#631: Scott Weis Band - Raise Your Hands (PhillyCheezeBlues.Blogspot.com)

 

Scott Weis Band

Raise Your Hands

2023 – A Happy Carrot Production

By Phillip Smith; Aug. 26, 2023

Release Date : Aug. 1, 2023

Original source : phillycheezeblues.blogspot.com

I’ve immensely enjoyed the past couple of releases from Scott Weis Band. Their eighth and latest album Raise Your Hands is no exception.  For something a little different this time Weis injects a heavy dose of southern rock into his blues and it sounds fantastic.  Weis is joined again by drummer Roger Voss and bassist Robert Kopec.  He is also accompanied by vocalist Cindy Mizelle, keyboardist John Ginty, and percussionist Bashiri Johnson, with Sarah Smith making a guest appearance on vocals.

Weis fills the air with the swampy sounds of the Mississippi Delta on the first track “Motherless Child”.  I enjoy hearing him tear it up on slide guitar with the rolling sounds of organ joining in.  “Shine Down” follows up in a nice Skynyrd-esque fashion.  I love the arrangement of the backing vocals on this slow cooker.  Vocally and instrumentally, it hits on all cylinders.  There’s a lot of ZZ Top influence running in the hard-driving Texas boogie-laced blues of ”Judgement Day”.  I like to turn the volume up when this track starts.  One of my favorite Beatles covers is Joe Cocker’s take on “With a Little Help From My Friends”.  Weis delightfully takes on the Joe Cocker version and it sounds glorious.  His gravelly vocals nail every note of this six-minute classic as the band comes together in a full-on Muscle Shoals-fashion.  Weis breaks out the dobro and Kopec the standup bass on “Bring Me Home” to close out the album.  The stripped-down vintage sound fully captures my attention as is conjures up memories of seeing the legendary Watermelon Slim in Clarksdale, Mississippi.

With songwriting and performance both taking top priority, Scott Weis Band has another winner with Raise Your Hands.  I appreciate how the music flows seamlessly from beginning to end, taking on an album-oriented rock appeal.  This is a release I am highly recommending.

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For more information about Scott Weis Band visit their website at :  https://scottweisband.com/

 

Check out other PhillyCheeze reviews for Scott Weis at :  https://phillycheezeblues.blogspot.com/search?q=Scott+Weis

 

 

#445 : Albert Castiglia - Wild and Free

2020 – Gulf Coast Records 

By Phillip Smith; May 16, 2020

Albert Castiglia’s prowess as a guitarist never ceases to amaze me.  He is one of my go-to artists when I really want to hear my blues sizzle.  His latest album Wild and Free definitely cooks.  Produced by Mike Zito and recorded live on January 3^rd and 4^th, 2020 at the Funky Biscuit in Boca Raton, Florida, this recording features guests John Ginty, and Lewis Stephens with Zito himself making an appearance.  Castiglia’s rhythm section is comprised of bassist Justine Tompkins, and drummer Ephraim Lowell.  They sound great, and they’re tight as hell.    

Castiglia kickstarts the album with a furious, intense rush by leading off with “Let the Big Dog Eat”.  Stephens adds a delightful taste of soul on B3, while the others keep it funky.  The momentum continues to build with “Hoodoo on Me”.  Castiglia’s fearless, blues-soaked vocals are perfectly fit for his attention-grabbing guitar licks.  Then “Heavy” gently rolls in on this big mellow wave.  This beautifully written and executed song about life itself is one of my absolute favorites.  I also adore their eight and half minute colossal jam on Paul Butterfield’s “Lovin’ Cup” with Ginty on B3.  I can’t help but smile when Castiglia and the guys dive in to Johnny Winter’s “Too Much Seconal” with both Ginty and Zito stepping in for some old school blues.  This is what it’s all about.  “Boogie Funk”, another bodacious eight and half minute jam, brings things to a lively close with a riveting performance and plenty of searing guitar action. 

To fill the void in these times in which live music is not available, Albert Castiglia’s Wild and Free is exactly what I need to hear.              

