Ross Neilsen - Elemental

2016 –  Ross Neilsen

By Phillip Smith; Oct. 15, 2016

Canadian guitarist and singer/songwriter Ross Neilsen has a special way of tapping into his human experience, then catapulting that essence, full of heart and soul, into his music.  His latest album Elemental shows just that, as he infuses his unique blend of country, blues, and rock into eleven wonderfully constructed songs.  Neilsen’s talent has not gone unnoticed.  He has received Best Blues Recording for the Music New Brunswick Awards twice, received two CBS Rising Star awards, and was a semi-finalist in the 2012 International Blues Challenge. 

Neilsen delightfully taps into the delta blues with “Black Coffee”.  Hearing Neilsen ripping it up on guitar alongside Steve Marriner’s righteous harp performance, transports me right to Memphis’ historic Beale Street.  A haunting country melody accented by Neil Young-like riffs set the mood in “Devil Made You”.  This is one cool as hell track with fantastic steel guitar.  An air of melancholy washes over when I hear “Ash Fault” play through.  The violin accompaniment from Jim Bowskill beautifully sets the tone.  “The Race” has an old-school Motown vibe.  The soulful vocals and peppy bursts of brass put a smile on my face.

Elemental, clinging to no specific genre, is a wonderful amalgam of musical styles seamlessly woven together.

Larkin Poe - Reskinned

2016 –  RH Music

By Phillip Smith; Oct. 8, 2016

Thanks to Elvis Costello, the music of Atlanta-based duo Larkin Poe is now in my awareness.  Rebecca and Megan Lovell have been opening for Costello on his most recent tour, Detour.  The talents of this sister-duo run deep.  Rebecca commands the stage with her no-holds barred presence on both mic and lead guitar, while Megan pours out rich vocal harmonies, all while slaying the lap steel guitar.  Reskinned, their second full length album brings to the table five new tracks and seven re-released songs from the 2014 critically acclaimed Kin.

From the beginning, with the hard-rockin’ “Sucker Puncher”, Larkin Poe is quick to grab me by the collar.  This song is dripping with attitude.  Between the fierce riffs coming from Rebecca and lush slide from Megan, I am totally captivated.  The Lovells seriously kick out the jams with their bad-girl anthem “Trouble in Mind”.  I love the sheer rawness of “P.R.O.B.L.E.M”, with its riveting guitar licks and punk attitude served Jack White style.  Stand-out songs, the deliciously swampy “When God Closes a Door” and the wonderfully melodic and bluesy “Blunt” puts the magnifying glass to religion and dogma. 

Their style of songwriting is unique and oftentimes dark, and their performance is wondrous and exciting. Reskinned is such a terrific album, I can hardly stand to take it out of the CD player.

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Lady A - Loved, Blessed & Blues

2016 –  Self-Released

By Phillip Smith; Oct. 2, 2016

When the mood hits for a nice blend of blues, funk & soul , it doesn’t get much better than taking in the intoxicating vocal sounds of Seattle songstress Anita White, aka Lady A.  Her latest album, Loved, Blessed & Stressed is an absolute splendor.  White is joined by Dexter Allen (guitar, bass, piano and backing vocals) and Joey Robinson (drums, and keyboard).     

One doesn’t have to be in a church house to be taken to church.  Title track, “Love, Blessed & Blues” grabs ahold of me and vibrates right to the soul, dousing me in the blues gospel-style.  Lady A gets the adrenalin flowing in the high-energy “Honey Hush (Tribute to Elnora)”. Play, listen and then repeat on this dance-friendly treat.

Lady A breaks out the funk George Clinton/Brides of Funkenstein style on “Take Me Back to Seattle”.  I love the growly bass-line Allen plops down, and the cool little micro-rhythms Robinson adds on the keys.  There’s a sweet Motown feeling imbedded in “Love Calling”, a smooth R&B slow song with beautiful vocals.

Loved Blessed & Blues puts me in my happy place with every listen, leaving me with a huge smile across my face. 

Nancy Wright - Playdate!

