#655 : Until the Sun - Enchantment (PhillyCheezeBlues.Blogspot.com)

2023 – Until the Sun

By Phillip Smith; Jan. 13, 2024

Original source : phillycheezeblues.blogspot.com

Phoenix blues-rockers Until the Sun has been on my radar since reviewing their previous album A Night at the Rhythm Room.  Their latest album Enchantment hits heavy with a fistful of hard-driving original songs peppered with psychedelia, and I love every bit of it.  Broken into two parts : “Enchantment Pt 1” and “Enchantment Pt 2”, the record is definitely album-oriented.  I find a fabulous musical-chemistry among the members of the band : singer Alyssa Swartz, guitarist Brandon Teskey (also on bass, sitar and vocals), and drummer Chris Tex.  They sound terrific together.        

I dig the funky groove that kicks off “Dancing on the Floor”.  Swartz’s voice sounds wonderful, as she belts out the lyrics in a fearless Pat Benatar-way.  The guitar solo from Teskey is masterfully attention-grabbing.  The combination of the two makes for an epic song.  Another solid dose of rock ‘n roll ensures on “Dragon Below” as it swiftly sweeps me off my feet with its opening riff.   It’s wonderous in the way the song takes ethereal dips embedded within its guitar-blazing glory.  Whipping out a thunderous bass-line and a cosmic guitar attack, Teskey injects a bluesy Pink Floyd-ish vibe into the only cover song on the album “Hound Dog“.  Nothing is held back vocal-wise as Swartz digs deep for her performance of this Big Mama Thornton hit.  “Seek the Sunshine” is a phenomenal serving of blues and sits among my favorites.  Soulful vocal growls and tuneful guitar licks make “Groovin” a sure-fire standout piece of original blues too.   “Ghost in the Prayer” brings the record to its end with a pulsing riff, angelic singing, and a trippy guitar performance, making for a cool-as-hell finale.        

Until the Sun is one of the more unique original blues-rock bands on the scene today and Enchantment is an album which I highly recommend.         

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For more information about the artist, visit this website : https://untilthesun.com

Link to PhillyCheeze review for  Until The Sun - Night at the Rhythm Room :  https://phillycheezeblues.blogspot.com/2023/04/603-until-sun-night-at-rhythm-room.html

#642: The Dig 3 - Damn the Rent (PhillyCheezeBlues.Blogspot.com)

 

2023 – The Dig 3

By Phillip Smith; Nov. 4, 2023

 

Original source : phillycheezeblues.blogspot.com

 

A wave of nostalgia washes over me with every listen to Damn the Rent, the latest album from Illinois bluesmen The Dig 3.  Their all-original songs range from traditional blues, to the funky R&B sounds of the Seventies and Eighties.  Consisting of Andrew Duncanson on vocals and guitar, Ronnie Shellist on harmonica, and Gerry Hundt on Farmer foot drums, percussion, bass VI, guitar, harmonica, mandolin, and organ, the trio makes quite a positive impression.       

An intoxicating Bo Diddley-inspired rhythm welcomes the listener in for a musical road trip through The Prairie State on “Take a Ride”.  Shellist’s harmonica performance on this is fabulous.  I love the warm tones on “Big Water” and how Duncanson’s smooth vocals pair with Shellist’s masterfully injected harp.  The ingredients all cook up into a big bowlful of vintage Chicago Blues.  The funk rises to the top on the instrumental “Blanco Boogaloo” with a rhythm that is sweetly unescapable.  The Dig 3 throw in a remarkable pre-war blues style curve ball with “Old Dog”.  My ears immediately perked[P1]  up and a smile grew across my face once I heard the familiar sound of kazoo.  A disco-infused beat guides the groovy rhythm of “Southern Fantasy” directly to the dance floor when vocalist Lauren Dukes, bassist Aaron Whittier, and drummer/percussionist Rick King join The Dig 3 to form Dig 3 Big Version.  I like this one a lot.

The Dig 3’s Damn the Rent won me over on the first track and left me wanting to hear more from the band.  It’s a splendid listen. 

