#588 > Steve Hill - Dear Illusion (PhillyCheezeBlues.Blogspot.com)

2022 – No Label Records

By Phillip Smith; Dec. 11, 2022

Original source : phillycheezeblues.blogspot.com

 

Canadian bluesman Steve Hill has pulled down an impressive number of awards over his twenty-seven-plus years of playing professionally.  In 2015 he was awarded the Juno Award for Blues Album of the Year.  In 2013 he received the Best self-produced CD award at the Memphis International Blues Challenge.  And as far as the Maple Blues Awards go, he’s secured eight of them for different categories over the years.   That being said, Steve Hill is definitely a force to be reckoned with, and his latest album, Dear Illusion is absolutely brilliant.  The album contains ten masterfully-written original songs performed by Hill on vocals and a variety of instruments: guitars, bass, drums, pedal steel, piano, mandolin, and harmonica.  Behind Hill, is drummer Wayne Proctor, and The Devil Horns.

An infectious guitar riff and a blast of horns kicks the record in with a fully-charged burst of energy on “All About the Love”.  The up-tempo beat lays down the red-carpet for the hot blues revue to come.  Leading in with a swampy serving of harp, Hill keeps the momentum going with “Keep it Together”.  The slide guitar on this Springsteen-like track sounds great paired with the horns.  As soon as “Follow Your Heart” starts, I immediately start soaking up that honky-tonk era Stones vibe.  Not only is this a terrific song, but it offers great advice as well.  A melancholy wave rushes over me when I hear “So it Goes”.  Hill enhances the mood on this lovely ballad performing on mandolin.  Dear Illusion concludes with “Until the Next Time”, a song which makes me think of George Harrison very much.  The song is weightless and grounded at the same time. 

Steve Hill’s Dear Illusion is a splendid album from beginning to end.  It’s a musical gem.

 ---

Also check out my review for Steve Hill – Solo Recordings Volume 3

https://phillycheezeblues.blogspot.com/2016/07/steve-hill-solo-recordings-volume-3.html

 

              

 

For more information about Steve Hill, visit this website :

https://www.stevehillmusic.com/

 

 

#441 : Emily Duff - Born on the Ground

2020 – Emily Duff / Mr Mudshow Music
By Phillip Smith; April 18, 2020

I’m loving this new disc, Born on the Ground from New York City troubadour Emily Duff.  Her introspective lyrics on this nine-track break-up album are wonderfully delivered with a heaping helping of soulful country twang.  With Duff on acoustic guitar and lead vocals, her band consists of Scott Aldrich on electric guitar, Skip Ward on bass, Charlie Giordano on piano/organ, Kenny Soule on drums/percussion, Eric Amble on electric guitar, and background vocalists Mary Lee Kortes, Syd Straw, and Tricia Scotti.

In title track “Born on the Ground”, Duff sings ‘When you’re born on the ground, you’re dead inside.’.  Her powerful and poignant lyrics go head to head with masterful writers such as Bob Dylan and Lucinda Williams, as she sings them with a voice made for western music.  I instantly fall for “Easy Go”.  From the beginning of this up-tempo song, I’m pulled right in, lured by its strong pulse and infectious riffs.  There’s a deliciously dark Tom Waits energy in the playfully sublime “No Escape”.  It’s bluesy and cool as hell.  Duff is not one to be reckoned with as she belts out “Knuckle Sandwich”.  She tackles the song with a fearless, punk attitude, and tops it with driving guitar, crashing drums, and barrelhouse piano.  I can’t get enough of this one.  It’s definitely my favorite.      

Born on the Ground is a superb album of all original songs which have certainly grabbed my attention.  This is a record I highly recommend. 

---

For more information about the artist, visit this website – emilyduff.bandcamp.com  

#305 : 61 Ghosts - … to the Edge

2017 – Bluzpik Media Group

Release Date : June 15, 2017

By Phillip Smith; Nov 28, 2017

… to the Edge, the all-original six-track EP from 61 Ghosts is a pure, raw joy to listen to.  61 Ghosts is comprised of singer/songwriter/guitarist Joe Mazzari (Johnny Thunders), drummer Dixie Deadwood (Leo “Bud” Welch), and bassist J.D. Sipe, who is also known for his outstanding artwork featuring portraits of rock and blues musicians. Recorded at the Clarksdale Soundstage in Clarksdale, Mississippi, To the Edge embraces the rich history of the Mississippi Hill Country Blues, while spinning Mazzari’s sharp, hard-edged lyrics. 