2016 –  Vizztone

By Phillip Smith; Sep. 25, 2016

In 2013, San Francisco musician, Nancy Wright pulled down the West Coast Blues Hall of Fame’s Blues Saxophonist of the Year award.  She’s been touring with Tommy Castro for the past couple of years, and has just wrapped up her latest album, Playdate!.  For this project, she has enlisted a slew of top tier blues talent – Tommy Castro, Victor Wainwright, Elvin Bishop, and Joe Louis Walker to name a few.  Her band consists of producer/guitarist Christopher “Kid” Anderson, with Chris Burns on keys, bassist Joe Kyle Jr., drummer J. Hansen, Tom Poole on trumpet, and Faris Jarrah on trombone, and percussionist Martin Windstad.

Guest vocalist Wee Willie Walker gives a standout performance and Wright gets down on sax, as the gang breaks out the sweet funk on the Willie Harper classic, “Why You Wanna Do It”.  I fall hook, line and sinker for this track.  It’s absolutely fabulous.  I also have to crank up the volume when the soulful “Been Waiting That Long” kicks in.  Sung by Frank Bey, who toured with the Otis Redding Review in the sixties, this killer song was written by Wright’s friend and mentor, the late, great Lonnie Mack.  Kyle’s funky bassline grabs ahold and doesn’t let go on “Warranty”, a smooth bluesy track featuring the lovely and silky vocal talents of Terrie Odabi. 

Wright pulls in the carefree and classic Motown sound on original track, “Good Loving Daddy”.  It’s a terrific listen for sure.  Playdate! winds down and closes out with the with the slow and wonderfully bluesy “Soul Blue”, which features the spectacular guitar sounds of Chris Cain.  This album is a definite keeper.   

Lex Grey and the Urban Pioneers - Heal My Soul

2016 –  Lex Grey Music

By Phillip Smith; Sep. 17, 2016

“Heal My Soul”, the sixth album from the New York ensemble Lex Grey and the Urban Pioneers, has quite a kick to it.   Grey’s delivery is a force to be reckoned with, as she belts out powerful vocal performances in this ten song collection of original blues and straight-up rock and roll tunes.

Brian Dewan joins in with his homemade ‘Dewanatron’ which rolls the red carpet out for the album opener “Factory”.  Grey gets downright sultry on this bluesy track as Walter Tates Jr. dishes out some tasty sax licks.  When I hear “Quiet Place”, I’m taken back to the mid-Eighties when bands like the Pretenders ruled my turn-table. “Ghost” has some of those same qualities as well.  This cool rock and roll dirge hosts a most interesting and ominous tone, thanks to Vic Mix on guitar. 

Bringing the album to a close, is title track, “Heal My Soul”, which begins its journey with a slower pace, and ascends into a wonderful New York groove.  The song culminates by releasing oodles of emotion into a swirling soulful jam.

Mark Harrison - Turpentine

2016 –  Mark Harrison

By Phillip Smith; Sep. 17, 2016

UK musician Mark Harrison is one hell of a story-teller and songwriter.  He delivers his roots-rich music acoustically using National and twelve string guitars. His latest album, Turpentine, is a delightful listen to say the least.  Playing alongside Harrison on this thirteen track album of all original material is Charles Benfield on double bass, Ed Hopwood on drums, percussion and harmonica, and Paul Tkachenko on mandolin, piano, organ, and accordion.

Make the best with what you have, is the message shared in “Black Dog Moan”. The light and carefree melody captures my full attention.  I can totally relate to the frustration Harrison sings about in “Hardware Store”, as he sings ‘”All those things they sell down in that hardware store.  I don’t know what they do and I don’t know what they’re for”.  The fabulous instrumental, “Dog Rib” is a haunting bluesy treat with a tribal beat.  This is acoustic blue at its best.  Tkachenko straps on the accordion and sprinkles some New Orleans-style Cajun seasoning into “Dirty Business”, a song about greed and thievery.      

I absolutely adore the “The Treaty of Dancing Rabbit Creek”. This amazing song tells the story of the deal made in 1830 between the US government and Chief Greenwood LeFlore of the Choctaw Nation, in what is now known as Mississippi.     

One listen to Turpentine, and it is quite apparent why Harrison received two nominations in the British Blues Awards, for Songwriter and Acoustic.  The album is an instant treasure in my books.

