#709 > Scott Weis Band - Live in Europe (PhillyCheezeBlues.Blogspot.com)

 

2024 – Scott Weis

By Phillip Smith; Oct. 12, 2024

Original source : phillycheezeblues.blogspot.com

 

Live in Europe, the eighth release from Scott Weis Band packs the raw essence of his live shows into a bootleg-type recording made with four microphones and a two-track board from performances across four different cities in Germany. This Pennsylvania-based blues-rock band has been on my radar for just over four years now, and have very much enjoyed each of the studio albums I have reviewed. This is an interesting disc.  It reminds me in ways of John Mayall’s Live in 1967 discs featuring Peter Green, John McVie, and Mick Fleetwood in a kind of way. With Weis standing front and center on guitar and lead vocals, he is joined by Robert Kopec on bass guitar, and Roger Voss on drums.

This fourteen-track release begins with hard-driving title-track off his most recent studio album called “Raise Your Hands”. Weis’ guitar performance is searing. Their smoking cover of ZZ Topp’s “Jesus Just Left Chicago” sounds best at high volume. I love their cover of Chris Stapleton’s ‘Tennessee Whiskey”. That is such a beautiful song, and Weis sings it with a soulful delivery. “Pride and Soul” off the Simmer Me Down album surfs a heavy-rockin’ Texas-style blues riff and is topped with an amazing guitar solo. The way he plays that swampy slide on “Motherless” takes me right to the Mississippi Delta. They attack “Right Where It Belongs” with flash and fury and it sounds great. They bring this record to an end with “Have You Ever Loved a Woman” which runs just a little over ten minutes. Lyrically it is different from the Freddie King version but the essence remains as Weis makes this his own with amazing licks and runs.  

Live in Europe captures the energy of Scott Weis Band’s live shows and brings it directly to the listener.        

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Visit Scott Weis Band online at https://scottweisband.com

 

Check out additional PhillyCheeze reviews of Scott Weis Band with this link:

https://phillycheezeblues.blogspot.com/search?q=Scott+Weis

 

 

#708 > Chad Rupp and The Sugar Roots - Gate C23 (PhillyCheezeBlues.Blogspot.com)

 

2024 – Lightning In A Bottle Records

By Phillip Smith; Oct. 12, 2024

Original source : phillycheezeblues.blogspot.com

 

Since reviewing Chad Rupp and the Sugar Roots’ previous album last year, I’ve been totally onboard with their soulful approach to music. The latest recording from this Portland, Oregon ensemble is titled Gate 23 and hits like a fresh breath of air. I’m quite fond of the all-original guitar-centric, horn-infused blues they create.

Rupp and Sugar Roots quickly grab the attention of my ears with the suave and rockin’ blues of “Fresh Suits”. His guitar solo hits like a blast of Joe Walsh, and I soak it all up. As if simmered in a pot of funky New Orleans gumbo, “She Got That Business” surely puts a smile on my face. The masterful, slow dripping piano-laced blues on title-track “Gate C23” wonderfully captures the experience of being stuck in the Dallas/Fort Worth airport. No trip to Beale Street in Memphis should be without a visit to Blues City Café for an evening of southern delicacies and top-notch entertainment. Rupp’s homage to this eatery and juke joint cleverly name-drops a plethora of musicians and menu items often found there with “Blues City Cafe”.  Growing up as one of those boys who had to shop for clothes in the ‘husky’ section of J.C. Penney, “Fat Kid Boogie” makes for a fun track loaded all the sweet treats which I often crave. The album comes to a funky jam-packed end with “Blind, Crippled & Crazy”.  I dig the way the song opens up to allow each member of the band to shine on this track.

Chad Rupp and the Sugar Roots have certainly scored again. Gate C23 is a terrific album, and further fuels my urge to see them in a live show. I’m definitely keeping an eye on this band.

