#720 > Micke Bjorklof & Blue Strip - Outtakes (PhillyCheezeBlues.Blogspot.com)

 

2024 – Hokahey! Records

By Phillip Smith; Dec. 21, 2024

Original source : phillycheezeblues.blogspot.com

 

I love the riveting energy Micke Bjorklof & Blue Strip pour into their music. This Finnish band sure has a way of making the blues sound magical. Their latest album Outtakes is a nine-track collection of unleased songs ranging over their thirty-year career.  According to Bjorklof, “The album offers fans an exclusive look at these previously unreleased tracks that are still full of soul, groove and emotion”.  With Bjorklof, front and center on vocals, harmonica, and guitar, he is joined by Lefty Leppanen on slide, electric guitars, and vocals, Seppo Nuolikoski on bass, Teemu Vuorela on drums, and Timo Roiko-Jokela on percussion, malletkat and vibraphone.

Outtakes begins with the spirited and freewheeling “On Vacation”. Originally recorded during the Ain’t Bad Yet sessions in 2014, this instant-favorite sure rejuvenates my soul.  I love Bjorklof’s firey vocals and Lefty’s slide guitar performance on “Way to Go”. The song hits me like a gallop through Mississippi swampland. I’m captivated by the funky and bluesy rhythm which drives the beautiful and intoxicating 2002 track “Silver Moon”.  Loaded with delicious slide guitar, this one is absolutely brilliant.  They bring the album to an attention-grabbing end with “Spooky Ride”. This caffeinated track is loaded to the brim with smoldering musical jam. Everything fits together wonderfully tight as Vuorela guides them with his fierce and masterful drumming.

It’s a thrill to hear this Micke Bjorklof & Blue Strip Outtakes album. The glimpses it provides into band’s three-decade long history makes a great listen for existing fans, and new listeners both.  

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For more information about Micke Bjorklof, visit the website @  https://www.mickebjorklof.com/

 

Check out other PhillyCheeze reviews featuring Micke Bjorklof and visit

https://phillycheezeblues.blogspot.com/search?q=micke+bjorklof

 

#719 > Kat Riggins and Her Blues Revival - Revival (PhillyCheezeBlues.Blogspot.com)

 

2024 – House of Berry Productions

By Phillip Smith; Dec. 14, 2024

Original source : phillycheezeblues.blogspot.com

 

Kat Riggins has been a favorite songstress of mine for the past eight years. This Miami-based blues singer is an absolute gem and I find her music captivating. Her powerful and fearless voice lends an undeniable electric charge to every song she sings.  Revival, her sixth album release contains ten all-original songs featuring producer Tim Mulberry (bass/keys/drums/horns) and guitarist Eric Guess, and backing vocalists Shaelyn Mulberry and Mark Barner.

Smoking guitar licks surrounded by blasts of brass and bustling keys usher the album in a massive blues fashion with “Lucky”. I love Riggins’ Aretha-level vocals as they punch up the funky and riveting “Southern Soul”.  I can’t help but smile when she sings ‘When God made man, I betcha he started with a Southern soul.”.  “New Level” is a tremendous blues-rocker with an infectious riff. Topped with a tasty serving of greasy slide-guitar, this track definitely cuts to the bone. The propelling groove threaded through the heart of “Mojo Thief” sweeps me off my feet and pulls me right in. Riggins pours her magical shaman mojo into “Healer” to bring the album to a beautiful end. I admire the soothing and delicate guitar picking of Guess on this inspirational song. It really is a nice touch.

Kat Riggins and Her Blues Revival has won me over yet again with her rocking blues-soaked soul on Revival. I love it from start to finish.   

