#405 : Seth James - Good Life

2019 – Cherry Bomb Records

By Phillip Smith; Aug. 25, 2019

Good Life, the latest from Texas singer/songwriter Seth James captivated me from the beginning.  Sitting in that same wheelhouse of music which encompasses the songs of John Hiatt and Delbert McClinton, this album is a bowlful of soulful Americana.  James, on guitar and lead vocals is joined by Bob Britt on rhythm and slide guitar, Lynn Williams on drums, Kevin McKendree on keys, Steve Macket on bass, Jim Hoke on saxophone, Roy Agee on trombone, and Vinnie Ciesielski on trumpet.  The cover art from Paul Thorn is a blast too.  I can’t help but smile when it catches my eye.  

Title track, “Good Life”, is a wonderfully soulful tune with a spirited and catchy hook to jam out to.  I love the Memphis Stax-style delivery the band packs into “Little Angel”.  James’ impassioned words in this love-letter are moving and heartfelt.  For anyone who’s spent any amount of time away from their home and loved ones, “I’m Coming Home” beautifully expresses the joy-filled anticipation of returning to roost in one’s own abode.  I love “Medicine Man”.  It’s fun and funky rhythm is topped with a wily guitar riff, and slathered barrelhouse-friendly keys.  The stand-out song on this disc, however is “Third Generation”.  In this terrific selection, James takes an intelligent look at how the wealth created through hard work in one generation, is carelessly dismantled and thrown away by the third.

Good Life is a splendid mix of roots, blues, soul, and country, culminating into one fantastic album.  I highly recommend it.     

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For more information about the artist, visit this website.. www.sethjames.com  

Paul Thorn - “What the Hell is Goin On?”

By Phillip Smith

What the Hell is Goin On? indeed!  This twelve song follow up album to his 2010 release, Pimps and Preachers, is composed entirely of cover songs.  This is not your typical cover album though, as they are mostly all rather deep cuts.  I have to admit though, while tapping into topics such as love, infidelity, broken relationships, revenge and loneliness, they all fit in Thorn’s wheelhouse quite comfortably. 

From the 1973 Buckingham Nicks album, “Don’t Let Me Down Again” was approached by Thorn in a more countrified manner with a slower tempo than the original, thus allowing the riff to really soak in and take hold.  This I really liked.  I still kind of missed Stevie Nicks on vocals though.   Although I appreciate and enjoy the Thorn’s rendition of Buddy Miller’s ‘Shelter Me Lord’, I prefer the original version a little better.  This one is somewhat of a contemporary gospel song to be sung with catastrophic events in mind. Background vocals provided by the McCrary Sisters along with the organ accompaniment by Michael Graham give Thorn’s version a little boost of “church” that interestingly blends in with some nice swampy slide work by Bill Hinds. 

Thorn journeys to unusual places to find love and retribution. This is one my favorite traits of his.  Whether he’s writing the song, or choosing one to cover he doesn’t take the heavily traveled path.  Take his cover of Ray Wylie Hubbard’s ‘Snake Farm’.  The music is heavy on the slide, with a little echo to set an eerie tone.  The song itself is country-quirk.  It’s a song of affection about a tattooed woman named Ramona, who works at the Snake Farm reptile house, likes beer and loves the UK band, The Alarm. If you listen closely to this one, you can almost hear the rattle snakes in a faint repeating sped-up drum track toward the end. 

Thorn enlists Delbert McClinton to assist with vocals on his version of Wild Bill Emerson’s ‘Bull Mountain Bridge’.  This catchy song is a captivating one about a redneck Klansman, Bull Mountain Hawk who seeks retaliation on a local charismatic drug dealer, Stone Fox Dan for messing around with his woman.  Bull Mountain Hawk’s solution is simply to break his arms, throw him in the river, and if anybody asks, tell them he committed suicide. 

