Showing posts with label Howard Grimes. Show all posts
Showing posts with label Howard Grimes. Show all posts

Saturday, May 15, 2021

#500 : Howard Grimes with Preston Lauterbach - Timekeeper My Life in Rhythm

 


2021 – Devault Graves Books

Release Date : July 1, 2021

By Phillip Smith; May 15, 2021

 

I’ve been a huge Stax Records fan for a very long time, and I absolutely love the southern soul music which poured out of Memphis in the Sixties and Seventies.  The grooves were buttery and always inviting.  Howard Grimes, the man who created the beats upon which the Memphis sound was built, tells his story of navigating the Memphis music scene from behind the drums of the prestigious Hi Records Rhythm Section.  Written with Preston Lauterbach, who also co-wrote the recent book from Annye C. Anderson Brother Robert – Growing Up With Robert Johnson, Timekeeper makes for a most intriguing read.    

A key connection was made when Grimes, never knowing his real father, found guidance and a mentorship from Emerson Able, the Manassas High School band director who referred to the youth as a human metronome.  The world Grimes paints of his growing up in Memphis in the Forties and Fifties, is a dicey, exciting, and sometimes terrifying one filled with neighborhood juke joints, barber shops, cafes, and pool halls.  That being said, Grimes was almost always able to steer his way out of trouble, and focus on his love of playing drums. 

Grimes’ stories of starting out are so captivating, and his brushes with fame are countless.  While still in high school, he was already going on road gigs with Rufus Thomas and his crew.  The whole band, plus Ma Rainey would all be packed in a ’59 four-door Chevy with all the instruments in the trunk, and the stand-up bass fiddle running through the middle of the car from the front windshield to the rear window.  Willie Mitchell and the Hodges brothers who made up the rest of the Hi Rhythm Section are all continually mentioned throughout the book, showing just how intertwined their lives were, through the good times and the bad.  It was while traveling through Texas with Mitchell when Al Green was discovered and signed to Hi RecordsMitchell produced Green’s record, with Grimes and the Hodge boys providing the backing.  That record became a hit, and Al Green became household name after that.     

Besides recording with top artists such as Rufus Thomas, Isaac Hayes, Al Green, Ann Peebles, Willie Mitchell, Otis Clay, O.V. Wright, and Steve Cropper, he’s backed legends Marvin Gaye and Jackie Wilson as well.  His encounters with each are  discussed.  It’s these stories which really draw me in.

Grimes also goes into deep details regarding his home-life, documenting the rocky relationship he had with his wife, and the fight that left him in the hospital with a knife wound.  Several of his friends were going through that same kind of turmoil, and he talks about how that affected things in the studio as well.  He does not sugar-coat his feelings or mince his words when it comes to telling it like it is or how it was.  His faith in God though kept him going when the going was tough.

In the end, I found it endearing that Grimes has continued to maintain contact with Able, the bandleader from high school throughout the years.  Timekeeper is a book that is hard to put down.  I already want to read it again.

 

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Saturday, March 20, 2021

#491 : Robert Allen Parker - The River's Invitation

 


2021 – Broken String Records
Music Maker Relief Foundation
 
By Phillip Smith; March 20, 2021
 
Robert Allen Parker, a staple of the Memphis music scene, is going all-in on his second solo effort The River’s Invitation.  This incredible double LP ushers the listener along an amazing Memphis-music experience, incorporating the many styles and genres which have graced the Bluff City to produce a potent cocktail of delta blues, southern soul, psych-rock, southern boogie and gospel.  Recorded in Memphis with an ensemble of local talent, the album features singers Kennard Farmer, Candice Ivory, Yubu Kazungu, Lahna Deering and Chris Stephenson, with a top-notch cast of musicians consisting of guitarists Khari Wynn (also on bass guitar) and Rev. Neil Down, bassists Chiemi Fujio, Leroy Hodges (Hi Rhythm Section) , keyboardists Gerald Stephens and, Chris Stephenson, percussionists Michael Alan Todd and Melvin Turner, sitarist Richard Cushing, saxophonist Hope Clayburn, trombonist Victor Sawyer, trumpeters Shayla Shaw and Jared Dover, violinist Krista Lynne, cellist Jana Misener, and drummers Paul Taylor, Brian Wells, and Howard Grimes (Hi Rhythm Section).  Parker’s guitar style and mastery has garnered critical acclaim from Gary Clark, Luther Dickinson, Valerie June, and Tav Falco.   

 
Surfing atop a furious beat, “The Sound of Revolution” epically washes ashore on a wave of prog-rock spiked with a string section and hints of R.E.M..  Parker then takes us to church in the Mississippi delta for a swampy delivery of gospel standard “Jesus is on the Main Line”.  With vocals drenched in blues, he gives a breathtaking slide guitar performance.  “Indian Dream / 1 Way 2 Fly” is a most interesting display of musical duality as the selection abruptly transitions from a soft Indian-inspired instrumental into an explosion of power-punk-pop.  Complete with crunchy guitar, catchy hook, and a smoking bridge, it definitely rocks.  “More Than Love” is a brilliant nod to the legendary Stax catalog, boasting a funky groove, soulful vocals, and blasts of brass.  And I adore his cover of Al Green’s “I’m a Ram”.  It’s loaded to the brim in a groovy and funky stink.  Parker pays homage to the great Duane Allman on “Skydog”.  I love the Allman Brothers vibe he injects into it as he pours out this flawless performance.  The River’s Invitation comes to a magnificent end of its twenty-four track journey with a fistful of funk, Hendrix-y psych-blues guitar, and full-bodied organ with “And the Song Goes on Forever”.  It’s quite the amazing listen.       
 

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About "I'm a Ram" 

Since reading Robert Gorden’s book It Came From Memphis and listening to the companion soundtracks, I’ve become obsessed with the song “I’m A Ram”.  Although originally recorded by Al Green, the version appearing on the soundtrack was performed by Memphis band Big Ass Truck.  After going through a rabbit hole of sorts, I had even created a Spotify playlist consisting of every version of “I’m a Ram” I could find.   Within a week, I received a CD for review from a blues-rock band called Head Honchos,  which also contained a cover of the song.  I took that a sign to take a closer look at that album.  It ended up being one of my favorite albums I had heard so far this year. 
 
When I noticed the song was listed on the track-list to this album, I took it as another sign,  I was hooked on this album from the beginning.  I’ll be keeping an eye out for Robert’s version of the song to show up on Spotify.  When it does, it will definitely be added to the playlist.
 
Link to the PhillyCheeze playlist -  I’m a Ram   
 
 
  
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For more information about the artist, visit this website  : robertallenparker.com