#654 : Patti Parks - Come Sing With Me (featuring Johnny Rawls) (PhillyCheezeBlues.Blogspot.com)

 

2024 – Vizztone Label Group

By Phillip Smith; Jan 6., 2024

Release Date : Jan. 5, 2024

Original source : phillycheezeblues.blogspot.com

 

When Patti Parks sings, her voice pulls me right in to the song.  I love to hear her sing.  Her latest album Come Sing With Me is a wonderful album of soul blues.  Muti-Blues Music Award recipient Johnny Rawls produces, arranges horns, and appears on several songs contributing his smooth vocal and guitar stylings.   With Rawls at the helm, the album surely has a vintage southern charm.  The recording also features guests Anthony Geraci on piano, and Richard Rosenblatt on harmonica.

Drummer Hugh Arther and bassist Tony Cammilleri lay down a buttery groove for Parks and Rawls’ duet “I’m in Love With You Baby”.  Topped off with a nice blast of horns, and a Steve Cropper-ish guitar performance from Aaron Flynt, the song shines bright and is perfectly fitted for an opening track.  From the opening sounds of the swirling organ played by Aaron Blackmon, I’m grooving to “Sing Around the World”.  It is a feel-good anthem I can’t help but smile to.  Flynt, along with Guy Nirelli on organ, create a sort of Stevie Ray Vaughan meets Ray Manzarek vibe for “I’m Sorry”.  Parks sings this Texas blues masterpiece with an unbridled fearlessness and she sounds terrific.  The sultry double-entendres Parks unleashes on “Hamburger Man” add spice to an already hot bowl of slow simmering blues.  I love the way the heavy bassline and Rosenblatt’s harp accompaniment fit tightly in with Flynt’s smokin’ guitar.  Parks’ voice sounds amazing on “Why”.  Her classic soul-singer approach injects a sense of timelessness into the song.  When Parks and Rawls join forces as a duet on Rawls’ “How Much Longer”, the stars are perfectly aligned.  I love the bursts of sax that pepper their smooth-as-silk performance.

Patti Parks’ Come Sing With Me featuring Johnny Rawls is a terrific album to break the new year in with.  I highly recommend giving it a listen.                  

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For more information about the artist, visit this website : https://www.thepattiparksband.com/

 

 

#609 : Dean Zucchero - Electric Church For the Spiritually Misguided (PhillyCheezeBlues.Blogspot.com)

 

Dean Zucchero

Electric Church for the Spiritually Misguided

2023 – Pugnacious

By Phillip Smith; April 15, 2023

Release Date : April 7,2023

Original source : phillycheezeblues.blogspot.com

 

Originally from New York City’s East Village, Dean Zucchero now calls New Orleans his home.  I first became aware of him through his work through the music of Ghalia Volt.  I had reviewed two of her albums, and Zucchero had made a big impression on me with his performance on bass guitar.  His debut album Electric Church for the Spiritually Misguided is quite exciting and a fabulous listen.  With Zucchero on bass guitar, he is accompanied by drummers Terrence Higgins and Doug Belote, organist Phil Breen, percussionist Alex McDonald, and guitarist Jake Eckert.   It’s great to hear him collaborate with personal favorites Ghalia Volt, Johnny Burgin, Johnny Rawls, and Jason Ricci.  Other featured guests include Dale Spalding, Jonathan “Boogie” Long, Bruce “Sunpie” Barnes, John Fohl, Joe Krown, Leslie Smith, Papa Mali, Johnny Sansone, and Jeremy Joyce.

“Big Boss Boy” the first hymn played at the Electric Church features Mississippi soul-blues legend Johnny Rawls on vocals, and Chicago blues great Johnny Burgin on guitar.  The buttery bassline, swirling organ, and backing singers sound fabulous alongside Rawls’ silky smooth vocals, and Burgin’s blues-infused licks.  “Craft Beer”, and ode to one of my favorite things, places Johnathon “Boogie” Long behind the mic for a suave-as-hell number.  Ghalia Volt sings “Last Minute Packer” a track which kicked off her 2021 album One Woman Band.  Co-written by Zucchero and Volt, this bodacious song features spirited performances by Waylon Thibodeaux on fiddle and Alex MacDonald on washboard.  I love the instrumental “DBA” which is fortified with harp from Jason Ricci and organ from Joe Krown.  The New Orleans energy flows freely through this one.  “Mortal Man” features Johnny Sansone on lead vocals and harp for a dose of real-deal blues.  It penetrates right to the bone.

