#673 : Bernie Worrell - Wave From the WOOniverse (PhillyCheezeBlues.Blogspot.com)

 

2024 – Org Music

By Phillip Smith; April 12, 2024

Original source : phillycheezeblues.blogspot.com

 

Funkadelic’s Uncle Jam Wants You was released while I was in my senior year of high school. I absolutely loved that album. It led me to record stores in search of more music by this wonderous band. Bernie Worrell (April 19, 1944 – June 14, 2016) was an integral part of the P-Funk family, and over the years his name appeared on many albums I purchased. Wave From the WOOniverse, a posthumous release produced by former Bernie Worrel Orchestra bandleader Evan Taylor is a double album set to be released on Record Store Day April 20. From unfinished works extending over twenty years old, the thirteen tracks on this album are brought to life by artists Worrell had worked with or had been friends with. 

After being lulled into the record with the piano-laced spacy “Intro (Reflections on a Bird)”, Jerry Harrison (Talking Heads) guides the listener into the beyond with a motherlode of funk on “Distant Star”. To hear the Bootsy Collins’ voice break out in “What Have They Done to My Funk” absolutely puts a smile on my face. And for the win, the song also includes Michael Moon Reuben, Bootsy’s son Ouiwey Collins , and Buckethead who absolutely tears it up on guitar. Leo Nocentelli, Fred Wesley and Stanton Moore create a wonder funky jam with “Heapin’ Bowl of Gumbo”. It’s absolutely fantastic. With an intro that sounds like a long-missing instrumental of 2001 A Space Odyssey, “Re-Enter Black Light” eventually takes a high-tech turn into a pulsating space-age rave. Sean Ono Lennon appears on bass guitar for this hypnotic groove. I was overjoyed to hear Fred Schneider on “The Big WOO”. If the B-52’s ever joined with Funkadelic, this is what it would sound like. I’d love to hear an entire album featuring this musical two-fer which also included Marco Benevento on keys and Steve Scales on percussion. My heart skipped a few beats when I first heard “Contusion” performed by Funkadelic with none other than Eddie Hazel on guitar. This previously recorded and unissued Funkadelic song is a mind-bender. Wave From the WOOniverse comes to an funky heart-warming end with its title track. For the closer, Miho Hatori lends her rapping mastery with Sarah La Puerta on lead vocals and Steve Scales on percussion.

Wave From the WOOniverse is everything I hoped it would be and a whole lot more. I’ll treasure this album for a long, long time.  

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#639: Dave Keller - It's Time to Shine (PhillyCheezeBlues.Blogspot.com)

2023 – Tastee Tone Records

By Phillip Smith; Oct. 14, 2023

Original source : phillycheezeblues.blogspot.com

 

With nearly twenty-five years of recording music under his belt, Dave Keller returned to the studios again last fall.  The studio, however, happened to be a friend’s cabin ten miles south of the US/Canadian border nestled in the Adirondacks.  It was there, Keller and his band recorded his tenth album It’s Time to Shine.  This record of all original songs brings joy to me with every listen.  His sophisticated vocals lend an extra layer of finesse to the sleek brand of feel-good soul-blues he masterminds.  With Keller up front on vocals and guitar, he is joined by Ira Friedman on keys, Jay Gleason on drums/percussion, Alex Budney on bass, Mark Earley on sax, Tom Palance on trumpet, and Annika Chambers-DesLauriers on backing vocals.

It’s Time to Shine breaks open with the infectious bassline of “Waiting for the Sunrise”.  A slight Beatles “Come Together” vibe hangs around just out of sight, as cosmic guitar sounds accent Friedman’s steady-rolling keys on this cool-as-hell song.  Keller and company deliver a tight and riveting performance on “The Truth of the Blues”.  The driving rhythm tightly pulls me right in to this wonderful track.  With a suave approach, Keller delivers a soulful, happy love song with “I Wanna Go Back to Memphis”.   Hearing him sing about walking by the river and Beale Street, makes me a little homesick since I grew up about sixty miles from the Bluff City.  Keller digs deep and conjures up his inner-Eric Clapton for “Full Measure of Pleasure”.  Vocally and sonically this song is an absolute gem. 

