Monday, September 6, 2021

#516 : Bowlful of Blues Festival – Sep. 5, 2021



The Fred Maytag Bowl

Maytag Park

Newton, Iowa

 All Photos by Phillip Smith; Sep. 5, 2021

 

Sunshine and a toasty temperature of 85 degrees made for a pleasant day of relaxing and enjoying some blues music in Newton, Iowa.  Bowlful of Blues Festival, presented by the South Skunk Blues Society, is one of my favorites.  The lineup this year consisted of Kevin Burt & Big Medicine, Avey Grouws Band, Terry Quiett Band, Paul Nelson, and Anthony Gomes.  Between sets, music was performed by the James Longerbone Band.  Unfortunately, I missed out on Kevin Burt and Avey Grouws Band, as I arrived just in time to hear the last half of Terry Quiett’s impressive set.

Having reviewed Paul Nelson’s 2016 Badass Generation album, I was excited to see him perform.  He’s such a powerhouse on guitar.  On lead vocals and harp was Rico Amero whose energy runs high, and keeps the party going.  I can't wait to see them again.  That was a really damn good show.  The main attraction was headliner Anthony Gomes.  I first saw him open for BB King several years ago, and have been a fan ever since.   He’s got the voice, the mastery of guitar, and the ability to work a crowd.  It was fantastic!

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·         All photos by Phillip Smith


James Longerbone Band



Terry Quiett Band







 

Paul Nelson Band













Anthony Gomes

















Saturday, September 4, 2021

#515 : Seth Lee Jones - Flathead

 


2021 – Horton Records

By Phillip Smith; Sep. 4, 2021

 

Years of playing weekly gigs at The Colony in Tulsa, Oklahoma has most definitely awarded a solid cohesiveness to the sound of Seth Jones and his bandmates Bo Hallford (bass guitar), and Matt Teegarden (drums).  Recording straight-to-tape in under seven and a half hours with no overdubs, Jones and his band forged an extraordinary nine-track album of fire-roasted blues-rock.  Its name is Flathead. 

For starters, Jones busts out with his own open-tuning version of Muddy Waters’ ”I Can’t Be Satisfied”.  I love hearing the licks this luthier and third-generation guitarist tosses into the song.  “It Was Raining” is absolutely beautiful.  This is pure blues served up Texas-style and slow-cooked to perfection.  I can’t help but hear a little Stevie Ray Vaughan on the intro of their cover of Howlin Wolf’s “You Gonna Wreck My Life”, and that’s just one of the reasons I like it.  Jones’ redux of this classic is a quite powerful one, complete with blues-soaked vocals and an attention-grabbing guitar performance.  The slide guitar on “Tulsa Time” is plumb terrific too.  A number one hit on the country charts for Don Williams in 1978, and covered by Eric Clapton the same year, this song is timeless classic.  Flathead wraps up with a head-turning performance of Ray Charles’ “Mary Ann” with guest guitarist Mike Satawake.  This infectious, melodious song takes a short detour off the main road so Jones can let loose on guitar, and it sounds wonderful.

Flathead is surely one of those records every blues-rock fan will want in their collection.  It’s that damn good.

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Official video for “Tulsa Time”




For more information about the artist, visit this website : https://sethleejones.com/

 

 

Available on Bandcamp

 

 


Saturday, August 28, 2021

#514 : Avey Grouws Band - Tell Tale Heart


 

2021 – Navy House Records

By Phillip Smith; Aug. 28, 2021

 

Iowa-based blues-rockers Avey Grouws Band has yet another delectable album to sink one’s teeth into.  Tell Tale Heart is their latest record, and follows up quite nicely to their acclaimed 2020 release The Devil May Care which broke into the top 10 on the Billboard Blues Album Chart.  

 While the record was being composed during the pandemic, they also broke new ground by hosting 102 semi-weekly live mini-concert streams via their “Quarantini Party” and “Bloody Marys and Blues” events.  Their dedication to provide entertainment to their fanbase is quite apparent.  This is a band I’ve had the pleasure of seeing twice this summer already.  In June, I saw them open for Walter Trout at the Adler Theater in Davenport, Iowa.  Then in July, I caught them at the Prairie Dog Blues Festival in Prairie Du Chien, Wisconsin.  In both instances, I immediately noticed their magical connection to their audience.  Avey Grouws Band is comprised of Chris Avey ( lead guitar/vocals), Jeni Grouws (lead vocals/rhythm guitar), Randy Leasman (bass guitar), Bryan West (drums), and Nick Vasquez (keyboards).