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Check out additional PhillyCheeze reviews of Chad Rupp with this link:

https://phillycheezeblues.blogspot.com/search?q=Chad+Rupp

 

 

#707 > BillyLee Janey Band - King of the Roll (PhillyCheezeBlues.Blogspot.com)

 

2024 – Fervor Records

By Phillip Smith; Sep. 28, 2024

Original source : phillycheezeblues.blogspot.com

 

King of the Roll, the latest album from BillyLee Janey Band is seventeen tracks of all-original hard-driving blues-rock, and I absolutely dig it. I’ve been a fan of BillyLee’s work for quite a long time, and he never ceases to amaze me. With Janey on all guitars and vocals, he is joined with Tommy T-Bone Giblin (Lonnie Brooks) on B3 and clavinet, Dan ‘DJ’ Johnson on bass, Bryce Janey on bass guitar, Eric Douglas on drums, and Troy Harper guest drummer on “Lucky Star”.

Setting a strong impression, the album leads off with title-track “King of the Roll” a song loaded with a funky rhythm and searing guitar licks. Douglas’ commanding approach on drums fuels this smoking track. The rolling sound of Giblin’s B3 sets a groovy background for Janey as he lays down the law on “Killin’ Flow”. In a fabulously smoldering performance, Janey and band conjure memories of the ferocious derecho which tore through Iowa in August of 2020 in “Iowa Hurricane”. That was a day I will never forget, and the song captures the event in a most honest way. I love the propulsive “Hellbound Nite Ryder”. The song guides the listener down a mesmerizing journey of Janey’s guitar mastery. “Rain Fallin’” is an amazing track with a jazz-soaked rhythm which brilliantly takes me back to 2008 when a hundred-year flood wreaked havoc across Cedar Rapids, Iowa. Hearing Janey cut loose on the nearly seven-minute long instrumental “Star Spangled Blues/Mountain Fire” is a genuine treat.

BillyLee Janey Band truly shines with King of the Roll.  I highly recommend giving this album a listen.

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For more information about BillyLee Janey, visit https://fervor-records.com/artist/billylee-janey/

 

Check out previous PhillyCheeze reviews and photos of BillyLee Janey with this link:

https://phillycheezeblues.blogspot.com/search?q=Billylee+Janey

 

 

#706 > KAT Blue & the True Believers - Start Believin' (PhillyCheezeBlues.Blogspot.com)

 

2024 – KAT Blue

By Phillip Smith; Sep. 28, 2024

Original source : phillycheezeblues.blogspot.com

KAT Blue & the True Believers, an up-and-coming blues-rock band out of Iowa has a new six-track EP called Start Believin’, and it is definitely worth checking out. KAT Blue fronts this tight-knit band on vocals, with Bob Sulzer on lead guitar, Bill Kiesel on bass, Paul Abodeely on keys, Doug Allemang on drums, and Bob Gleason on harp.

The EP kicks off with a hot take on Susan Tedeschi’s “Rock Me Right”. Sulzer’s guitar performance and Abodeely’s barrelhouse keys punch this up quite nicely.   I dig their rocking cover of 35^th & Taylor’s “Hard Times”.  KAT’s vocals hit with a Pat Benetar vibe. Warren Haynes’ “Soulshine” is a wonderful song, and the band does a great job making this heartfelt tune their own. Gleason’s harp performance absolutely shines.

Start Believin’ is about as solid as a debut EP can get. I have a feeling we’ll be hearing a lot more from KAT Blue & the True Believers.  

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#705 > Avey Grouws Band + KAT Blue & the True Believers - Live Sep. 21, 2024 (PhillyCheezeBlues.Blogspot.com)

 

Avey Grouws Band + KAT Blue & the True Believers – Sep 21, 2024
Olympic South Side Theater
Cedar Rapids, Iowa

By Phillip Smith; Sep. 22, 2024

Original source : phillycheezeblues.blogspot.com

It was great to see Avey Grouws Band return to Cedar Rapids to play the Olympic South Side Theater. With KAT Blue & the True Believers opening up, it made for quite a night of music. It was much needed. KAT Blue took the stage and played a cool set-list full of blues, including The Shangri-Las' "Walking in the Sand", Etta James' "Blues is my Business", Muddy Waters' "Got My Mojo Working", Beth Hart's "Bad Woman Blues", and Johnny Lang's "Lie to Me". Avey Grouws played a lot of my favorite originals like "Hanging Around", "You Need Love", and "Hard Times", "Two Days Off (and a Little Bit of Liquor)", "I Dig What You Do" and "Love Reigning Down". Before the evening ended, Avey Grouws Band brought KAT Blue up on stage for a grand finale of "Sweet Home Chicago". It was a great night indeed. 

