#590 : PhillyCheeze's Favorite 20 of 2022 (PhillyCheezeBlues.Blogspot.com)

 

By Phillip Smith; Dec.22, 2022

 

PhillyCheeze's Favorite 20 of 2022

(in alphabetical order)

Bernard Allison - Highs & Lows

https://phillycheezeblues.blogspot.com/2022/01/537-bernard-allison-highs-lows.html

Bad Daddy - It's a Mad Mad Bad Dad World

https://phillycheezeblues.blogspot.com/2022/08/568-bad-daddy-its-mad-mad-bad-dad-world.html

Buckmiller Schwager - To Memphis and Back

https://phillycheezeblues.blogspot.com/2022/03/phillycheezebluesblogspotcom-545.html

Gary Cain - Next Stop

https://phillycheezeblues.blogspot.com/2022/06/558-gary-cain-next-stop.html

Annika Chambers & Paul Deslauriers - Good Trouble

https://phillycheezeblues.blogspot.com/2022/11/584-annika-chambers-paul-deslauriers.html

Ryan Lee Crosby - Winter Hill Blues

https://phillycheezeblues.blogspot.com/2022/05/555-ryan-lee-crosby-winter-hill-blues.html

Robert Connely Farr - Shake It

https://phillycheezeblues.blogspot.com/2022/10/581-robert-connely-farr-shake-it.html

GA-20 - Crackdown

https://phillycheezeblues.blogspot.com/2022/08/572-ga-20-crackdown-phillycheezebluesbl.html

Diunna Greenleaf - I Ain't Playin'

https://phillycheezeblues.blogspot.com/2022/05/phillycheezebluesblogspotcom-554-diunna.html

The Harpoonist & the Axe Murderer - Live at the King Eddy

https://phillycheezeblues.blogspot.com/2022/06/559-harpoonist-and-axe-murderer-live-at.html

Herman Hitson - Let the Gods Sing

https://phillycheezeblues.blogspot.com/2022/10/578-herman-hitson-let-gods-sing.html

Spencer Mackenzie - Preach to my Soul

https://phillycheezeblues.blogspot.com/2022/10/582-spencer-mackenzie-preach-to-my-soul.html

Eliza Neals - Badder to the Bone

https://phillycheezeblues.blogspot.com/2022/04/phillycheezebluesblogspotcom-550-eliza.html

Prakash Slim - Country Blues From Nepal

https://phillycheezeblues.blogspot.com/2022/03/phillycheezebluesblogspotcom-547.html

Gina Sicilia - Unchange

https://phillycheezeblues.blogspot.com/2022/06/557-gina-sicilia-unchange.html

Sir Rod & the Blues Doctors - Keeping it in the Family

https://phillycheezeblues.blogspot.com/2022/09/575-sir-rod-blues-doctors-keeping-it-in.html

Sugaray Rayford - In Too Deep

https://phillycheezeblues.blogspot.com/2021/12/533-sugaray-rayford-in-too-deep.html

The Terraplanes Blues Band - Stepping Stones

https://phillycheezeblues.blogspot.com/2022/02/phillycheezebluesblogspotcom-544.html

Dylan Triplett - Who is He?

https://phillycheezeblues.blogspot.com/2022/07/562-dylan-triplett-who-is-he.html

Matty T Wall - Live Down Underground

https://phillycheezeblues.blogspot.com/2022/07/561-matty-t-wall-live-down-underground.html

The Spotify Playlist

#588 > Steve Hill - Dear Illusion (PhillyCheezeBlues.Blogspot.com)

2022 – No Label Records

By Phillip Smith; Dec. 11, 2022

Original source : phillycheezeblues.blogspot.com

 

Canadian bluesman Steve Hill has pulled down an impressive number of awards over his twenty-seven-plus years of playing professionally.  In 2015 he was awarded the Juno Award for Blues Album of the Year.  In 2013 he received the Best self-produced CD award at the Memphis International Blues Challenge.  And as far as the Maple Blues Awards go, he’s secured eight of them for different categories over the years.   That being said, Steve Hill is definitely a force to be reckoned with, and his latest album, Dear Illusion is absolutely brilliant.  The album contains ten masterfully-written original songs performed by Hill on vocals and a variety of instruments: guitars, bass, drums, pedal steel, piano, mandolin, and harmonica.  Behind Hill, is drummer Wayne Proctor, and The Devil Horns.

