#639: Dave Keller - It's Time to Shine (PhillyCheezeBlues.Blogspot.com)

2023 – Tastee Tone Records

By Phillip Smith; Oct. 14, 2023

Original source : phillycheezeblues.blogspot.com

 

With nearly twenty-five years of recording music under his belt, Dave Keller returned to the studios again last fall.  The studio, however, happened to be a friend’s cabin ten miles south of the US/Canadian border nestled in the Adirondacks.  It was there, Keller and his band recorded his tenth album It’s Time to Shine.  This record of all original songs brings joy to me with every listen.  His sophisticated vocals lend an extra layer of finesse to the sleek brand of feel-good soul-blues he masterminds.  With Keller up front on vocals and guitar, he is joined by Ira Friedman on keys, Jay Gleason on drums/percussion, Alex Budney on bass, Mark Earley on sax, Tom Palance on trumpet, and Annika Chambers-DesLauriers on backing vocals.

It’s Time to Shine breaks open with the infectious bassline of “Waiting for the Sunrise”.  A slight Beatles “Come Together” vibe hangs around just out of sight, as cosmic guitar sounds accent Friedman’s steady-rolling keys on this cool-as-hell song.  Keller and company deliver a tight and riveting performance on “The Truth of the Blues”.  The driving rhythm tightly pulls me right in to this wonderful track.  With a suave approach, Keller delivers a soulful, happy love song with “I Wanna Go Back to Memphis”.   Hearing him sing about walking by the river and Beale Street, makes me a little homesick since I grew up about sixty miles from the Bluff City.  Keller digs deep and conjures up his inner-Eric Clapton for “Full Measure of Pleasure”.  Vocally and sonically this song is an absolute gem. 

Keller has a sure-fire hit with It’s Time to Shine. It is a splendid listen from beginning to end with a dozen terrific songs which flow effortlessly from one to the next.                           

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For more information about the artist, visit this website : https://www.davekeller.com/

 

Check out other PhillyCheeze reviews for Dave Keller at :  https://phillycheezeblues.blogspot.com/search?q=Dave+Keller

Available from Bandcamp

#601 : GA-20 - Live in Loveland (PhillyCheezeBlues.Blogspot.com)

 

2023 – Karma Chief

By Phillip Smith; March 18, 2023

Release Date : March. 17, 2023

 

Original source : phillycheezeblues.blogspot.com

GA-20 ranks right up there among my favorite blues bands playing today.  I have absolutely loved their previous two studio albums, Crackdown, and Does Hound Dog Taylor.  The records are magnificent.  GA-20 has a way of filling every nook and cranny of their music with a timeless vintage sound and raw fearlessness.  Live in Loveland, their first full-length live album, was recorded direct-to-tape on a Tascam 388 in Loveland, Ohio at Plaid Room Records.   It features previously unrecorded tracks along with songs from Crackdown and their 2019 debut album Lonely Soul.  The musical chemistry shared between vocalist/guitarist Pat Faherty, guitarist/producer Matthew Stubbs, and drummer Tim Carman is sheer electric and fortified with true grit.

The album kicks off with a pair of deep-cuts paying homage to Harold Burrage’s “I Cry For You”, and Little Walter’s “My Baby’s Sweeter”.  They transport me through time and space to a smoke-filled juke joint tucked away somewhere in Chicago’s South Side.  “Lonely Soul” is a fireball of a song which clocks in at less than two minutes.  Carman keeps a riveting beat for this blues-meets-surf rock title-track.  I’m happy to see “Dry Run” from Crackdown was included.  That puts a smile on my face.  GA-20 knocks this fifties-era rockabilly original out of the ballpark with Faherty’s suave crooner vocals and Stubbs’ deliciously twangy guitar sounds. 

When I first heard “My Soul”, it took a while for me to process where I had heard this song before.  My experience with this funky track has only been through hearing it countless times from another favorite band of mine Phish.  I had never hunted down the original zydeco version from Clifton Chenier.  I have now though, and whether performed by Chenier, Phish, or GA-20, “My Soul” is a cool song in every case.            