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For more information about Kat Riggins, visit the website @  https://www.katriggins.com/music

 

For other PhillyCheeze reviews featuring Kat Riggins visit https://phillycheezeblues.blogspot.com/search?q=kat+riggins

#628: Chickenbone Slim - Damn Good and Ready (PhillyCheezeBlues.Blogspot.com)

 

2023 – Vizztone Label Group

By Phillip Smith; Aug. 12, 2023

 Original source : phillycheezeblues.blogspot.com

 

San Diego-based musician Larry Teves aka Chickenbone Slim has returned to Greaseland Studios to record his fifth release Damn Good and Ready.  The album is a cocktail of all-original blues and rockabilly with a cool-as-hell vintage sound.   It is quite obvious why he was awarded the 2022 San Diego Music Award for “Best Jazz/Blues Recording”.  With Christoffer “Kid” Anderson engineering, mixing, and mastering this twelve-track recording, Chickenbone Slim is joined by Laura Chavez (2023 Blues Music Award winner for Best Blues Guitarist) on guitar, Marty Dodson on drums/percussion, Justice Guevara on electric and stand-up bass, and Kid Anderson on everything else.

Loaded with a fistful of musical badassery and a searing blues riff, Teves’ homage to the wonderous lifeforce H2O has me hooked with “Drink Me”.  “Rather Be Up” follows up with sweet twangy tones and a western delivery.  It’s a beautiful song, and draws me in tight.  From the first smokin’ guitar lick Chavez drops, title-track “Damn Good and Ready” is pure unadulterated blues, and sounds absolutely wonderful.  With a fearless vocal delivery, Slim belts out “Ice in My Whiskey”.  Chavez truly shines on this favorite track.  It is songs like “Ty Cobb’s Chiclets” which put a spotlight on Teves’ songwriting mastery.  This suspenseful tale of a baseball legend and his false teeth unfolds with a splash of surf guitar, and I dig it immensely.

Chickenbone Slim’s Damn Good and Ready is a one-of-a-kind album and I highly recommend it. 

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Note: 

I caught Chickenbone Slim live in Memphis this past May performing at Rum Boogie Café on Beale Street for the Vizztone Blues Music Award Showcase, and had the opportunity to speak with him a bit while we were waiting for Uber rides at the end of the evening.  That was very cool.  The next evening, I attended the Blues Music Awards where Laura Chavez was awarded Guitarist of the Year.  Being the first female to be honored with that prestigious award in the forty-four years they have been held, will hopefully begin a new trend.  It was a special moment, and I am very happy she won.   

         

Visit Chickenbone Slim’s webpage at https//chickenboneslim.com to purchase Damn Good and Ready.

#609 : Dean Zucchero - Electric Church For the Spiritually Misguided (PhillyCheezeBlues.Blogspot.com)

 

Dean Zucchero

Electric Church for the Spiritually Misguided

2023 – Pugnacious

By Phillip Smith; April 15, 2023

Release Date : April 7,2023

Original source : phillycheezeblues.blogspot.com

 

Originally from New York City’s East Village, Dean Zucchero now calls New Orleans his home.  I first became aware of him through his work through the music of Ghalia Volt.  I had reviewed two of her albums, and Zucchero had made a big impression on me with his performance on bass guitar.  His debut album Electric Church for the Spiritually Misguided is quite exciting and a fabulous listen.  With Zucchero on bass guitar, he is accompanied by drummers Terrence Higgins and Doug Belote, organist Phil Breen, percussionist Alex McDonald, and guitarist Jake Eckert.   It’s great to hear him collaborate with personal favorites Ghalia Volt, Johnny Burgin, Johnny Rawls, and Jason Ricci.  Other featured guests include Dale Spalding, Jonathan “Boogie” Long, Bruce “Sunpie” Barnes, John Fohl, Joe Krown, Leslie Smith, Papa Mali, Johnny Sansone, and Jeremy Joyce.

“Big Boss Boy” the first hymn played at the Electric Church features Mississippi soul-blues legend Johnny Rawls on vocals, and Chicago blues great Johnny Burgin on guitar.  The buttery bassline, swirling organ, and backing singers sound fabulous alongside Rawls’ silky smooth vocals, and Burgin’s blues-infused licks.  “Craft Beer”, and ode to one of my favorite things, places Johnathon “Boogie” Long behind the mic for a suave-as-hell number.  Ghalia Volt sings “Last Minute Packer” a track which kicked off her 2021 album One Woman Band.  Co-written by Zucchero and Volt, this bodacious song features spirited performances by Waylon Thibodeaux on fiddle and Alex MacDonald on washboard.  I love the instrumental “DBA” which is fortified with harp from Jason Ricci and organ from Joe Krown.  The New Orleans energy flows freely through this one.  “Mortal Man” features Johnny Sansone on lead vocals and harp for a dose of real-deal blues.  It penetrates right to the bone.

