Showing posts with label Charlie Wooton. Show all posts
Showing posts with label Charlie Wooton. Show all posts

Sunday, September 1, 2019

#406 : Charlie Wooton Project - Blue Basso



2019 – Wild Heart Records
By Phillip Smith; Sep. 1, 2019

Covering artists such as Deanna Bogart, and Billy Pierce the past few years have made me aware of Charlie Wooton’s work as a bassist.  Serving as his tribute to the great Jaco Pastorious, Blue Basso incorporates jazz, funk, R&B, and blues into a tasty concoction of music with a splash of New Orleans charm.  Here, his work stands gracefully in the spotlight getting the full attention it deserves.  The album is a surely a wonderful, musical treat.  With Wooton on bass, the band consists of Daniel Groover on guitar, Jermal Watson on drums, Keiko Komaki on keys, and features the lovely Arséne DeLay on vocals.  Adding to the ‘cool’ factor, appearances from Sonny Landreth, Anders Osborne, Doug Wimbish (Living Colour), Eric McFadden and Damon Fowler also grace this record. 

Wooton starts off with a groovy instrumental called “Jaceaux”.  Komaki is an absolute monster on keys.  Wimbish, whose work includes session work for Sugarhill Gang, Grandmaster Flash, The Rolling Stones, and Depeche Mode sits in on this track fortifying the song with an extra layer of funk.  “Come On Come Over”, a splendid cover from Jaco’s acclaimed 1976 self-titled album, is delightfully sung by DeLay.  “Dime Note” is fantastic.  I dig the beat Watson throws down on this one as the wonderfully calibrated lead guitar from Groover takes over.  Sonny Landreth breaks out a healthy helping of his signature slide guitar on back-to-back songs, “Tell Me a Story”, and “Front Porch”.  It’s always a pleasure to hear this man play.  The album closes out with a smooth funkified take on the Rolling Stones song, “Miss You”.  This fabulous cut has been a ‘go-to’ song for me this week. 

I appreciate and respect what Wooton is doing with his music.  The jams he builds are juicy and spectacular.  Blue Basso is definitely an album worth checking out.

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For more information about the artist, visit this website :  charliewooton.com  

Saturday, July 12, 2014

Deanna Bogart - Just a Wish Away…



2014 – Blind Pig Records

By Phillip Smith; July 12, 2014


Deanna Bogart keeps getting better and better.  Her latest release, Just a Wish Away is an instant classic featuring outstanding songwriting and superb performances. Capturing the creativity of Carole King, the spunk of Bonnie Raitt, and the vocal style of Christine McVie, Bogart seizes the listener’s attention quickly. Enlisting bassist Charlie Wooton, and New Orleans’s favorite horn section Bonerama, makes the album even more alluring.

I absolutely love “Back and Forth Kid”.  Beautifully played, this heartfelt song about growing up under lousy conditions sports an instant familiarity, as if it were a song heard a million times before.   “What is Love Supposed To Do” a pretty song of longing and dusting off old memories, also has a certain familiarity to it.  Marty Rifkin on steel guitar brings a nice little smidge of country to the song.         

Bogart breaks loose on Stevie Ray Vaughan’s “Tightrope”, hitting the ivories with full force to give the song new life as a piano-centric tune.  Without SRV’s signature guitar present, my brain took a little time to absorb what the song actually was the first time I heard it.  Going deep, Bogart teams up with Chris Jacobs, taking on JD Souther’s “If You Have Crying Eyes”, from his Black Rose album. Jacobs plays guitar and covers the other half of the vocals in this duet.  The two have great chemistry together, and sound as if they have been performing together for years. 

Sure to be a live staple, Deanna takes a turn to the funky side with Sly and the Family Stone’s “Hot Fun in the Summertime”. Wooton’s bass breaks loose on this track and Bonerama tops it off with their cool blasts of brass. 

Deanna Bogart’s talents are many, and this new album is very enjoyable.  Take the plunge and give Just a Wish Away… a listen.


Saturday, April 5, 2014

Billy Pierce & Friends - Take Me Back to the Delta


By Phillip Smith; April 5, 2014


Listening to the new album, Take Me to the Delta from Billy Pierce & Friends is like taking a mini musical vacation to New Orleans.  The songs are marinated in a Cajun-style country blues sauce and served buffet-style, so as to make sure everyone gets a little of what they have to offer.  Along with Pierce, who handles the vocals and slide guitar, is bassist Chris Miller and drummer Billy Meyers.  Joining the band is a multitude of guest musicians which include the likes of Sonny Landreth, Charlie Wooton, Waylon Thibodeaux and the guys from Bonerama.

Title track, “Take Me Back to the Delta” is a bluesy treat.  With guests Landreth on slide, Wooton on bass, and Thibodeaux fiddling away, you can’t go wrong. This one is just plain fun.  I really like the instrumental, “Song For Sonny”.  This is my favorite.  It pretty much falls into the category of trance blues.  Guest drummer Johnny Digiovanni, keeps a steady interesting beat running throughout the song as Pierce plays some bodacious slide guitar. I would love to hear a full album of more songs like this one.  Coming in at number two, is “Rooster”, a song about putting stuff behind you and letting go.  Jimmy Carpenter’s sax playing surely contributes to the cool factor.  While on the subject of cool factors, check out Wooten’s funky bass track on “Big Joe”.  It goes really well with that cool swampy slide Pierce lays down.      

A couple of notable covers to mention are Big Bill Broonzy’s “Key to the Highway”, and Hank Williams Sr.’s “Jambalaya”.  Like Heinz ketchup, the Broonzy cover is ‘Slow Good’.  Bonerama provides the horns and Johnny Neel tickles the ivories, giving this a really nice authentic New Orleans sound.  And we all know, no trip to The Big Easy is complete without a big bowl of the aforementioned Jambalaya.  This bowl is spiced up with help from Thibodeaux, Digiovanni, and Henry Ramato on accordion.  

Take Me Back to the Delta has some really cool musical components, and fans of both Blues and Zydeco music are encouraged to check this album out.