Following in the footsteps of New York punk rockers The Ramones, GA-20 packs a massive amount of energy into a small amount of time.  “Hold it One More Time” is an excellent example.  This previously un-recorded original is a magnificent blues explosion which lasts just a smidge over two minutes.  Live in Loveland comes to a smashing end with lots of cheers when they close the show with “By My Lonesome”.   It’s a stellar song that leaves me wanting hear more after all the dust has settled.  

GA-20 is on my short list of bands I must see.  This recording just makes me want to see them even more.       

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LIVE IN LOVELAND TRACKLIST

1. I Cry For You

2. My Baby's Sweeter

3. Lonely Soul

4. I Let Someone In

5. Dry Run

6. Double Gettin'

7. My Soul

8. Just Because

9. Hold It One More Time

10. Crackin' Up

 

 

For more information about GA-20, visit their website at :  https://ga20band.com

 

Check out other PhillyCheeze reviews for GA-20 at :  https://phillycheezeblues.blogspot.com/search?q=GA-20

 

 

#594 > Tas Cru - Riffin' the Blue (PhillyCheezeBlues.Blogspot.com)

2023 – SubCat Records

By Phillip Smith; Jan. 28, 2023

Release Date : Feb. 3, 2023

Original source : phillycheezeblues.blogspot.com

 

Riffin’ the Blue, the latest from New York bluesman Tas Cru, certainly lives up to its name.  The riffs are infectious and deliciously bluesy, making for a fantastic new batch of home-grown originals from Tas.  The album is self-produced and features Tas on vocals and guitar with Mary Ann Casale on backing vocals, Ron Keck on percussion, Bruce Katz on piano/organ, Andy Hearn on drums, and Bob Purdy on bass.  Special guests include Mike Zito, Lenny Milano, and Bill Barry.

With Zito tearing it up with a smoking performance on lead guitar, the album bursts wide open with the title-track “Riffin’ the Blues”.  The organ accompaniment from Barry sounds glorious on this rocking blues shuffle.  A funky beat and a swinging rhythm is the backbone for the rally cry of “Stand Up”.  It’s an absolute favorite which quickly brings me up on my feet.  I love the lush Mark Knopfler-ish tone Tas pulls out of his guitar on “Throw it All Away”.  Tas’ approach to writing and composing often reflect a Warren Zevon kind of style.  “Crazy Getting in My Way” is a fine example of a song which falls into that category.  It’s quite an amazing track.  Riffin’ the Blue concludes with the haunting blues of “Memphis Gone” which showcases the talent of Zito on slide guitar.  The emotion Tas poignantly pours into his vocal and guitar performance is deeply felt.    

Riffin’ the Blue is a brilliant album and is now my favorite release from Tas Cru.  I highly recommend this one. 

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For more information about Tas Cru, visit his website at : https://tascru.com

 

Check out other PhillyCheeze reviews for Tas Cru at :  https://phillycheezeblues.blogspot.com/search?q=tas+cru

 

 

#587 > Angela Strehli - Ace of Blues (PhillyCheezeBlues.Blogspot.com)

2022 – Antone’s Records

By Phillip Smith; Dec. 3, 2022

Original source : phillycheezeblues.blogspot.com

 

Angela Strehli who helped found Antone’s, the legendary blues venue in Austin, Texas, recently released Ace of Blues, her first album in seventeen years.  Her voice is deep and buttery on this twelve-track recording as she pays tribute to those musicians who were an inspiration to her, such as O.V. Wright, Elmore James, Chuck Berry, Muddy Waters, Howlin’ Wolf, Jimmy Reed, Little Milton and Otis Clay.  This CD also contains an interesting insert-booklet which contains photographs of those who graced the stage at Antone’s and notes about Stehli’s interactions with those artists.    

When Strehli’s cover of O.V. Wright’s “Ace of Spades” hits my ears, it puts an enormous smile on my face.  It’s downright fantastic.  Muddy Waters’ “I Love the Life I Live” is perfectly seasoned with Mark Kazanoff on harmonica. “Mighty” Mike Schermer’s guitar performance on Otis Rush’s “Gambler’s Blues” is absolutely delectable.  The tones he pulls out of his instrument are brilliant.  I dig the horn accompaniment on this one too.  Howlin’ Wolf is one of my all-time favorites, and Strehli’s recording of “Howlin’ For My Darling” is a wonderful tribute.  Mike Emerson brilliantly brings it on keys as Strehli nails the wolf howls.  As soon as the opening notes of Otis Clay’s “Trying to Live My Life Without You” finds their way out of the speakers, I switch into ‘dance mode’.  Chockful of soul, this one is a definite favorite.  Bringing the album to a close is a song Strehli wrote about her friend the legendary Stevie Ray Vaughan.   She befriended Stevie and his brother Jimmy in the earlier years of Antone’s, and her song “SRV“ is a lovely and heartfelt tribute.