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For more information about the artist, visit this website.. www.albertcastiglia.net

#413 : Biscuit Miller and the Mix - Chicken Grease

2019 – American Showplace Music
By Phillip Smith; Oct. 19, 2019

Chicken Grease, the latest release from Biscuit Miller and the Mix is absolutely fabulous.  Miller, who took home the Blues Music Award for Bass Player of the Year in 2012 and 2017, fronts a tight band steeped in Chicago blues.  Their music is smothered in grease and fortified with funk.  The Mix consists of Doctor Love on drums, Bobby B. Wilson on guitar, Alex ‘Southside’ Smith on guitar, and John Ginty on Hammond B3, Vintage Vibe electric piano, and percussion.  

The funky groove of “Here Kitty Kitty” pulls me right in with its playful energy.  This one always puts a grin on my face.  “Two Legged Dog” keeps the funk flowing with a righteously contagious riff, and killer beat.  With lap-steel in hand, Marcus Randolph makes a couple of outstanding appearances: the first on “609”, and the second on title-track “Chicken Grease”.  Both are superb tracks, and Randolph sounds amazing.    

Biscuit’s smooth-as-silk vocals are front and center as he suavely slows it down with the soulful “Watching You”.  “Get Ready”, a song of peace and love, sweetly brings the album to a close with brilliant keys and a hot buttery baseline.

Chicken Grease is a must hear for blues and soul music aficionados.  It’s such an enjoyable listen from beginning to end.         

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For more information about the artist, visit this website.. www.biscuitmiller.com  

#380 : Billy Hector - Some Day Baby

2018 – Ghetto Surf Music

By Phillip Smith; March 9, 2019

There’s a certain essence to the music of Billy Hector.  He writes great songs, his guitar performances rock the house, and his voice is made for the blues.  I love his work.  This New Jersey blues artist has topped himself once again with his latest album, Some Day Baby.  It’s not just the blues which Hector is a master of, but the man also knows his way around funk and soul in a tremendous way as well.

Once I hear the horns regally lead “Wizard of Babylon” in on the first track, I know I’m in store for a delightful listen.  Hector’s guitar sizzles as the groove kicks in.  With Winston Royce on bass guitar, and Val Romaine on drums, title track “Some Day Baby” is absolutely fabulous.  It’s magnificently punched up with horn accompaniment from Tom Labella and John Martin, and magically charged with an energy much akin to that of the Red Hot Chili Peppers taking on Stevie Wonder’s “Superstition”.  Another favorite is the George Clinton-esque, funk-infused “Butt Naked and Funk”.  Bassist Erik Boyd and drummer Rich Monica pair up for the rhythm section on this wonderful jam.  There’s an unavoidable intoxicating rhythm which draws me into “Creeper”.  The deep tones in Hector’s vocals are superb as he sings this song of infidelity, which by the way is enjoyably topped off with keys from John Ginty.   The way Hector transforms "Moonlight in Her Eyes" from a rolling blues tune to a Beatles-like orchestrated number is pure genius.  

Hector quite nicely takes on a couple of traditional tunes with “On Your Bond”, originally released by Blind Willie Johnson in 1930 , and “Alabama Bound”.  “Whisky”, a dark and brilliant tune dances atop a menacing atmosphere created by David Nunez on keys and drummer Larry Crockett.  Hector plays this with an emotional bravado. The album comes to a lively close with “Road to Happiness”, a soulful duet with his wife and co-producer Suzan Lastovica.   

Some Day Baby, a terrific album from start to finish, is definitely an addition to my favorites of 2018. 

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For more information about the artist, visit this website.. www.billyhector.com  

#363 : Sean Chambers - Welcome to My Blues

2018 –American Showplace Music

Release Date: October 19, 2018

By Phillip Smith; Nov. 17, 2018

Florida bluesman Sean Chambers knocks another out of the park with his seventh album, Welcome to My Blues.  Produced by Ben Elliot and including John Ginty on B3 and keys, bassist Todd Cook, and drummer Moe Watson, this record features eleven tracks plumb full of fine-crafted electric blues.      

Chambers greets the listener with infectious SRV-like riffs and searing hot licks on title-track “Welcome to My Blues”.  It’s magnificently performed.  “Black Eyed Suzie”, another Chambers original, is soaked in the swampy southern goodness of slide guitar.  Paired with the keyboard mastery from Ginty, it invokes the sounds of the Allman Brothers.  I can’t help but fall for his cover of Luther Allison’s “Cherry Red Wine”.  That is such a heavy tune, and Chambers pours every bit of himself into the song.  His vocals are heart-felt and his guitar playing is amazing.