An infectious guitar riff and a blast of horns kicks the record in with a fully-charged burst of energy on “All About the Love”.  The up-tempo beat lays down the red-carpet for the hot blues revue to come.  Leading in with a swampy serving of harp, Hill keeps the momentum going with “Keep it Together”.  The slide guitar on this Springsteen-like track sounds great paired with the horns.  As soon as “Follow Your Heart” starts, I immediately start soaking up that honky-tonk era Stones vibe.  Not only is this a terrific song, but it offers great advice as well.  A melancholy wave rushes over me when I hear “So it Goes”.  Hill enhances the mood on this lovely ballad performing on mandolin.  Dear Illusion concludes with “Until the Next Time”, a song which makes me think of George Harrison very much.  The song is weightless and grounded at the same time. 

Steve Hill’s Dear Illusion is a splendid album from beginning to end.  It’s a musical gem.

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Also check out my review for Steve Hill – Solo Recordings Volume 3

https://phillycheezeblues.blogspot.com/2016/07/steve-hill-solo-recordings-volume-3.html

 

              

 

For more information about Steve Hill, visit this website :

https://www.stevehillmusic.com/

 

 

#585 > Skip James - The Complete 1931 Sessions (PhillyCheezeBlues.Blogspot.com)

 

2022 – ORG Music

By Phillip Smith; Nov. 18, 2022

Original source : phillycheezeblues.blogspot.com

 

This year Record Store Day Black Friday has something exciting for Blues fans and vinyl connoisseurs.  ORG Music is re-releasing Skip James – The Complete 1931 Sessions on transparent orange vinyl.  This is a great introductory record for the music of Skip James.   Born in 1902 near Bentonia, Mississippi, he learned to play guitar in his youth and later picked up the organ in his teens.  In 1931 he recorded 18 songs, and due to the Great Depression, records sales were poor.  James gave up playing the blues and became a choir director at his father’s church.  It took thirty years for him to be re-discovered.  Between 1964 and 1969 he recorded a few more albums before dying in October of 1969.  This album is a collection of the songs he recorded in 1931.

The haunting melody of “Devil Got My Woman” starts the record off with in a solemn mood.  James’ finger-picking performance is brilliant, and his voice charged with emotion.  His prowess at the piano is delightfully exhibited on “How Long Buck”.  James’ songs connect so greatly at the human-level.  A great example of that is “I’m So Glad”, a genuine timeless song.  When he sings “Hard Time Killin’ Floor Blues”, I feel a great amount of empathy for the pains and struggles that had to have been experienced before this song could have been written.  A track I found to be extra interesting is “22-20 Blues”.  This track is a piano-centric song which was the inspiration for Robert Johnson’s “32-20 Blues”.  “Jesus is a Mighty Good Leader” is another timeless classic.  James’ high vocals fit perfectly for this spiritual.  For hardcore blues, it doesn’t get much better than ”Yola My Blues Away”.  The delicate, yet intricate guitar picking is downright amazing. 

Despite a bit of surface noise which carried forward from 1931, the album is an absolute gem.  Skip James’ The Complete 1931 Sessions is a must-have.