Keller has a sure-fire hit with It’s Time to Shine. It is a splendid listen from beginning to end with a dozen terrific songs which flow effortlessly from one to the next.                           

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For more information about the artist, visit this website : https://www.davekeller.com/

 

Check out other PhillyCheeze reviews for Dave Keller at :  https://phillycheezeblues.blogspot.com/search?q=Dave+Keller

Available from Bandcamp

#609 : Dean Zucchero - Electric Church For the Spiritually Misguided (PhillyCheezeBlues.Blogspot.com)

 

Dean Zucchero

Electric Church for the Spiritually Misguided

2023 – Pugnacious

By Phillip Smith; April 15, 2023

Release Date : April 7,2023

Original source : phillycheezeblues.blogspot.com

 

Originally from New York City’s East Village, Dean Zucchero now calls New Orleans his home.  I first became aware of him through his work through the music of Ghalia Volt.  I had reviewed two of her albums, and Zucchero had made a big impression on me with his performance on bass guitar.  His debut album Electric Church for the Spiritually Misguided is quite exciting and a fabulous listen.  With Zucchero on bass guitar, he is accompanied by drummers Terrence Higgins and Doug Belote, organist Phil Breen, percussionist Alex McDonald, and guitarist Jake Eckert.   It’s great to hear him collaborate with personal favorites Ghalia Volt, Johnny Burgin, Johnny Rawls, and Jason Ricci.  Other featured guests include Dale Spalding, Jonathan “Boogie” Long, Bruce “Sunpie” Barnes, John Fohl, Joe Krown, Leslie Smith, Papa Mali, Johnny Sansone, and Jeremy Joyce.

“Big Boss Boy” the first hymn played at the Electric Church features Mississippi soul-blues legend Johnny Rawls on vocals, and Chicago blues great Johnny Burgin on guitar.  The buttery bassline, swirling organ, and backing singers sound fabulous alongside Rawls’ silky smooth vocals, and Burgin’s blues-infused licks.  “Craft Beer”, and ode to one of my favorite things, places Johnathon “Boogie” Long behind the mic for a suave-as-hell number.  Ghalia Volt sings “Last Minute Packer” a track which kicked off her 2021 album One Woman Band.  Co-written by Zucchero and Volt, this bodacious song features spirited performances by Waylon Thibodeaux on fiddle and Alex MacDonald on washboard.  I love the instrumental “DBA” which is fortified with harp from Jason Ricci and organ from Joe Krown.  The New Orleans energy flows freely through this one.  “Mortal Man” features Johnny Sansone on lead vocals and harp for a dose of real-deal blues.  It penetrates right to the bone.

The healing power is great at the Electric Church for the Spiritually Misguided.  Dean Zucchero has created a wonderful album indeed.    

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Track Listing:

 

1.      Big Boss Boy

2.      Independence Day

3.      Craft Beer

4.      Last Minute Packer

5.      Empty Postbox

6.      La Belle Poursuite

7.      Stack It

8.      Fascist Love

9.      DBA

10.  Mortal Man

11.  American Dream

 

 

For more information about Dean Zucchero visit his website at :  https://www.deanzucchero.com

 

Check out other PhillyCheeze reviews for Dean Zucchero at :  https://phillycheezeblues.blogspot.com/search?q=Dean+Zucchero

 

#606 : Tony Holiday - Motel Mississippi (PhillyCheezeBlues.Blogspot.com)

 

2023 – Forty Below

By Phillip Smith; April 7, 2023

Release Date : April 14, 2023

Original source : phillycheezeblues.blogspot.com

From his Porch Session albums, to his studio releases, I always find the music of Tony Holiday to be abundantly filled with juicy harp performances and swampy grooves.  His latest album, Motel Mississippi fits the bill again, and I really dig it.  When I read the album was recorded at Zebra Ranch in Coldwater, Mississippi, I knew it was going to be special.  With Holiday on vocals and harmonica, AJ Fullerton on guitar, Terrence Grayson on bass, Lee Williams on drums, and Dave Gross on guitars, organs, percussion, snare, and synth, the album has a rich texture.