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·       All Photos by Phillip Smith

KAT Blue & the True Believers

Avey Grouws Band

* Photos by Phillip Smith

#704 : J.D. Simo & Luther Dickinson - Do the Rump (PhillyCheezeBlues.Blogspot.com)

 

2024 – Forty Below Records

Release Date : Sep. 20, 2024

By Phillip Smith; Sep. 21, 2024

Original source : phillycheezeblues.blogspot.com

 

I was very excited when I first heard Luther Dickinson and J.D. Simo were going to collaborate on an album together. I have been an avid follower of Luther’s for quite a while, and became a fan of J.D.’s after catching a live performance of him opening up for Tab Benoit last year. The two forces first played together while touring with Phil Lesh and Friends. They discovered they both had a lot of the same influences and musical alignments. Although their approaches to playing guitar is vastly different, they found their styles complemented each other very much so. Simo and Dickinson joined forces, bringing drummer Adam Abrashoff onboard to complete the band and recorded Do the Rump at Simo’s home studio in Nashville.  The album has a strong hill-country blues presence. It collides the familiar with the unfamiliar and slow-simmers the results in a swampy goodness.

They pour a beautifully haunting groove into JJ Cale’s “Right Down There” from his 1972 album Really. With Abrashoff’s notorious beat laying the tracks, a lush dose of greasy slide guitar and heavy fuzz-laden guitar breathes a new glorious life into the song. “Lonesome Road” is downright amazing. It conjures images in my head of Hendrix and SRV playing together in a smoky, whiskey-soaked juke joint in the middle of Mississippi. I dig the John Lee Hooker cover of “Serve Me Right to Suffer”. Served in a bowlful of hypnotic North Mississippi hill country blues, it truly becomes an entirely different song. I find it fascinating to hear the results of mashing Junior Kimbrough’s “Do the Rump” and Fred McDowell’s “Louise” together and backed with a Fela Kuti-inspired afro-beat. “Do the Rump Louise”, a nearly eight-minute-long performance is quickly absorbed into my inner being. I love every bit of it. The album ends with an extraordinary extended ten-minute jam taking on R.L. Burnside’s “Peaches” for another healthy dose of music for the soul.

Do the Rump is everything I hoped this album would be and more. I truly hope to hear more musical collaborations between Simo and Dickinson.

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For more information about J.D. Simo, visit his website at simo.fm

 

For more information about Luther Dickinson, visit his website at lutherdickinson.com

 

For more information about Forty Below Records, visit their website at fortybelowrecords.com

 

#703 : Ping Rose - Conjure Man (PhillyCheezeBlues.Blogspot.com)

 

2024 – New Sun Music

By Phillip Smith; Sep. 14, 2024

 

Original source : phillycheezeblues.blogspot.com

 

Conjure Man, the second release from Memphis-based singer/guitarist Ping Rose is definitely suited to be his break-out album. There’s a certain freshness to his style which I enjoy immensely as he seemingly draws influence from favorite artists like Jimi Hendrix, Albert King, Robert Plant, and Stevie Wonder.

I love way he approaches the slide guitar on the opening song “Cloverhill Stomp”. This rootsy country-blues instrumental is an absolutely fabulous listen. This rolls right in a real-deal blues track “Don’t Drink Me Dry”. Fearless vocals and his amazing guitar mastery make this track a hands-down favorite. Title-track “Conjure Man” beautifully shines a light on his soulful side. His soft guitar approach pairs sweetly with the Stevie Wonder-esque tone in his vocals. When “Salty” hits, I feel the Led Zeppelin presence within every note. Ping immaculately captures that Plant-style rasp in his voice with that slow-dripping blues we loved to hear Page dish out. It’s simply amazing. The smooth sounds of the George-Benson-friendly “Careful What You Wish For” pops nicely with the splash of funk.

