Showing posts with label Jimmy Duck Holmes. Show all posts
Showing posts with label Jimmy Duck Holmes. Show all posts

Sunday, May 7, 2023

#612 : Robert Connely Farr - Cherry Ball (PhillyCheezeBlues.Blogspot.com)

 


2023 – Robert Connely Farr

By Phillip Smith; May 7, 2023

Release Date : April 14, 2023


Original source : phillycheezeblues.blogspot.com

 

Robert Connely Farr’s name is planted on my list of favorite blues artists these days.  I’ve been hooked on his music since hearing his 2019 release Dirty South Blues.  Hailing from Bolton, Mississippi and now residing in Vancouver, B.C., Farr was mentored by Grammy-nominated Jimmy ‘Duck’ Holmes, cementing his style in Bentonia Blues.  For this recording, Farr selected a baker’s dozen of his coolest tracks and taped them live at Fox Cabaret in Vancouver with bandmembers Jay Bundy Johnson and Tom Hillifer.

The set begins with a splendid, dark performance of the 1929 Charlie Patton side “Screaming & Hollering” which also appears on Farr’s 2022 Shake It album.  He delivers the hard-driving Jack Owens-penned song “Cherry Ball” with fearless abandon down a steamy groove fueled by Johnson and Hillifer.  The bassline digs deep into the marrow of my bones as he wonderfully takes on Jimmy ‘Duck’ Holmes’ “Going Away to Leave You”.  If one is playing Bentonia blues, there’s going to have to be some Skip James in the mix.  Farr pleads for just one more chance as he delivers a brilliant and unsettling rendition of James’ “Devil Got My Woman” taught to him by Holmes.            

Farr’s original songs truly resonate and are comparable to the those from the delta greats.  “Going Down South”, with its timelessness and infectious hook, pulls me right in.  “Lefty” on the other hand, clocks in with a two-and-a-quarter minute long hellacious serving of high-octane blues.  They are both great songs.

Cherry Ball is a terrific listen from beginning to end.  For those who have not listened to Farr’s work, this album is an excellent gateway recording to introduce yourself to his work. 

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TRACK LISTINGS

 

1. Screaming & Hollering (live) 03:22

2. Buddy Brown (live) 02:27 video

3. Cherry Ball (live) 02:40 video

4. Going Away To Leave You (live) 02:23

5. Going Down South (live) 02:46

6. Devil Got My Woman (live) 02:41

7. Go Cat Go (live) 02:48

8. Lefty (live) 02:14

9. Ain't No Other Way (live) 02:42 video

10. Trouble (live) 03:21

11. Knock On Wood (live) 02:49

12. Shake It (live) 02:57

13. Girl In The Holler (live) 02:34

 

 

Check out other PhillyCheeze reviews for Robert Connely Farr at :  https://phillycheezeblues.blogspot.com/search?q=Robert+Connely+Farr

 

 

 

 

Available on Bandcamp


Saturday, October 22, 2022

#581 > Robert Connely Farr - Shake It (PhillyCheezeBlues.Blogspot.com)

 


2022 – Robert Connely Farr

By Phillip Smith; Oct. 22, 2022

Original source : phillycheezeblues.blogspot.com

 

The music of Robert Connely Farr caught my attention back in 2019 with the release of his Dirty South Blues album.  It was absolutely wonderful.  His latest release Shake It continues to keep my attention glued to his works and marks his ninth studio album.  Farr excels at understanding the mechanics and history of the Bentonia style of blues as taught to him by his hometown hero 2020 Grammy Nominee for Best Traditional Blues Album, Jimmy ”Duck” Holmes. Seventy-five-year-old Holmes, living a life submersed in the blues, owns the oldest surviving juke joint in the world, The Blue Front CafĂ© located in Bentonia, Mississippi.  With Farr on lead guitar and vocals, the rest of the band on this nine-track gem is comprised of drummer Jay Bundy Johnson, bassist Tom Hillifer, and shaker/back up vocalist Liam Moes.  