Ace of Blues is as solid as a blues album can get.  I hope Angela Strehli doesn’t wait another seventeen years before recording another.                

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PhillyCheezeBlues.Blogspot.com #549 > Hurricane Ruth - Live at 3rd and Lindsley

 

2022 – Hurricane Ruth Records

By Phillip Smith; April 2, 2022

Original source : phillycheezeblues.blogspot.com

Live at 3^rd and Lindsley, the sixth and most recent album from Ruth LaMaster aka Hurricane Ruth lands a ferocious punch with a fistful of raw, hearty blues.  This fourteen-track gem was recorded at 3^rd and Lindsley in Nashville, Tennessee and produced by two-time Grammy winner Tom Hambridge.  It features Scott Holt and Nick Nguyen on guitar, Calvin Johnson on bass, Lewis Stephens on keys, with Hambridge also behind the drums.  Jimmy Hall makes a guest appearance on a couple of songs as well.

With a wall of rhythm, and searing guitar behind her, Hurricane Ruth leads the album off in a fierce way with “Roll Little Sister” which originally appeared on her 2012 release Power of the Blues ... Feels Like a Hurricane.  “Dirty Blues”, which was one of my favorites off her 2020 album Good Life, is hot and slathered with lots of swampy slide.  I love the cover of Peppermint Harris’ “As the Years Go Passing By” with Jimmy Hall’s fantabulous harp performance and accompanying vocals.   I can almost feel the magic which was happening onstage when this was recorded.  Hall shares his talent for one more song, “Make Love to Me”, originally on Hurricane Ruth’s Born on the River album.  This, paired with the prior song, makes for a nice scorching two-fer of red, hot blues.  LaMaster ends the show with a song she wrote for her mama, “Dance Dance Norma Jean”.  Holt injects a ZZ-Top-sized lightning bolt of electricity into this John Lee Hooker-inspired boogie for a jaw-dropping experience.  It absolutely cooks.           

Hurricane Ruth’s Live at 3^rd and Lindsley is as solid as they come for live blues albums.  It’s the real deal, that’s for sure.       

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For more information about Hurricane Ruth or to purchase music, visit the website :  https://www.hurricaneruth.com

#537 : Bernard Allison - Highs & Lows

 

2022 – Ruf Records

By Phillip Smith; Jan. 15, 2022

 

Bernard Allison is one of those artists who I totally admire, and I’m absolutely thrilled to hear fresh music from him.  Highs & Lows, his latest album is hands-down fantastic.  Produced by Grammy Award winner Jim Gaines, this eleven-track blues album is a slice of perfection.  The core of Allison’s top-notch band consists of George Moye on bass guitar, Dylan Salfer on rhythm guitar and Steve Potts on drums.

Energy levels are high as Allison fearlessly hits the ground running on “So Excited”.  It’s great to hear him blaze full-throttle on guitar.  This is exactly what I was hoping for on an opening song.  Title-track “Highs & Lows” rolls out with its funky, infectious riff and pulls me right in.  Guitar in hand, Canadian blues artist Colin James joins Allison in a juicy duet of Texas-style electric blues on “My Way or the Highway”.  The swampy sounds of the Mississippi delta are quite infused into “Side Step”, making it one of my favorite songs on the disc.  What a pleasant surprise it is to hear Bobby Rush accompany Allison on “Hustler”.  His distinctive voice and harp playing are delivered in his usual suave approach and it’s fun to hear him collaborate with Allison. 

I love that Allison pays tribute to his father, Chicago blues legend Luther Allison by recording two of his songs.  The first up is the 1974 single “Now You Got It” off the album Luther’s Blues.  This is Seventies soul-blues at its best.  Immediately following is “Gave it All”, from Luther’s 1994 album Soul Fixin’ Man.  It swoops me right up in its cozy warm arms for an intoxicating horn-infused listen.  Allison's performance on this is downright breathtaking.