 

Skip James - The Complete 1931 Session 

Tracklist:

A1 Devil Got My Woman

A2 If You Haven't Any Hay Get On Down The Road

A3 Hard Luck Child

A4 Drunken Spree

A5 Little Cow And Calf Is Gonna Die Blues

A6 Be Ready When He Comes

A7 How Long """"Buck""""

A8 I'm So Glad

A9 Cherry Ball Blues

B1 Hard Time Killin' Floor Blues

B2 22-20 Blues

B3 4 O'Clock Blues

B4 Jesus Is A MIghty Good Leader

B5 Yola My Blues Away

B6 What Am I To Do Blues

B7 Special Rider Blues

B8 Illinois Blues

B9 Cypress Grove Blues

#583 > Ivor S.K. - Mississippi Bound (PhillyCheezeBlues.Blogspot.com)

 

2022 – Ivor Simpson-Kennedy

By Phillip Smith; Nov. 5, 2022

Original source : phillycheezeblues.blogspot.com

 

Hailing from Sydney Australia, and now living in New Orleans, Ivor Simpson-Kennedy takes story-telling to the highest level with his music.  There’s a unique spin he has on blues and roots which is very refreshing and quite captivating.  The attention he pays to details in his songwriting, pairs perfectly with his laidback style.  Mississippi Bound, his latest release, was created during his downtime due to the pandemic.  It features fifteen stellar tracks, all written, arranged and performed by Ivor. 

The listener is taken on a journey which begins with the ska-infused, Caribbean-flavored track “Mississippi Bound”.  Ivor’s smokey vocals define that of an experienced, weathered traveler.   A delightful melody coupled with frank, from-the-gut lyrics lend a Randy Newman-esque vibe to “Talkin’ Shit Again”.  Easily lured into Ivor’s infectious guitar riff on “Wheelin’”, I thoroughly enjoy his swampy slide play and beat poet style.  There’s a sort of Robert Hunter/Jerry Garcia aura to “Taste Your Lips”.  It’s an absolutely gorgeous song.  Cloaked in a thick slathering of slide, evil suits itself up on the concluding track “Dead Pig”.  The music alone transports me to a cypress-filled swamp in the middle of Mississippi.

Ivor S.K. fills Mississippi Bound with substance and originality as he builds a musical landscape where outlaws and poets intermingle.  It’s downright fascinating.

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For more information about Ivor S.K., visit this website :

http://www.ivorsk.com

 

Check out past PhillyCheeze reviews for Ivor S.K.

Montserrat

https://phillycheezeblues.blogspot.com/2017/07/ivor-sk-montserrat.html

 

Delta Pines

https://phillycheezeblues.blogspot.com/2016/05/ivor-sk-delta-pines.html

#581 > Robert Connely Farr - Shake It (PhillyCheezeBlues.Blogspot.com)

 

2022 – Robert Connely Farr

By Phillip Smith; Oct. 22, 2022

Original source : phillycheezeblues.blogspot.com

 

The music of Robert Connely Farr caught my attention back in 2019 with the release of his Dirty South Blues album.  It was absolutely wonderful.  His latest release Shake It continues to keep my attention glued to his works and marks his ninth studio album.  Farr excels at understanding the mechanics and history of the Bentonia style of blues as taught to him by his hometown hero 2020 Grammy Nominee for Best Traditional Blues Album, Jimmy ”Duck” Holmes. Seventy-five-year-old Holmes, living a life submersed in the blues, owns the oldest surviving juke joint in the world, The Blue Front Café located in Bentonia, Mississippi.  With Farr on lead guitar and vocals, the rest of the band on this nine-track gem is comprised of drummer Jay Bundy Johnson, bassist Tom Hillifer, and shaker/back up vocalist Liam Moes.  

The album starts off with a brilliant revision of Charlie Patton’s 1929 side “Screaming & Hollering”.  Farr breathes new life into the song with beautifully haunting guitar riffs and an expressive Bentonia approach.  Following next is a splendid cover of Jimmy “Duck” Holmes’ “Going Away to Leave You”, from his 2013 release All Night Long.  Riding a wave of heavy bass and injected with a fist-full of distortion, the song penetrates right to the bone. 

Hillifer and Johnson lay down a really funky rhythm for “Miss My Baby”, one of the six original songs, penned by Farr.  This call-out of the corporate world’s working trends running amok is quite infectious.  I love the rolling, swampy attack of title-track “Shake It”.  It’s gets right up there in my face staring me down eye-to-eye.  For the closer, Farr brushes off Tommy McClennan’s 1941 78 he cut for Bluebird Records “Sugar Mama”.  I can hear the desperation in his voice.  It’s so heavy.