Prodo - The Summoning

2016 –  Prodo

By Phillip Smith; Aug. 20, 2016

The Summing is quite a funky follow-up to the Wisconsin jam-masters Prodo’s debut release, Prodotype.  Amidst a seven month tour in China, guitarist/lead vocalist Henry Robinson, along with drummer Dane Pastor and bassist Jeremy Erickson, hit the studios, and have delivered one hell of an album full of twists and turns.  Embracing the chaos and comfort that can be created with music, Prodo playfully explore the craft of fusion.    

A funky world-beat rhythm loaded with spacy jams gets “Wadadadoo” off the ground very nicely.  “The Creep” ominously follows, brilliantly composed to leave the listener in an unsettled state.  A feel-good reggae beat reels me into the poppy atmosphere and psychedelic sounds of “This Life”.  Title track, “The Summoning”, loaded with heavier guitar riffs, a funkier bass line, and playful lyrics reminds me of Phish, a band I have a high regard for.  Robinson’s soothing vocals set a beautiful melodic tone to “A!”, to which his guitar licks effortlessly hover in the air. And as for what kind of tipper the Dali Lama is on the golf course, forget about it, and take a relaxing listen to the lovely “Gunga Galunga” for your total consciousness needs.    

The Summoning can be found at https://prodo.bandcamp.com/track/the-summoning

JL Fulks - On Down the Road- EP

2016 – JL Fulks Enterprizes

By Phillip Smith; Aug. 20, 2016

Some say great things come in small packages.  That is very true for the latest release, On Down the Road, from the twenty-six year old singer/guitarist JL Fulks . This five track EP is one big bowl of outstanding tunes. After giving it a single listen, one should find it very obvious how his band made it to the Semi-finals of the 2016 International Blues Challenge in Memphis.  Originally hailing from Greenville, South Carolina, and living in Memphis for a while, Fulks now finds his home in Southern Florida, fronting his trio composed of Ken Burgner on bass, and Ian Jones on drums.   

The southern rock fueled title track, “On Down the Road” will get the foot stomping for sure.  Speckled with the sounds of summer, this song about conquering restlessness and breaking free to head out on one’s life journey, features some mighty fine and tasty lead guitar provided by special guest Matt Schofield.  A driving beat and the lush sounds of a B3 from Muggie Doo, set the perfect stage for Fulks’ commanding vocals and riveting guitar on “The River”. 

Fulks guitar is dynamic and intoxicating on the colossal “Phrygian Dance”.  This prog-blues instrumental is pumped with killer beats and stellar bass, making it shine immensely.  This fantastic EP is such a treat to hear, and I anxiously await to hear more music from JL Fulks.  

JRZ System - Teazer

2016 – Frankenbacker Music

By Phillip Smith; Aug. 13, 2016

I heard JRZ System for the first time last week, with my first visit to the Tommy Bolin Music Festival in Sioux City, Iowa.  Hailing from Lincoln, Nebraska, this extremely talented trio is composed of guitarist Mark Zavon, bassist Troy Johnson, and drummer Todd Roberson.  During these past seven days, their latest release Teazer has rapidly become one of my all-time favorite albums.  This ten track tribute of instrumentals is one stellar testament to the music of the late great Tommy Bolin, capturing each song off Bolin’s Teaser album in their original sequence. In addition, they also include “Crazed Fandango”, originally recorded for Teaser, but not released until 1996 with the release of From The Archives, Vol 1.

From the beginning at “Grind”, I knew I was in for a treat.  Johnson’s monster bassline, Zavon’s ripping guitar, and Roberson’s crushing performance on drums are synchronized until the end.  I can’t help but think of my first impression of Joe Satriani, when I heard Surfing With the Alien, and how much it knocked my socks off.  “Homeward Strut” is crazy good too.  Each person shines bright and takes up the slack for no one.  “Savannah Woman” is another sparkling gem, artistically highlighted by a Santana-like aura and a smooth Latin beat.    

Johnson spins a funky groove on title track “Teaser” for Zavon to weave his psychedelic licks through.  It sounds amazing.  “Marching Powder”, my personal favorite Bolin track, is played ‘balls to the wall’, in an onslaught of melodic metal. I love the way they gently ease into “Wild Dogs” and take off running. 

When it comes to Rock and Roll, it really doesn’t get much better than this.  I am so looking forward to hearing more from JRZ System in the future, because Teazer is fantastic!