Lows & Highs ends with a blast of funky downhome blues with “Last Night”.  Lyrically timeless, this song hits on every cylinder, and I dig every bit of it.  Allison pours everything he has into this guitar performance, making it a huge standout. 

This is an album that delivers the goods with each and every song.  It’s terrific through and through.       

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 For more information about the artist, visit this website : https://bernardallison.com

 

Past PhillyCheeze reviews featuring Bernard Allison :

PhillyCheeze's Rock & Blues Reviews: #313 : Bernard Allison - Let it Go (phillycheezeblues.blogspot.com)

 

PhillyCheeze's Rock & Blues Reviews: #347 : Czech Village Blues - Aug 11, 2018 featuring Ruf Record's Blues Caravan (phillycheezeblues.blogspot.com)

#531 : Willie Jackson - All in the Blues

 

2021 – Willie Jackson

By Phillip Smith; Dec. 11, 2021

Hailing from Savannah, Georgia, Willie Jackson, the son of a reverend, had worked for the railroad until an accident ended that career.  It was then he decided to dedicate his time on his music and the Blues.  Jackson’s brand-new album All in the Blues, follows up quite nicely to his debut 2017 EP release Willie Jackson Blues.  His lyrical mastery and deep velvety vocals quickly grabbed my attention upon the first listen of this twelve-track album.  Carrying a torch for the early post-war blues songs and cleverly utilizing the literary tool of the double entendre, Jackson is a true wordsmith.   

The album opens with “I’m Your Landlord” in which Lomax Spalding lays down a funky groove on guitar while Jackson sings about alternative methods of collecting rent.  Jackson keeps the humor in his music as “The Whole Book is Wet” follows up.  This horn-infused song about wet matches is definitely not about camping mishaps.  A hot rhythm section keeps the party going as Jackson shoos away would-be suiters from his woman on “Sticky Hand Blues”.  “Hey Gangsta” takes a more serious turn, as Jackson sings about settling up with his daughter’s violent-prone boyfriend.  This song absolutely swings with a full band and Trosky Lane’s smokin’ guitar performance.

With one foot firmly planted in the past and one tethered to the now, Willie Jackson’s All in the Blues is one-hundred percent real-deal Blues.     

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For more information about the artist, visit this website : https://williejacksonblues.com

 

#524 : Larkin Poe & Nu Deco Ensemble - Paint the Roses

 

2021 – Tricki-Woo Records

By Phillip Smith; Oct. 23, 2021

I’m always excited to hear about new music from Larkin Poe.  I’ve been a fan of this duo since hearing them open for Elvis Costello at the Paramount Theater in Cedar Rapids, Iowa five years ago.  The original songs Rebecca Lovell and Megan Lovell write are beautiful, sometimes intense, and cut deep to the bone.  Lead vocalist/guitarist Rebecca captivates me with her beautiful, yet fearless voice.  The vocal harmony she shares with lap-steel wizard Megan is magical.

Paint the Roses is a seven-track release which Larkin Poe recorded live at the North Beach Bandshell in Miami, Florida on December 12, 2020 with the orchestral backing of Nu Deco Ensemble.  Once I heard their new take on Bessie Jones’ “Sometimes” which also appears on their 2018 Venom & Faith album, I knew I was in for a real treat.  The infusion of clapping hands, strings, and horns took me to church in a big way.  Next up on the track list is “Back Down South” an original off their 2020 album Self Made Man.  Megan’s lap slide is performed with perfect precision as Rebecca rips it up on guitar and delivers the song with her enchanting voice.  It sounds fantastic with the enrichment of the Nu Deco Ensemble as the song takes a dip into the Allman’s “Blue Sky” for a brief intermission.  Before diving into a four-track superfecta of songs, all off Self Made Man, Larkin Poe introduces a new song called “Mad as a Hatter”, which I absolutely adore.  The pulse of this homage to Alice in Wonderland runs with a rapid pace, and dips momentarily into psychedelic territory.  “Every Bird That Flies” is such a beautiful song, and surely earns its wings with the accompaniment from the ensemble.  I love the slow build-up of tension accomplished with the instrumentation, which is then then slowly released to send the song skyward.  Larkin Poe closes out the show in an amazing performance of “She’s a Self Made Man”.  Cloaked in a horn-laden suit, this hard blues-rocker is a perfect fit for a future 007 theme song.  