The healing power is great at the Electric Church for the Spiritually Misguided.  Dean Zucchero has created a wonderful album indeed.    

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Track Listing:

 

1.      Big Boss Boy

2.      Independence Day

3.      Craft Beer

4.      Last Minute Packer

5.      Empty Postbox

6.      La Belle Poursuite

7.      Stack It

8.      Fascist Love

9.      DBA

10.  Mortal Man

11.  American Dream

 

 

For more information about Dean Zucchero visit his website at :  https://www.deanzucchero.com

 

Check out other PhillyCheeze reviews for Dean Zucchero at :  https://phillycheezeblues.blogspot.com/search?q=Dean+Zucchero

 

#416 : Johnny Rawls - I Miss Otis Clay

2019 - Third Street Cigar Records   
By Phillip Smith; Nov. 9, 2019

It’s always a pleasure to hear new music from Johnny Rawls.  He is indeed one of the best soul-blues musicians around today.  I make a point to go hear him whenever he’s in Cedar Rapids, Iowa, performing at Checkers Tavern.  His new album, I Miss Otis Clay is downright spectacular.  I love it from start to finish.  This poignant homage to Rawls’ close friend and Blues Hall of Famer Otis Clay, is an instant favorite for me.  Recorded in Toledo, Ohio, the home of Third Street Cigar Records, the album features local blues musicians: guitarist Larry ‘Mr. Entertainment’ Gold, bassist Johnny ‘Hi-Fi’ Newmark, keyboardist ‘Cadillac’ Dan Magers, and drummer Scott Kretzer.  Also appearing on the record are The Toledo Horns comprised of Ric Wolkins on trumpet, and Mark Lemie on sax.

The hot buttery soul of “California Shaking Again’ leads off with a funky backbeat, infectious riffs, and sweet blasts of brass.  Rawls’ vocals are smooth and suave for this fantastic opening track.  Celebrating those contemporaries who have helped keep the art of The Blues alive, he pays an endearing tribute with “Give a Toast to the Blues”.  Guaranteed to set the mood for some good loving, Rawls’ soulful, romantic two-fer “Slow Roll It” and “Motion of the Ocean” are comfortably tucked in a cozy blanket of slow-groove.  

Title track, “I Miss Otis Clay”, brings a tear to my eye, as I listen to him sing about missing his friend.    In 2014, Rawls and Clay released the album Soul Brothers, which won the 2015 Blues Blast Award for Soul Album of the Year.  Clay sadly passed away from a heart attack in 2016.

The bar has once again been set for Soul-Blues.  I Miss Otis Clay, is my favorite Johnny Rawls album to date.        

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For more information about the artist, visit this website.. www.johnnyrawlsblues.com  

Johnny Rawls “ Ace of Spades ” From the Archives #9

by Phillip Smith

With Ace of Spades, Mississippi blues artist Johnny Rawls brings the big city blues club to the listener with a very polished production and smooth as silk vocals.  His style reminds me a lot of Sam and Dave, as it reflects a lot of that Memphis sound from the mid to late Sixties. The recording of  Ace of Spades was split between two different studios, Sonic Ranch in Tornillo, TX, and Soul Tree Studios in Helena, MT.  Rawls uses a separate set of musicians at each location. 

There are three songs recorded at Sonic Ranch that really jump out and grab me.  The first being the title track, “Ace of Spades”.  This is such a fun song, and I really like the way Rawls includes the horn section.  The second, being “Gasoline on the Fire”, a really funky selection from the viewpoint of a fellow whose lady is a bit on the wild side.  Lastly, “My Broken Heart”, which features a powerful horn arrangement with a taste of keyboards to spice up Rawls soulful vocals as he sings about his heart being torn apart. 

Some very wonderful cuts were recorded at Soul Tree as well.  Rawls makes an excellent point, as he  preaches about how self indulgent we have all become trying to live the “American Dream”.  The lyrics are poignantly honest  as he sings ‘as you drive on by in your limousine, he [the homeless man] can’t see into your American dream.’.   It makes one think about priorities.   “Can’t Win For Losing”, another song I think quite a few folks can identify with,  considering the current condition of the economy,  is a slower cut with a slight zydeco flavoring.  When I hear the hook, ‘I can’t win for losing, I lose every time.  Every time I get a nickel, somebody want a dime‘, I say ‘Amen brother!’.

This is a solid CD.  It’s enjoyable from beginning to end, and worth checking out. 

Rating =  5/5

http://www.johnnyrawlsblues.com/


Originally published in the Linn County Blues Society Bluespaper - April 2010