Royal Southern Brotherhood - The Royal Gospel

2016 – Ruf Records

By Phillip Smith; Aug. 13, 2016

I really like the musical direction Royal Southern Brotherhood is taking.  Not straying too far from their bluesy roots, the band continues to keep a fresh and funky sound as they roll out their fourth fabulous album, The Royal Gospel.  The RSB lineup this time around consists of singer/percussionist extraordinaire Cyril Neville, guitarists Bart Walker and Tyrone Vaughan, drummer Yonrico Scott, bassist Darrell Philips, and as guest on the B3, Norman Ceasar.  There must have been a lot of magic in the air during the seven days of recording this album at the Dockside Studios in Louisiana. One can feel the connectivity and kinship of the band imbedded in the music.

“Where There’s Smoke, There’s Fire” opens with guitars blazing.  Loaded with badass heavy riffs and an intense bassline, this song is best heard loud.  The slide guitar on the swampy blues ditty “Spirit Man”, sounds downright great backed with the soul-filling sound of the B3.  I love the trance-inducing rhythm in “Blood Is Thicker Than Water”.  Neville’s smooth vocals fit in quite nicely.  “Face of Love” is such a terrific song too.  It is quite beautifully sung and performed.  One of my favorite unexpected surprises is when RSB breaks out the funk in “Can’t Waste Time”.  I can’t help but be transported to the late Seventies, when I was first started jamming out to Funkadelic.        

The Royal Gospel closes out in full-on revival mode, urging folks to stand up for what they believe in, with “Stand up” , a soulful tune served ala gospel style, complete with lots of foot stomping and hand clapping.  If this don’t get one moving, it’s likely nothing will.  This lineup of RSB works really well, and I hope it stays in place for a while.  

Matty T. Wall - Blue Skies

2016 – Hipsterdumpster Records

By Phillip Smith; July 30, 2016

Hailing from Perth, Australia, Matty T. Wall proves his band is indeed a musical force to be reckoned with.  With blues and rock at the forefront of his ten track debut album, Blue Skies, Wall interestingly gravitates towards jazz and grunge as well, masterfully concocting his own creative and unique blend of sound.  Backed by drummer Jasper Miller and bassist Stephen Walker, both also from Perth, Wall could not ask for a better rhythm section suited for his music. They really make his songs shine.

Wall revs the listener up with hot Texas style electric-blues in the album opener “Burnin’ Up Burnin’ Down”.  An energetic cover of Keb Mo’s “Am I Wrong” sweetly follows.  Wall delivers the goods on Jimi Hendrix’s “Voodoo Chile”.  This nearly twelve minute long jam is a soulful and psychedelic treat. The guitar solo is simply amazing.  The track “Scorcher” certainly lives up to its name.  Here, Wall goes full-on rockabilly, turning his dial to eleven, doling out fast and furious guitar licks.  Miller’s performance on drums is simply outstanding.  The melodic title track “Blue Skies” is a wonderful listen too.  This beautiful song captures the essence of early Nineties Seattle grunge. 

For the pièces de résistance, Wall breathes new life into “Hellhound on My Trail”, Robert Johnson’s legendary tale about the aftermath of his deal with the devil at the infamous Crossroads.  Wall artistically sets a dreary mood for the song using sound effects of rain and thunder.  Miller pounds the drums as if to mimic the sound of a racing heart in distress.  There is a definite heaviness padded with layers of anxiety built into the music.  It fits perfectly to the lyrics.

What Matty T. Wall has done with Blue Skies is tremendous, not only for blues, but for music in general.  The album is indeed a masterpiece.         

for more info on Matty T. Wall, visit his website at http://mattytwall.com/

Mike Sponza - Ergo Sum

2015 – EPOPS Productions

By Phillip Smith; July 23, 2016

It only took one listen to Mike Sponza’s latest album, Ergo Sum (Latin for “Therefore I am.”), to realize it was going to be one of my favorite discs this year. British singer/guitarist Ian Siegal joins Sponza in the writing and performance on seven of the eight songs on this stellar album of blues and soul, recorded at the famous Abbey Road Studios in London.