I knew I would like Paint the Roses, but I was surprised at just how much I liked it.  This is surely a record folks will want to add to their collection.         

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 For more information about the artist, visit this website : www.larkinpoe.com

#517 : Tom Craig - Good Man Gone Bad

2021 – 8^th Train Records

By Phillip Smith; Sep. 11, 2021

 

In the making of Good Man Gone Bad, Tom Craig states his goal for the album was to make it 100% blues.  He definitely succeeded.  This collection of thirteen all-original songs was recorded at Buckeye Recording in Philadelphia, Pennsylvania, and produced by harp-master Mikey Junior.  It has a natural flow from beginning to end, giving the listener an enhanced album-oriented experience.  With Craig on guitar and vocals, his band is comprised of Dave Gross on bass guitar, Vin Mott on drums, Eric Johnson on Hammond organ and Mikey Junior on harmonica.   

The record opens with Craig’s blue-collar, working-class love song called “Working Too Hard”.  This infectious track is loaded with hot guitar licks and Junior’s blistering harp playing.  It’s a terrific song.  It rolls quite nicely right into “What a Man’s Gotta Do”, which wins me over with its cool beatnik rhythm and twangy guitar tone.  Craig’s vocals are velvety smooth as he sings “It’s All My Fault”.  This slow, bluesy ballad is perfectly crafted from beginning to end.  It’s a genuine blast to rock out to “Sheepdog”.  I enjoy the Z.Z. Top Texas-blues vibe.  Craig lays the facts on the line in “When You Love a Blues Man” as he masterfully serves up another delicious platter of smoldering blues.  The funky groove woven through “Headhunter” is absolutely fabulous.  It lures me in like a moth to a flame.  A tantalizing concoction of funk, soul, and blues is crafted into the framework of “I Like Soul in My Blues”.  Sung with a polished voice and topped with horns, it’s positively a delightful listen.

I’ve been a fan of Tom Craig’s since reviewing his 2017 album Get Ready For Me.  His talent runs deep, as does my appreciation for his music.  Good Man Gone Bad is a gem of an album.  Blues fans will surely want to hear this one.     

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For more information about the artist, visit this website : tomcraigband.com

#512 : Polly O’Keary and the Rhythm Method - 50

2021 – Polly O’Keary and the Rhythm Method

By Phillip Smith; Aug. 7, 2021

 

50, the sixth album from Polly O’Keary and the Rhythm Method swiftly swept me off my feet with its unique blend of funk, soul, rock, and blues.  With O’Keary on lead vocals and bass guitar, the Rhythm Method is comprised of guitarist Dave Miller and drummer Tommy Cook.  Being unable to play last year due to Covid-19, the band spent their time writing and recording this splendid eleven-track record of all originals.  The title 50, derives its name from the fact that all three members of this power trio turn 50 this year.   

They roll the album out atop a wave of funky goodness on “Brand New Day” with guest vocalist Lady A (the real one, not the country band) joining in.  The real Lady A and O’Keary sound great together, as Miller powers though an extraordinary guitar solo.  The song is an absolute homerun.  Cook infuses “Can’t Catch Me” with a marching-line beat, as Miller’s searing guitar licks pour freely and cast an ominous air about this ballad about facing down drug addiction.  O’Keary sounds fabulous as she sings “Strange Way of Showing Love”.  Her voice control is amazing.  Miller continues to push the envelope on guitar as O’Keary and Cook keep the rhythm section boiling.  “American Highways” ushers the album out in a Billy Squire no-holds-barred fashion, boasting an accelerated pulse and a kick-ass riff.  

50 is a record that packs a punch in just about every song.   It’s absolutely worth checking out. 