I love the opening track “Heartbeat”.  The rolling beat and scorching guitar riffs pour freely like that of a Springsteen barn-burner.  Mazzari’s gravelly vocals definitely sing from a place of experience.  The song wonderfully rolls right into “No One at Your Door”, a caffeinated breakup song which keeps the heart pounding with a relentless racing rhythm and punkabilly flair.  Mazzari’s poetic prowess portrays a world of hurt in World Gone Crazy”.  His guitar mastery brightly shines as he takes the listener another gloomy step deeper into the abyss of desolation in the heart-felt lament “If Tears Were Dirt”.  Acoustically performed, “Show Me Your Scars” is an absolutely beautiful song about opening up.   It’s a true gem.

The songs of 61 Ghosts are quite exceptional.  Mazzari has such a wonderful way with words, and the proof is abundant on this release.  I am already looking forward to the release of their first full-length album.               

---

Videos

   

61 Ghosts "Heartbeat" Official Music Video

       
61 Ghosts "World Gone Crazy" Official Music Video

J.D. Sipe’s artwork can be found here…  http://www.mikesarttruck.com/sipe.html

Stolen Hearts - Dirty Southern Soul

2015 – Stolen Hearts

By Phillip Smith; Nov 21, 2015

In 2014, Pam Taylor and Robert Johnson Jr. came together to forge a new musical dynamic duo, joined together in heart and on stage.  Hailing from the Carolinas, the music of Stolen Hearts’ debut album, Dirty Southern Soul is a wholesome blend of blues, jazz and folk rock.  Taylor and Johnson are both soulful vocalists and masterful guitarists.  Adding to the cool factor, Taylor was mentored by non-other than the renowned blues guitarist Debbie Davies.

“Carolina Days (Bootsie’s Song)” is a fresh splash of roots rock.  Johnson takes the lead on vox and tosses in smile-worthy mandolin playing, which adds quite a nice touch to the catchy guitar riffs. Taylor belts out the sax-infused heartbreaker “All I Got Left” in a most impressive way.  Her buttery vocals sound great.  Taylor delivers more exquisite vocals on “My Johnny”.  This one reminds me so much of Rumours-era Fleetwood Mac with its light bouncy melody.  

Stolen Hearts take us on a trippy psychedelic journey in “Werewolves (Make Lousy Boyfriends)”.  Fuzzy guitar riffs and echo effects turn this space jam sung by Johnson into an instant favorite.  This twelve track album ends with a delightful live performance of the Etta James classic, “I’d Rather Go Blind”.

Stolen Hearts certainly embrace their creativeness, both lyrically and musically. Dirty Southern Soul is a tasty musical treat, indeed.

###

for more information on Stolen Hearts, visit their website : http://www.stolenhearts.rocks/

Jaime Wyatt - From Outer Space

2015 – n/a

By Phillip Smith; June 20, 2015

From Outer Space, the latest album from Jaime Wyatt is chock full of rootsy music coated lightly with a layer of pop, covered with crafty lyrics infused with a jolt of Outlaw/Punk attitude.  Wyatt has a distinct flair for songwriting and a devil-may-care style which makes her music so easy to digest and leave one hungry to hear more.  Mark Howard (Lucinda Williams, Tom Waits, REM, U2, Willie Nelson, Bob Dylan) being brought onboard to produce, was an excellent decision.  

Wyatt leads the album off with “Marijuana Man”, a fun Dylanesque alt-country track about a free-wheelin’ hippie encounter gone wrong.  She rips it up on guitar and rocks out on “Twisted”, a vibrant song which brings to mind the music of one of my favorite all-female rock bands from the Nineties, The Donnas.  I love the way “I Want to be Your Girl”, hits the ground running and keeps that energy lifted from start to finish.  This song puts me in my happy place. Like a forgotten song off Paul Simon’s Graceland album, “Stone Hotel” is definitely one of the best on this album.  Daryl Johnson keeps a funky bassline going while Don Heffington commandeers the driving drum pulse perfectly fit for Wyatt’s poetic jailhouse themed lyrics. This one is very nice indeed.    

From Outer Space is quite lovely and no less than outstanding.  Wyatt is sure to be a force of reckoning in the music world, and I look forward to hearing more from her in the future.  

http://phillycheezeblues.blogspot.com/