The healing power is great at the Electric Church for the Spiritually Misguided.  Dean Zucchero has created a wonderful album indeed.    

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Track Listing:

 

1.      Big Boss Boy

2.      Independence Day

3.      Craft Beer

4.      Last Minute Packer

5.      Empty Postbox

6.      La Belle Poursuite

7.      Stack It

8.      Fascist Love

9.      DBA

10.  Mortal Man

11.  American Dream

 

 

For more information about Dean Zucchero visit his website at :  https://www.deanzucchero.com

 

Check out other PhillyCheeze reviews for Dean Zucchero at :  https://phillycheezeblues.blogspot.com/search?q=Dean+Zucchero

 

#606 : Tony Holiday - Motel Mississippi (PhillyCheezeBlues.Blogspot.com)

 

2023 – Forty Below

By Phillip Smith; April 7, 2023

Release Date : April 14, 2023

Original source : phillycheezeblues.blogspot.com

From his Porch Session albums, to his studio releases, I always find the music of Tony Holiday to be abundantly filled with juicy harp performances and swampy grooves.  His latest album, Motel Mississippi fits the bill again, and I really dig it.  When I read the album was recorded at Zebra Ranch in Coldwater, Mississippi, I knew it was going to be special.  With Holiday on vocals and harmonica, AJ Fullerton on guitar, Terrence Grayson on bass, Lee Williams on drums, and Dave Gross on guitars, organs, percussion, snare, and synth, the album has a rich texture.

This eight-track recording rolls out strong in a funky outlaw style with Victor Wainwright at the helm of a Wurlitzer on “Rob and Steal”.  They do a wonderful job of covering this Paul Wine Jones song.  It’s infectious as hell.  The sweet sound of Sixties blues fills the nooks and crannies of Holiday’s original “Trouble”.  Outside the nooks and crannies though, the song is a mind-bending experience loaded with musical psychedelia from Gross on guitar and Wainwright on the wah clav.  Short but really sweet is “She’s So Cold”, clocking in at just under two and a half minutes long, the groove on this one would make a mesmerizing extended jam.  The slide guitar of Aubrey McCrady makes for a fierce solo on “Just As Gone”.  It sounds great up against Gross on the Hammond, and Williams’ driving beat.  “Yazoo River” brings the album to a spirited close.  I really enjoy hearing Tony rip it up on harp.  It doesn’t get more Mississippi than this.

Motel Mississippi is one of those albums one will want to listen to in its entirety.  It is splendid from end to end.

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TRACK LISTINGS

 

1.      Rob and Steal

2.      Get By

3.      Trouble

4.      She’s So Cold

5.      Just As Gone

6.      Nobody But You

7.      You Know Who I Am

8.      Yazoo River

 

For more information about Tony Holiday visit his website at :  https://tonyholidaymusic.com

 

Check out other PhillyCheeze reviews for Tony Holiday at :  https://phillycheezeblues.blogspot.com/search?q=Tony+Holiday

#603 : Until the Sun - A Night at the Rhythm Room (PhillyCheezeBlues.Blogspot.com)

 

2023 – Independent

By Phillip Smith; April 1, 2023

Original source : phillycheezeblues.blogspot.com

 

Until the Sun’s impressive live album A Night at the Rhythm Room is absolutely delightful.  This Arizona-based band comprised of guitarist Brandon Teskey, singer Alyssa Swartz, drummer Chris Tex, and bassist Jay Zarecki is one hell of a tight-knit unit.  The album, recorded at the legendary Rhythm Room in Phoenix contains elements of rock, blues, jazz, and psychedelia poured into their music.  They certainly have their own unique sound, and I like it a lot.

