheezeblues.blogspot.com

 

It was two years ago I first heard Ryan Lee Crosby play at the virtual Juke Joint Fest in Clarksdale, Mississippi.  The annual event was thrown for a spin in 2020 due to Covid 19, so organizers cleverly decided to take the festival online in a virtual sense with free live Facebook streams, and app-driven tip jars.  That was my first time to experience Juke Joint Fest in any capacity, and I was totally captivated.  Crosby’s performance bowled me over with his unique way of playing and his pure blues authenticity.

Produced by the legendary Bruce Watson (R.L. Burnside, Junior Kimbrough, Robert Belfour), and dedicated to his mentor, the great Jimmy “Duck” Holmes, Winter Hill Blues is a sensational nine-track album of deep-delta acoustic guitar blues.  Eight of those nine tracks are wonderfully-timeless originals penned by Crosby.  Backing Crosby is drummer/percussionist George Sluppick (JJ Grey & Mofro, Chris Robinson), and bassist Mark Edgar Stuart.   

From the beginning notes of “I’m Leaving”, I’m onboard.  I love how Sluppick’s freight-train beat kicks in and Stuart’s bass notes penetrate right to the bone.  Crosby impressively woos me on guitar, declaring “Well I’m gonna leave ya child, I’m gonna leave when the morning comes”.  His genteel delivery of title-track “Winter Hill Blues” is beautifully executed.  There’s a definite Skip James energy surrounding this one, and it sounds wonderful.  The swirling hypnotic rhythm on “Down So Long” pert near puts me in a North Mississippi trance, and I enjoy it immensely.   Continuing along Bentonia blues tradition with songs about the devil, Crosby’s “Was it the Devil” is a poignant and reflective song about his mother’s passing.  Here he sings “It was the devil who made her do that thing, but it was the lord who gave her angel’s wings”.  He takes a hard look at the institutions we are most familiar with in his hard-driving blues anthem “Institution Blues”, and finds a hidden purpose of systematic control when he takes a peek behind the curtains.  The song could’ve been written at anytime within the past hundred years, but its words are ageless.  The album closes with a robust cover of Rev. Robert Wilkins’ “Wish I Was in Heaven Sitting Down”.  The slide guitar on this track is absolutely fabulous.

Winter Hill Blues is a wonderful album of traditional blues and it deserves all the future accolades it will receive.        

 

 

 

For more information about Ryan Lee Crosby, visit this website :  https://ryanleecrosby.com

 

 

 

Ryan Lee Crosby on Bandcamp

PhillyCheezeBlues.Blogspot.com #554 > Diunna Greenleaf - I Ain't Playin'

 

2022 – Little Village

By Phillip Smith; May 14, 2022

Original source : phillycheezeblues.blogspot.com

 

I Ain’t Playin’, the latest release from Texas blues artist Diunna Greenleaf is a must-hear.  This three-time Blues Music Award winner, dishes out thirteen wonderful tracks, incorporating blues, soul, funk, and southern gospel.  Her amazing vocals are backed by a stellar lineup of musicians which include producer Kid Andersen on guitar, Jerry Jemmott on bass, Jim Pugh on keys, and Derrick “D’mar’ Martin on drums.

The album busts loose on a strong Stax-influenced start with “Never Trust a Man”.  A funky bassline, groovy beat, and stellar horn section provide the perfect pocket for Greenleaf’s fiery voice.  Steeped in seventies soul, “Running Like the Red Cross” gets down as Pugh deals out a generous dose of swirling keys to accompany the song’s lush melody.  “If it Wasn’t for the Blues” is delightfully funky in an Isaac Hayes kind of way.  With guest Igor Prado on lead guitar, this is the song I can listen to many times over and enjoy it each and every time.  All it takes is five seconds for Jemmott’s infectious bassline riff on “Answer to the Hard Working Woman” to reel me in for an invigorating musical explosion.  I love how Martin’s precision beat, Greenleaf’s vocals, and those fabulous horns get increasingly thicker until the final note.  The blues sounds so good when Diunna sings “Damned if I Do”, and with accompaniment by Andersen, she sounds even sweeter. 

Ain’t Playin’ is such a dynamic album.  Everything about it works and it sounds amazing.  

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For more information about Diunna Greenleaf, visit this website :  https://diunna.com/

 

PhillyCheezeBlues.Blogspot.com #553 > Vaneese Thomas - Fight the Good Fight

2022 – Blue Heart Records

By Phillip Smith; May 8, 2022

Original source : phillycheezeblues.blogspot.com

 

There was a definite magic in the air when Vaneese Thomas recorded Fight the Good Fight at the famed Royal Studios in Memphis, Tennessee, a place once home to Hi Records and the Hi Rhythm Section.  The album represents all which I love about Memphis music: the soulful melodies, the funky intoxicating rhythms, the horns, the blues-soaked guitars, and the swampy country detours.  It’s no secret, music runs deep in Thomas’ family, often referred to as Memphis’ “First Family of Soul”.  Her father being the legendary Rufus Thomas, her sister, the “Memphis Queen” Carla Thomas, and her brother the notable keyboardist Marvell Thomas.   Fight the Good Fight features a dozen all-original tracks, and according to Vaneese, “I feel like it’s some of the best writing that I’ve ever done”. 