With guest guitarist Jimmy Bennett (The Bennett Brothers) on slide and backing vocals, “One More Night to Ride” is funky and cool as hell. There’s a bit of a Black Oak Arkansas vibe in this ode to outlaws and motorcycles. The T-Bone Walker cover “All Night Long” is soulful and handled with care. Cook’s funky smooth bass line and Watson’s stellar beats usher the song to its destined greatness as it naturally builds into a glorious jam. 

Welcome to My Blues is what blues-guitar albums are supposed to sound like. It’s one of this year’s best.           

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To check out the PhillyCheeze review of Sean Chambers – Trouble and Whiskey ;

https://phillycheezeblues.blogspot.com/2017/04/sean-chambers-trouble-whiskey.html

For more information about Sean Chambers, visit his website: http://www.seanchambers.com/

#354 : The Bennett Brothers - Not Made For Hire

2018 – American Showplace Music

By Phillip Smith; Sep. 29, 2018

New York musicians, guitarist Jimmy Bennett and bassist Peter Bennett first came to my awareness as the backbone of Alexis P. Suter Band.  Their presence on blues-rock albums from Bruce Katz, John Ginty, and Marcus Randolph captured my attention even more.  This summer, the Bennett Brothers released their debut album, Not Made For Hire, a powerful blues-rock album filled with a fistful of electric guitar and lots of groove. Drummer Lee Falco and keyboardist John Ginty bring their mojo to the band as well, forming a tight-knit outfit of musicians.

A searing blast of Texas-style electric blues greets the listener in “Junkyard Dog”.  Falco holds nothing back on drums as he drives this revving fully-loaded beast with ripping guitar from Jimmy.  The B3 sounds of Ginty is sweet icing on this cake.  The Bennett Brothers give an intoxicating performance in a wonderful, riveting way in “I Just Don’t Want the Blues Today”.  This one also features the lovely vocals of Linda Pino backing them up.  She definitely adds a layer of heartfelt emotion to the song.  The rocking contagious riffs in “What’d I Do” have a fabulous way to burrowing right inside to my core, and I love every bit of it.  The album ends in a tremendous way when the needle drops on “I Got a Woman”.  The guitar/organ intro generates a wave of excitement and captivates my attention.  Within ten seconds, the groove is set with a the funky rhythm and rides the spiraling B3 organ delightfully to its cosmic end.   

Not Made For Hire is the real deal.  This is what Blues-Rock is all about.

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Links to other PhillyCheeze Rock & Blues Reviews featuring the Bennett Brothers :

Marcus Randolph My Peeples Peeple - Transplant

John Ginty - No Filter

John Ginty - Bad News Travels Live CD/DVD

Bruce Katz Band - Homecoming

The Alexis P Suter Band - Love the Way You Roll

Marcus Randolph My Peeples Peeple - Transplant

2017 –American Showplace Music

Release Date : Oct 20, 2017

By Phillip Smith; Oct. 7, 2017

Transplant, the debut release from Marcus Randolph My Peeples Peeple, is quite the captivating and funky listen.  Randolph (founding member of the Robert Randolph and the Family Band) holds court on drums and vocals, along with both steel and acoustic guitars.  Joining Randolph on this recording is drummer Dwayne “Duce” Snelling Jr, John Ginty on B3 organ and piano, bassists Michael Randolph Jr, and Walton “A.J.” Mims, guitarists Will “B.J.” Nelson, Jimmy Bennett, and Joey Williams, and backing vocalist Shawn “The Bishup” Herbert.    

A chill hypnotic beat and a ripping guitar riff usher the album in on title track, “Transplant”, a song of gratitude to Randolph’s wife who unselfishly gave him another chance at life by donating one of her kidneys to him in 2011.  I love the swampy steel guitar on “Sucka” and how it is immersed in a funky Isaac Hayes-era Stax-friendly jam.

I can’t help but break a smile on “Lift Me Up”.  Starting with a simple beat and an acoustic guitar, this fabulous song grows to a much grander version of itself.  Another point of light is “In My Heart”, superbly performed and sung with the conviction of Stevie Wonder.  Randolph slathers extra helpings of tasty steel guitar on “63 Hog Drive”, an outstanding jammin’ blues instrumental.  When joined by the rest of the band, it turns into one hell of a jamboree.  