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For more information about the artist, visit this website : https://thedig3band.com

#639: Dave Keller - It's Time to Shine (PhillyCheezeBlues.Blogspot.com)

2023 – Tastee Tone Records

By Phillip Smith; Oct. 14, 2023

Original source : phillycheezeblues.blogspot.com

 

With nearly twenty-five years of recording music under his belt, Dave Keller returned to the studios again last fall.  The studio, however, happened to be a friend’s cabin ten miles south of the US/Canadian border nestled in the Adirondacks.  It was there, Keller and his band recorded his tenth album It’s Time to Shine.  This record of all original songs brings joy to me with every listen.  His sophisticated vocals lend an extra layer of finesse to the sleek brand of feel-good soul-blues he masterminds.  With Keller up front on vocals and guitar, he is joined by Ira Friedman on keys, Jay Gleason on drums/percussion, Alex Budney on bass, Mark Earley on sax, Tom Palance on trumpet, and Annika Chambers-DesLauriers on backing vocals.

It’s Time to Shine breaks open with the infectious bassline of “Waiting for the Sunrise”.  A slight Beatles “Come Together” vibe hangs around just out of sight, as cosmic guitar sounds accent Friedman’s steady-rolling keys on this cool-as-hell song.  Keller and company deliver a tight and riveting performance on “The Truth of the Blues”.  The driving rhythm tightly pulls me right in to this wonderful track.  With a suave approach, Keller delivers a soulful, happy love song with “I Wanna Go Back to Memphis”.   Hearing him sing about walking by the river and Beale Street, makes me a little homesick since I grew up about sixty miles from the Bluff City.  Keller digs deep and conjures up his inner-Eric Clapton for “Full Measure of Pleasure”.  Vocally and sonically this song is an absolute gem. 

Keller has a sure-fire hit with It’s Time to Shine. It is a splendid listen from beginning to end with a dozen terrific songs which flow effortlessly from one to the next.                           

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For more information about the artist, visit this website : https://www.davekeller.com/

 

Check out other PhillyCheeze reviews for Dave Keller at :  https://phillycheezeblues.blogspot.com/search?q=Dave+Keller

Available from Bandcamp

#614 : Lil' Jimmy Reed with Ben Levin - Back to Baton Rouge (PhillyCheezeBlues.Blogspot.com)

 

2023 – Nola Blue Records

By Phillip Smith; May 20, 2023

Release Date : May 19, 2023

Original source : phillycheezeblues.blogspot.com

 

At eighty-five years old, Leon Atkins aka Lil’ Jimmy Reed has released a new album with twenty-three-year-old blues pianist extraordinaire Ben Levin, and it is fantastic.  The record is called Back to Baton Rouge and was recorded with guitarist Aron Levin (father of Ben Levin), bassist Walter Cash Jr., and drummers Ricky Nye and Miss Shorty Starr.  Atkins, who cut his teeth in the music world while playing the Chitlin Circuit during the Fifties, keeps the blues-torch burning from that era as he injects that essence into his writing and performances.  It was during that time, Atkins was asked to fill in for Jimmy Reed and play with Reed’s band on a show in Baton Rouge, Louisiana.  Reed had reportedly drunk a bit too much and was unable to perform.  Atkins covered for Reed, and the show went very well.  Soon after Atkins became known as Lil’ Jimmy Reed.    

The album starts off with an attention-grabbing cover of Jimmy Reed’s “Down in Virginia”.  Akins’ smokey vocals sound great as he plays this one bright and clean.  Levin’s piano accompaniment is a delight too.  This is one of my favorite cuts on this record.  Two other Jimmy Reed gems are covered back-to back: “I’m the Man Down There” and “A String to Your Heart”.  They surely make an honorable tribute to the blues-great.  

“Wish You Wouldn’t”, is a terrific piano-centric blues original written by Ben and Aron Levin.  The guitar licks Lil’ Jimmy perfectly injects into the song sound great as he sings about his lady drinking too much, chewing tobacco, and fighting.  A strong Howlin’ Wolf vibe woos me over with the steady-rolling original “Engine Light”.   The ominous feeling Atkins projects on this tale of a possible breakdown digs in deep to the bone.  A luscious cover of Slim Harpo’s “Mailbox Blues” brings the album to a close.