I’m lulled in to “The 4^th Turning” with a beautiful melodic introduction to be wowed by Swartz’s lovely yet powerful voice.  Teskey’s guitar prowess is downright amazing when he shifts into Jimi-mode on this hypnotic rocker.  The band serves up a nice greasy dish of downhome blues with “Hell of a Thing”.  Swartz’s vocal performance oozes with feeling and emotion and I love the tone Teskey gets out of his instrument.  His musicianship really shines.  The heavy-fuzz infused “Diamonds in the Dust” is felt right down to the bone.  Zarecki’s bassline adds to the weight of the song while Tex brings his own brand of thunder to this infectious rocker. 

Out of the ten tracks on this album, all are original except for two.   The first cover is a exquisite take on Etta James’ “At Last”.  The focus rightly turns to Alyssa on this track with good reason.  She has a phenomenal voice.  The second cover is a brilliant performance of Led Zeppelin’s “Whole Lotta Love”.  Swartz sounds great singing it, and Teskey’s licks light up like fireworks.  With that song, the show ends on a high note leaving me wanting more.  

I highly recommend this record.  Now that Until the Sun is on my radar, I am going to keep a keen eye out for further releases.                            

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TRACKLIST

 

1. Battle Cry

2. The 4th Turning

3. Hell Of A Thing

4. Death In Disguise

5. Diamonds In The Dust

6. Unborn

7. At Last

8. Arisen

9. Burning Home

10. Whole Lotta love

 

For more information about Until the Sun, visit their website at :  https://untilthesun.com/

 

#581 > Robert Connely Farr - Shake It (PhillyCheezeBlues.Blogspot.com)

 

2022 – Robert Connely Farr

By Phillip Smith; Oct. 22, 2022

Original source : phillycheezeblues.blogspot.com

 

The music of Robert Connely Farr caught my attention back in 2019 with the release of his Dirty South Blues album.  It was absolutely wonderful.  His latest release Shake It continues to keep my attention glued to his works and marks his ninth studio album.  Farr excels at understanding the mechanics and history of the Bentonia style of blues as taught to him by his hometown hero 2020 Grammy Nominee for Best Traditional Blues Album, Jimmy ”Duck” Holmes. Seventy-five-year-old Holmes, living a life submersed in the blues, owns the oldest surviving juke joint in the world, The Blue Front Café located in Bentonia, Mississippi.  With Farr on lead guitar and vocals, the rest of the band on this nine-track gem is comprised of drummer Jay Bundy Johnson, bassist Tom Hillifer, and shaker/back up vocalist Liam Moes.  

The album starts off with a brilliant revision of Charlie Patton’s 1929 side “Screaming & Hollering”.  Farr breathes new life into the song with beautifully haunting guitar riffs and an expressive Bentonia approach.  Following next is a splendid cover of Jimmy “Duck” Holmes’ “Going Away to Leave You”, from his 2013 release All Night Long.  Riding a wave of heavy bass and injected with a fist-full of distortion, the song penetrates right to the bone. 

Hillifer and Johnson lay down a really funky rhythm for “Miss My Baby”, one of the six original songs, penned by Farr.  This call-out of the corporate world’s working trends running amok is quite infectious.  I love the rolling, swampy attack of title-track “Shake It”.  It’s gets right up there in my face staring me down eye-to-eye.  For the closer, Farr brushes off Tommy McClennan’s 1941 78 he cut for Bluebird Records “Sugar Mama”.  I can hear the desperation in his voice.  It’s so heavy.

Shake It marks my fourth review for Farr, and that’s a very positive statement.  I highly recommend this album. 

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Other PhillyCheeze Reviews for Robert Connely Farr:

 

Dirty South Blues

https://phillycheezeblues.blogspot.com/2019/05/391-robert-connely-farr-rebeltone-boys.html

 

Country Supper

https://phillycheezeblues.blogspot.com/2020/12/474-robert-connely-farr-country-supper.html

 

Ain’t Enough

https://phillycheezeblues.blogspot.com/2022/01/535-robert-connely-farr-aint-enough.html

 

Find Robert Connely Farr on bandcamp.com

#579 > Chris Canas - Detroit (PhillyCheezeBlues.Blogspot.com)

 