Shake It marks my fourth review for Farr, and that’s a very positive statement.  I highly recommend this album. 

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Other PhillyCheeze Reviews for Robert Connely Farr:

 

Dirty South Blues

https://phillycheezeblues.blogspot.com/2019/05/391-robert-connely-farr-rebeltone-boys.html

 

Country Supper

https://phillycheezeblues.blogspot.com/2020/12/474-robert-connely-farr-country-supper.html

 

Ain’t Enough

https://phillycheezeblues.blogspot.com/2022/01/535-robert-connely-farr-aint-enough.html

 

Find Robert Connely Farr on bandcamp.com

#580 > Emanuel Casablanca - Blood on My Hands (PhillyCheezeBlues.Blogspot.com)

2022 – Kings County Blues

By Phillip Smith; Oct. 15, 2022

Original source : phillycheezeblues.blogspot.com

 

Blood on my Hands, the debut album from Brooklyn-based blues-rocker Emanual Casablanca has quickly garnered my admiration.  Casablanca’s all-in approach to music produces deep and personal songs.  That’s what makes his blues honest and real.  This album contains sixteen tracks of all-original material featuring an amazing arsenal of guests which include Eric Gales, Albert Castiglia, Paul Gilbert, Kat Riggins, Brother Dave, Felix Slim and Jimmy Carpenter.   

Delivered upon a metallic bolt of lightning and a strong System of a Down vibe, “Afraid of Blood” begins this kick-ass musical journey.  With Casablanca staring the listener squarely in the eyes, he confirms what we’re afraid of.  The answer is him.  The blues begins to pour freely afterwards as Gilbert blindsides me with his amazing guitar performance on “In Blood”.  Then Gales comes onboard for title track “Blood on My Hands”.  It’s always a treat to hear this man play.  Casablanca’s vocals are buttery and from the heart.  “Like a Pulse”, a beautiful duet featuring vocalist Kat Riggins and Sanga of the Valley on percussion, is a multi-faceted delight.  Nestled deep within a cloud of unsettled brooding, Casablanca sings of broken dreams and sleepless nights in “Bloodshot Eyes”.  The song, nailed to a hypnotic groove and featuring Castiglia on guitar, is quite infectious.  Felix Slim steps with guitar and harp in hand on “Nashville”.  I love the swampy slide and the sheer grittiness of this track.  It’s impossible to escape the driving rhythm and ear-worm-inducing riff on “Thicker Than Blood”.  The track absolutely rocks.  It’s shindig time when Brother Dave shows up with guitar in hand on “Testify”.  With a recurring riff, and a taste of slide, this one makes for a fun listen.

There’s a definite edge to Emanuel Casablanca’s songs as he presents them as blues, rock, and somewhere in between.  Blood on My Hands is a genuinely great listen from top to bottom and I look forward to hearing more from this emerging artist.       

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For more information about Emanuel Casablanca, visit this website : https://www.emanuelcasablanca.com/

 

#577 > John Primer - Hard Times (PhillyCheezeBlues.Blogspot.com)

 

2022 – Blues House Productions

By Phillip Smith; Sep. 24, 2022

 

Original source : phillycheezeblues.blogspot.com

 

Hard Times, the very latest release from Chicago Blues great John Primer captures my ‘real-deal’ blues-loving heart with thirteen new originals.  With Steve Bell on harmonica, Lenny Media on drums, and David Forte on bass, this recording also features special guests Rick Kreher on 2^nd guitar, Johnny Iguana on piano and organ, and John’s seventeen-year-old daughter Aliya Primer on vocals.  Primer states: “The name of my new CD reflects the world we’re living in today.  I recorded this CD to help us get through these really hard times.”.