The driving rhythm, and killer riff of “Love Raining Down” jets the album skyward in a glorious blaze of blues-rock.  Avey’s fearless approach to laying it all out with his guitar demands the listener’s full attention.  Grouws’ powerful, velvety vocals captivate me as political polarization runs rampant and lines are drawn in the sand in “Bad Bad Year”.  Fueled by heavy doses of Billy Gibbons-inspired guitar and a badass beat, this makes for another great cut.  Title-track “Tell Tale Heart” takes a beautiful yet melancholy turn as Grouws delivers a vocal performance full of heart and soul.  The heaviness and inner-turmoil woven into the lyrics are amplified by a wall of sound from the band.  It sounds great.  Immediately following is a wonderful Pink-Floyd-esque instrumental called “Mariana”.  Avey pulls out all the stops as he just lets his guitar speak.  West, Leasman, and Vasquez create the perfect space for this intoxicating piece of music to take place.  I heard this one performed live when AGB opened for Walter Trout, and it was an amazing experience to say the least.  “Daylight” is refreshing and delightful.  Its playful melody and softly-sung lyrics warms the soul.  I love the funky pulse running behind “Heart’s Playing Tricks”.  As the swirling sound of keys from Vasquez fill the air, Avey tosses a groovy and infectious riff on top.  This is most definitely another favorite.

Loaded with ten all-original songs, Tell Tale Heart is an absolute gem of an album from start to finish.  This is a record I highly recommend.          

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For more information about the artist, visit this website : https://www.aveygrouwsband.com/

 

Available on Bandcamp : https://aveygrouwsband.bandcamp.com/

Sunday, August 22, 2021

#513 : Sunflower River Blues & Gospel Festival - 2021

 


Clarksdale, Mississippi

August 12-15, 2021

By Phillip Smith; August 21, 2021

 

After my first trip down to Clarksdale, Mississippi for the Sunflower River Blues and Gospel Festival in 2019, I knew I would want to go again.  Last year the festival was cancelled due to Covid-19, but this year it returned, with one slight difference.  The daytime acts on Saturday performed outdoors on an acoustic stage under the VIP tent, as opposed to being scattered around the downtown area in assorted bars, restaurants, and galleries.  Ground Zero Blues Club also held a steady continuance of live music throughout the weekend as well.

The journey from Iowa to Clarksdale included a one-night stop in Memphis for a night out on Beale Street.  The group I was travelling with held steady at King Jerry Lawler’s Hall of Fame Bar & Grille on Beale, for an evening of live music from The Beale Street All-Stars.  Those guys put on a dazzling show and provided an enjoyable evening of entertainment.    

On the way to Clarksdale Thursday morning, we made a stop at the Delta Cultural Center in Helena, Arkansas to catch the live broadcast of the legendary King Biscuit Time radio show.  King Biscuit Time is the longest running blues radio program in the world, logging over 18,490 episodes since its inception in 1941, and can still be heard each weekday from 12:15pm – 12:45pm on KFFA out of Helena, or by streaming through the Delta Cultural Center’s Facebook page.  Originally hosted by “Sunshine” Sonny Payne until 2018, the show is now hosted by my friend Thomas Jacques.  It was great to catch up with Thomas as he gave us a tour and filled us in on the history of the show.

After checking in at the Shack Up Inn, we all headed to the Delta Blues Museum, where the festival is held, to enjoy an evening of blues accompanied by a delicious, down-home dinner of grits, greens, and barbeque.  It was great to finally hear Lucious Spiller, Sean “Bad” Apple, and Terry “Big” T Williams live in person.  There’s something special about the way Lucious sings “A Change is Gonna Come”.  He digs deep as he sings it with raw emotion.  With accompaniment from a harp player called Freight Train, Sean Apple’s cover of Skip Jame’s “Hard Times” was really nice.  Lady Trucker made a guest appearance during Sean’s set to sit in on “Sitting on Top of the World”.  Her voice has a lot of power in it and is quite impressive.  Following the Grits & Greens dinner, we headed over to Ground Zero Blues Club, and caught Heather Crosse, “Rockin” Johnny Burgin, and Jaxx Nassar hosting the weekly blues jam.  That was a big ball of fun to be present for that.  The camaraderie among the musicians exudes a sense of family.