Sponza takes an interesting look at the golden mean and applying it to daily life in “Modus in Rebus”.  A small burst of Frank Zappa-inspired vocals, satirical lyrics, spacy guitar licks, and the lush sounds of a Hammond organ played by Dean Ross make this a stand-out.  There seems to be a little Alabama Shakes vibe going on with “See How the Man”.  Sponza’s playful guitar sounds great.  Backed by saxophonist Matej Kuzel and trumpeter Chris Storr, this song sends me back to the Memphis Stax/Volt days.  While on the subject of Stax, I have to mention another favorite, “Prisoner of Jealousy”.  Siegal sings this one with the conviction of Otis Redding while the rest of the guys settle quite nicely into a smooth Booker T and the MGs groove. It sounds plumb terrific.   

The funky guitar riff and contagious melody running through “Kiss Me” is delightful, as is the soulful vocals, swampy slide guitar and rich sax/organ accompaniment which bring the masterpiece “Penelope” to the forefront.  Special guest, British blues singer Dana Gillespie gives a smooth and intoxicating performance on the captivating “The Thin Line”.  Topped off with fabulous bursts of brass, and little dabs of slide guitar, the song plays out beautifully.    

Thoughtful lyrics, powerful vocals, and perfectly executed melodies make Ergo Sum a fun yet intelligent album.  It’s going to remain on heavy rotation in my player for quite a while.       

  

The Paul DesLauriers Band - Relentless

2016 – Big Toe Productions

By Phillip Smith; July 17, 2016

Relentless, the follow-up to the self-titled 2014 album from The Paul DesLauriers Band is a riveting electric blues album to say the least.  Singer/guitarist extraordinaire Paul DesLauriers takes the helm of this ship manned by a magnificent rhythm section, bassist Greg Morency and drummer Sam Harrison.

In “Stewtro Rock (Just Got Back)”, DesLauriers breaks loose with guitar in hand like a furious and caffeinated bat out of hell, soaring all the way until its mind-blowing climax.  The energy stays high in “I’m Your Man”.  Walking the narrow line between blues and rockabilly, DesLauriers doles out Memphis-style riffs while Morency keeps the rhythm going with a boogie-laced bassline. DesLauriers gets nice and swampy with “Still Under My Skin”, while hopelessly pining over lost love.  The jam on the bridge is absolutely amazing.  DesLauriers unleashes a wondrous wall of guitar sound while Harrison dishes out a stellar and thunderous performance on drums.  I also can’t help but gravitate towards the beautiful eight and a half minute power ballad “If I Still Had You”.  As the tension slowly builds, I crank the volume to fully embrace the lovely intense jam which follows.                 

More often than not, as the last song on the album finishes, instead of replacing the disc with another, I’ll just let it ride for another spin.  That must be why this album is so suitably named, Relentless. 

   

Wooden Nickel Lottery - Down the Line

2016 – Violet Isle Records

By Phillip Smith; July 9, 2016

There’s something kind of special about Wooden Nickel Lottery’s latest album, Down the Line.  The songs take me back to the late Seventies, when rock music relied on well-written songs, and radio stations still played a mix of genres.  That’s exactly what these Eastern Iowa musicians have to offer, as they skillfully combine splashes of rock, blues, country, funk and soul to create their own special blend of homegrown tunes.  The band is composed of lead vocalist/guitarist Rick Gallo, guitarist/tunesmith Rich Toomsen, bassist Jessica Toomsen, and drummer Delayne Stallman.

Gallo soulfully belts out “Can’t Be Wrong” with a power and smoothness which reminds me of Foreigner’s Lou Gramm.  I dig the funky bassline Jess lays down on “No Second Chances”.  It puts a smile on my face with every listen.  It’s easy to get lost in the bluesy melody on “Yesterday’s Rain”. It’s nice and slow, with an Allman Brothers vibe.  Hearing this one played live with an extended jam would be a treat for sure.  WNL kicks out the jams in hoedown fashion for a downright bodacious and intense instrumental, “Throw It Down”.  They keep the fire burning with the rocker “The Open Road”, staying on course with a driving beat from Stallman as Rich sweetly rips it up on guitar.   

For a cool-as-hell finale, the album closes out with a swampy homage to the working man in the track “Nickels and Dimes”.  Wooden Nickel Lottery scores big with Down the Line.  It is such an enjoyable album, I anxiously await their next.

