#361 : Ms Zeno the Mojo Queen - Back in Love

2018 –Blue Lotus Recordings

By Phillip Smith; Nov. 4, 2018

I absolutely love the new release Back in Love, from Verlinda Zeno aka Ms Zeno the Mojo Queen.  I stumbled upon her music several weeks ago through a podcast I frequently listen to called Radio Memphis, hosted by Ric Chetter.  From the moment she started singing, I knew I had to purchase her new disc.  Her voice, soulful and powerful reminds me of a few of personal favorites: Aretha Franklin, Tina Turner and Sharon Jones.  Backed by co-producers Paul Niehaus IV and Kevin O’Connor on almost every instrument one could think of, and Gene Jackson on vocals, the wonderful Ms Zeno brings her A-game to every track.   

With a big blast of horns and a hint of strings in the back, title track, “Back in Love” initiates this record with that glorious Stax vibe and features guest vocalist Roland Johnson. “That’s How I Know” is electrically charged and dripping with soul.  Ms Zeno sings this with abundantly sweet emotion.  G Weevil makes a guest appearance on guitar for “Willie Brown”.  This is hands-down, one fantastic blues song, and I am totally smitten by her vocal delivery.  The lady can sing the blues, and that is a fact.  Tom Martin ( Zydedo Crawdaddys)  stops by with accordion in hand to lend a bit of Creole seasoning to the wonderfully funky “Mojo Queen”.  Like a heart-wrenching Otis Redding song, “Love is Like a Flower” is an amazing song and brilliantly vocalized.  The masterful harmonica stylings of Brandon Santini sets a roadhouse blues atmosphere to “Call My Name”.  An unescapable rhythm draws me right in, like a mosquito to a porch light.  “Gotta Get Paid”, swimming in hot buttery soul and slathered in high-energy funk, firmly keeps me glued to the speakers. 

One of my favorite albums that I’ve heard this year, Ms Zeno’s Back in Love is my pick for soul album of the year.  It’s absolutely fabulous!

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#360 : Bob Dorr and Friends Live @ Cedar Ridge Winery and Distillery

November 2, 2018

Swisher, Iowa

By Phillip Smith; Nov 4, 2018

Friday, November 2nd, the Linn County Blues Society and Cedar Ridge Winery and Distillery hosted a stellar evening of blues in Swisher, Iowa.  Bob Dorr and Friends (guitarist Jeff Petersen, bassist Dan ‘DJ’ Johnson, and keyboardist Tom Giblin) brought their Parlor City Jam Band out to play in a totally different setting, at Cedar Ridge Winery to a full house of blues fans.   

With Bob behind the drum kit and Jeff Petersen armed with his Flying V guitar, the band played through crowd favorites such as the Hank Williams classic “Mind Your Own Business” and Freddie King’s “Have You Ever Loved a Woman”.  DJ stepped up to the mic and rocked the room with “Shake Rattle and Roll”, originally recorded by Big Joe Turner.  Keeping the momentum going, Petersen belted out Ike Turner’s legendary “Rocket 88”.  It sounded great.  When “Mustang Sally” rolled around the dance floor quickly filled.  DJ paid a wonderful homage to Jimmy Reed’s “Baby What You Want Me to Do?”  As the blues jams go, you never know who will appear on stage throughout the show.  This particular evening, keyboardist Jeff Craft and harpist Bob Gleason made an appearance.  Craft led the band on a great cover of Muddy Waters’ “Got My Mojo Workin’” with Gleason wonderfully ripping it up on harmonica. It was very cool.  The music was so hot; the time quickly flew by.  Before long, the jam came to its end with Bob Dorr’s traditional Limestoner Blues Jam closer, Dylan’s “Rainy Day Woman # 12 & 35”.  It was a terrific night, indeed.     

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  * photos by Phillip Smith

Tom 'T-Bone Giblin

Jeff Petersen, Bob Dorr, Dan 'DJ' Johnson'

Bob Dorr, Jeff Petersen

Bob Dorr, Dan 'DJ' Johnson, Tom 'T-Bone' Giblin
and Jeff Petersen

Jeff Petersen, Dan 'DJ' Johnson

Tom 'T-Bone Giblin' , Bob Dorr

Jeff Craft, Bob Gleason

Jeff Petersen

Bob Dorr

Jeff Petersen, Dan 'DJ' Johnson

Jeff Petersen

#359 : Artur Menezes - Keep Pushing

2018 –Artur Menezes

By Phillip Smith; Oct. 27, 2018

Keep Pushing, the fourth and latest album from Brazilian blues artist Artur Menezes scores high on my list of blues-guitar albums released this year.  Currently based out of Los Angeles, Menezes was recently named winner of the Gibson/Albert King Award for Best Guitarist and picked up third place winner in the Band Category at the 2018 International Blues Challenge.  Keep Pushing, produced by another current favorite of mine, Josh Smith, also features Daniel Aged on bass guitar, Gary Novak on drums, Carey Frank on Hammond/keys, Jamelle Adisa on Trumpet/Flugelhorn, Dan Boisey on Tenor/Baritone Sax, and Smith on rhythm guitar for four tracks.