I’m drawn right in to Primer’s churning delta-blues riffs on title-track “Hard Times”.  The slide guitar is absolutely wonderful as it sits in front of the spectacular piano and harp accompaniment.  Immediately following is the intoxicating and soul-warming homage to the genre “Blues-Blues-Blues”.  It’s one of my favorites.  With daughter Aliya on lead vocals for her debut recording session, “Tough Times” is an endearing track about sticking together.  The chemistry John and Aliya share brings to mind the Mississippi Delta Blues father/daughter duo Bill ‘Howl-N-Madd’ Perry and Shy Perry.  Filled with attention-grabbing guitar runs, waves of organ sounds, and doses of searing harp, “Trying To Make You Mine” is a hands-down fabulous track which I immensely enjoy.  With his great talent of painting pictures with words, Primer piles healthy scoops of certifiable blues on “Hot Meal”.  It doesn’t get much better than this.

As usual, John Primer and his Real Deal Blues Band perform the blues as it should be heard.  Hard Times is as authentic as it gets.

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For more information about John Primer, visit this website : https://johnprimerblues.com

 

 

#575 > Sir Rod & The Blues Doctors - Keeping it in the Family (PhillyCheezeBlues.Blogspot.com)

 

2022 – Adam Gussow and Roderick Patterson

By Phillip Smith; Sep. 10, 2022

Original source : phillycheezeblues.blogspot.com

 

I was quite enamored with Come Together the debut album from Sir Rod & The Blues Doctors when I reviewed it a couple of years ago.  I have the same opinion regarding their latest album Keeping it in the Family.  It’s a live thirteen track delight featuring new original songs, fresh covers, and past favorites.  Front-man and vocalist Sir Rod is Roderick Patterson.  He is the nephew of New York blues legend Sterling Magee aka Mr. Satan from the critically-acclaimed blues duo Satan & Adam.  University of Mississippi professors Adam Gussow and Alan Gross form the Blues Doctors.  Gussow (Satan & Adam) brings his amazing harmonica playing to the trio and Mississippi bluesman/cigar box guitar luthier Alan Gross (Terry “Harmonica” Bean) brings his guitar mastery.

Kicking the record off, in a feel-good style, is Big Joe Turner’s classic “Shake, Rattle, and Roll”.  It rolls right into an exuberant performance of the Satan & Adam song “Seventh Avenue”.  Sir Rod’s smokey vocals sound fabulous as Gussow ignites the flame on this funky blues track with his harp.  It’s an absolute favorite.  Spirits remain elevated as they skillfully perform a blues transfusion on James Brown’s “I Got You (I Feel Good)”.  A heart-felt tribute is paid to Mr. Satan on a Sir Rod original called “Brother Sterling”.  Afterward, Gussow and Gross break into a smokin’ funky performance on instrumental “Thunky Fing Rides Again”.  It made me happy that they added a live version of the title track to their debut album, “Come Together”.  This song about peace and love is a song everyone should give a listen to.  The listener is transported to the Mississippi Delta for a soulful remake of Bobby Gentry’s “Ode to Billy Joe”.  It’s outstanding.  Bringing the album to its close in full-on-party mode, they cover Clifton Chenier’s 1977 release “Hot Tamale Baby”.  This zydeco-turned-blues side is a certified shindig.   

Sir Rod and the Blues Doctors have captured lightning in a bottle once again with Keeping it in the Family.  With a chemistry which stretches beyond the music, this band puts a smile on my face with every listen.  

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PhillyCheeze’s review for Sir Rod & The Blues Doctors – Come Together

https://phillycheezeblues.blogspot.com/2020/09/462-sir-rod-blues-doctors-come-together.html

 

 

For more information about Sir Rod & The Blues Doctors, visit this website :

http://www.sirrodandthebluesdoctors.com

 

 

#561 > Matty T Wall - Live Down Underground (PhillyCheezeBlues.Blogspot.com)

 

2022 – Hipster Dumpster Records

By Phillip Smith; July 2, 2022

 

Original source : phillycheezeblues.blogspot.com

 

Since Matty T Wall’s debut release in 2016 of Blue Skies, I’ve reviewed each of his albums.  I’m sure not going to break tradition with his latest, Live Down Underground.  Wall very much deserves the kudos.  He is a force to be reckoned with and his prowess behind the guitar never ceases to amaze me.  Recorded at Lyric Underground in Perth, Western Australia, this nine-track release features Wall backed by drummer Ric Whittle and bassist Leigh Miller.