The album starts off with a brilliant revision of Charlie Patton’s 1929 side “Screaming & Hollering”.  Farr breathes new life into the song with beautifully haunting guitar riffs and an expressive Bentonia approach.  Following next is a splendid cover of Jimmy “Duck” Holmes’ “Going Away to Leave You”, from his 2013 release All Night Long.  Riding a wave of heavy bass and injected with a fist-full of distortion, the song penetrates right to the bone. 

Hillifer and Johnson lay down a really funky rhythm for “Miss My Baby”, one of the six original songs, penned by Farr.  This call-out of the corporate world’s working trends running amok is quite infectious.  I love the rolling, swampy attack of title-track “Shake It”.  It’s gets right up there in my face staring me down eye-to-eye.  For the closer, Farr brushes off Tommy McClennan’s 1941 78 he cut for Bluebird Records “Sugar Mama”.  I can hear the desperation in his voice.  It’s so heavy.

Shake It marks my fourth review for Farr, and that’s a very positive statement.  I highly recommend this album. 


Find Robert Connely Farr on bandcamp.com

Saturday, May 21, 2022

#555 > Ryan Lee Crosby - Winter Hill Blues (PhillyCheezeBlues.Blogspot.com)

 

2022 – Ryan Lee Crosby

By Phillip Smith; May 21, 2022

Original source : phillycheezeblues.blogspot.com

 

It was two years ago I first heard Ryan Lee Crosby play at the virtual Juke Joint Fest in Clarksdale, Mississippi.  The annual event was thrown for a spin in 2020 due to Covid 19, so organizers cleverly decided to take the festival online in a virtual sense with free live Facebook streams, and app-driven tip jars.  That was my first time to experience Juke Joint Fest in any capacity, and I was totally captivated.  Crosby’s performance bowled me over with his unique way of playing and his pure blues authenticity.

Produced by the legendary Bruce Watson (R.L. Burnside, Junior Kimbrough, Robert Belfour), and dedicated to his mentor, the great Jimmy “Duck” Holmes, Winter Hill Blues is a sensational nine-track album of deep-delta acoustic guitar blues.  Eight of those nine tracks are wonderfully-timeless originals penned by Crosby.  Backing Crosby is drummer/percussionist George Sluppick (JJ Grey & Mofro, Chris Robinson), and bassist Mark Edgar Stuart.   

From the beginning notes of “I’m Leaving”, I’m onboard.  I love how Sluppick’s freight-train beat kicks in and Stuart’s bass notes penetrate right to the bone.  Crosby impressively woos me on guitar, declaring “Well I’m gonna leave ya child, I’m gonna leave when the morning comes”.  His genteel delivery of title-track “Winter Hill Blues” is beautifully executed.  There’s a definite Skip James energy surrounding this one, and it sounds wonderful.  The swirling hypnotic rhythm on “Down So Long” pert near puts me in a North Mississippi trance, and I enjoy it immensely.   Continuing along Bentonia blues tradition with songs about the devil, Crosby’s “Was it the Devil” is a poignant and reflective song about his mother’s passing.  Here he sings “It was the devil who made her do that thing, but it was the lord who gave her angel’s wings”.  He takes a hard look at the institutions we are most familiar with in his hard-driving blues anthem “Institution Blues”, and finds a hidden purpose of systematic control when he takes a peek behind the curtains.  The song could’ve been written at anytime within the past hundred years, but its words are ageless.  The album closes with a robust cover of Rev. Robert Wilkins’ “Wish I Was in Heaven Sitting Down”.  The slide guitar on this track is absolutely fabulous.

Winter Hill Blues is a wonderful album of traditional blues and it deserves all the future accolades it will receive.        