Back to Baton Rouge packs ten outstanding traditional blues tracks into one fabulous album.  I hope to hear more collaborations between Lil’ Jimmy Reed and Ben Levin in the future.

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I had a special opportunity last week to see Lil’ Jimmy Reed and Ben Levin perform together in Memphis as part of the BratGirlmedia Blues Music Awards Showcase at the Rum Boogie Café.  It was a glorious night for music. Below are a couple of photos I captured of Lil’ Jimmy and Ben that evening.   

 

Lil' Jimmy Reed , Ben Levin

Rodd Bland, Jon Hay, Lil' Jimmy Reed

 

 

 

This album available on Bandcamp

#609 : Dean Zucchero - Electric Church For the Spiritually Misguided (PhillyCheezeBlues.Blogspot.com)

 

Dean Zucchero

Electric Church for the Spiritually Misguided

2023 – Pugnacious

By Phillip Smith; April 15, 2023

Release Date : April 7,2023

Original source : phillycheezeblues.blogspot.com

 

Originally from New York City’s East Village, Dean Zucchero now calls New Orleans his home.  I first became aware of him through his work through the music of Ghalia Volt.  I had reviewed two of her albums, and Zucchero had made a big impression on me with his performance on bass guitar.  His debut album Electric Church for the Spiritually Misguided is quite exciting and a fabulous listen.  With Zucchero on bass guitar, he is accompanied by drummers Terrence Higgins and Doug Belote, organist Phil Breen, percussionist Alex McDonald, and guitarist Jake Eckert.   It’s great to hear him collaborate with personal favorites Ghalia Volt, Johnny Burgin, Johnny Rawls, and Jason Ricci.  Other featured guests include Dale Spalding, Jonathan “Boogie” Long, Bruce “Sunpie” Barnes, John Fohl, Joe Krown, Leslie Smith, Papa Mali, Johnny Sansone, and Jeremy Joyce.

“Big Boss Boy” the first hymn played at the Electric Church features Mississippi soul-blues legend Johnny Rawls on vocals, and Chicago blues great Johnny Burgin on guitar.  The buttery bassline, swirling organ, and backing singers sound fabulous alongside Rawls’ silky smooth vocals, and Burgin’s blues-infused licks.  “Craft Beer”, and ode to one of my favorite things, places Johnathon “Boogie” Long behind the mic for a suave-as-hell number.  Ghalia Volt sings “Last Minute Packer” a track which kicked off her 2021 album One Woman Band.  Co-written by Zucchero and Volt, this bodacious song features spirited performances by Waylon Thibodeaux on fiddle and Alex MacDonald on washboard.  I love the instrumental “DBA” which is fortified with harp from Jason Ricci and organ from Joe Krown.  The New Orleans energy flows freely through this one.  “Mortal Man” features Johnny Sansone on lead vocals and harp for a dose of real-deal blues.  It penetrates right to the bone.

The healing power is great at the Electric Church for the Spiritually Misguided.  Dean Zucchero has created a wonderful album indeed.    

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Track Listing:

 

1.      Big Boss Boy

2.      Independence Day

3.      Craft Beer

4.      Last Minute Packer

5.      Empty Postbox

6.      La Belle Poursuite

7.      Stack It

8.      Fascist Love

9.      DBA

10.  Mortal Man

11.  American Dream

 

 

For more information about Dean Zucchero visit his website at :  https://www.deanzucchero.com

 

Check out other PhillyCheeze reviews for Dean Zucchero at :  https://phillycheezeblues.blogspot.com/search?q=Dean+Zucchero

 

#606 : Tony Holiday - Motel Mississippi (PhillyCheezeBlues.Blogspot.com)

 

2023 – Forty Below

By Phillip Smith; April 7, 2023

Release Date : April 14, 2023

Original source : phillycheezeblues.blogspot.com

From his Porch Session albums, to his studio releases, I always find the music of Tony Holiday to be abundantly filled with juicy harp performances and swampy grooves.  His latest album, Motel Mississippi fits the bill again, and I really dig it.  When I read the album was recorded at Zebra Ranch in Coldwater, Mississippi, I knew it was going to be special.  With Holiday on vocals and harmonica, AJ Fullerton on guitar, Terrence Grayson on bass, Lee Williams on drums, and Dave Gross on guitars, organs, percussion, snare, and synth, the album has a rich texture.