This eight-track recording rolls out strong in a funky outlaw style with Victor Wainwright at the helm of a Wurlitzer on “Rob and Steal”.  They do a wonderful job of covering this Paul Wine Jones song.  It’s infectious as hell.  The sweet sound of Sixties blues fills the nooks and crannies of Holiday’s original “Trouble”.  Outside the nooks and crannies though, the song is a mind-bending experience loaded with musical psychedelia from Gross on guitar and Wainwright on the wah clav.  Short but really sweet is “She’s So Cold”, clocking in at just under two and a half minutes long, the groove on this one would make a mesmerizing extended jam.  The slide guitar of Aubrey McCrady makes for a fierce solo on “Just As Gone”.  It sounds great up against Gross on the Hammond, and Williams’ driving beat.  “Yazoo River” brings the album to a spirited close.  I really enjoy hearing Tony rip it up on harp.  It doesn’t get more Mississippi than this.

Motel Mississippi is one of those albums one will want to listen to in its entirety.  It is splendid from end to end.

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TRACK LISTINGS

 

1.      Rob and Steal

2.      Get By

3.      Trouble

4.      She’s So Cold

5.      Just As Gone

6.      Nobody But You

7.      You Know Who I Am

8.      Yazoo River

 

For more information about Tony Holiday visit his website at :  https://tonyholidaymusic.com

 

Check out other PhillyCheeze reviews for Tony Holiday at :  https://phillycheezeblues.blogspot.com/search?q=Tony+Holiday

#603 : Until the Sun - A Night at the Rhythm Room (PhillyCheezeBlues.Blogspot.com)

 

2023 – Independent

By Phillip Smith; April 1, 2023

Original source : phillycheezeblues.blogspot.com

 

Until the Sun’s impressive live album A Night at the Rhythm Room is absolutely delightful.  This Arizona-based band comprised of guitarist Brandon Teskey, singer Alyssa Swartz, drummer Chris Tex, and bassist Jay Zarecki is one hell of a tight-knit unit.  The album, recorded at the legendary Rhythm Room in Phoenix contains elements of rock, blues, jazz, and psychedelia poured into their music.  They certainly have their own unique sound, and I like it a lot.

I’m lulled in to “The 4^th Turning” with a beautiful melodic introduction to be wowed by Swartz’s lovely yet powerful voice.  Teskey’s guitar prowess is downright amazing when he shifts into Jimi-mode on this hypnotic rocker.  The band serves up a nice greasy dish of downhome blues with “Hell of a Thing”.  Swartz’s vocal performance oozes with feeling and emotion and I love the tone Teskey gets out of his instrument.  His musicianship really shines.  The heavy-fuzz infused “Diamonds in the Dust” is felt right down to the bone.  Zarecki’s bassline adds to the weight of the song while Tex brings his own brand of thunder to this infectious rocker. 

Out of the ten tracks on this album, all are original except for two.   The first cover is a exquisite take on Etta James’ “At Last”.  The focus rightly turns to Alyssa on this track with good reason.  She has a phenomenal voice.  The second cover is a brilliant performance of Led Zeppelin’s “Whole Lotta Love”.  Swartz sounds great singing it, and Teskey’s licks light up like fireworks.  With that song, the show ends on a high note leaving me wanting more.  

I highly recommend this record.  Now that Until the Sun is on my radar, I am going to keep a keen eye out for further releases.                            