 

 

 

For more information about Ryan Lee Crosby, visit this website :  https://ryanleecrosby.com

 

 

 

Ryan Lee Crosby on Bandcamp

Saturday, January 1, 2022

#535 : Robert Connely Farr - Ain't Enough

 


2021 – Robert Connely Farr

By Phillip Smith; Jan. 1, 2022

Ain’t Enough was recorded at Hipposonic Studios in Vancouver, BC, and marks Robert Connely Farr’s ninth studio album, and first solo acoustic album.   What I love about Farr’s music is that it’s deep, meaningful, and baptized in the blues.  Nominated for 2019 Maple Blue Awards for Songwriter of the Year and New Artist of the Year, Farr was mentored by 2021 Grammy nominee Jimmy ‘Duck’ Holmes.  This mentorship with Holmes is key in Farr’s devotion to keep the Bentonia Blues legacy moving forward.  Holmes, owner of the world’s oldest juke-joint The Blue Front CafĂ© in Bentonia, Mississippi, was mentored by Henry Stuckey who also taught Skip James.  One can feel the history of the handed-down teachings in Farr’s songs.   

Like Townes Van Zandt, John Prine,and Bruce Springsteen, Farr has the magic to pull the listener in to his world to experience the good with the bad.  This is very much so as Farr reels me in with title-track “Ain’t Enough”.  It totally sets the tone of the album.  Performed on a twelve-string, his cover of Jimmy ‘Duck’ Holmes’ “Going Away to Leave” is absolutely breathtaking with its ominous and hypnotic riff.  A wave of emotion overcomes me when I hear him sing about his gut-wrenching battle with cancer in “I Get By”.  Farr’s infectious rolling melody swoops me up as he paints a clear picture of economic inequalities in “Getting’ Richer Blues”.  It’s such a badass song.

Ain’t Enough is a striking album of real-deal blues.  Farr’s lyrics cut to the bone and his melodies are beautifully haunting.               

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 For more information about the artist, visit this website: www.robertconnelyfarr.com

 




Available on Bandcamp

Sunday, August 22, 2021

#513 : Sunflower River Blues & Gospel Festival - 2021

 


Clarksdale, Mississippi

August 12-15, 2021

By Phillip Smith; August 21, 2021

 

After my first trip down to Clarksdale, Mississippi for the Sunflower River Blues and Gospel Festival in 2019, I knew I would want to go again.  Last year the festival was cancelled due to Covid-19, but this year it returned, with one slight difference.  The daytime acts on Saturday performed outdoors on an acoustic stage under the VIP tent, as opposed to being scattered around the downtown area in assorted bars, restaurants, and galleries.  Ground Zero Blues Club also held a steady continuance of live music throughout the weekend as well.

The journey from Iowa to Clarksdale included a one-night stop in Memphis for a night out on Beale Street.  The group I was travelling with held steady at King Jerry Lawler’s Hall of Fame Bar & Grille on Beale, for an evening of live music from The Beale Street All-Stars.  Those guys put on a dazzling show and provided an enjoyable evening of entertainment.    

On the way to Clarksdale Thursday morning, we made a stop at the Delta Cultural Center in Helena, Arkansas to catch the live broadcast of the legendary King Biscuit Time radio show.  King Biscuit Time is the longest running blues radio program in the world, logging over 18,490 episodes since its inception in 1941, and can still be heard each weekday from 12:15pm – 12:45pm on KFFA out of Helena, or by streaming through the Delta Cultural Center’s Facebook page.  Originally hosted by “Sunshine” Sonny Payne until 2018, the show is now hosted by my friend Thomas Jacques.  It was great to catch up with Thomas as he gave us a tour and filled us in on the history of the show.