This eight-track recording rolls out strong in a funky outlaw style with Victor Wainwright at the helm of a Wurlitzer on “Rob and Steal”.  They do a wonderful job of covering this Paul Wine Jones song.  It’s infectious as hell.  The sweet sound of Sixties blues fills the nooks and crannies of Holiday’s original “Trouble”.  Outside the nooks and crannies though, the song is a mind-bending experience loaded with musical psychedelia from Gross on guitar and Wainwright on the wah clav.  Short but really sweet is “She’s So Cold”, clocking in at just under two and a half minutes long, the groove on this one would make a mesmerizing extended jam.  The slide guitar of Aubrey McCrady makes for a fierce solo on “Just As Gone”.  It sounds great up against Gross on the Hammond, and Williams’ driving beat.  “Yazoo River” brings the album to a spirited close.  I really enjoy hearing Tony rip it up on harp.  It doesn’t get more Mississippi than this.

Motel Mississippi is one of those albums one will want to listen to in its entirety.  It is splendid from end to end.

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TRACK LISTINGS

 

1.      Rob and Steal

2.      Get By

3.      Trouble

4.      She’s So Cold

5.      Just As Gone

6.      Nobody But You

7.      You Know Who I Am

8.      Yazoo River

 

For more information about Tony Holiday visit his website at :  https://tonyholidaymusic.com

 

Check out other PhillyCheeze reviews for Tony Holiday at :  https://phillycheezeblues.blogspot.com/search?q=Tony+Holiday

#603 : Until the Sun - A Night at the Rhythm Room (PhillyCheezeBlues.Blogspot.com)

 

2023 – Independent

By Phillip Smith; April 1, 2023

Original source : phillycheezeblues.blogspot.com

 

Until the Sun’s impressive live album A Night at the Rhythm Room is absolutely delightful.  This Arizona-based band comprised of guitarist Brandon Teskey, singer Alyssa Swartz, drummer Chris Tex, and bassist Jay Zarecki is one hell of a tight-knit unit.  The album, recorded at the legendary Rhythm Room in Phoenix contains elements of rock, blues, jazz, and psychedelia poured into their music.  They certainly have their own unique sound, and I like it a lot.

I’m lulled in to “The 4^th Turning” with a beautiful melodic introduction to be wowed by Swartz’s lovely yet powerful voice.  Teskey’s guitar prowess is downright amazing when he shifts into Jimi-mode on this hypnotic rocker.  The band serves up a nice greasy dish of downhome blues with “Hell of a Thing”.  Swartz’s vocal performance oozes with feeling and emotion and I love the tone Teskey gets out of his instrument.  His musicianship really shines.  The heavy-fuzz infused “Diamonds in the Dust” is felt right down to the bone.  Zarecki’s bassline adds to the weight of the song while Tex brings his own brand of thunder to this infectious rocker. 

Out of the ten tracks on this album, all are original except for two.   The first cover is a exquisite take on Etta James’ “At Last”.  The focus rightly turns to Alyssa on this track with good reason.  She has a phenomenal voice.  The second cover is a brilliant performance of Led Zeppelin’s “Whole Lotta Love”.  Swartz sounds great singing it, and Teskey’s licks light up like fireworks.  With that song, the show ends on a high note leaving me wanting more.  

I highly recommend this record.  Now that Until the Sun is on my radar, I am going to keep a keen eye out for further releases.                            