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TRACKLIST

 

1. Battle Cry

2. The 4th Turning

3. Hell Of A Thing

4. Death In Disguise

5. Diamonds In The Dust

6. Unborn

7. At Last

8. Arisen

9. Burning Home

10. Whole Lotta love

 

For more information about Until the Sun, visit their website at :  https://untilthesun.com/

 

#598 : Alastair Greene - Alive in the New World (PhillyCheezeBlues.Blogspot.com)

 

2023 – Whiskey Bayou Records

By Phillip Smith; Feb. 25, 2023

 

Original source : phillycheezeblues.blogspot.com

 

Alastair Greene’s guitar wizardry coupled with his innate ability to craft songs is just the beginning of why his live albums are as delectable as the ones he recorded in studio.  I love the studio albums, but the live albums make for an entirely different listening experience with Alastair packing more into several of the songs.  Greene’s most recent disc Alive in the New World covers ten of the eleven tracks on his 2020 studio album New World Blues.  Produced by Tab Benoit, these live recordings were taken out of a six-night run in Chicago at City Winery during a 2021 tour in which Greene was opening for Benoit.  The lineup is exactly the same as the original studio album with Greene on guitar and vocals, Benoit on drums, and Corey Duplechin on bass and harmony.  The songs are sequenced very differently than they originally were on New World Blues and omits the inclusion of “Alone and Confused”. 

Alastair’s guitar is ablaze and slathered in Texas blues as he leads the record off with “Back at the Poor House”.  The funky groove on this instrumental whisks me away to my happy place.  “Lies and Fear” gets down and dirty as Greene questions an age-old manipulation tactic.  He takes this song skyward as he opens up and lets loose.  I absolutely love “Heroes” as it crashes ashore riding atop an enormous melancholy wave.  The song still reminds me of The Meat Puppets.  It doesn’t take long for “Bayou Mile” to get swampy after it gently rolls in.  Greene dishes out a whopping helping of slide guitar on this one and it sounds great.  Alive in the New World closes in a bodacious way with “The New World Blues”.  This is when Greene dumps the remainder of grease and swamp-water into an amazing finale. 

The New World Blues was a favorite of mine in 2021.  Alive in the New World is a favorite of mine in 2023.  I recommend getting both.    

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For more information about Alastair Greene, visit his website at : https://agsongs.com  

 

Check out other PhillyCheeze reviews for Alastair Greene at :  https://phillycheezeblues.blogspot.com/search?q=alastair+greene

 

#581 > Robert Connely Farr - Shake It (PhillyCheezeBlues.Blogspot.com)

 

2022 – Robert Connely Farr

By Phillip Smith; Oct. 22, 2022

Original source : phillycheezeblues.blogspot.com

 

The music of Robert Connely Farr caught my attention back in 2019 with the release of his Dirty South Blues album.  It was absolutely wonderful.  His latest release Shake It continues to keep my attention glued to his works and marks his ninth studio album.  Farr excels at understanding the mechanics and history of the Bentonia style of blues as taught to him by his hometown hero 2020 Grammy Nominee for Best Traditional Blues Album, Jimmy ”Duck” Holmes. Seventy-five-year-old Holmes, living a life submersed in the blues, owns the oldest surviving juke joint in the world, The Blue Front Café located in Bentonia, Mississippi.  With Farr on lead guitar and vocals, the rest of the band on this nine-track gem is comprised of drummer Jay Bundy Johnson, bassist Tom Hillifer, and shaker/back up vocalist Liam Moes.  

The album starts off with a brilliant revision of Charlie Patton’s 1929 side “Screaming & Hollering”.  Farr breathes new life into the song with beautifully haunting guitar riffs and an expressive Bentonia approach.  Following next is a splendid cover of Jimmy “Duck” Holmes’ “Going Away to Leave You”, from his 2013 release All Night Long.  Riding a wave of heavy bass and injected with a fist-full of distortion, the song penetrates right to the bone. 