Transplant comes to a smooth R&B finish with “Diggin’ Me a Hole” featuring guest artist Brian Harris aka Wonder on vocals.  Eleven tracks of fresh and funky all-original music grace the album, making for a magnificent record.

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Sean Chambers - Trouble & Whiskey

2017 – American Showplace Music  

By Phillip Smith; Apr 15, 2017

From 1998 to 2003, Sean Chambers toured as lead guitarist and band leader for the legendary bluesman Hubert Sumlin. During that time, Chambers was named by Guitarist Magazine as “One of the Top 50 blues guitarists of the last century”.  His sixth release, Trouble & Whisky is fully-loaded with raw electrified blues.  Backing Chambers is drummer Kris Schnebelen(Trampled Under Foot) , bassist Todd Cook, and Michael Hensley on B3 and piano.

Right out of the gate, the driving rhythm and searing blues in “I Need Your Lovin” sets the tone for the whole album.  Chambers’ slide guitar on “Bottle Keeps Staring at Me” gets so red hot, it scorches.  The infectious hook sets in and does not let go.  With Schnebelen nailing down a thunderous performance on drums, Chambers takes on Rory Gallagher’s “Bullfrog Blues” with unbridled force.  I love the way Chambers’ guitar wails with emotion in his rendition of s B.B. King’s “Be Careful with a Fool”.  It’s plumb terrific. Special guest, John Ginty, one of my favorite keyboardists today, lays down some groovy keys on his B3 in the soulful jamboree of “Travelin’ North”.  It melts like butter with Cook’s funky bassline.  The song soars skyward as Chambers takes control of this wonderful instrumental.

Trouble & Whiskey is about as good as it gets.  It is indeed a powerful album.

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Tommy Talton - Somewhere South of Eden

2017 – Tommy Talton 

By Phillip Smith; April 1, 2017

It’s been almost three years since Tommy Talton’s previous release Until After Then hit the airwaves.  That one was quick to grab my attention with its lyrical and stylistic twists.   His latest, Somewhere South of Eden, continues to feed my fascination with prolific lyrics and lush melodies.  Backed by bassist Chris Donohue (Emmy Lou Harris, Lucinda Williams, Alison Krauss) and drummer Bryan Owings (Tony Joe White, Buddy Miller, Emmy Lou Harris), Talton is also joined by several spectacular guest musicians such as  Chuck Leavell (Rolling Stones, Eric Clapton, Allman Brothers), Spooner Oldham, Ike Stubblefield, John Ginty, Steve Conn (Sonny Landreth, Bonnie Raitt), Kenny Head (John Barry, Georgia Satellites),  Jeff Mosier (Col. Bruce Hampton) on banjo, and saxophonists Randall Bramblett and Tom Ryan.

“Somewhere South of Eden”, a beautiful melancholy number flowing with soothing twangy slide, takes a hard look at mortality.  This song shows without a doubt Talton belongs at the top of the list when it comes to the songwriting greats.  I absolutely adore the buttery hypnotic hook in “Poblano”, a wonderful Latin-inspired instrumental with worldly beats from David Keith on congas and piano accompaniment from Chuck Leavell.  It’s always a pleasure to hear the funky keyboard wizardry of John Ginty.  His contribution to southern jam-friendly rocker “Waiting on the Saints” sounds fantastic amid Talton’s bodacious guitar licks.  “Don’t Go Away Sore”, featuring a terrific banjo performance from Jeff Mosier is a big bowlful of bluegrass fun.  It puts a grin on my face which stretches from ear to ear.

The esteemed Tommy Talton has definitely crafted one hell of an album with Somewhere South of Eden.  I highly recommend it.

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Todd Wolfe Band - Long Road Back

2015 – American Showplace Music

By Phillip Smith; Oct. 17, 2015

The Todd Wolfe Band seems to just get better and better.  Wolfe surrounds himself with some of the most talented musicians around: drummer Roger Voss, bassist Justine Gardner, and the master of the B3, John Ginty.  Since Wolfe’s last album was released in 2013, his band has spent over 200 nights on the road touring the world.  It was during these travels; the band wrote and developed material for his ninth album, Long Road Back.  It’s an intelligent mix of mind-bending Rock and Blues.  