After checking in at the Shack Up Inn, we all headed to the Delta Blues Museum, where the festival is held, to enjoy an evening of blues accompanied by a delicious, down-home dinner of grits, greens, and barbeque.  It was great to finally hear Lucious Spiller, Sean “Bad” Apple, and Terry “Big” T Williams live in person.  There’s something special about the way Lucious sings “A Change is Gonna Come”.  He digs deep as he sings it with raw emotion.  With accompaniment from a harp player called Freight Train, Sean Apple’s cover of Skip Jame’s “Hard Times” was really nice.  Lady Trucker made a guest appearance during Sean’s set to sit in on “Sitting on Top of the World”.  Her voice has a lot of power in it and is quite impressive.  Following the Grits & Greens dinner, we headed over to Ground Zero Blues Club, and caught Heather Crosse, “Rockin” Johnny Burgin, and Jaxx Nassar hosting the weekly blues jam.  That was a big ball of fun to be present for that.  The camaraderie among the musicians exudes a sense of family.

Before the festivities began on Friday, we ventured out to visit a few blues sites.  We stopped by Tutwiler first to see where W.C. Handy heard his first slide guitar performance, then visited Sonny Boy Williamson II’s gravesite.  We had lunch at The Cozy Corner in Indianola, a place which sits a couple of blocks away from the new B.B. King Museum.  Their ribs really hit the spot, and the fried okra was cooked perfectly.  This was definitely a one-of-a-kind place to stop.  Just around the corner from the Cozy Corner, sits Club Ebony, a nightclub which has earned its own Mississippi Blues Trail marker for showcasing such artists as Ray Charles, B.B. King, Bobby Bland, Albert King, Little Milton, Count Basie, and many others.  We pushed off from there and visited Dockery Farms, and a possible locations of the famed crossroads nearby, which legend tells us Robert Johnson made his deal with Ol’ Scratch.   

The first band to play on Friday was the Delta Museum Student Band.  It is through this program that many blues artists in the area, such as Christone “Kingfish” Ingram got their start.  Heavy Suga and the Sweet Tones with Heather Crosse and Johnny Burgin took the stage next.  They sound absolutely fabulous together.  I was so happy to hear a couple of my favorites from Heather’s Groovin’ at the Crosse Roads album: “My Man Called Me” and “Why Does a Woman Play a Bass Guitar”.  Lightnin’ Malcolm was an absolute force to be reckoned with.  His guitar performance was sizzling.  James Super Chikan” Johnson followed with his flashy home-made guitars.  I couldn't help but smile when he hit the stage .  His band comprised of his daughter Jamiesa Turner on drums, Heather Falduto on bass, and Lala Craig are impeccable.

Early Saturday afternoon, I made it my number one priority to go listen to the legendary Jimmy “Duck” Holmes.  This recent Grammy nominee and owner of the oldest still-active juke joint in Mississippi The Blue Front Cafe, is the current king of the Bentonia Blues.  It was truly an amazing experience to hear him play “Catfish Blues” and “Roll Me”.  The rest of the afternoon was spent back at Ground Zero for more blues from Steve Kolbus, Lucious Spiller, Jaxx Nassar, Big Train and the Loco Motives, Heavy Suga and the Sweet Tones, and Johnny Burgin.  

With a setlist which included Amy Winehouse’s “Back to Black”, “Sweet Home Chicago”, Susan Tedeschi’s “Hurts So Bad”, and Cindy Lauper’s “Time After Time”, and “Whipping Post” it was a great pleasure to hear Jaxx Nassar.  She is a multi-instrumentalist who has an amazing voice, and killer chops on the guitar.  She even brought out her cigar box guitar made by my friend Kevin Patrick, and gave us a solid dose of “Catfish Blues”.  I can’t wait to hear her first album, whenever it may come out.  I’ll definitely be among the first to buy a copy.

Jim “Big Train” Madsen, another friend of mine from the group I was with, took the stage with his band Big Train and the Loco Motives.  With Madsen on guitar and lead vocals, the rest of the band was comprised of Bill “Top Dog” Cummins on harp, Mason “Thumper” Cullen on bass, and Mike “Pine Box” Lander on percussion.  They delivered an outstanding set of delta blues, covering greats such as “Got My Mojo Working”, “Built for Comfort”, “Bang Bang Bang Bang”, “Before You Accuse Me”, and “Hoochie Coochie Man”.  They also performed a new original blues tune written by Madsen called “I Ain’t Skinny No More”.  That one definitely needs to be released as a single sometime soon.  