 

Steve Hill- Solo Recordings Volume 3

2016 – No Label Records

By Phillip Smith; July 6, 2016

It’s no surprise Canadian musician Steve Hill has pulled down the 2015 JUNO Award for Blues Album of the Year, as well as Maple Blues Awards in 2014 and 2015 for Electric Act of the Year.  This man has it all going on with one of the best one-man band acts I’ve heard.  Hill attacks the blues with true grit as he pulls it all together accomplishing a magnificent feat in every one of his performances.  Solo Recordings Volume 3 follows up his JUNO nominated Solo Recordings Volume 1 and JUNO winning Solo Recordings Volume 2.  With Volume 3, Hill dishes up a dozen magnificent songs which resonate deeper with each and every listen.

“Damned” breaks loose with a wall of electric guitar fury alongside a driving beat.  One song in and already it’s hard to imagine this is one lone man with an arsenal of instruments.  Hill approaches “Still A Fool & A Rollin Stone” with intense focus, dishing out a performance which sounds like it came from someone who has been playing fifty years.  He shines on guitar as well as vocals, making this a no-holds-barred favorite.  In “Troubled Times”, Hill shows off his versatility and reminds us that not everything is pleasant.  The song is beautifully played.  When Hill tackles one of my favorite blues tunes, “Rollin’ & Tumblin / Stop Breaking Down”, I go to my happy place as soon as I hear the slide.  The man can sure play the blues.  That is a fact. 

Albert Castiglia - Big Dog

2016 – Ruf Records

By Phillip Smith; June 25, 2016

I’ve always enjoyed hearing Albert Castiglia play the Blues, but there is something about his latest album, Big Dog, that grabs ahold of me and just latches on.  Castiglia surrounds himself with extremely talented musicians: bassist Scot Sutherland, drummer Rob Lee, and Lewis Stephens on keys & piano.  For the icing on the cake, Mike Zito also performs on guitar and produced the album as well. 

Castiglia enters the album guns-a-blazing, holding back nothing, lobbing immense and intense guitar licks as if grenades on a battlefield, in the monster opening track “Let the Big Dog Eat”.  Castiglia advises promising musicians that hard work is the key to success in the song, “Get Your Ass in the Van”.  He lays down lots of sweet killer slide guitar on this original track, while satirically making his point, singing “This ain’t no American Idol.  There ain’t no more deals being made at the cross-roads.”. Castiglia then goes deep on his four-star cover of Luther Allison’s “Drowning at the Bottom”.  I can feel the blues oozing from his pores as he beautifully plays this soulful tear-jerker. This is my absolute favorite.  Stephens’s organ performance adds a cool Allman Brothers vibe on “Let’s Make Love in the Morning”.  This soulful, feel-good song puts a smile on my face with every listen.             

Big Dog is so hot and electric; it is pretty much an instant classic.     

Bill Durst - Good Good Lovin

2015 – Durstwerks

By Phillip Smith; June 11, 2016

Good Good Lovin, the latest from Canadian bluesman Bill Durst (Thundermug), is one hell of a treat.  With bassist Joe DeAngelis and drummer Corey Thompson at his side, Durst is serving up some of the tastiest Texas-style guitar blues and boogie I’ve heard.  The album features nine original kick-ass tracks co-written by Durst and DeAngelis, of which most sport a strong ZZ Top vibe.

The music hits the ground running with title track “Good Good Lovin”.  Durst dishes out fuzzy riffs and groovy licks as this infectious song races along, hammering the listener’s adrenal glands into submission.  “Got Love” keeps the energy levels high with call-backs to early Led Zeppelin.  Durst’s gravelly vocals sound so cool as he’s ripping it up on guitar in the outstanding power shuffle “King Snake Prowl”.  His slide guitar on “Heaven Heaven” sounds mighty sweet too. 

I could listen to Durst play guitar all day long and not tire. Good Good Lovin is an instant favorite which needs no time to warm up to.  Fans of ZZ Top should strongly consider picking a copy of this album up.

