Showing posts with label Dockside Studios. Show all posts
Showing posts with label Dockside Studios. Show all posts

Saturday, October 7, 2023

#638: Jonah Tolchin - Dockside (PhillyCheezeBlues.Blogspot.com)



2023 – Clover Music Group

By Phillip Smith; Oct. 7, 2023

 

Release Date : Oct. 20, 2023

 

Original source : phillycheezeblues.blogspot.com

Dockside, the fifth album from Jonah Tolchin swiftly swept me off my feet with its real-deal North Mississippi blues, and sweet southern soul.  Co-produced by Tolchin and Luther Dickinson (North Mississippi Allstars), and recorded at Dockside Studios in Maurice, Louisiana, twelve-track recording of all-original songs signifies the first release on Tolchin’s brand new label Clover Music Group.  With Tolchin on vocals, lead guitar, and harmonica, and Dickinson on rhythm guitar, lead guitar, and clave, the other performers are comprised of drummer Terence Higgins (Warren Haynes), bassist Nic Coolidge, keyboardist Chris Joyner (Ben Harper), pianist Carey Frank (Tedeschi Trucks Band), vocalist Chavonne Stewart (Jackson Brown) and vocalist Marley Monroe.

When the Mississippi Hill Country sounds of “Blues With a Feeling” begin to flow from the first track, I knew this was going to be a great listen.  This funky and hypnotizing song sinks its teeth right in.  Without letting up, Tolchin pours a delightful glassful of Muscle Shoals-inspired music in “Searching For My Soul”.  This amalgam of blues, soul, and southern-roots-rock is finely crafted with insightful lyrics and an infectious hook.  Chills shoot down my spine when Tolchin opens with ‘I was born without a soul and a heart as dark as coal..” in “Save Me (From Myself)”.  I latch on quickly to the dark groove running through this track.  It’s a fabulous song.  Sometimes the mind is racing on auto-pilot and sleep begins to become a thing of the past.  Tolchin brilliantly reflects upon the whole experience in “Can’t Close My Eyes”.  Dickinson steps in on lead guitar for “Suffering Well”.  Strong breaths of Bentonia blues are released from this masterpiece, as scorching guitar licks burst from its soul.  The piano accompaniment from Frank sounds terrific as it glides along the funky rhythm on “Mama Don’t Worry”.  My ears perk up even more as Tolchin dazzles me on slide guitar.  

The blues of Dockside is as authentic as it gets.  Tolchin’s music on this album had my full attention from beginning to end.  It flowed from song to song in a perfectly constructed fashion.  This record will surely be noted as one of my favorite albums of 2023 and beyond.          

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For more information about the artist, visit this website : https://www.jonahtolchin.com

  

Saturday, August 13, 2016

Royal Southern Brotherhood - The Royal Gospel


2016 – Ruf Records
By Phillip Smith; Aug. 13, 2016


I really like the musical direction Royal Southern Brotherhood is taking.  Not straying too far from their bluesy roots, the band continues to keep a fresh and funky sound as they roll out their fourth fabulous album, The Royal Gospel.  The RSB lineup this time around consists of singer/percussionist extraordinaire Cyril Neville, guitarists Bart Walker and Tyrone Vaughan, drummer Yonrico Scott, bassist Darrell Philips, and as guest on the B3, Norman Ceasar.  There must have been a lot of magic in the air during the seven days of recording this album at the Dockside Studios in Louisiana. One can feel the connectivity and kinship of the band imbedded in the music.

“Where There’s Smoke, There’s Fire” opens with guitars blazing.  Loaded with badass heavy riffs and an intense bassline, this song is best heard loud.  The slide guitar on the swampy blues ditty “Spirit Man”, sounds downright great backed with the soul-filling sound of the B3.  I love the trance-inducing rhythm in “Blood Is Thicker Than Water”.  Neville’s smooth vocals fit in quite nicely.  “Face of Love” is such a terrific song too.  It is quite beautifully sung and performed.  One of my favorite unexpected surprises is when RSB breaks out the funk in “Can’t Waste Time”.  I can’t help but be transported to the late Seventies, when I was first started jamming out to Funkadelic.        


The Royal Gospel closes out in full-on revival mode, urging folks to stand up for what they believe in, with “Stand up” , a soulful tune served ala gospel style, complete with lots of foot stomping and hand clapping.  If this don’t get one moving, it’s likely nothing will.  This lineup of RSB works really well, and I hope it stays in place for a while.