#345 : Bruce Katz Band - Get Your Groove!

2018 – American Showplace Music

Release Date :  July 20, 2018

By Phillip Smith; Aug. 4, 2018

I never tire of listening to the wonderful Bruce Katz performing his magic on the keys.  Whether playing with his own band or alongside greats such as Gregg Allman or Butch Trucks, Katz always brings his A-game. This album is no exception.  Get Your Groove is a treasure trove of keyboard-centric blues and jazz loaded with surprising and tasty jams.  With Chris Vitarello holding down the fort on vocals and guitar, Matt Raymond keeps the bassline going on half the tracks on bass.  Drums are supplied by Ray Hangen, with the highly-esteemed Jaimoe (Allman Brothers Band) joining him on three of them.

Hangen nicely rolls the album in with a quick cool beat to lead in “Hesitation Blues”.  The magnificent sound of B3 and a bluesy bassline is topped with Vitarello’s suave vocals and stellar guitar licks.  This track makes for a splendid opener.  “Freight Train” travels a more jazzy direction.  This cosmic instrumental, guided by the Hangen and Raymond is full of surprises and hands-down terrific. Vitarello shines brightly on guitar.

Katz blends acoustic piano with the swirling sounds of B3 on the beautiful and relaxed-paced instrumental “River Blues”.  Raymond lays down a sweet acoustic bassline which adds a deep layered tone to the song.  Another wonderful instrumental “Zone 3” is plumb buttery and saturated in blues. The performance is tight and smack dab right in the pocket.  I absolutely love it.

Rightfully named, Get Your Groove contains eleven tracks made to get your groove on.  It’s a fun one indeed.

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Click below to read the PhillyCheeze review of : Bruce Katz Band - Homecoming  

https://phillycheezeblues.blogspot.com/2014/11/bruce-katz-band-homecoming.html     

Kim Simmonds - Jazzin’ on the Blues

2017 –Panache Records

By Phillip Smith; Sep 9, 2017

The latest solo effort from Kim Simmonds (Savoy Brown) , Jazzin’ on the Blues, is wonderfully brilliant.  Featuring twelve amazing instrumental tracks of Simmonds killing it on acoustic guitar, bass guitar, and harmonica alongside percussionist Ron Keck, this record is destined to stand the test of time. 

Bursting out a Latin groove to kick things off, Simmonds masterfully plays “Dancing on a Memory” with a suave finesse. I absolutely adore this track.  Title track “Jazzin’ on the Blues” and “The Maze” are another couple of stellar originals which shine brightly.  Simmonds’ performance is absolutely flawless.  I also immensely enjoy Simmonds’ stunning covers of Bill Doggett’s “True Blue” and Smokey Robinson’s “Shop Around”.  They are both very nice indeed.  Like a beautiful Technicolor sunset at the end of the day, “Fascination” brings a lovely end to the album. 

Jazzin’ on the Blues is an album I can sit down and enjoy from beginning to end, plus a few more times round again.  It’s that good.

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Billy Pierce - Shapes of Soul

2016 –  Got Slide Records

By Phillip Smith; Dec. 3, 2016

The tunes on Billy Pierce’s latest album, Shapes of Soul is chock full of New Orleans-rooted jams topped off with some of the best slide guitar around.  Pierce’s band includes the multi-talented bassist/producer Charlie Wooton, drummer Doug Balote, and keyboardist Keiko Komaki.  Special guests include the magnificent trombonists of Bonerama ( Mark Mullins, Craig Klein, and Greg Hicks), Mike Zito, Jason Ricci, Jeff T. Watkins, and Michael Doucet.   

Pierce sings about struggling with money in “Paycheck to Paycheck”, an electric song with a smooth jazz vibe, featuring a terrific performance by the guys in Bonerama.  Harp player Jason Ricci dishes out a captivating performance on “Me and the Misses”.  Title track “Shapes of Soul” is a wondrous instrumental in which Keiko Komaki ‘s piano performance beautifully compliments Pierce’s slide guitar.  “Delta Queen”, a torch song for the southern man is immersed in a cool groove and slathered with scrumptious slide as well.  The contrasting guitars from Zito and Pierce sound amazing on “Tears of Joy”.  I love the way this song takes a hard right turn into the land of controlled chaos.  This song turns into one tasty jam when Balote ups the tempo and Komaki attacks the B3 with full force.  Massive waves of funk and infectious grooves make “Katrina” a definite standout.

 I get a little hypnotized with each and every listen to this delightful instrumental.

Pierce carefully explores the music acknowledged for its southern roots, and creates beautiful micro-blends of jazz, blues, and country which lay the foundation for Shapes of Soul.    

Bruce Katz Band - Homecoming

2014 – American Showplace Music

By Phillip Smith; Nov 1, 2014

Just give the Bruce Katz Band’s Homecoming a listen and you will find out rather quickly why he has been nominated three times for the "Pinetop Perkins Piano Player of the Year” Blues Music Award.  Legendary keyboardist Katz, is backed by guitarist/vocalist Chris Vitarello and drummer Ralph Rosen.  Special guests on this album include John Hammond, Jimmy Bennett, Marty Ballou, Peter Bennett and Randy Ciarlante. Homecoming is symbolic of Katz’s return to work on his own music, after several years of backing the likes of Gregg Allman and Delbert McClinton.  The music selected for this thirteen track album, is steeped heavily in Blues and Jazz, then delivered via feel-good jams.

Katz brings a new life to Lightnin’ Hopkins’ “Santa Fe Blues” as a piano performance piece with a slightly quicker tempo than the original.  With Blues Hall of Famer John Hammond at the helm on vocals, this song has an amazingly authentic bluesy sound.  From the acclaimed Alexis P Suter Band, guitarist Jimmy Bennett and bassist Peter Bennett drop by to jam on Elmore James’ “Wild About You Baby”.  J. Bennett not only rips it up on guitar, but takes the vocal lead on this great cover as well.  

Joining Katz and gang again, J. Bennett sings and plays guitar on one of his own originals “It’s a Bad Time”.  It’s so fun to listen him and Katz playfully dance their instrumentation around in this Coltrane-influenced jam. I love the abundance of jazzy instrumentals Katz scatters about the album, such as “No Brainer”, “The Czar”, and my favorite “Amelia”, which has a vibe that reminds me of Page McConnell from Phish. 

It’s so cool how an album such as Homecoming can exude such positive energy and maintain that output from start to finish.  Honestly, I could listen to this album all day long and not get tired of it at all.     

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