Title track “Long Road Back” is pure Southern Rock with an Allman Brothers/Govt Mule vibe.  I’d love to hear this one with an extended jam.  “Poison” has all the qualities of a hit song.  Wolfe lets loose some really nice bluesy guitar licks while Ginty’s luscious B3 attacks and Gardner’s funky bassline slide nicely into place. This is just a fantastic piece. “Fire Me Up” has a nice homey groove, and seemingly calls back to his days working with Sheryl Crow.  Wolfe throws a little Southern seasoning into “Annalee” which hums down the track like a freight train tearing cross-country.  I love the slide guitar screams he injects into the song.

Wolfe breathes a phenomenal new life into Stephen Still’s “Black Queen”.  This rockin’ jewel, slathered in a heavy dose of Seventies psychedelia, is such a delightful listen.  They also give a stellar performance, taking on Cream’s “Outside Woman Blues”.  

   

Voss bangs out a cool as hell tribal beat which leads in to the witchy “Hoodoo River”.  Sporting infectious grooves saturated in trance blues, this is a splendid song to chill to.  Ginty plays the hell out of this one, and Wolfe’s guitar playing is simply amazing.   “Gone” is another track that blows me away.  It’s fuzzier, funkier, and contagious as hell.

There is so much going on in the music in this album, I hear something new and interesting each time I hear it.  Needless to say, Long Road Back is a fabulous album and indeed a terrific listen.  

John Ginty- No Filter

2015 –American Showplace Music

By Phillip Smith; Sep 19, 2015

Not only is John Ginty an amazing keyboardist, he surrounds himself with amazing talent and continues to release the most outstanding music I’ve heard.  Ginty returns to Showplace Studios in Dover, NJ with guitarist Mike Buckman, bass player Paul Kuzik, and drummers, Dan Fadel and Andrei Koribanics to record his latest masterpiece of all original songs, No Filter.

The album begins and ends with the funky and very soulful “Fredo”, taking its name from the character Frederico "Fredo" Corleone from Mario Puzo’s Godfather.  The first time we hear the song, it is an instrumental, but when we hear the remix at the end, it takes on a whole new personality.  The one and only Redman throws down rhymes of his own mastery infusing a hip-hop vibe into this wonderful track about backstabbers and losers.   

“Old Shoes”, featuring the magnificent contralto voice of Alexis P. Suter and swampy guitar from Jimmy Bennett, is wonderfully bluesy.  Suter belts this song out with attitude and conviction.  Cara Kelly takes the mic on the colossal R&B track “Battlegrounds”.  Ginty tosses everything he’s got into his performance, bombarding the soul on every level.  While on the topic of ‘soul’, Ginty commandeers the bus and drives us to his chapel for a “Rock ‘n Roll Sunday”.  I love the sound of the B3 on this poppy and spirited track sung by Paul Gerdts.  Now this is my kind of church music.  Amen!

Slam Allen - Feel These Blues

2015 – American Showplace Music

By Phillip Smith; April 4, 2015

Step inside, Slam Allen’s latest album, Feel These Blues, and allow yourself to soak up all the soulful house-rockin’ goodness you can.  Don’t worry about being greedy, there’s plenty for everyone.  Listening to the blues being performed at the level Allen plays is such a joy.  Having worked his way up through the ranks by being lead guitarist and lead singer for James Cotton for nine years, Allen’s years of experience is felt in every song.  With a band composed of bassist Jeff Anderson, drummer Dan Fadel, and organist/pianist extraordinaire John Ginty, Allen delivers eleven delightful original tracks, and a surprising cover of Prince’s “Purple Rain”.

Allen jump-starts things with title track “Feel These Blues”, a high-energy boogie with fantastic, bluesy guitar licks.  It’s a perfect song to set the album in motion with.  Keeping the blues bus a rolling is “All Because of You”.  This stand-out track, topped with Ginty’s B3 is slathered with Allen’s soulful guitar and vocals.  There’s an undeniable Memphis Stax influence on “Can’t Break Away From That Girl”.  Allen seeming channels Otis Redding, while throwing in little Steve Cropper-ish licks on guitar.  I love the funky, feel-good groove built around Anderson’s bassline.  All this, along with a little church added via Ginty on organ, makes the track a bona fide favorite.  For a feel-good song which exudes positive energy, nothing beats “That’s Where You Are”.  From the opening bassline to the closing organ outro, this luscious track puts a smile on my face every time.   

