Saturday, April 8, 2017

Southbound Snake Charmers - Rhythm ‘N’ Rust


2017 – Southbound Snake Charmers  
By Phillip Smith; April 8, 2017



There was instant lovability for Southbound Snake Charmers the moment I first popped their latest disc, Rhythm ‘N’ Rust into the player.  The album is chock-full of swampy southern blues-rock driven by wonderful thunder filled rhythm.  Hailing from Melbourne, Australia, this magnificent trio is composed of vocalist/guitarist Chris Denman, bassist Nat Sutphin, and drummer Brooke Maloney

Maloney’s pulsing drumming lures me right into the wonderfully greasy blues of “Don’t Speak Too Soon”.  Filled with amazing guitar licks, fearless vocals, and intoxicating bass, there’s a Sixties’ Cream vibe running through this amazing psychedelic jewel.  This one relentlessly surges through my soul.  Highlighted by its caffeinated crashing beats and invigorating rhythm, attitude runs rampant through the hoodoo- infused “Snake Oil”. Denman seemingly takes a cue from RL Burnside on another favorite, “Hearts of Corruption”, singing the blues while dishing out whopping doses of deliciously swampy slide guitar.  There’s a beautiful and unsettling intensity which slowly rises to the top in “The Longest Night”, a thrilling ballad spattered with amazing guitar and sung with the freewheeling charisma of Jim Morrison. 


The brilliantly ferocious hard-rocking blues of Rhythm ‘N’ Rust satisfies my craving for exemplary music in spades.  On a ten point scale, this record scores an eleven. 




Saturday, April 1, 2017

Tommy Talton - Somewhere South of Eden


2017 – Tommy Talton 
By Phillip Smith; April 1, 2017



It’s been almost three years since Tommy Talton’s previous release Until After Then hit the airwaves.  That one was quick to grab my attention with its lyrical and stylistic twists.   His latest, Somewhere South of Eden, continues to feed my fascination with prolific lyrics and lush melodies.  Backed by bassist Chris Donohue (Emmy Lou Harris, Lucinda Williams, Alison Krauss) and drummer Bryan Owings (Tony Joe White, Buddy Miller, Emmy Lou Harris), Talton is also joined by several spectacular guest musicians such as  Chuck Leavell (Rolling Stones, Eric Clapton, Allman Brothers), Spooner Oldham, Ike Stubblefield, John Ginty, Steve Conn (Sonny Landreth, Bonnie Raitt), Kenny Head (John Barry, Georgia Satellites),  Jeff Mosier (Col. Bruce Hampton) on banjo, and saxophonists Randall Bramblett and Tom Ryan.

“Somewhere South of Eden”, a beautiful melancholy number flowing with soothing twangy slide, takes a hard look at mortality.  This song shows without a doubt Talton belongs at the top of the list when it comes to the songwriting greats.  I absolutely adore the buttery hypnotic hook in “Poblano”, a wonderful Latin-inspired instrumental with worldly beats from David Keith on congas and piano accompaniment from Chuck Leavell.  It’s always a pleasure to hear the funky keyboard wizardry of John Ginty.  His contribution to southern jam-friendly rocker “Waiting on the Saints” sounds fantastic amid Talton’s bodacious guitar licks.  “Don’t Go Away Sore”, featuring a terrific banjo performance from Jeff Mosier is a big bowlful of bluegrass fun.  It puts a grin on my face which stretches from ear to ear.

The esteemed Tommy Talton has definitely crafted one hell of an album with Somewhere South of Eden.  I highly recommend it.


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Saturday, March 25, 2017

Elmo Karjalainen - Age of Heroes


2017 – KC Sound
By Phillip Smith; Mar. 25, 2017



Age of Heroes, the fourth full length solo album from Finnish guitarist extraordinaire Elmo Karjalainen continues to push the envelope of rock when it comes to electric guitar instrumentals.  For influences, Karjalainen mentions the guitar-greats, like Steve Vai, Yngwie Malmsteen, Pat Metheny and Jeff Beck.   