Wall gives a smoking performance as he leads off with the story-telling outlaw blues of “Broken Heart Tattoo”.  This is followed up by the intense red-hot instrumental “Slideride”.  I enjoy the fierce licks and rolling thunder from the moment the song blasts off.  “Scorcher”, another searing instrumental is also quick to capture my attention.  Wall is an astonishing beast on the guitar.  I love the fact that he brought “Sophia’s Strut” out to play.  This mind-melting track from his 2018 Sidewinder record is still lightning in a bottle, just as I described it four years ago.  The psychedelic piece de resistance that begs to be heard is the nearly fifteen minute long “Voodoo Chile”. Wall conjures up an extraordinary listening experience, masterminding a cosmically intense journey that stretches across the universe to shake hands with Hendrix himself.   

Matty T Wall’s previous two albums have landed in my yearly Top 20 lists, and I have no doubt this one will be in my list for 2022.  Live Down Underground is a bodacious live album of guitar-centric blues-rock one can sink their teeth into.  It’s a highly recommended listen.

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PhillyCheeze reviews Matty T Wall

Transpacific Blues Vol. 1  - https://phillycheezeblues.blogspot.com/2019/12/422-matty-t-wall-transpacific-blues-vol.html

Sidewinder - https://phillycheezeblues.blogspot.com/2018/09/351-matty-t-wall-sidewinder.html

Blue Skies - https://phillycheezeblues.blogspot.com/2016/07/matty-t-wall-blue-skies.html

 

 

For more information about Matty T Wall, visit https://www.mattytwall.com

 

#559 > The Harpoonist and The Axe Murderer - Live at the King Eddy (PhillyCheezeBlues.Blogspot.com)

 

2022 – The Harpoonist & the Axe Murderer

By Phillip Smith; June 18, 2022

Original source : phillycheezeblues.blogspot.com

 

It’s a rare occasion where a live album is my first experience with a band’s music, and it turns me into an instant fan.  Live at the King Eddy, the latest release from The Harpoonist and the Axe Murder is definitely the center point of one of those occasions.  The Harpoonist is vocalist/harp player Shawn Hall.  The Axe Murderer is guitarist Matt Rogers.  The two together with vocalists Andrina Turenne and Dawn Pemberton, along with keyboardist Geoff Hilhorst throw down one hell of a shindig at the historical King Edward Hotel in Calgary.  That recorded performance celebrates fifteen years of collaboration of playing the Blues, and it’s absolutely wonderful.

“Cry a Little” trucks right on in, and gets things off to a swinging start with a funky harp-laden groove and whiskey-soaked vocals.  I can’t help but gush about the swamp-water soaked “Do Whatcha”.  Between the whirling sounds of Hillhorst’s organ and Hall’s guttural yelps, the song takes glamourous dips into the psychedelic realm.  From their most recent studio album Apocalipstick, “Pretty Please” is a fiery, rambunctious track which transforms the revival tent into a hot and sweaty blues tent, bringing everyone to their feet.  “Father’s Son”, another selection off the same studio album, is simply amazing.  I love how the driving beat and funky riff takes a cliff dive into another universe.  It’s certainly no “Cats in the Cradle”.  That’s for sure.  Rogers cranks up the heat on guitar for a cooking performance as Hall goes all-in on “Get Out” taking the blues to the brink of places I’ve never heard.  This track does indeed tear the roof off the sucker. 

Live at the King Eddy is an absolute eye-opener for me.   The musical chemistry shared between these guys sure makes for some exquisite blues.  I hope I have the opportunity to catch them live in concert one of these days, because I’m sure it would be a hell of a good time.

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For more information about this band, visit their website https://www.harpoonistaxemurderer.com/

Find this album on Bandcamp