I love the mix of horns and keys as they build off the slow-cooked opening riff of “Now’s the Time”.  This feel-good song sets the mood and fills me with joy with its message, ‘listen to your heart’.  Title-track, “Keep Pushing” quickly draws my attention with Menezes’ power vocals and impressive picking as it thumbs a ride atop Smith’s deep-seated rhythm.  An ominous, bone-crushing riff surges through “Come With Me” as Menezes spackles the song with gobs of scorching hot guitar.  I positively love this track.  “Pull it Through” oozes with a soulful, funky goodness.  “Can’t Get You Out of My Mind” is a mammoth head-turner.  A suave vocal performance in a puree of jazz and buttery soul lulls me into a state of absolute peace. The George Benson vibe on this treasure elevates Menezes to a whole new level.   

Terrific songs, a tight band, and a mastery of sound insure Keep Pushing maintains its status of heavy rotation.  It’s a keeper.  

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#358 : JJ Appleton and Jason Ricci - Beautiful Slop

2018 –Old Boy Network

By Phillip Smith; Oct. 21, 2018

New York-based JJ Appleton, noted songwriter/guitarist/producer and Jason Ricci, winner of Blues Music Award for Best Instrumentalist/Harmonica in both 2010 and 2018, have joined forces again in the studio to record another outstanding treasure trove of blues.  Swampy goodness pours out every crevice of their new album, Beautiful Slop, and it truly captures my heart.  On acoustic bass is Derek Nievergelt who co-produced the album with Appleton.  

I love how they open the record by covering Lonnie Brooks’ “Don’t Take Advantage of Me”.  With Appleton spinning a cool groove on resonator, and Ricci mastering the harp as he does, they bestow a new life to this classic with a North Mississippi wardrobe.  Ricci shines as he channels the legendary Screamin’ Jay Hawkins on a stellar performance of “Hurt Myself” which also happens to be jam-packed with a slew of amazing harmonica runs.  There is obviously a musical chemistry between the two, and that is so very obvious as they tear into the delta blues of “For the Very Last Time”.  It’s almost magical.  I could listen to this all day long.  Beautiful Slop concludes with a heart-felt cover of Rihanna’s “Stay”.  Their beautiful, bluesy reconstruction of the song certainly demands attention and gave me a new layer of admiration for Rihanna as a song-writer.  Appleton and Ricci score big with this album, and I hope they keep the momentum going for another.  

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#357 : The Boxmasters - In Stereo!

2018 –The Boxmasters

By Phillip Smith; Oct. 13, 2018

Billy Bob Thornton (aka Bud) , Teddy Andreadis and J.D. Andrew are back with In Stereo!.  This latest release from the Boxmasters captures the sounds and vibe of the early Sixties when the Beatles and Beach Boys were battling for king of the hill.  Loaded to the gills with nineteen songs similar in stylings to their previous album, it was originally referred to as Tea Surfing Too by the band before officially being titled. 

I quickly locked into “Clear Enough” a quirky poetic anthem with a garage punk attitude about respecting one another’s differences and personal space.  It’s catchy as hell, and I love the full-body sound.  Starting with a swoon-worthy melody and topped with the wonderful echo-laced sounds of surf guitar, “Rise Above Me” is a beautifully performed piece.  I also fall hard for the astral, Pink Floyd tendencies and Sgt. Pepper influences    laced in “Psychedelic”.  It’s brilliant to say the least.  The swirly organ accompaniment behind the thick twang of guitar gives the Beach Boys-infused “Best Girl” a taste of pop psychedelia.  A racing intro carries “Never Want to Leave California” into a dreamy place to land, as Thornton reflects upon The Golden State amid contemplating the termination of a failing relationship.  Recorded as a live performance in Florence, Alabama, “Emily” brings In Stereo! to conclusion in a Romantics-style ode to greasy-spoon crushes.

The Boxmasters’ ability to not be pigeonholed into any particular flavor of rock and roll as they dance around them all is uncanny and wonderful.  In Stereo! is indeed a delightful listen.      

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