Hillifer and Johnson lay down a really funky rhythm for “Miss My Baby”, one of the six original songs, penned by Farr.  This call-out of the corporate world’s working trends running amok is quite infectious.  I love the rolling, swampy attack of title-track “Shake It”.  It’s gets right up there in my face staring me down eye-to-eye.  For the closer, Farr brushes off Tommy McClennan’s 1941 78 he cut for Bluebird Records “Sugar Mama”.  I can hear the desperation in his voice.  It’s so heavy.

Shake It marks my fourth review for Farr, and that’s a very positive statement.  I highly recommend this album. 

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Other PhillyCheeze Reviews for Robert Connely Farr:

 

Dirty South Blues

https://phillycheezeblues.blogspot.com/2019/05/391-robert-connely-farr-rebeltone-boys.html

 

Country Supper

https://phillycheezeblues.blogspot.com/2020/12/474-robert-connely-farr-country-supper.html

 

Ain’t Enough

https://phillycheezeblues.blogspot.com/2022/01/535-robert-connely-farr-aint-enough.html

 

Find Robert Connely Farr on bandcamp.com

#561 > Matty T Wall - Live Down Underground (PhillyCheezeBlues.Blogspot.com)

 

2022 – Hipster Dumpster Records

By Phillip Smith; July 2, 2022

 

Original source : phillycheezeblues.blogspot.com

 

Since Matty T Wall’s debut release in 2016 of Blue Skies, I’ve reviewed each of his albums.  I’m sure not going to break tradition with his latest, Live Down Underground.  Wall very much deserves the kudos.  He is a force to be reckoned with and his prowess behind the guitar never ceases to amaze me.  Recorded at Lyric Underground in Perth, Western Australia, this nine-track release features Wall backed by drummer Ric Whittle and bassist Leigh Miller.

Wall gives a smoking performance as he leads off with the story-telling outlaw blues of “Broken Heart Tattoo”.  This is followed up by the intense red-hot instrumental “Slideride”.  I enjoy the fierce licks and rolling thunder from the moment the song blasts off.  “Scorcher”, another searing instrumental is also quick to capture my attention.  Wall is an astonishing beast on the guitar.  I love the fact that he brought “Sophia’s Strut” out to play.  This mind-melting track from his 2018 Sidewinder record is still lightning in a bottle, just as I described it four years ago.  The psychedelic piece de resistance that begs to be heard is the nearly fifteen minute long “Voodoo Chile”. Wall conjures up an extraordinary listening experience, masterminding a cosmically intense journey that stretches across the universe to shake hands with Hendrix himself.   

Matty T Wall’s previous two albums have landed in my yearly Top 20 lists, and I have no doubt this one will be in my list for 2022.  Live Down Underground is a bodacious live album of guitar-centric blues-rock one can sink their teeth into.  It’s a highly recommended listen.

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PhillyCheeze reviews Matty T Wall

Transpacific Blues Vol. 1  - https://phillycheezeblues.blogspot.com/2019/12/422-matty-t-wall-transpacific-blues-vol.html

Sidewinder - https://phillycheezeblues.blogspot.com/2018/09/351-matty-t-wall-sidewinder.html

Blue Skies - https://phillycheezeblues.blogspot.com/2016/07/matty-t-wall-blue-skies.html

 

 

For more information about Matty T Wall, visit https://www.mattytwall.com

 

#476 : Kevin Burt - Stone Crazy

 

2020 – Gulf Coast Records

By Phillip Smith; Dec. 12, 2020

 

It’s hard to believe two years have passed since Kevin Burt released his break-out album, Heartland & Soul.  That was such a splendid recording.  Stone Crazy, his very latest album is plumb phenomenal, built of songs focusing on his own experiences in life, love, and relationships.  Burt proves once again, he is a superfecta of entertainment, with his unique soulful vocals, harmonica mastery, insightful songwriting, and delicate guitar styling.  This time around, Burt is working with Mike Zito and his label Gulf Coast Records.  Zito not only produced the album, but also appears on guitar, along with Doug Byrkit on bass guitar, Matthew Johnson on drums, Lewis Stephens on keys, and Jimmy Carpenter on saxophone.