Conjure Man is such a wonderful album, I’m certain the world will be hearing a lot more from Ping Rose in the near future.

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For more information about Ping Rose, visit his website at https://www.pingroseplays.com/

 

Find Ping Rose on Spotify too!

 

#702 : Brad Fielder - Demons + Rationals (PhillyCheezeBlues.Blogspot.com)

 

2024 – Shive Records

Release Date : June 4, 2024

By Phillip Smith; Sep, 7, 2024

Original source : phillycheezeblues.blogspot.com

 

A nostalgic wave washes over me with every listen to Demons + Rationals, the latest release from Oklahoma song-writer/performer Brad Fielder. He is a master at tapping into the that pre-war music vein and breathing new life into that style with new, original songs. His music blend blues, ragtime, folk, and country, and is performed acoustically, often using a resonator guitar. According to Fielder, the music on this record draws its influence at the ‘intersection between Saturday night and Sunday morning” catering to both hooligans and bible-thumpers. With Fielder on guitars, vocals, and harmonica, he is backed by Charley Reeves on sousaphone and bass fiddle, Brandon Brunious on six string banjo and electric guitar, Megan Harris Brunious (Hank III, Peaches) on vocals, accordion, percussion, and trumpet, Jesse Armerding on drums and percussion, and Juel Niimi on trombone.

Fielder quickly draws my attention with “Little Lake Turnaround”. His masterful lyrics have a fascinating Charles Bukowski appeal and a Jimbo Mathus sense of presentation. Following up next is “Outreach Bibles” in which Fielder tells the story of a depression-era bible salesman. I couldn’t help but think about the 1973 film Paper Moon. Megan Harris Brunious steps in for a wonderful duet on “Daddy’s Water” a song which reminds us that our hidden secrets are often revealed once we encounter death. She also heads-up lead vocals on the beautiful folk-spiritual “Catch That Spirit and Fly”. Fielder places the trifecta of consumption at the front of the line in “Eatin Drinkin Smokin”. This song has a way of rattling around in my head long after hearing it, and I don’t mind a bit.

Demons + Rationals is an amazing listen from start to finish. I highly recommend giving this album from Brad Fielder a listen.

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For more information about Brad Fielder, visit his website at https://www.bradfielder.net/

 

Available on Bandcamp

#701 > Bowlful of Blues Festival - 2024 (PhillyCheezeBlues.Blogspot.com)

 

Bowlful of Blues Festival – Sep 1, 2024
Fred Maytag Bowl
Newton, Iowa

By Phillip Smith; Sep. 2, 2024

Original source : phillycheezeblues.blogspot.com

Soaking up the blues in Newton, Iowa at the Bowlful of Blues Festival on Labor Day Weekend is one of my favorite things to do. Presented by The South Skunk Blues Society, this event is like a summer family reunion for Iowa blues fans. A crisp blue sky and temperatures hovering in the seventies made for perfect weather at Maytag Park this year.

The music kicked off this year with Newton’s own The Sears Band fronted by Jim Sears on guitar and vocals. Their high-energy set the pace for the rest of the day. Next up was Des Moines-based bluesman and 2005 Iowa Blues Hall of Fame inductee Steve E. George. I don’t know how I’ve missed this entertainer over the years, but I am very happy to have caught him in this stellar performance. Between sets, Clayton Ryan provided a mix of original songs and covers. This balladeer has a hell of a knack for writing songs. Brandon Santini took the stage and delivered a searing ninety-minute set of harmonica-fueled blues. I’ve been wanting to see him play live for a long time. Headlining the fest was Iowa’s Avey Grouws Band. I’m used to seeing the band as a quartet. This show was special in that they added Leo Albertoni on keys, Heath Alan on saxophone, and Jeni Grouws’ daughter Lillian Grouws on backing vocals. They rocked the park for two hours, with their final two songs being joined by Santini. I loved every bit of it.

Special thanks go out to The South Skunk Blues Society and all the volunteers who makes this wonderful event happen every year. 

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·       All Photos by Phillip Smith

The Sears Band

Steve E. George

Clayton Ryan

Brandon Santini

Avey Grouws Band

* All photos by Phillip Smith