Heather Crosse and Johnny Burgin had sounded so good together the previous two times I caught them, I had to hang around and hear them once more.  It was cool to hear Burgin break out his cover L.V. Bank’s “Teddy Bear”.

Several acts were delayed due to rain Saturday evening, but once it cleared, I was front-and-center for Jimbo Mathus with special guest Charlie Musselwhite.  That was the main event as far as I was concerned, and no way was I going to miss this show.  It was still sprinkling a little bit, but I managed to get the camera out for a few shots.   Jimbo started out with “Shake Your Money Maker”, and a most fitting “Ain’t Gonna Rain No More”.  He played Canned Heat’s “On the Road Again”, and Al Green’s “Let’s Stay Together”.  Musselwhite took the stage and stayed until the end.  Together they performed several songs including “Louisiana Blues”, and “Ode to Billy Joe”.

I had a such a fun time, trying to cram as much live music into my vacation as I possibly could.  Sunday morning, we checked out of the Shack Up Inn and began the eleven-hour trek back to Iowa along Highway 61.  Now, it’s just a treasured memory.

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*All photos by Phillip Smith except the one credited otherwise


The Beale Street All Stars at King Jerry Lawler's

Thomas Jacques hosting King Biscuit Time 

Thomas Jacques

Delta Cultural Center at Helena,Arkansas

Legend Shack at The Shack Up Inn

at The Shack Up Inn

Lucious Spiller

Sean "Bad" Apple

Terry "Big T" Williams

      

Jaxx Nassar & Heather Crosse

Jaxx Nassar & Johnny Burgin

Jaxx Nassar & Jim "Big Train" Madsen

Johnny Burgin

Heather Crosse & Johnny Burgin


Tutwiler, Mississippi

Kevin, Terri, Jim, Bill, Joyce, Galen, Pam, Kyle, & Aaron


The Cozy Corner Cafe in Indianola, Mississippi


Club Ebony in Indianola, Mississippi

 

Crossroads * photo by Terri Munch  (Thanks Terri!)

Crossroads : Jim, Terri, Joyce, Bill, Kyle, & Pam 

Dockery Farms

     

Heather Crosse & Johnny Burgin

Heather Crosse

Lee Andrew "Juice" Williams 


Lightnin' Malcolm


James "Super Chikan" Johnson

Lala Craig

James "Super Chikan" Johnson

Heather Falduto


Jimmy "Duck" Holmes

Steve Kolbus and Jaxx Nassar

Lucious Spiller

Jaxx Nassar

Big Train & the Loco Motives


Jimbo Mathus

Charlie Musselwhite

Charlie Musselwhite & Jimbo Mathus

Charlie Musselwhite & Jimbo Mathus






Websites of places mentioned:

 

King Jerry Lawler’s Hall of Fame Bar & Grille – www.lawlersonbeale.com

Delta Cultural Center - www.arkansasheritage.com/delta-cultural-center/delta-cultural-center-home

Shack Up Inn – shackupinn.com

Ground Zero Blues Club – groundzerobluesclub.com

Delta Blues Museum – deltabluesmuseum.org

Hooker Grocery -- www.hookergrocer.com

 

 

 

Websites of artists mentioned:

 

Johnny Burgin - johnnyburgin.com

Steve “Lightnin’” Malcolm - www.lightninmalcolm.com

Big Train & the Loco Motives – bigtrainsblues.com

Jimbo Mathus - www.therealjimbomathus.com

Charlie Musselwhite - www.charliemusselwhite.com

 

 

 

 

 

 

   

 

 

   

 

 

 

 

 

 

For more information about the festival, visit this website - www.sunflowerfest.org