For more info on Bill Durst, visit his website http://www.billdurst.com/

Peter Kelly - Don’t Let Me Be Alone

2015 – Peter Kelly Music

By Phillip Smith; June 4, 2016

Rich poppy melodies and dark poignant lyrics are the focus of Peter Kelly’s album Don’t Let Me Be Alone.  The ten original songs from this New York singer/songwriter are smart and all beautifully performed by Kelly himself.  “Live The Dream” sweetly ushers the listener in with lush vocals and swirling rhythms. Following is the quirky anthem for codependents ”Don’t Let Me Be Alone”, in which Kelly keeps things flowing with contagious hooks. Irony is king in “Suicidal”. This upbeat ditty about cloaking suicidal thoughts with fake smiles is infectious and clever. It is one of my favorites.   Kelly blends rap and pop, topped off with melodic vocals, for “Tailwind (It’s a Beautiful Day)”, a song I love to start the day with.

Don’t Let Me Be Alone is a terrific listen from beginning to end, and comes highly recommended.    

Reverend Freakchild - Illogical Optimism

2016 – Treated and Released Records

By Phillip Smith; June 4, 2016

For those looking for a new spiritual leader, I’d like to recommend the good Reverend Freakchild.  His latest album, Illogical Optimism is three discs of musical fun.  The first disc is Odds, Ends and Other Amazingness.  It features fifteen blues and boogie-laced tracks that make me grin from ear to ear.  The second disc, Everything is New, contains a dozen stand-out remixes of Freakchild’s own “Everything is New”.  Lastly, the third disc is called Kairos, and contains acoustic gospel blues songs from a former Florida preacher who goes by the name of Ramblin’ Jennings. 

The Rev interestingly gives John Lennon’s “Imagine” the Lou Reed treatment.  This is one cool track indeed.  The good times roll as he takes on the Meters’ bayou-boogie classic ”Hey Pocky A-Way”.  I love Freakchild’s rendition of Blind Lemon Jefferson’s look at mortality, “See That My Grave is Kept Clean”.  This one stellar blues song. Freakchild brings the first disc to a close with a splash of weirdness and creativity in the gonzo inspired “Plastic Jesus Working On a Building”, which uses the traditional songs “Plastic Jesus” and “Working On a Building” as bookends to contain a myriad of random sounds and song-bits.   

On disc number two, in which all the tracks are variants of the same song, Freakchild is careful to give each track a unique and distinct sound.   Drummer Chris Parker lays down a trippy beat for Freakchild to break the funk out ala George Clinton style in my favorite track, “Once Upon a Time Called Right Now”.  I also really like the hillbilly version “Alla Gotta Na’” too.  Co-producer Sal Paradise lends his breath and harmonica as the Rev breaks out the banjo.  For the multi-linguist, Freakchild also includes both French and German versions.   

The third and final disc features eight tracks from a different reverend.  Armed with just a guitar and harmonica, Ramblin’ Jennings shares the gospel by playing the blues, and he does it with a lot of heart, soul, and authenticity.  Stand-out songs include”Safe in the Storm”, “I Saw A Wheel”, and “Silver Sandals”.

Give the Reverend Freakchild a listen. You will not be disappointed.  

Sam Morrow - There Is No Map

2016 – Forty Below Records

By Phillip Smith; May 28, 2016

Sam Morrow’s debut album Ephemeral was one of my favorites of 2014, therefore, I was most curious to hear the new songs on his latest release There Is No Map.  As expected, the new album revealed to be another masterpiece.  With poetic beauty and brutal honesty, Morrow explores the not-so-glamorous gonzo journeys his modern-day outlaw life has taken.

The soulful boogie-laced tale of destitution and addiction in “Barely Holding On” is a sure-fire hit.  Like a freight train, the songs keep fearlessly rolling.  I get goose bumps when I hear “The Deaf Conductor”, written by the album’s producer Eric Corne.  Accompanied by the lush and beautifully textured sounds of a B3, this one has an instant familiarity to it.  I feel as if I’ve heard this song a hundred times before.  Then there’s the swirling, melancholy, country-flavored dirge “Green”, in which Morrow, like a burdened Buddha sings “The same old bullshit don’t make the grass green.”  This one is flawlessly and soulfully performed.  The eerie and ominous vibe woven into the wonderfully dark “Devil’s in the Details” are quick to grab my attention as well. The song is short, but sweet.

With two strong albums like these under Morrow’s belt, I already await the next.

For more info about Sam Morrow, check out his website... http://sammorrowmusic.com/