2022 – Third Street Cigar Records

By Phillip Smith; Oct.8, 2022

Original source : phillycheezeblues.blogspot.com

 

Detroit’s “Prince of Blues”, Chris Canas delivers a king-sized record of blues with his latest album Detroit.  His vocals are soulful and fearless as he masterfully tears it up on guitar.  This album features eleven amazing, all-original songs written, arranged, and composed by Canas.  With Canas on guitar, vocals, bass, and slide, his band consists of Derek “DC” Washington on bass, Danny Pratt on harmonica, Mikey Biddle on organ, Marc Anthony Guillory on drums, Nikki “D” Brown on lap steel, Ray Benson on percussion, Travis Geiman on trombone, Ben DeLong on trumpet, and Bob Manley on tenor saxophone.

Fortified with searing electric guitar, title-track “Detroit” breaks the seal with a blast of horn-infused funk.  It doesn’t take but just a few bars before I know I’m ‘all-in’ for the whole listening experience.  I love Canas’ deep, buttery vocals and placed-with-precision growls as he digs in to “Addicted”.  Hearing him rip it up on guitar is a sublime experience.  The Blues are served old-school with “Juke Joint Jive”.  With Guillory commandeering the drums, and Pratt laying down a hot plate of harp, this is party song indeed.  I really like how Canas pours the blues over an infectious reggae rhythm in the song “Cookie”.  It’s absolutely fabulous.  I get pulled right in to the funky groove on “Smoke in the City” with every listen.  I can’t get enough of it. 

Detroit is brilliant from start to finish.  Canas has a surefire winner on his hands with this record.

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For more information about Chris Canas, visit this website :

https://www.chriscanas.net

#555 > Ryan Lee Crosby - Winter Hill Blues (PhillyCheezeBlues.Blogspot.com)

 

2022 – Ryan Lee Crosby

By Phillip Smith; May 21, 2022

Original source : phillycheezeblues.blogspot.com

 

It was two years ago I first heard Ryan Lee Crosby play at the virtual Juke Joint Fest in Clarksdale, Mississippi.  The annual event was thrown for a spin in 2020 due to Covid 19, so organizers cleverly decided to take the festival online in a virtual sense with free live Facebook streams, and app-driven tip jars.  That was my first time to experience Juke Joint Fest in any capacity, and I was totally captivated.  Crosby’s performance bowled me over with his unique way of playing and his pure blues authenticity.

Produced by the legendary Bruce Watson (R.L. Burnside, Junior Kimbrough, Robert Belfour), and dedicated to his mentor, the great Jimmy “Duck” Holmes, Winter Hill Blues is a sensational nine-track album of deep-delta acoustic guitar blues.  Eight of those nine tracks are wonderfully-timeless originals penned by Crosby.  Backing Crosby is drummer/percussionist George Sluppick (JJ Grey & Mofro, Chris Robinson), and bassist Mark Edgar Stuart.   

From the beginning notes of “I’m Leaving”, I’m onboard.  I love how Sluppick’s freight-train beat kicks in and Stuart’s bass notes penetrate right to the bone.  Crosby impressively woos me on guitar, declaring “Well I’m gonna leave ya child, I’m gonna leave when the morning comes”.  His genteel delivery of title-track “Winter Hill Blues” is beautifully executed.  There’s a definite Skip James energy surrounding this one, and it sounds wonderful.  The swirling hypnotic rhythm on “Down So Long” pert near puts me in a North Mississippi trance, and I enjoy it immensely.   Continuing along Bentonia blues tradition with songs about the devil, Crosby’s “Was it the Devil” is a poignant and reflective song about his mother’s passing.  Here he sings “It was the devil who made her do that thing, but it was the lord who gave her angel’s wings”.  He takes a hard look at the institutions we are most familiar with in his hard-driving blues anthem “Institution Blues”, and finds a hidden purpose of systematic control when he takes a peek behind the curtains.  The song could’ve been written at anytime within the past hundred years, but its words are ageless.  The album closes with a robust cover of Rev. Robert Wilkins’ “Wish I Was in Heaven Sitting Down”.  The slide guitar on this track is absolutely fabulous.

