Showing posts with label JD Taylor. Show all posts
Showing posts with label JD Taylor. Show all posts

Saturday, September 18, 2021

#518 : Tony Holiday's Porch Sessions - Volume 2

 


2021 – Blue Heart Records

By Phillip Smith; Sep. 18, 2021

 

I’m so excited to see Tony Holiday continue his Porch Sessions project.  I loved the first installment and was very happy when I learned there would be a follow up.  Recorded in various locations which include Memphis TN, Bristol VA, Fort Collins CO, Clarksdale MS, Anaheim CA, San Jose CA, and Jackson TN, it’s quite the pleasure to hear the results of Holiday’s ‘raw with no overdubs’ approach.  It’s very reminiscent of the early twentieth century Lomax field recordings which captured those early blues artists we came to know and adore.  Dedicated to Holiday’s friend and mentor the great James Harman who passed earlier this year, this sixteen-track collection features an all-star lineup of blues artists: Victor Wainwright, Willie Buck, A.J. Fullerton, Bobby Rush, Watermelon Slim, James Harman, Jon Lawton, Lurrie Bell, Richard “Rip Lee” Pryor, Johnny Burgin, Rae Gordon, Ben Rice, Mark Hummel & Dennis Gruenling, J/D. Taylor, Southern Avenue, Kim Wilson, Kid Ramos, and Kid Andersen.

Porch Sessions Volume 2 hits the ground swinging with Victor Wainwright pounding the keys and singing Jerry McCain’s “She’s Tuff”.  It’s great to hear Wainwright and Holiday jam together on piano and harmonica while bassist Terrance Greyson and drummer Andrew McNeil makes for a tight-as-hell rhythm section.  “Change is Inevitable” is a poignant and wonderfully delivered song, with A.J. Fullerton on vocals/guitar and Jake Friel on harmonica.  It’s always a pleasure to hear Watermelon Slim, and his cover of “Smokestack Lightning” is a delight.  He masterfully makes this a creation of his own.  “Going to Court 2”, with James Harmon on vocals, Kid Ramos and Landon Stone on guitars, and Tony Holiday on harp, is so good, it pretty much transports me right to the scene with every listen.  Jon Lawton (vocals/guitar) and Andrew Ali (harmonica) deliver an exquisite dose of stripped-down Delta Blues with Lawton’s original piece “Go”.  This one really makes me think of RL Burnside.  I dig the twangy groove Johnny Burgin pours on top of “Bad Bad Girl”.  Backed by Holiday on harp, Landon Stone on guitar and Kid Andersen on bass, this Burgin original is a lot of fun.  Rae Gordon’s voice is such a dynamic one and sounds so good as she belts out “Find Me When the Sun Goes Down”.  I’m also quite drawn to J.D. Taylor’s “Family Tree”.  When I hear him sing “I ain’t got nobody ‘round.  I ain’t got no family tree”, I hear the blues in its purest form.  When Southern Avenue performs their amazing stripped-down version of “Peace Will Come”, I can’t help but smile.  It’s such a good song.  I remember when they originally released it on their first album, just hearing it made things a little bit better with its positive message in a world of conflict.

Tony Holiday’s Porch Sessions Volume 2 is a very enjoyable listen.  I’m already looking forward to Volume 3. 

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  For more information about Tony Holiday, visit this website : https://tonyholidaymusic.com



Available on Bandcamp 








Saturday, June 23, 2018

#338 : Little Boys Blue w/Kid Memphis - Hard Blue Space



2018 – Vizztone
Release Date :  June 1, 2018

By Phillip Smith; June 23, 2018


Forged in Tennessee, Little Boys Blues keeps pumping out solid southern blues music.  Their latest album, Hard Blue Space brings guitarist John Holiday (aka Kid Memphis) into the mix, as he rips it up with singer/harmonica player JD Taylor for ten luscious original songs.  Holiday played the role of Carl Perkins in the 2005 Johnny Cash bio-film Walk the Line.  Taylor actually played gigs with Perkins himself.  The band also consists of drummer Mark Brooks, bassist Dave Mallard, and guitarist Alex Taylor.  Guests include guitarists and slide players Andrew White, Wes Henley, and Brad Webb, with Dave Thomas on keys. 

The first cut “Six Foot Down” tells the story of a broken heart beyond repair.  Taylor’s smoky vocals are reminiscent of John Hiatt’s and hover above gobs of juicy harp, a heart-pounding beat, and a lot of laidback slide.  “Loving Kind” takes a walking blues stroll and is topped with nice bluesy licks from Kid Memphis.  Changing pace and slowing it down a bit, “Blues Bug” is wonderful and right in the pocket.   

I’m immediately caught up in the intoxicating rhythm of “Got a Mind of Your Own”.  Swirling sounds of the B3, and Taylor’s magnificent harp playing perfectly accent this one as Kid Memphis plays guitar with a cool Robert Cray vibe.  The ghosts of North Mississippi must’ve been present on the recording of “If the Blues Start Calling”.  The song’s infectious groove is so downright dirty, it sounds fabulous.      

Hard Blue Space from Little Boys Blue w/ Kid Memphis is a grand slam. This pairing is a delight to hear.  They were definitely made for each other.   

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