Showing posts with label Eric Clapton. Show all posts
Showing posts with label Eric Clapton. Show all posts

Saturday, April 23, 2016

Shaun Hague : Journeyman A Tribute to Eric Clapton - Live @ Campbell Steele Gallery : 4/22/16


Live @ Campbell Steele Gallery
April 22, 2016 – Marion, Iowa
By Phillip Smith; April 23, 2016


Friday, April 22, Chicago guitarist/vocalist Shaun Hague brought his captivating show, Journeyman - A Tribute to Eric Clapton, to Campbell Steele Gallery in Marion, Iowa.  Joining Hague onstage for this delightful retrospective is keyboardist Robert Monroe, bassist Brian Burke and drummer Andy Taylor.  In this sold-out show, Journeyman treated the audience to three sets of hits and deep cuts, making sure to cover every era of Clapton’s career.

Beginning with the Sixties, Journeyman hit the ground running with a killer cover of “White Room” which almost immediately gave me goosebumps. This was followed up with a riveting “Badge”.  Burke's sweet bassline cemented the intoxicating groove on “Sunshine of Your Love”, in which Hague and Monroe alternated vocals.  The band was in total synchronicity for this one.  Taylor’s drum solo was spectacular and was a definitely ‘Hell Yeah’ moment.  Hague doles out more smokin’ guitar grooves on Robert Johnson’s iconic classic “Crossroads” to end the first set.

Set two, featured songs from the Eighties and Nineties, where Journeyman hit on deep cuts, “Holy Mother”, and honky-tonk friendly “Alberta”.  After a jamming performance of “Pretending”, they brought onstage with them, guest guitarist Billy Satterfield. Watching Hague and Satterfield go toe-to-toe on Muddy Water’s “Hoochi Coochi Man” was phenomenal.  The dual guitar sounded terrific.  Monroe downright tore it up on keys, reminding me of a mad scientist at work.  His talent definitely runs deep.    

The third and final set covered the classic Clapton songs of the Seventies.  Taylor grabs another captivating drum solo on “Let it Rain”.  I love this song.  I haven’t heard it in a while, but it transports me instantly to the days of my youth.  Satterfield is invited onstage again to join the band for “Cocaine”, where they tendered another absolutely grand performance.  Electric and spacy, their rendition of Jimi Hendrix’s “Little Wing” was an example of rock and roll at its best.  No Clapton tribute would be complete without “Layla”. This beautifully played song was the cherry on top, and ended the last set of the evening, bringing the walk down memory lane to a close.  It was a terrific night for music.    



All Photos by Phillip Smith


Shaun Hague

Robert Monroe

Shaun Hague

Brian Burke

Andy Taylor

Andy Taylor

Shaun Hague &  Brian Burke

Brian Burke

Brian Burke

Shaun Hague, Brian Burke, and Billy Satterfield

Shaun Hague & Billy Satterfield

Billy Satterfield

Robert Monroe

Robert Monroe

Shaun Hague

Shaun Hague

Shaun Hague & Billy Satterfield

Shaun Hague, Brian Burke, and Billy Satterfield



Sunday, August 16, 2015

Rocky Athas The Essential Rocky Athas Volume 1


2015 – Cherryburst Records
By Phillip Smith; Aug. 15, 2015

My first exposure to the lush and bluesy sounds of Rocky Athas came about because of my deep appreciation for the band, Black Oak Arkansas, who Athas played with for a short while.  His work with the legendary John Mayall drew me in even further.  Regardless of whom he is playing with, it is always a joy to hear him play.  The Essential Rocky Athas Volume 1 focuses on Athas’ solo works, which he describes as “a labor of love years in the making”.  For the guitar aficionados, Athas notes fifteen different guitars used on the ten tracks in this fabulous collection.   It makes me happy to know he plans to release two more volumes later this year.  

Athas delivers energized Texas blues at its finest in “Long Time Gone” and “Think About It”.  The later features special guest John Mayall.  Captivating grooves seasoned with delicious guitar licks bring these tracks to the forefront.   The soulfully performed “Last of the Blues” is about as perfect a blues song as one can get, with its poignant lyrics and beautiful melody.    It’s so fun to hear him let it all hang out on “Tearin’ Me Up”, another terrific track. 

The album closes out with an exquisite cover of Cream’s “White Room”, bringing the John Mayall connection full circle, as Athas pays homage to the earliest of Mayall’s collaborators, Eric Clapton and Jack Bruce.  This track is truly the pièce de résistance. 

I can’t wait to hear volumes 2 and 3.




For more info on Rocky Athas, visit his website http://www.rockyathas.com/