Saturday, July 25, 2015

Sean Taylor - The Only Good Addiction is Love

2015 –Sean Taylor Songs
By Phillip Smith; July 25, 2015

The Only Good Addiction is Love, Sean Taylor’s seventh album, steers the focus away from the hustle and bustle of city living, as was the focus on his previous album, Chase the Night.  As Taylor explains, he is now exploring the challenging world of aesthetics, bringing out the truth in beauty and vice versa. Before the first song of this eleven track album is finished, I’m quickly reminded of just how truly remarkable this songwriter is. 

The title track takes its name from an inspiring quote from former Uruguayan President Jose ‘Pepe’ Mujica, who selflessly declined the use of the presidential palace and its staff, and chose instead to live on his modest farm, all while donating ninety percent of his salary to charity.  This captivating song with a little Leonard Cohen reference, not only opens the album, but pours a foundation fashioned from complimentary dualities.  The dark swampy blues of “Bad Light” is kicked off with the electric surge of slide guitar from Andre Moran, and masterfully accented by the deep eerie sounds of Brian Standefer on cello. I am also heavily drawn to “Lorca”, a Spanish flavored instrumental which Taylor plays beautifully on guitar. 

Double bass virtuoso Danny Thompson returns to work with Taylor on the two tracks, “Rothko”, and “Moma”.  The former, is homage to Abstract Expressionist Mark Rothko who also inspired the album’s cover art.  Taylor’s guitar paired with Thompson’s double bass creates a hypnotic rhythm for the poetic lyrics to ride along. 

If you ever wondered how W.B. Yeat’s “The White Birds” would sound if set to music, wonder no more.  This vibrant poem is sweetly complimented with Taylor’s music.   “Desolation Angels” captures the essence of Kerouac’s book bearing the same name, with Clapton-esque guitar licks and free-wheeling prose. This is music for the soul. 

The Only Good Addiction is Love is definitely in my list of favorite albums this year.  It doesn’t get much better than this.     

Saturday, July 18, 2015

Robin Barrett & Coyote Kings - Howl / JPBlues - Live at Darwins

Coyote Kings   
2015 –Robin Barrett
By Phillip Smith; July 18, 2015

I always look forward to hearing from Robin Barrett and the Coyote Kings from Walla Walla, Washington.  Howl, the fourth installment from this Pacific Northwest band, contains a cache of smokin’ electrified blues.  Kicking off with title track, “Howl”. Barrett throws down the gauntlet, blasting crafty riffs of swampy goodness.  This one digs in deep, and I like it.  “Waiting to be Free”, is on top of my list of favorites as well. This one slows it down a notch, and Barrett’s guitar wails so beautifully.  Another track that puts a smile on my face is the Chuck Berry influenced “Jackhammer Slow Jammer”. It really gets the blood pumping. The most interesting and coolest track though, is “Party”, wherein Barrett blends funk with swamp blues. At times it reminds me of ZZ Top. Other tracks that surely deserve a mention are the eerie “Dark Dark Night”, and “Crazy in the Head”, a track that takes me back to the Eighties, listening to Timbuk 3’s “Future’s So Bright, I Gotta Wear Shades”. 

JP Blues   
Live at Darwin’s
2015 –Midnight Circus Records
By Phillip Smith; July 18, 2015

One listen to his latest album, Live at Darwin’s is all it takes to understand why John “JP Blues” Pagano is rapidly rising up in the ranks of blues guitarists.  This sizzling guitar virtuoso is joined by bassist Tony Hossri and drummer Shiloh Bloodworth to make one killer blues trio.  I love the gritty and swampy “Old Man Joe”.  This quick paced track reminds me so much of my favorite Southern Rock band, Black Oak Arkansas, down to the Jim Dandy-styled vocals. I had to stop and think a while the first time I heard JP’s rendition of Jay Z’s “99 Problems”.  It was so interesting and quite the unexpected treat to hear this rap song played so bluesy. JP pours his soul out in “Another Time, Another Place”.  From a calming and beautiful beginning, the song builds traction, gaining speed until an explosive battleground of pure guitar expressionism is reached.  But wait, there’s more.  The finale “Good Morning Little Schoolgirl” dishes out nearly ten minutes of unadulterated blues and ferocious jams.  JP’s guitar playing on this track is simply amazing.  It doesn’t matter who moved your cheese, this is where it’s at.     

Sunday, July 12, 2015

BillyLee Janey - Got Them Iowa Blues

2015 –Damn Good Tunes
By Phillip Smith; July 12, 2015

In 1975, BillyLee Janey recorded the critically-acclaimed psych-blues album Truth and Janey’s No Rest For the Wicked. Give his latest album, Got Them Iowa Blues a listen and one will find out very fast, Janey is still pushing the envelope of sound, producing some of the best electric guitar blues around.  Joining Janey in the making of this album is his son, Bryce Janey on bass guitar, and drummer Eric Douglas.

From the get-go on “Damn Good” Janey breaks out his satchel full of swagger, and delivers some of the most wickedly interesting guitar licks I’ve heard.  Listening to “Superstar” sends chills down my spine.  I don’t know how he does it, but his guitar speaks a different language than most.  It’s simply amazing to hear all these cools sounds immersed in a big bowlful of blues.  I love the driving funky beat from guest drummer, John Wilson on “Mean Ole Twister”.  Janey channels the chaos and furious force of an F5 tornado into this tune, and drops a subtle Wizard of Oz reference which makes me smile.  

Those who have ever lived in Iowa will surely understand where Janey is coming from as he sings about frigid winters, hail storms, and Midwest tornados in the slow-simmered “Iowa Blues”.  The man knows how to play the blues, that’s for sure.  I could listen this all day.  

For more info about BillyLee Janey, vist his website:

Sunday, July 5, 2015

Victor Wainwright and the WildRoots - Boom Town

2015 –Blind Pig Records
By Phillip Smith; July 4, 2015

Boom Town, the latest release from Victor Wainwright and the Wildroots, is chockfull of boogie-laced blues and tasty jams.  Wainwright, who rightfully claimed the Pinetop Perkins Piano Player of the Year for 2013 and 2014, leads this fantastic eight person band called, the Wildroots through thirteen spirited New Orleans flavored selections. Hearing him rip into the piano while laying down a truck load of boogie woogie on “Two Lane Blacktop Revisited” will leave no doubt why he pulled down that award twice already.  

It’s amazing to hear the different directions to which Wainwright can take his voice.  From a comforting tone, in the spiritually moving “When the Day is Done”, to being bad-ass and sinister, in “Reapers on the Prowl”, where he goes all “Wolfman Jack” in his conversation with the Grim Reaper.  Guitarist JP Soars, fellow Southern Hospitality collaborator with Wainwright is a guest performer on “The Devils Bite”, a Cab Calloway influenced tune.  This dark and rootsy track brings to mind Nick Cave’s Murder Ballads album.

The slow and easy “WildRoot Farm” makes for a cool little duet featuring Patricia Ann Dees.  This one will have you on the front porch sipping iced tea on a hot summer day, taking in the aromas of a freshly prepared southern style dinner. Stephen Kampa rolls out a sweet harmonica accompaniment which totally sets that laid-back mood.     

BoomTown culminates into an amazing instrumental jam at the end with “WildRoot Rumble”.  This is my favorite track on the album, and I play it loud.  Stephen Dees and Nick Black bring it on with rambling guitars, Kampa kills it on harmonica, Billy Dean keeps the furious beat going on drums, and Wainwright pounds the hell out of the piano. This is what it’s all about!     

For more information about Victor Wainwright visit his website at