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 For more information about the artist, visit this website : POLLY O'KEARY AND THE RHYTHM METHOD - Polly O'Keary and The Rhythm Method! (pollyokeary.com)

 

 

#504 : Jarkka Rissanen & Sons of the Desert - Cargo

2021 – Humu Records

 

By Phillip Smith; June 19, 2021

 

Jarkka Rissanen, a forty-plus year veteran of the music scene is a legend among Finnish roots music fans.  His latest record Cargo marks his seventh under his own name, and follows up quite nicely to his previous album Hybrid Soul, which was awarded Best Finnish Album of the Year by Blues Finland magazine.   This nine-track album is entirely comprised of instrumentals and features guitarist Rissanen along with guitarist Markus Väisänen, percussionist Esa Kärki and bassist Ilpo Komulainen.  Their music incorporates bits and pieces of influence ranging from Chicago and Delta Blues, to the Big Easy and beyond.  I love this amalgam of blues and jazz.  It’s speckled with phenomenal jams and amazing surprises.

“Rocking Chair” washes over like a cool breeze on the front porch at the end of a hot summer day, lulling me into a state of peacefulness with its gentle riff and relaxing melody.  “Cargo” follows up, nicely segued and maintaining a meditative state for a while, until it wakes up and sweetly begins to accelerate.  Without going too far, it eventually returns back to its original launch pad with an array of cosmic guitar licks and spacy percussion.  Then the hypnotic rhythm of “Mousetrap” rolls out and draws me right in to its enchanting, funky lair.  I love the swampy sliver of slide guitar Rissanen tosses into the mix.  The fresh funky jazz piece called “Tofu Queen” is light and intoxicating.  It brings a smile to my face with every listen.  In a Pink Floyd syle, “Once Upon a Time” gracefully brings this brilliant album to its euphoric end.

Cargo is such an extraordinary listen.  It’s absolutely flawless.

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available on Apple Music:

#501 : The Bogart Jones Band - Beneath the Scars

2021 – Bogart Jones Band

Release Date : March 21,2021

By Phillip Smith; May, 22, 2021

 

Hailing from the heartland of Illinois, in Canton, The Bogart Jones Band has managed to sweep me off my feet with their new album, Beneath the Scars.  This second full-length release for the six-piece band, is rich in melody and lyrically masterful.  Basking in that sweet-spot between funky jam bands and southern rock, their all-original music is a patchwork of rock, jazz, blues, country, and soul.  It fits in very well alongside that of The Allman Brothers and Widespread Panic.  The Bogart Jones Band is comprised of Wes Simmons (lead vocals and bass), Ryan Rose and Don Mabus (guitars and vocals), Tim Fiers (drums), Curt Caudill (keyboards and vocals), and Ty Bailey (percussion).

A driving riff and funky beat roll out the red carpet for the riveting coming of age song “Tainted Youth” to get the album going.  I love the big sound, the hot guitar licks, and the wave of hold-steady chords off the organ.  Maintaining the high level of energy which they began with, they keep pushing forward in a huge Allman Brothers’ take-no-prisoner way on “The Word” in which the message is love.  A slow intoxicating groove, and Simmons’ deep slightly raspy vocals puts “Someone to Love” at the top of the list of favorites.  “Dear John” a touching, melancholy, and beautifully melodic farewell letter is another standout performance.  The pace is a fast and funky one on “It’ll Do” with Candill invoking a fascinating Zappa-esque energy into his solo.  The album closes in a full-fledged country-funk fashion on “Life’s a Bitch” filled with a ferocious beat, searing electric guitars, hot bassline, and barrelhouse piano.  It’s bodacious and sounds great.

I’m definitely keeping my eyes peeled for upcoming releases from The Bogart Jones Band.  These guys are terrific!          

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For more information about the artist, visit their Facebook page: https://www.facebook.com/thebogartjonesband

 

 

Take a listen to the album on Bandcamp,

#497 : The Reverend Shawn Amos - The Cause of it All

 

2021 – Put Together Music

Release Date : May 21, 2021

By Phillip Smith; April 24, 2021

The Cause of it All, the fourth studio album from The Reverend Shawn Amos, is the eighth release overall for Amos.  Taking advantage of time in quarantine, Amos teamed up with guitarist Chris “Doctor” Roberts, of Amos’ full band, The Brotherhood to record an album of classic blues songs in a raw, stripped-down fashion.  Amos’ magnetic vocals and wailing harp are the perfect match for the deliciously swampy guitar playing from Roberts.  As a duo, the chemistry between the two makes for a superb album of blues.