Slam Allen keeps the writing real and the performances fresh. Feel the Blues is “Top-Shelf” blues at its best.

http://phillycheezeblues.blogspot.com/

John Ginty - Bad News Travels Live CD/DVD

2014 – American Showplace Music 

By Phillip Smith; Jan 24, 2015

John Ginty’s latest album, Bad News Travels Live, is an electrified bowl of funky blues., New Jersey B-3 master Ginty recorded this twelve track, two disc album this past June, in front of a small audience, at Showplace Studios, in Dover NJ.  His band is composed of guitarist Mike Buckman, bass player Paul Kuzik, and drummers, Dan Fadel and Andrei Koribanics.  Joining Ginty was a superstar cast of guest musicians consisting of Albert Castiglia, Todd Wolfe, Chris Jacobs, Alexis P. Suter, and Jimmy Bennett.   

Saturated with a suitcase full of soul, Ginty’s playing reminds me so much of Booker T Jones.  Dripping of Sixties-era Memphis soul music, “Switch” emits a wave of encompassing good vibrations. “Arrivals” follows suit and continues the vibe.  

Tempos and moods both change when “Black Cat” comes around.  This slow-cooked blues tune, turns into a furious dueling jam between Albert Castiglia’s nitro-fueled guitar licks and Ginty’s ‘too hot to handle’ B-3 sounds.  Castiglia appears again for the Allman Brothers flavored tune, “Damage Control”.  Also lending a hand on that track is guitarist Chris Jacobs and singer Alexis P. Suter, who wonderfully belts out the lyrics with her amazingly deep trademark voice.  Suter also sings on the soulful R&B song, “Seven and the Spirit”.  I like the way it playfully closes out with a homage to both Otis Redding and The Blues Brothers, giving us a little taste of “I Can’t Turn You Loose”.     

“Rock Ridge” embodies the spirit of the late Frank Zappa, with its unique chord progressions and fascinating tempo changes.  A flawless guitar performance from Todd Wolfe and an awe-inspiring display of Ginty’s musical chops, make this a favorite.

I like how the entire cast is gathered together for the finale, “Trinity”.  This jam lasts nearly nine minutes in length, and leaves the listener uplifted, much the same way one would expect to feel exiting an old-time gospel tent revival.  It certainly leaves me with a smile on my face.  Bad News Travels Live is definitely one of the better live recordings I've heard in a while.    

http://phillycheezeblues.blogspot.com/

The Alexis P. Suter Band - Love the Way You Roll

2014 – American Showplace Music

By Phillip Smith; Oct 25, 2014

There is something magnificent about listening to The Alexis P. Suter Band’s new album, Love the Way You Roll.  It’s raw, swampy, bluesy and utterly fantastic.  Suter takes full command of her microphone, exquisitely belting out each song as her band, made up of guitarist Jimmy Bennett, drummer Ray Grappone, bassist Peter Bennett, and backing vocalist Vicki Bell, dishes out amazingly tight performances.  Also appearing on the album, is John Ginty with his Hammond B3 in tow.

“Nuthin’ In the World” ushers the listener into this funky energized album heavily steeped in the blues, with catchy hooks and outstanding musicianship. Suter and company shine on “Big Mama” as well.  I love it when J. Bennett breaks out the slide.  It sounds so good alongside Suter’s uniquely styled contralto vocals.  

Title track, “Love the Way You Roll”, is mesmerizing, as it seems to dip into the well of trance blues.  J. Bennett lets each strum of the guitar hang heavy in the air, adding to the psychedelic effect created by the hypnotic framework built by Grappone and P. Bennett.  It’s so cool how this song transforms into the oh-so-familiar “Rollin’ and Tumblin’”.  J. Bennett throws down another great performance on “Gonna’ Love You”. 

One of the most beautiful tracks on the album is “Anything”.  Soulful and slow, this one is so full of emotion it pulls on my heartstrings, much like Otis Redding’s “Sitting on the Dock of the Bay”.  J.Bennett seems to extract tears right out of his guitar, as Sutter immerses herself fully into her performance.   

I can’t help but smile, when I hear the cover of Slim Harpo’s “Shake Your Hips”.  It’s such a happy and fun track to listen to.  Love the Way You Roll, nothing short of a masterpiece, is certain to end up as one of my favorite releases for the year.