Showing posts with label Blind Pig. Show all posts
Showing posts with label Blind Pig. Show all posts

Saturday, October 3, 2015

Andy T. Nick Nixon Band - Numbers Man


2015 –Blind Pig Records
By Phillip Smith; Oct. 3, 2015

Taking in the cool blues-lavished sounds of the Andy T. – Nick Nixon Band’s latest release, Numbers Man makes me smile from ear to ear. The band is guitarist Andy ‘T’ Talamantez, vocalist Nick Nixon, Larry van Loon handing the B3 and piano, drummer Jim Klingler, and bassist Sam Persons. Also along for the ride is The Texas Horns (Kaz Kazanov: tenor sax, Al Gomez : trumpet, and John Mills : baritone sax).

A blast of horns and a wave of B3 lead the way for a swinging R&B treat in “Shut the Front Door”. Andy T. delivers classic rock guitar, Chuck Berry style, as Nixon belts out his commanding vocals. The band nails down a splendid rendition of Clarence ‘Gatemouth’ Brown’s ”Gate’s Salty Blues” in which Klingler’s precision drumming rolls out to greet the sweet twang of Andy T’s guitar.

Infatuation with a 6’-3” tall gal is the inspiration for the fun and spirited, “Tall Drink of Water” in which special guest, Christian Dozzler takes the boat out for a little Zydeco fun. Dozzler also adds a nice taste of barrelhouse blues to “Sundown Blues”, which mixes nicely with the lush B3 sounds of Van Loon. This extraordinary track features Kim Wilson from the Fabulous Thunderbirds on harmonica. When that is joined with Nixon’s gravelly vocals, everything gels perfectly and culminates into a flawless performance.

It’s very obvious that Andy T. and Nixon take their music seriously. Numbers Man is the proof in the pudding.



Sunday, July 5, 2015

Victor Wainwright and the WildRoots - Boom Town


2015 –Blind Pig Records
By Phillip Smith; July 4, 2015

Boom Town, the latest release from Victor Wainwright and the Wildroots, is chockfull of boogie-laced blues and tasty jams.  Wainwright, who rightfully claimed the Pinetop Perkins Piano Player of the Year for 2013 and 2014, leads this fantastic eight person band called, the Wildroots through thirteen spirited New Orleans flavored selections. Hearing him rip into the piano while laying down a truck load of boogie woogie on “Two Lane Blacktop Revisited” will leave no doubt why he pulled down that award twice already.  

It’s amazing to hear the different directions to which Wainwright can take his voice.  From a comforting tone, in the spiritually moving “When the Day is Done”, to being bad-ass and sinister, in “Reapers on the Prowl”, where he goes all “Wolfman Jack” in his conversation with the Grim Reaper.  Guitarist JP Soars, fellow Southern Hospitality collaborator with Wainwright is a guest performer on “The Devils Bite”, a Cab Calloway influenced tune.  This dark and rootsy track brings to mind Nick Cave’s Murder Ballads album.

The slow and easy “WildRoot Farm” makes for a cool little duet featuring Patricia Ann Dees.  This one will have you on the front porch sipping iced tea on a hot summer day, taking in the aromas of a freshly prepared southern style dinner. Stephen Kampa rolls out a sweet harmonica accompaniment which totally sets that laid-back mood.     

BoomTown culminates into an amazing instrumental jam at the end with “WildRoot Rumble”.  This is my favorite track on the album, and I play it loud.  Stephen Dees and Nick Black bring it on with rambling guitars, Kampa kills it on harmonica, Billy Dean keeps the furious beat going on drums, and Wainwright pounds the hell out of the piano. This is what it’s all about!     








For more information about Victor Wainwright visit his website at http://victorwainwright.com/





Saturday, May 16, 2015

The Cash Box Kings - Holding Court


2015 – Blind Pig Records
By Phillip Smith; May 16, 2015

Chicago blues masters The Cash Box Kings return again to serve up a nice and healthy dose of classic-sounding blues on their new album, Holding Court.  Stomping through the decades, they seem very at home playing in the musical styles prevalent during the Thirties through the Fifties.  Joe Nosek, and Oscar Wilson continue to front the band, and it absolutely pleases me to see Barrelhouse Chuck back on piano/organ, as well drummer Kenny “Beedy Eyes” Smith sitting in on three tracks.  

Nosek holds down the harmonica, and Joel Paterson delivers great twangy licks on lead guitar while kicking things off with the Willie Dixon cover, “I Ain’t Gonna Be No Monkey Man”.  They also nail down a sweet cover of John Lee Hooker’s “Hobo Blues”.  Paterson plays it nice and slow.   

The Cash Box Kings certainly have a knack for bringing current issues to light in their lyrics.  “Download Blues”, written by Nosek, documents the monetary hardships musicians face these days because of illegal downloading on the back of a common devil-may-care attitude about sharing copyrighted material. Whereas “Gotta Move Out to the Suburbs” is a commentary about folks living in the inner city, being pushed out of their homes, to make way for expensive high-rises and skateboard parks. Both are favorites.  

It’s so nice to hear the Blues presented in the unadulterated manner The Cash Box Kings meticulously perform it.  Holding Court is true gem.  


Saturday, February 21, 2015

Kubek & King - Fat Man's Shine Parlor


2015 – Blind Pig Records
By Phillip Smith; Feb 21, 2015

Dynamic Blues duo Smokin’ Joe Kubek and Bnois King have teamed up again, to record and produce an album of the best down-home blues one can hear.  The title itself, Fat Man’s Shine Parlor, conjures up visions of seasoned bluesmen congregating in the neighborhood barbershop on a Saturday afternoon, exchanging stories of days gone by.

“Got My Heart Broken” is an excellent track to start off with its high energy and driving rhythm.  Eerie growls resembling the snores of a sleeping dragon emit from Kubek’s guitar and make this one even more fascinating.  Keeping that initial energy flowing, they dive into another favorite, “Cornbread”, a heavy blues ode to country cooking and soul food.  I love the groove on “Diamond Eyes”.  Heavily steeped in Seventies blues/rock, my mind wanders to artists like Robin Trower and Pat Travers when immersed in this song.      

As soon as I hear the beginning Zeppelin’esque riff from “Brown Bomba Mojo”, I get excited.  This is phenomenally played and hits on all cylinders. It really doesn’t get much better than this.  Kubek and King certainly deliver the goods once again, proving tasty guitar blues is their specialty.