Before the festivities began on Friday, we ventured out to visit a few blues sites.  We stopped by Tutwiler first to see where W.C. Handy heard his first slide guitar performance, then visited Sonny Boy Williamson II’s gravesite.  We had lunch at The Cozy Corner in Indianola, a place which sits a couple of blocks away from the new B.B. King Museum.  Their ribs really hit the spot, and the fried okra was cooked perfectly.  This was definitely a one-of-a-kind place to stop.  Just around the corner from the Cozy Corner, sits Club Ebony, a nightclub which has earned its own Mississippi Blues Trail marker for showcasing such artists as Ray Charles, B.B. King, Bobby Bland, Albert King, Little Milton, Count Basie, and many others.  We pushed off from there and visited Dockery Farms, and a possible locations of the famed crossroads nearby, which legend tells us Robert Johnson made his deal with Ol’ Scratch.   

The first band to play on Friday was the Delta Museum Student Band.  It is through this program that many blues artists in the area, such as Christone “Kingfish” Ingram got their start.  Heavy Suga and the Sweet Tones with Heather Crosse and Johnny Burgin took the stage next.  They sound absolutely fabulous together.  I was so happy to hear a couple of my favorites from Heather’s Groovin’ at the Crosse Roads album: “My Man Called Me” and “Why Does a Woman Play a Bass Guitar”.  Lightnin’ Malcolm was an absolute force to be reckoned with.  His guitar performance was sizzling.  James Super Chikan” Johnson followed with his flashy home-made guitars.  I couldn't help but smile when he hit the stage .  His band comprised of his daughter Jamiesa Turner on drums, Heather Falduto on bass, and Lala Craig are impeccable.

Early Saturday afternoon, I made it my number one priority to go listen to the legendary Jimmy “Duck” Holmes.  This recent Grammy nominee and owner of the oldest still-active juke joint in Mississippi The Blue Front Cafe, is the current king of the Bentonia Blues.  It was truly an amazing experience to hear him play “Catfish Blues” and “Roll Me”.  The rest of the afternoon was spent back at Ground Zero for more blues from Steve Kolbus, Lucious Spiller, Jaxx Nassar, Big Train and the Loco Motives, Heavy Suga and the Sweet Tones, and Johnny Burgin.  

With a setlist which included Amy Winehouse’s “Back to Black”, “Sweet Home Chicago”, Susan Tedeschi’s “Hurts So Bad”, and Cindy Lauper’s “Time After Time”, and “Whipping Post” it was a great pleasure to hear Jaxx Nassar.  She is a multi-instrumentalist who has an amazing voice, and killer chops on the guitar.  She even brought out her cigar box guitar made by my friend Kevin Patrick, and gave us a solid dose of “Catfish Blues”.  I can’t wait to hear her first album, whenever it may come out.  I’ll definitely be among the first to buy a copy.

Jim “Big Train” Madsen, another friend of mine from the group I was with, took the stage with his band Big Train and the Loco Motives.  With Madsen on guitar and lead vocals, the rest of the band was comprised of Bill “Top Dog” Cummins on harp, Mason “Thumper” Cullen on bass, and Mike “Pine Box” Lander on percussion.  They delivered an outstanding set of delta blues, covering greats such as “Got My Mojo Working”, “Built for Comfort”, “Bang Bang Bang Bang”, “Before You Accuse Me”, and “Hoochie Coochie Man”.  They also performed a new original blues tune written by Madsen called “I Ain’t Skinny No More”.  That one definitely needs to be released as a single sometime soon.  

Heather Crosse and Johnny Burgin had sounded so good together the previous two times I caught them, I had to hang around and hear them once more.  It was cool to hear Burgin break out his cover L.V. Bank’s “Teddy Bear”.

Several acts were delayed due to rain Saturday evening, but once it cleared, I was front-and-center for Jimbo Mathus with special guest Charlie Musselwhite.  That was the main event as far as I was concerned, and no way was I going to miss this show.  It was still sprinkling a little bit, but I managed to get the camera out for a few shots.   Jimbo started out with “Shake Your Money Maker”, and a most fitting “Ain’t Gonna Rain No More”.  He played Canned Heat’s “On the Road Again”, and Al Green’s “Let’s Stay Together”.  Musselwhite took the stage and stayed until the end.  Together they performed several songs including “Louisiana Blues”, and “Ode to Billy Joe”.