Winter Hill Blues is a wonderful album of traditional blues and it deserves all the future accolades it will receive.        

 

 

 

For more information about Ryan Lee Crosby, visit this website :  https://ryanleecrosby.com

 

 

 

Ryan Lee Crosby on Bandcamp

PhillyCheezeBlues.Blogspot.com #554 > Diunna Greenleaf - I Ain't Playin'

 

2022 – Little Village

By Phillip Smith; May 14, 2022

Original source : phillycheezeblues.blogspot.com

 

I Ain’t Playin’, the latest release from Texas blues artist Diunna Greenleaf is a must-hear.  This three-time Blues Music Award winner, dishes out thirteen wonderful tracks, incorporating blues, soul, funk, and southern gospel.  Her amazing vocals are backed by a stellar lineup of musicians which include producer Kid Andersen on guitar, Jerry Jemmott on bass, Jim Pugh on keys, and Derrick “D’mar’ Martin on drums.

The album busts loose on a strong Stax-influenced start with “Never Trust a Man”.  A funky bassline, groovy beat, and stellar horn section provide the perfect pocket for Greenleaf’s fiery voice.  Steeped in seventies soul, “Running Like the Red Cross” gets down as Pugh deals out a generous dose of swirling keys to accompany the song’s lush melody.  “If it Wasn’t for the Blues” is delightfully funky in an Isaac Hayes kind of way.  With guest Igor Prado on lead guitar, this is the song I can listen to many times over and enjoy it each and every time.  All it takes is five seconds for Jemmott’s infectious bassline riff on “Answer to the Hard Working Woman” to reel me in for an invigorating musical explosion.  I love how Martin’s precision beat, Greenleaf’s vocals, and those fabulous horns get increasingly thicker until the final note.  The blues sounds so good when Diunna sings “Damned if I Do”, and with accompaniment by Andersen, she sounds even sweeter. 

Ain’t Playin’ is such a dynamic album.  Everything about it works and it sounds amazing.  

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For more information about Diunna Greenleaf, visit this website :  https://diunna.com/

 

#523 : Hector Anchondo - Let Loose Those Chains

2021 – Vizztone

By Phillip Smith; Oct. 17, 2021

Five years ago, in July of 2016, I heard Hector Anchondo for the first time, and instantly became a fan.  His band was playing the North Liberty Blues and BBQ Festival in North Liberty, Iowa.  Less than a month later, I would hear him again at Tommy Bolin Festival in Sioux City, Iowa.  Again, he dazzled me with his unique style of blues.  In 2020, Anchondo entered the International Blues Challenge in Memphis for the third time, and righteously awarded the top prize in the best solo/duo category.  It was very well deserved. 

Let Loose Those Chains is the brilliant all-original, self-produced new album from Hector Anchondo.  With Anchondo on guitar and vocals, drummer Khayman Winfield, and bassist Joe Corley comprise the rest of this well-oiled three-piece band.            

Title-track “Let Loose Those Chains” opens the album in a very poignant way, capturing my full attention.  Anchondo’s writing and performance of this message of breaking free is absolutely striking.  The tension is broken with the fabulously swinging track loaded with delicious twang called “I’m Going to Missouri”.  It’s such a fun song.  Anchondo breaks out the resonator and slide for his song of infatuation “Sweet Tooth”.  I love this sound that feels like it’s straight out of the Mississippi Delta.  Time seems to stand still as he slows things down for “Sometimes Being Alone Feels Right”, a beautiful ballad of self-reflection.  Praise and gratitude are bestowed on single mothers everywhere, receiving a heart-felt acknowledgment in “Momma’s a Hard Man”.  Anchondo makes this solo effort feel very personal. 

Let Loose Those Chains is one of those records that shine brightly from every facet and elevates Anchondo to a whole new level.  I highly recommend it.  

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Link to the PhillyCheeze review of Hector Anchondo’s 2017 Roll the Dice album : https://phillycheezeblues.blogspot.com/2017/03/hector-anchondo-band-roll-dice.html

 

 For more information about the artist, visit this website : https://www.hectoranchondo.com