With a blast of horns nestled in a bed of sweet southern soul, “Raise the Alarm” opens the album as a wake-up call to a crisis looming over the horizon.  Thomas’s riveting vocals shine on “Rosalee”.  Standout banjo accompaniment from Peter Calo and slide guitar from Tash Neal pull this wonderful song into a bluegrass setting.  There’s a very cool Steely Dan vibe on the piano-driven “I’m Moving On” as it fuses several genres together.  I love how Scott Sharrard absolutely tears it up on slide.  I’m totally captivated with each listen of “’Til I See You Again”.  This lush, outstanding song is filled to the brim with soul and beautifully performed.  Thomas lets loose on country-rocker “He’s a Winner”.  Peppered with harmonica from Corrin Huddleston, this track is a sweet and fun shoutout to her life partner Wayne Warnecke who co-produced the album with Thomas.  Violinist Katie Jacoby makes a guest appearance on “Fight the Good Fight” infusing a more Nashville-leaning sound to this title-track with a message of hope and encouragement.

Thomas’ Fight the Good Fight is a thought-provoking and refreshing listen.  I enjoyed it through and through.           

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For more information about Vaneese Thomas, visit this website :  vaneesethomas.com

 

 

Vaneese Thomas - "Same Blood Same Bone" {Official Music Video}

 

PhillyCheezeBlues.Blogspot.com #552 > Jarkka Rissanen Tonal Box feat. Kalle Fält - Bones

 

2022 – Humu Records

By Phillip Smith; April 23, 2022

Original source : phillycheezeblues.blogspot.com

 

Having reviewed Finnish guitarist Jarkka Rissanen’s 2021 album Cargo last year, I was quite anxious to hear his latest release Bones with his band Tonal Box featuring Kalle Fält.  Like his previous album, this one is comprised entirely of instrumentals divinely steeped in jazz fusion leaning into funk and blues.  Tonal Box is comprised of Rissanen on guitars, lap steel, and Casio, Fält on tenor sax, Jorma Välimäki on tuba and double bass, and Jussi Kettunen on drums and percussion.

Bones rolls in on a funky beat surrounded by the sweet swampy sound of slide peppered with blasts of sax from Fält on “Chicken Hawk”.  Then “Heyday” hits, with its alluring dance-inducing rhythm and relaxed Hawaiian-flavored lap steel with a saxophone-lead.  I love the space created with their cover of Dr. John’s “Della (Part 1)”.  With tuba accompaniment, this song beautifully captures the essence of a lazy day.  I detect a strong jam-band essence in “Shake”.  With every listen, I’m reminded of Phish, a favorite of mine.  “Down the Road” walks the tightrope between blues and jazz, with Rissanen holding down the blues on guitar while Fält keeps a foot on the jazz side of the song on sax.

Jarkka Rissanen wins me over again with these eight instrumental tracks on “Bones”.  It’s an absolutely splendid album.              

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PhillyCheezeBlues.Blogspot.com #551 > GeminiiDragon - Fighting Fire with Fire

 

2021 – Nepotism Recordings

By Phillip Smith; April 16, 2022

Original source : phillycheezeblues.blogspot.com

The bluesy hard-edged grooves and hearty power-filled vocals stand front-and-center on Fighting Fire With Fire, the latest release from Louisiana recording artist Jessica Harper aka GeminiiDragon.  Undoubtedly, that’s the winning combination which immediately drew my attention to this record.  This all-original album hosts eight splendid tracks co-written with producer/guitarist Christian Simeon.  With Harper behind the mic, and Simeon on guitar, the rest of the band is comprised of bassist Danny Woolen and drummer Kash Carlsson.    

With an infectious rhythm running through it, title-track “Fighting Fire with Fire” kicks the album off with an Eighties-era vibe in a delicious musical cocktail of new-wave soul.  “Just the Way it is” leans in a little heavier as Simeon throws in harder, groovier riffs, and Harper demonstrates her vocal mastery and range.  “Huh Huh Huh” is a genuinely cool track too.  As Carlsson lays down a very danceable Seventies disco beat, GeminiiDragon channels her inner Tina Turner, with Simeon taking a more industrial approach on guitar.  It sounds great.  When it comes to straight-up blues, “Woman Scorned” is absolutely fabulous.  I love Harper’s little growls she peppers into the song.  Like those classic Led Zeppelin tracks we so adore, “Blacktop Good Man” rolls in like thunder before a storm.  GeminiiDragon’s fearless approach on vocals conjure a huge rock-star presence as Simeon is there to back her all the way on guitar.  It’s definitely an amazing song.  The comradery between Harper and the band shines bright on “Badder Than Eva” as they bring the album to its close.  The stripped-down instrumentation and the whisky-soaked vocal runs transport me right to the heart of the Mississippi delta. 

Fighting Fire With Fire is one of those albums which captivated me at first listen, and kept me completely engaged until the end.  I’m looking forward already to GeminiiDragon’s next release.  

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     Just the Way It Is  (Offical Video)

Huh Huh Huh (Official Video)