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TRACKLIST

 

1. Battle Cry

2. The 4th Turning

3. Hell Of A Thing

4. Death In Disguise

5. Diamonds In The Dust

6. Unborn

7. At Last

8. Arisen

9. Burning Home

10. Whole Lotta love

 

For more information about Until the Sun, visit their website at :  https://untilthesun.com/

 

#598 : Alastair Greene - Alive in the New World (PhillyCheezeBlues.Blogspot.com)

 

2023 – Whiskey Bayou Records

By Phillip Smith; Feb. 25, 2023

 

Original source : phillycheezeblues.blogspot.com

 

Alastair Greene’s guitar wizardry coupled with his innate ability to craft songs is just the beginning of why his live albums are as delectable as the ones he recorded in studio.  I love the studio albums, but the live albums make for an entirely different listening experience with Alastair packing more into several of the songs.  Greene’s most recent disc Alive in the New World covers ten of the eleven tracks on his 2020 studio album New World Blues.  Produced by Tab Benoit, these live recordings were taken out of a six-night run in Chicago at City Winery during a 2021 tour in which Greene was opening for Benoit.  The lineup is exactly the same as the original studio album with Greene on guitar and vocals, Benoit on drums, and Corey Duplechin on bass and harmony.  The songs are sequenced very differently than they originally were on New World Blues and omits the inclusion of “Alone and Confused”. 

Alastair’s guitar is ablaze and slathered in Texas blues as he leads the record off with “Back at the Poor House”.  The funky groove on this instrumental whisks me away to my happy place.  “Lies and Fear” gets down and dirty as Greene questions an age-old manipulation tactic.  He takes this song skyward as he opens up and lets loose.  I absolutely love “Heroes” as it crashes ashore riding atop an enormous melancholy wave.  The song still reminds me of The Meat Puppets.  It doesn’t take long for “Bayou Mile” to get swampy after it gently rolls in.  Greene dishes out a whopping helping of slide guitar on this one and it sounds great.  Alive in the New World closes in a bodacious way with “The New World Blues”.  This is when Greene dumps the remainder of grease and swamp-water into an amazing finale. 

The New World Blues was a favorite of mine in 2021.  Alive in the New World is a favorite of mine in 2023.  I recommend getting both.    

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For more information about Alastair Greene, visit his website at : https://agsongs.com  

 

Check out other PhillyCheeze reviews for Alastair Greene at :  https://phillycheezeblues.blogspot.com/search?q=alastair+greene

 

#581 > Robert Connely Farr - Shake It (PhillyCheezeBlues.Blogspot.com)

 

2022 – Robert Connely Farr

By Phillip Smith; Oct. 22, 2022

Original source : phillycheezeblues.blogspot.com

 

The music of Robert Connely Farr caught my attention back in 2019 with the release of his Dirty South Blues album.  It was absolutely wonderful.  His latest release Shake It continues to keep my attention glued to his works and marks his ninth studio album.  Farr excels at understanding the mechanics and history of the Bentonia style of blues as taught to him by his hometown hero 2020 Grammy Nominee for Best Traditional Blues Album, Jimmy ”Duck” Holmes. Seventy-five-year-old Holmes, living a life submersed in the blues, owns the oldest surviving juke joint in the world, The Blue Front Café located in Bentonia, Mississippi.  With Farr on lead guitar and vocals, the rest of the band on this nine-track gem is comprised of drummer Jay Bundy Johnson, bassist Tom Hillifer, and shaker/back up vocalist Liam Moes.  

The album starts off with a brilliant revision of Charlie Patton’s 1929 side “Screaming & Hollering”.  Farr breathes new life into the song with beautifully haunting guitar riffs and an expressive Bentonia approach.  Following next is a splendid cover of Jimmy “Duck” Holmes’ “Going Away to Leave You”, from his 2013 release All Night Long.  Riding a wave of heavy bass and injected with a fist-full of distortion, the song penetrates right to the bone. 

Hillifer and Johnson lay down a really funky rhythm for “Miss My Baby”, one of the six original songs, penned by Farr.  This call-out of the corporate world’s working trends running amok is quite infectious.  I love the rolling, swampy attack of title-track “Shake It”.  It’s gets right up there in my face staring me down eye-to-eye.  For the closer, Farr brushes off Tommy McClennan’s 1941 78 he cut for Bluebird Records “Sugar Mama”.  I can hear the desperation in his voice.  It’s so heavy.

Shake It marks my fourth review for Farr, and that’s a very positive statement.  I highly recommend this album. 