I had a such a fun time, trying to cram as much live music into my vacation as I possibly could.  Sunday morning, we checked out of the Shack Up Inn and began the eleven-hour trek back to Iowa along Highway 61.  Now, it’s just a treasured memory.

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*All photos by Phillip Smith except the one credited otherwise


The Beale Street All Stars at King Jerry Lawler's

Thomas Jacques hosting King Biscuit Time 

Thomas Jacques

Delta Cultural Center at Helena,Arkansas

Legend Shack at The Shack Up Inn

at The Shack Up Inn

Lucious Spiller

Sean "Bad" Apple

Terry "Big T" Williams

      

Jaxx Nassar & Heather Crosse

Jaxx Nassar & Johnny Burgin

Jaxx Nassar & Jim "Big Train" Madsen

Johnny Burgin

Heather Crosse & Johnny Burgin


Tutwiler, Mississippi

Kevin, Terri, Jim, Bill, Joyce, Galen, Pam, Kyle, & Aaron


The Cozy Corner Cafe in Indianola, Mississippi


Club Ebony in Indianola, Mississippi

 

Crossroads * photo by Terri Munch  (Thanks Terri!)

Crossroads : Jim, Terri, Joyce, Bill, Kyle, & Pam 

Dockery Farms

     

Heather Crosse & Johnny Burgin

Heather Crosse

Lee Andrew "Juice" Williams 


Lightnin' Malcolm


James "Super Chikan" Johnson

Lala Craig

James "Super Chikan" Johnson

Heather Falduto


Jimmy "Duck" Holmes

Steve Kolbus and Jaxx Nassar

Lucious Spiller

Jaxx Nassar

Big Train & the Loco Motives


Jimbo Mathus

Charlie Musselwhite

Charlie Musselwhite & Jimbo Mathus

Charlie Musselwhite & Jimbo Mathus






Websites of places mentioned:

 

King Jerry Lawler’s Hall of Fame Bar & Grille – www.lawlersonbeale.com

Delta Cultural Center - www.arkansasheritage.com/delta-cultural-center/delta-cultural-center-home

Shack Up Inn – shackupinn.com

Ground Zero Blues Club – groundzerobluesclub.com

Delta Blues Museum – deltabluesmuseum.org

Hooker Grocery -- www.hookergrocer.com

 

 

 

Websites of artists mentioned:

 

Johnny Burgin - johnnyburgin.com

Steve “Lightnin’” Malcolm - www.lightninmalcolm.com

Big Train & the Loco Motives – bigtrainsblues.com

Jimbo Mathus - www.therealjimbomathus.com

Charlie Musselwhite - www.charliemusselwhite.com

 

 

 

 

 

 

   

 

 

   

 

 

 

 

 

 

For more information about the festival, visit this website - www.sunflowerfest.org

Saturday, August 7, 2021

#512 : Polly O’Keary and the Rhythm Method - 50



2021 – Polly O’Keary and the Rhythm Method

By Phillip Smith; Aug. 7, 2021

 

50, the sixth album from Polly O’Keary and the Rhythm Method swiftly swept me off my feet with its unique blend of funk, soul, rock, and blues.  With O’Keary on lead vocals and bass guitar, the Rhythm Method is comprised of guitarist Dave Miller and drummer Tommy Cook.  Being unable to play last year due to Covid-19, the band spent their time writing and recording this splendid eleven-track record of all originals.  The title 50, derives its name from the fact that all three members of this power trio turn 50 this year.   

They roll the album out atop a wave of funky goodness on “Brand New Day” with guest vocalist Lady A (the real one, not the country band) joining in.  The real Lady A and O’Keary sound great together, as Miller powers though an extraordinary guitar solo.  The song is an absolute homerun.  Cook infuses “Can’t Catch Me” with a marching-line beat, as Miller’s searing guitar licks pour freely and cast an ominous air about this ballad about facing down drug addiction.  O’Keary sounds fabulous as she sings “Strange Way of Showing Love”.  Her voice control is amazing.  Miller continues to push the envelope on guitar as O’Keary and Cook keep the rhythm section boiling.  “American Highways” ushers the album out in a Billy Squire no-holds-barred fashion, boasting an accelerated pulse and a kick-ass riff.  

50 is a record that packs a punch in just about every song.   It’s absolutely worth checking out. 

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 For more information about the artist, visit this website : POLLY O'KEARY AND THE RHYTHM METHOD - Polly O'Keary and The Rhythm Method! (pollyokeary.com)