With an enormous blast of juicy blues harp from Burt, the record opens with the infectious groove of “I Ain’t Got No Problem With It”.  From this moment, I am hooked.  I love the swampy slide guitar and harp combo on “Rain Keeps Coming Down”.  This is pure blues, and it sounds fantastic. 

Burt goes into troubadour-mode with title-track love ballad “Stone Crazy”.  The song glistens with heart-felt soul.  With one exception, this album consists of all original songs written by Burt.  That exception is a of the Bill Withers’ flip side to his “Lean on Me” single “Better Off Dead”.  Burt takes this funky-yet-intense, down-hearted song and definitely makes it his own.

The record comes to a deep and heady conclusion with the poignant “Got To Make a Change”.  Burt’s performance is passionate and reflective.  Stone Crazy is definitely an album you’ll want to own.

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For more information about the artist, visit this website:  http://kevinburtmusic.com/

 

 

Take a listen to the album on Apple Music, and if you decide to purchase it, use my special link.  

#440 : Justin Saladino Band - Live

2020 – Disques Bros.
By Phillip Smith; April 11, 2020

Montreal-based Justin Saladino has a stellar new album, simply called Live.  The recording took place over two nights at Piccolo Studios in Quebec for an audience of dedicated fans.  Hearing the live takes from A Fool’s Heart and No Worries adds an extra layer of soul to the songs.  With Saladino taking lead of this six-piece band on guitar and vocals, he is joined by guitarist Antoine Loiselle, keyboardist David Osei-Afrifa, drummer Denis Paquin, bassist Gabriel Forget, and percussionist Lucie Martel.  

The album splendidly opens in a bluesy romantic direction with “Take What You Want”.  Saladino’s vocals are smooth and confident.  I love how he fearlessly brings “Purple Girl” to life with his guitar mastery.  It rocks in a fabulous way.  While beautifully wearing his heart on his sleeve, he lays down a slew of extraordinary licks on his break-up ballad “Peace With You”.  Saladino packs a gob of delicious blues slide into Tom Petty’s “You Don’t Know How it Feels”, making for one hell of a cover.

JSB Live is one of the best live albums I’ve heard in a while.  Saladino absolutely cooks on guitar.    

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For more information about the artist, visit this website : justinsaladinoband.com   

#435 : Josh Smith - Live at the Spud

2020 – Flat V Studios
By Phillip Smith; March 7, 2020

I’ve been a fan of Josh Smith’s since reviewing his Don’t Give Up On Me album in 2013 for Blues Revue Magazine’s online zine BluesWax.  His 2015 album, Over Your Head album was another favorite.  It’s so cool to hear this new live recording of Josh playing at The Baked Potato in Studio City, California.  Comprised of back to back gigs on December 29 and 30, 2018, the album provides a nine-song retrospective of Smith’s last fifteen years.  With stellar musicians, drummer Gary Novak and bassist Travis Carlton backing him, Smith delivers one hell of a performance.

He kicks into top gear with a heavy dose of blues-rock on “How Long”.  It’s such a phenomenal jam with lots of beefy bass, crashing drums, and searing guitar.  “Pusher” sneaks up right behind with delightful boatload of funky jazz.  This thirteen-plus minute piece is colossal to say the least.  The funk is flying on “Letting You Go”, and I’m loving every bit of it.  Smith’s vocals are confident and bluesy and his guitar is white hot.  Novak crushes on drums.  An injection of fuzz bass from Carlton takes “When I Get Mine” to the next level.  It’s amazing.  I get goosebumps when they break into “Triple J Hoedown”, a magnificent western-rooted jam.  It’s a pure joy to listen to.

Spinning Live at the Spud this past week has definitely brightened my commutes to and from work.  I hope to see more live albums like this from Josh in the future.           

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For more information about the artist, visit this website.. www.joshsmithguitar.com