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Other PhillyCheeze Reviews for Robert Connely Farr:

 

Dirty South Blues

https://phillycheezeblues.blogspot.com/2019/05/391-robert-connely-farr-rebeltone-boys.html

 

Country Supper

https://phillycheezeblues.blogspot.com/2020/12/474-robert-connely-farr-country-supper.html

 

Ain’t Enough

https://phillycheezeblues.blogspot.com/2022/01/535-robert-connely-farr-aint-enough.html

 

Find Robert Connely Farr on bandcamp.com

#566 > Color Green - Color Green (PhillyCheezeBlues.Blogspot.com)

 

2022 – Org Music

By Phillip Smith; July 26, 2022

Original source : phillycheezeblues.blogspot.com

 

I love it when music like this new self-titled album from Color Green comes my way.  Their music is cut from the same fabric as many of my favorite bands, such as Grateful Dead, Allman Brothers, Phish, and Flaming Lips.  Formed in Queens, but now based in Los Angeles, Color Green is comprised of co-founders Noah Kohll and Corey Madden.  Together this duo creates a dreamy eight-track cocktail of roots-based rock.

“Warbling Sky” tranquilly floats through the gate first. riding atop a layer of pedal steel from Tim Ramsey and a Dead-inspired bridge which explodes with energy.  It’s magnificent. Upbeat and slightly twangy, “Ill Fitting Suit” is another fun one.  With a hook that says “you pay your dues, I’ll pay mine”, this song would easily compel a field of hippies to dance.  With Madelyn Strutz on banjo, “Bell of Silence” is one that soothes the soul with its beautiful, lush melody and hypnotizing harmonies.  Another bonified favorite track “Blizzed Out” swings to a Seventies southern rock groove.  This honey-hole of a track is bodaciously slathered in slide guitar and peppered with unexpected cosmic attacks.  It’s absolutely brilliant.

I highly recommend this album.  Color Green is a terrific listen from start to finish.     

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Also available on Color Green’s Bandcamp page.

#561 > Matty T Wall - Live Down Underground (PhillyCheezeBlues.Blogspot.com)

 

2022 – Hipster Dumpster Records

By Phillip Smith; July 2, 2022

 

Original source : phillycheezeblues.blogspot.com

 

Since Matty T Wall’s debut release in 2016 of Blue Skies, I’ve reviewed each of his albums.  I’m sure not going to break tradition with his latest, Live Down Underground.  Wall very much deserves the kudos.  He is a force to be reckoned with and his prowess behind the guitar never ceases to amaze me.  Recorded at Lyric Underground in Perth, Western Australia, this nine-track release features Wall backed by drummer Ric Whittle and bassist Leigh Miller.

Wall gives a smoking performance as he leads off with the story-telling outlaw blues of “Broken Heart Tattoo”.  This is followed up by the intense red-hot instrumental “Slideride”.  I enjoy the fierce licks and rolling thunder from the moment the song blasts off.  “Scorcher”, another searing instrumental is also quick to capture my attention.  Wall is an astonishing beast on the guitar.  I love the fact that he brought “Sophia’s Strut” out to play.  This mind-melting track from his 2018 Sidewinder record is still lightning in a bottle, just as I described it four years ago.  The psychedelic piece de resistance that begs to be heard is the nearly fifteen minute long “Voodoo Chile”. Wall conjures up an extraordinary listening experience, masterminding a cosmically intense journey that stretches across the universe to shake hands with Hendrix himself.   

Matty T Wall’s previous two albums have landed in my yearly Top 20 lists, and I have no doubt this one will be in my list for 2022.  Live Down Underground is a bodacious live album of guitar-centric blues-rock one can sink their teeth into.  It’s a highly recommended listen.

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PhillyCheeze reviews Matty T Wall

Transpacific Blues Vol. 1  - https://phillycheezeblues.blogspot.com/2019/12/422-matty-t-wall-transpacific-blues-vol.html

Sidewinder - https://phillycheezeblues.blogspot.com/2018/09/351-matty-t-wall-sidewinder.html

Blue Skies - https://phillycheezeblues.blogspot.com/2016/07/matty-t-wall-blue-skies.html

 

 

For more information about Matty T Wall, visit https://www.mattytwall.com