#724 > Tommy Castro and The Painkillers - Closer to the Bone (PhillyCheezeBlues.Blogspot.com)

 

2025 – Alligator Records

Release Date : Feb. 7, 2025

By Phillip Smith; Jan. 11, 2025

Original source : phillycheezeblues.blogspot.com

 

There’s a deep sense of authentic blues with the latest album from Tommy Castro and The Painkillers’ Closer to the Bone, and I absolutely love it.  As Castro stated, "I have always wanted to do what I would call a real blues record, and I felt like the right time was now. There is nothing contemporary about this album. It’s a blues record the way they might have made blues records back in the day.” With Castro on guitars and vocals, he is joined by his band The Painkillers : Mike Emerson on keys, Randy McDonald on bass, and Bowen Brown on drums. His star-studded guestlist includes Christoffer “Kid” Andersen, Deanna Bogart, Billy Branch, Chris Cain, June Core, Rick Estrin, Scott Jensen, Jim Pugh, Mike Rinta, Jack Sanford, Sons of Soul Revivers, Endre Tarczy, and Lisa Leuschner Andersen.

Castro lures me quickly in with his masterful guitar-play on Jimmy Nolen’s “The Way You Do”. His twangy surf guitar is brilliantly paired with Rick Estrin on harmonica, and Kid Anderson’s infectious bassline. Johnny Nitro’s “One More Night” is fabulous to the core and filled with scorching guitar licks riding on top of an unescapable Texas blues groove. The tribute is so good, I was forced to acquaint myself with Nitro’s work. With guests Branch on harp, and Core on drums, Castro serves up a lively cocktail of Latin-infused blues with “Ain’t Worth the Heartache” for a fun, freewheeling original about moving on. Everything about “Freight Train (Let Me Ride)” is red hot. This cover originally from Ron Thompson and the Resisters features Pugh on piano and sounds amazing. Estrin appears again on a smokin’ recording of Eddie Taylor’s “Stroll Out West”. Castro sings this with a voice seemingly baptized in the Mississippi. This is what the blues is all about.

I think a lot of listeners will declare Closer to the Bone a favorite of 2025.  I sure have.

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For more information about Tommy Castro, visit the website @  

https://www.tommycastro.com/

For other PhillyCheeze reviews featuring Tommy Castro, follow this link: https://phillycheezeblues.blogspot.com/search?q=Tommy+Castro 

#311 : Howlin' at Greaseland

Various Artists

Howlin’ at Greaseland

2017 –West Tone Records

Release Date : 2017

By Phillip Smith; Dec 30, 2017

Howlin’ Wolf has always been one of my favorite bluesmen and I was quite excited to hear this new compilation of the Wolf’s music masterminded by producer Stephanie Tice and Christopher ‘Kid’ Andersen.  Howlin’ at Greaseland was recorded at Andersen’s Greaseland Studio in San Jose, California, and features a terrific crew of blues singers consisting of Alabama Mike, John Blues Boyd, Tail Dragger Jones, Henry Gray, Aki Kumar, Terry Hanck, and Lee Donald.   The band has a rotating cast of notable Bay area blues artists on hand too.  With Andersen himself on guitar for the majority of the songs, others include: Rick Estrin(harmonica), Aki Kumar(harp), Rockin’ Johnny Burgin(guitar), Johnny Cat Soubrand(guitar), Vance Ehlers(bass), Jim Pugh(piano), Dmar Martin(drums), Lorenzo Farrell(piano), Alex Pettersen(drums), Robby Yamilov(bass), Joe Kyle Jr.(bass), June Core(drums), Henry Gray(piano), Patrick Rynn(bass), Chris James(guitar), Eric Spaulding(sax) and Mike Phillips(bass).

The album wonderfully begins with the infectious hook of “Meet Me in the Bottom”.  Alabama Mike pours himself into his performance.  Kid Andersen’s slide guitar sounds so nice, especially paired with the harp playing of Rick Estrin.  It’s a terrific way to start the record.  This really has a way of warming the listener up for the killer rendition of “Smokestack Lightnin’” sung by John Blues Boyd.  This one features both Kid and Rockin’ Johnny Burgin on guitars, as well as Estrin on harp, delicately accented by the piano prowess of Jim Pugh(Robert Cray Band).  Tail Dragger delivers the goods on “Don’t Trust No Woman”, as he belts the tune out with tons of experience.  Rockin’ Johnny Burgin splendidly keeps the song rolling on guitar while Aki Kumar delivers a big juicy performance on harp.  I love Henry Gray’s remarkable piano and vocal delivery of “Little Red Rooster”.  It is blues at its purest.  The album comes to a close with sweet recording of “Spoonful” sung with conviction by John Blues Boyd. Players on hand for this track include Kid Andersen and Rockin’ Johnny on guitars, with Rick Estrin on harp, Joe Kyle Jr. on bass, Jim Pugh on organ, and Eric Spaulding on sax.  They sound so great together; I certainly would be up for hearing more of these compilations from Greaseland.      

   

Tommy Castro presents The Legendary Rhythm & Blues Revue Live

By Phillip Smith

If one thing can be said about Tommy Castro, it’s that he knows how to put on a show.  So well in fact that he is the honorary captain of the Legendary Rhythm & Blues Cruises.   This album features some of the highlights from The Revue’s recent live performances.  The Revue consists of Tommy Castro, his band, complete with horn section, and a number of musical guests. 

Magic is in the air as Castro totally reinvents Bob Dylan’s ‘Gotta Serve Somebody’.  Possibly one of the hottest tracks on the whole album, it’s as if Stevie Wonder himself took the song, baptized it in a lake of funk, and handed it back. 

Rick Estrin, who has recently taken over for Little Charlie as front man for the Nightcats, dishes out some smoking’ harp licks on ‘My Next Ex-Wife’.   Estrin, not the only Nightcat in on this one, is joined on this one by his guitarist Chris ‘Kid’ Anderson, who adds some pretty hot licks to the song as well.

If I were to continue name dropping, I might ask what Michael Burks, Joe Louis Walker,  Trampled Under Foot, and Janiva Magness all have in common.  The answer would be that they all contribute smoking hot numbers on this album as well. 

This CD is definitely a jewel for those who dig their compilation albums.  Because Castro’s band is backing each track, the listener gets a really good mix of music, but with a common thread providing a fluid connection.   Of course, this one comes highly recommended.