Karjalainen presents speed metal at its best in “A Meeting of the Gods (And This Guy)”. Guest guitarists Janne Nieminen and Emil Pohjlainen, 2016 winners of the Guitar Gods Competition, kick in some extraordinary solos for this shred-fest.  Called “King of the Keys” by Guitar World Magazine, keyboardist Derek Sherinian(Planet X, Black Country Communion) give a magnificent performance in “The Colour of Greed”, amid thunderous crashing drums and melodic adrenalin-infused guitar.  The hypnotically driving rhythm of “A Fertile Discussion” clutches on to me with a tight grip. 

A feeling of tranquility washes over me when I hear the ambient “Chikken Noodul”. It’s quite a soothing listen, as is “Breathe”.  There’s something galactic about “Blue Eyes”. The song seems to shoot me into the cosmos with each listen.


Karjalainen wears his passion for music on his sleeve, playing every piece with immaculate precision. This album is a must for guitar enthusiasts.



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Hector Anchondo Band - Roll the Dice


2017 – Hector Anchondo  
By Phillip Smith; Mar. 25, 2017



Hailing from Omaha, Nebraska, and finalist in the 2016 International Blues Challenge in Memphis, Tennessee, the Hector Anchondo Band is one tight-as-hell band.  Alongside lead guitarist/lead singer Anchondo is drummer Khayman Winfield, bassist Josh Lund, and Justin Shelton on harmonica.  Anchondo’s spectacular guitar playing and suave vocal stylings stand out front in his newest release, Roll the Dice.  Immersed in blues and Americana, this ten song album is a wonderful delight.

The lovely Kansas City songstress Amanda Fish joins Anchondo to dish out some riveting vocals in the energetic “Dig You Baby”.  Anchondo rips it up on guitar while Eric Stark and Kenny Glover dole out a clutch horn accompaniment.  This, fused to an outstanding harmonica performance from Shelton, sets the pace for the rest of the album.  “Masquerade”, a wonderful cocktail of blues and rockabilly is the perfect vehicle for Anchondo’s debonair voice. It’s a great tune for sure.  Anchondo brilliantly pulls the listener into his sad and lonesome world in “Sometimes Being Alone Feels Right”, a ballad he sings with heart-felt emotion.  He masterfully does it again in “Here’s To Me Giving Up”, performed in an absolute troubadour fashion.  Following an exquisite guitar intro, Winfield and Lund create a worldly magnificent space for Anchondo’s guitar prowess to explore in the flawless cover of “Black Magic Woman”.  It’s absolutely beautiful.


I had the pleasure of catching two stellar Hector Anchondo Band performances last summer.  The first show was at the North Liberty Blues and BBQ Festival in North Liberty, Iowa, and the second, was at the fabulous Tommy Bolin Music Festival in Sioux City, Iowa.  I’ve been a fan since.


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View my previous blog entries about the Hector Anchondo Band...

Hector Anchondo Band - North Liberty Blues and BBQ Festival - 2016
Photos © 2016 by Phillip Smith  ... 


Tommy Bolin Music Festival - Aug 6, 2016






Saturday, March 18, 2017

Jake Chisholm - No More Sorrow


2016 – Jake Chisholm
By Phillip Smith; Mar. 18, 2017


Toronto music artist Jake Chisholm does a fantastic job of encapsulating the purity and rawness of Seventies blues-rock with his latest album, No More Sorry.  He brings a fistful of confidence to these ten tracks of originals with a rugged vocal styling and skillful guitar playing.  Chisholm’s power-trio also includes drummer Sly Juhas and bassist Chris Banks

Chisholm masterfully sets a dark and ominous state of impending doom with the psychedelic treat, “You Never Will”.  His guitar chops stand out up front as he elegantly ushers in a relaxed Hendrix vibe on “Just Because You Want To”.  This one is beautifully played.  Guest Jameson Elliot doles out a cool driving bassline as Chisholm shares a trippy hardscrabble look at life on the “Merry-Go-Round”.   I can’t help myself for falling for the infectious hook threaded through the title track, “No More Sorrow”.  It grabs me every time I hear it.  I like this one a lot.


There’s a sense of honesty woven into the crafted and thoughtful lyrics written by Chisholm.  His serious approach to music makes No More Sorrow the splendid record it is.

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