The album starts off with an intoxicating cover of “Spoonful”, the Willie Dixon classic made famous by Howlin’ Wolf.  It’s delivered with a matter-of-factness that sends chills down my spine.  With The Reverend belting out fearless vocals and harmonica notes that seemingly hover above the song in mid-air, The Doctor hammers out flesh-ripping guitar licks.  It’s absolutely wonderful.  They fabulously follow up with a killer blues-rocker off The Red Devils 1992 debut album King King called “Goin’ to the Church”.  It’s a fitting tribute to frontman Lester Butler who wrote the song and sadly passed away from a drug overdose in 1998 at the age of thirty-eight.  Impassioned with heavy emotion, The Reverend delivers another cut-to-the-bone gem in Howlin’ Wolf’s “Color and Kind”.  Intimate and charming, their acoustic performances of “Baby Please Don’t Go” and “Hoochie Coochie Man” put a gleaming smile on my face.

This is one of the best blues albums I’ve heard this year.  The Cause of it All has everything it needs to be a contender for Best Traditional Blues Album.                          

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For more information about the artist, visit this website : www.shawnamos.com

 

 

Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.

#484 : Shakin' Woods - The Blues Groove Sessions #1

2020 – Shakin’ Woods

By Phillip Smith; Jan. 30, 2021

Hailing from the Washington DC metro area, Shakin’ Woods, is a blues-rock band drenched in funk and southern-soul.  This talented quartet was formed in 2019 and is comprised of singer/guitarist Rich Russman, keyboardist/guitarist Austin Day, bassist George Belton and drummer Paul Dudley.  The Blues Groove Sessions #1, a four-track EP, is the first of several EPs planned to be released by the band this year, with the next released titled The Blues Proper Sessions #2.

I love the funky bass groove running through ‘Like a Superman”, it tracks wonderfully with the disco-friendly pulse Dudley creates.  Russman delivers the goods with the finesse of Steely Dan, incorporating smooth vocals, and a standout guitar performance.  “The Place to Be” leaves me with a big grin on my face as the friendly Phish-like groove creeps over to a psychedelic Hendrix-influenced bridge, and then back again.  Then while on the subject of Phish, they fantastically cover Trey Anastasio’s “Cayman Review”.  The EP ends on a beautiful and melancholy note as Russman sings of intertwined souls in “Still Alive”.  I can feel the emotion pouring out of his guitar in lush and bountiful waves.

The Blues Groove Sessions #1 is absolutely marvelous.  I can’t wait to hear the follow-up EPs.

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For more information about the artist, visit this website : shakinwoods.com

 

 

Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.

#481 : Tony Spinner - Love is the Answer

2020 – Grooveyard Records

By Phillip Smith; Jan. 09, 2021

After nearly eight years since releasing his last album Earth Music for Aliens, Northeast Arkansas blues-rocker/guitarist extraordinaire Tony Spinner is back with a fabulous new record Love is the Answer.  Spinner joins bassist Michel Mulder and drummer Alex Steier once again in the studio for this project which spans a dozen original tracks. Recording took place at three locations: The Farm in Jonesboro, Arkansas, Lil’ Heaven Studios in Arnhem, Netherlands and Chill Hill Studio in Italy.

Spinner introduces the opening track “Same as it Ever Was” in a spaghetti-western fashion. Then with a blast of mind-blowing guitar shredding, switches into full-on funk. It sounds great!  His infectious groovy funk continues on with “Dizzy”, with Spinner waxing nostalgic in an attempt to escape the insanity of the world.  I love his jazz-guitar ode to little green men in “U.F.O.”.  It’s so fun to hear him play this one.  With title-track “Love is the Answer”, Spinner sings a message of peace and love, making for a beautiful ballad.  The slide blues that pours from “True Love” is absolutely great.  Laden with a plethora of aural treats, instrumental “Chun-Key” puts a gigantic smile on my face.  Boasting seven and a half minutes of southern funk, “Big River” is another favorite.  This composite of Allman and Marley is out of this world, and surprises me at every turn.  Spinner truly out does himself on this track.

This is the third Tony Spinner album I’ve reviewed over the years, and he never ceases to amaze me. Love is the Answer is a gem indeed and I highly recommend this record.   

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For more information about the artist, visit this website : www.tonyspinner.com

 

 

Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  This helps keep the PhillyCheeze site going.