Questioning the reason behind today’s rampant violence, the title track, ‘What the Hell is Goin On?’ from Elvin Bishop, features Bishop himself on guitar. The song is additionally fortified with Thorns energy and surpasses the original as far as I am concerned.  Thorn and Bishop make a great team.  Another artist with roots in the Sixties that Thorn chooses to cover is Paul Rogers.  Taking on “Walk in My Shadow” by Free (originally on their Tons of Sobs album), the song is flipped from its original sixties electric blues format, with its faster pace and Paul Rogers vibrato infused vocals, to a more traditional electric blues. This one turns out nice.  If you have ever lived in a small town and experienced rampant gossip and loss of privacy, you may just identify with ‘Small Town Talk’, by Rick Danko.  This track sounds very much like a Randy Newman song with Thorn’s slightly nasally voice, and the poppy organ melody.

My introduction to Paul Thorn was through his previous album, Pimps and Preachers.  I was blown away at his ability to pen a song.  And now I am aware of his super power to dive deep and find songs that deserve to be listened to again.   

Paul Thorn - “ Pimps and Preachers ” From the Archives #8

Phillip Smith

Hailing from Tupelo, Mississippi, the birthplace of Elvis Presley, Paul Thorn proves that lightning does strike twice in the same place every once in a while.  Composing an almost perfect anthem for the common working man, Thorn mixes it up with a variety of styles ranging from country-blues to zydeco boogie on Pimps and Preachers.

Appropriately named, Pimps and Preachers tends to avoid pledging total allegiance to either ‘Team Pimp’ or ‘Team Preacher’.  It finds humanity, as it exists, right in the middle of God and the devil.  I love the last few lyrics in ‘You’re Not the Only One’, the first selection on the album: “Life don’t come with a  guarantee.  You only get so many heartbeats.  It’s such a blessing to be alive.  Whatever happens I’m satisfied.”.   These words are so true, and its nice to be reminded that every day is a blessing.

“Pimps and Preachers”, the title track, is one of the most interesting tracks, as Thorn describes the conflicting lessons he learned from his father the preacher, and his uncle, the polar opposite.   I find there is also a pimp and preacher aspect to the musical portion of the song as well, as it mixes contemporary country with a funky R&B bass line. 

I got tickled listening to ‘I Don’t Like Half the Folks I Love’, a bluesy song that poignantly reminds us that just because someone is loved, they don’t necessarily have to be liked.  This is one of my favorite tracks.   A couple of other favorites are  ‘Better Days Ahead’, which has a certain Bruce Springsteen air to it‘s chorus, and ‘Nona Lisa’, a melody about pining for a gal with which he once had a one night stand.  

Paul Thorn is an expert story teller/song writer.  I’ve thoroughly enjoyed this album from start to finish, and will enjoy it for years to come.

* Originally published on BluesRevue.com, Oct 2010

Reviews and Articles for Blues Revue Magazine 2011- 2013 .

by Phillip Smith

Paul Thorn - What The Hell is Goin' On?

http://bluesrevue.com/2013/04/paul-thorn-what-the-hell-is-goin-on-4-19-13/#

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http://bluesrevue.com/2013/04/craig-erickson-galactic-roadhouse-4-05-13/#

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http://bluesrevue.com/2013/02/betty-fox-band-too-far-gone-2-22-13/#

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http://bluesrevue.com/2013/02/blues-beat-kenny-wayne-shepherd-show-review-2-01-13#

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http://bluesrevue.com/2013/02/the-photo-page-kenny-wayne-shepherd-live-2-01-13/#

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http://bluesrevue.com/2012/11/bob-dylan-tempest-11-02-12/#

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http://bluesrevue.com/2012/05/eddie-c-campbell-spider-eating-preacher-5-25-12/#

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http://bluesrevue.com/2012/04/blues-beat-blues-weekend-at-riverside-casino-4-20-12/#

Riverside Casino Blues Weekend Photos:

http://bluesrevue.com/2012/04/the-photo-page-riverside-casinos-blues-weekend-4-20-12/#

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